Solomon and the Witch
Opinion is not worth a rush;In this altar-piece the knight,Who grips his long spear so to pushThat dragon through the fading light,Loved the lady; and it’s plainThe half-dead dragon was her thought,That every morning rose againAnd dug its claws and shrieked and fought.Could the impossible come to passShe would have time to turn her eyes,Her lover thought, upon the glassAnd on the instant would grow wise.
Put it so;But bear in mind your lover’s wageIs what your looking-glass can show,And that he will turn green with rageAt all that is not pictured there.
Go pluck Athena by the hair;For what mere book can grant a knowledgeWith an impassioned gravityAppropriate to that beating breast,That vigorous thigh, that dreaming eye?And may the devil take the rest.
Paul VeroneseAnd all his sacred companyImagined bodies all their daysBy the lagoon you love so much,For proud, soft, ceremonious proofThat all must come to sight and touch;While Michael Angelo’s Sistine roofHis ‘Morning’ and his ‘Night’ discloseHow sinew that has been pulled tight,Or it may be loosened in repose,Can rule by supernatural rightYet be but sinew.
I have principles to prove me right.It follows from this Latin textThat blest souls are not composite.And that all beautiful women mayLive in uncomposite blessedness,And lead us to the like--if theyWill banish every thought, unlessThe lineaments that please their viewWhen the long looking-glass is full,Even from the foot-sole think it too.
And thus declared that Arab lady:“Last night, where under the wild moonOn grassy mattress I had laid me,Within my arms great Solomon,I suddenly cried out in a strange tongueNot his, not mine.”And he that knewAll sounds by bird or angel sungAnswered: “A crested cockerel crewUpon a blossoming apple boughThree hundred years before the Fall,And never crew again till now,And would not now but that he thought,Chance being at one with Choice at last.All that the brigand apple broughtAnd this foul world were dead at last.He that crowed out eternityThought to have crowed it in again.A lover with a spider’s eyeWill find out some appropriate pain,Aye, though all passion’s in the glance,For every nerve: lover tests loverWith cruelties of Choice and Chance;And when at last that murder’s overMaybe the bride-bed brings despairFor each an imagined image bringsAnd finds a real image there;Yet the world ends when these two things,Though several, are a single light,When oil and wick are burned in one;Therefore a blessed moon last nightGave Sheba to her Solomon.”
“Yet the world stays:”“If that be so,Your cockerel found us in the wrongAlthough he thought it worth a crow.Maybe an image is too strongOr maybe is not strong enough.”
“The night has fallen; not a soundIn the forbidden sacred groveUnless a petal hit the ground,Nor any human sight within itBut the crushed grass where we have lain;And the moon is wilder every minute.Oh, Solomon! let us try again.”
Never until this night have I been stirred.The elaborate star-light has thrown reflectionsOn the dark stream,Till all the eddies gleam;And thereupon there comes that screamFrom terrified, invisible beast or bird:Image of poignant recollection.
Words in this poem 15
- fading n.
- An Irish dance; also, the burden of a song.
- wage v. i.
- To bind one's self; to engage.
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- impassioned p. p.
- Actuated or characterized by passion or zeal; showing warmth of feeling; ardent; animated; excited; as, an impassioned orator or discourse.
- veronese a.
- Of or pertaining to Verona, in Italy. [It. Veronese.]
- lagoon n.
- A shallow sound, channel, pond, or lake, especially one into which the sea flows; as, the lagoons of Venice. [It. or Sp. laguna, L. lacuna ditch, pool, pond,lacus lake. See Lake, and cf. Lacuna.]
- sistine a.
- Of or pertaining to Pope Sixtus. Sistine chapel, a chapel in the Vatican at Rome, built by Pope Sixtus IV., and decorated with frescoes by Michael Angelo and others. [It. sistino.]
- sinew n.
- A tendon or tendonous tissue. See Tendon. [OE. sinewe, senewe, AS. sinu, seonu; akin to D. zenuw, OHG. senawa, G. sehne, Icel. sin, Sw. sena, Dan. sene; cf. Skr. snava. sq. root290.]
- blessedness n.
- The state of being blessed; happiness; felicity; bliss; heavenly joys; the favor of God.
- mattress n.
- A quilted bed; a bed stuffed with hair, moss, or other suitable material, and quilted or otherwise fastened. [OF. materas, F. matelas, LL. matratium; cf. Sp. & Pg. almadraque, Pr. almatrac; all from Ar. matsrah a place where anything is thrown, what is thrown under some]
- solomon n.
- One of the kings of Israel, noted for his superior wisdom and magnificent reign; hence, a very wise man.
- brigand n.
- A light-armed, irregular foot soldier. [F. brigand, OF. brigant light-armed soldier, fr. LL. brigans light-armed soldier (cf. It. brigante.) fr. brigare to strive, contend, fr. briga quarrel; prob. of]
- maybe adv.
- Perhaps; possibly; peradventure. [For it may be.]
- thereupon adv.
- Upon that or this; thereon.
- poignant a.
- Pricking; piercing; sharp; pungent. [F., p. pr. of poindre to sting, fr. L. pungere to prick, sting. See Pungent.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Solomon and the Witch is in the public domain. This text is taken from Michael Robartes and the dancer, Project Gutenberg ebook #72987; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, Solomon and the Witch, in Michael Robartes and the Dancer (1921), text of Project Gutenberg ebook #72987, Laurel, https://laurelpoetry.com/poem/yeats-michael-robartes/solomon-and-the-witch.html, id L19940.
Form and metre
Solomon and the Witch is 97 lines in 9 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABCBCDEDE rush · knightA · push · lightA · plainB · thoughtC · againB · foughtC · passD · eyesE · glassD · wiseE
- 2 ABAB- soA · wageB · showA · rageB · there
- 3 ---A-A hair · knowledge · gravity · breastA · eye · restA
- 4 ---ABABCDCD- veronese · company · days · muchA · proofB · touchA · roofB · discloseC · tightD · reposeC · rightD · sinew
- 5 A-ABCBCD-D rightA · text · compositeA · mayB · blessednessC · theyB · unlessC · viewD · full · tooD
- 6 -A-ABACBCD-DE-E-----F-F-GHGHIJIJ lady · moonA · me · solomonA · tongueB · mineA · knewC · sungB · crewC · boughD · fall · nowD · thoughtE · last · broughtE · last · eternity · again · eye · pain · glanceF · lover · chanceF · over · despairG · bringsH · thereG · thingsH · lightI · oneJ · nightI · solomonJ
- 7 -ABAB- stays · soA · wrongB · crowA · strongB · enough
- 8 A-ABCBC soundA · grove · groundA · itB · lainC · minuteB · againC
- 9 A-BBBA- stirredA · reflections · streamB · gleamB · screamB · birdA · recollection
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Opinion is not worth a rush; | 8 | ˘/˘····· |
| In this altar-piece the knight, | 7 | ··/˘··· |
| Who grips his long spear so to push | 8 | ········ |
| That dragon through the fading light, | 8 | ·/˘··/˘· |
| Loved the lady; and it’s plain | 8 | ·˘·/˘··· |
| The half-dead dragon was her thought, | 8 | ···/˘··· |
| That every morning rose again | 8 | ·/˘/˘·˘/ |
| And dug its claws and shrieked and fought. | 8 | ········ |
| Could the impossible come to pass | 8 | ··˘/˘··· |
| She would have time to turn her eyes, | 8 | ········ |
| Her lover thought, upon the glass | 8 | ·/˘····· |
| And on the instant would grow wise. | 8 | ···/˘··· |
| Put it so; | 3 | ··· |
| But bear in mind your lover’s wage | 8 | ·····/˘· |
| Is what your looking-glass can show, | 8 | ···/˘··· |
| And that he will turn green with rage | 8 | ········ |
| At all that is not pictured there. | 8 | ·····/˘· |
| Go pluck Athena by the hair; | 8 | ··˘/˘··· |
| For what mere book can grant a knowledge | 9 | ·······/˘ |
| With an impassioned gravity | 8 | ··˘/˘/˘˘ |
| Appropriate to that beating breast, | 8 | ˘/˘··/˘· |
| That vigorous thigh, that dreaming eye? | 8 | ·/˘··/˘· |
| And may the devil take the rest. | 8 | ···/˘··· |
| Paul Veronese | 4 | ···· |
| And all his sacred company | 8 | ···/˘/˘˘ |
| Imagined bodies all their days | 8 | ˘/˘/˘··· |
| By the lagoon you love so much, | 8 | ··˘/···· |
| For proud, soft, ceremonious proof | 8 | ········ |
| That all must come to sight and touch; | 8 | ········ |
| While Michael Angelo’s Sistine roof | 9 | ·/˘/˘·˘/· |
| His ‘Morning’ and his ‘Night’ disclose | 8 | ·/˘···˘/ |
| How sinew that has been pulled tight, | 8 | ·/˘····· |
| Or it may be loosened in repose, | 9 | ····/˘·˘/ |
| Can rule by supernatural right | 8 | ····˘/˘· |
| Yet be but sinew. | 5 | ···/˘ |
| I have principles to prove me right. | 8 | ··/˘···· |
| It follows from this Latin text | 8 | ·/˘··/˘· |
| That blest souls are not composite. | 8 | ·····˘/˘ |
| And that all beautiful women may | 8 | ···/˘/˘· |
| Live in uncomposite blessedness, | 9 | ······/˘˘ |
| And lead us to the like--if they | 8 | ········ |
| Will banish every thought, unless | 8 | ·/˘/˘··· |
| The lineaments that please their view | 8 | ········ |
| When the long looking-glass is full, | 8 | ···/˘··· |
| Even from the foot-sole think it too. | 8 | /······· |
| And thus declared that Arab lady: | 9 | ··˘/·/˘/˘ |
| “Last night, where under the wild moon | 8 | ········ |
| On grassy mattress I had laid me, | 9 | ·/˘/˘···· |
| Within my arms great Solomon, | 8 | ·····/˘˘ |
| I suddenly cried out in a strange tongue | 9 | ·/˘······ |
| Not his, not mine.” | 4 | ···· |
| And he that knew | 4 | ···· |
| All sounds by bird or angel sung | 8 | ·····/˘· |
| Answered: “A crested cockerel crew | 9 | /˘·/˘/˘˘· |
| Upon a blossoming apple bough | 8 | ···/˘/˘· |
| Three hundred years before the Fall, | 8 | ·/˘····· |
| And never crew again till now, | 8 | ·/˘·˘/·· |
| And would not now but that he thought, | 8 | ········ |
| Chance being at one with Choice at last. | 8 | ·/······ |
| All that the brigand apple brought | 8 | ···/˘/˘· |
| And this foul world were dead at last. | 8 | ········ |
| He that crowed out eternity | 8 | ····˘/˘˘ |
| Thought to have crowed it in again. | 8 | ······˘/ |
| A lover with a spider’s eye | 8 | ·/˘··/˘· |
| Will find out some appropriate pain, | 8 | ····˘/˘· |
| Aye, though all passion’s in the glance, | 8 | ···/˘··· |
| For every nerve: lover tests lover | 9 | ·/˘·/˘·/˘ |
| With cruelties of Choice and Chance; | 7 | ·/˘···· |
| And when at last that murder’s over | 8 | ·····/˘· |
| Maybe the bride-bed brings despair | 8 | /˘····˘/ |
| For each an imagined image brings | 9 | ···˘/˘/˘· |
| And finds a real image there; | 7 | ····/˘· |
| Yet the world ends when these two things, | 8 | ········ |
| Though several, are a single light, | 8 | ·/˘··/˘· |
| When oil and wick are burned in one; | 8 | ········ |
| Therefore a blessed moon last night | 8 | ····˘··· |
| Gave Sheba to her Solomon.” | 8 | ·/˘··/˘˘ |
| “Yet the world stays:” | 4 | ···· |
| “If that be so, | 4 | ···· |
| Your cockerel found us in the wrong | 9 | ·/˘˘····· |
| Although he thought it worth a crow. | 8 | ········ |
| Maybe an image is too strong | 8 | /˘·/˘··· |
| Or maybe is not strong enough.” | 8 | ·/˘···˘/ |
| “The night has fallen; not a sound | 8 | ···/˘··· |
| In the forbidden sacred grove | 8 | ··˘/˘/˘· |
| Unless a petal hit the ground, | 8 | ···/˘··· |
| Nor any human sight within it | 9 | ·/˘/˘···· |
| But the crushed grass where we have lain; | 8 | ········ |
| And the moon is wilder every minute. | 9 | ····//˘/˘ |
| Oh, Solomon! let us try again.” | 8 | ·/˘···˘/ |
| Never until this night have I been stirred. | 9 | /········ |
| The elaborate star-light has thrown reflections | 11 | ·˘/˘····˘/˘ |
| On the dark stream, | 4 | ···· |
| Till all the eddies gleam; | 6 | ···/˘· |
| And thereupon there comes that scream | 8 | ··˘/···· |
| From terrified, invisible beast or bird: | 10 | ·/˘·˘/˘··· |
| Image of poignant recollection. | 9 | /˘·/˘·˘/˘ |
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