Easter, 1916
I have met them at close of dayComing with vivid facesFrom counter or desk among greyEighteenth-century houses.I have passed with a nod of the headOr polite meaningless words,Or have lingered awhile and saidPolite meaningless words,And thought before I had doneOf a mocking tale or a gibeTo please a companionAround the fire at the club,Being certain that they and IBut lived where motley is worn:All changed, changed utterly:A terrible beauty is born.
That woman’s days were spentIn ignorant good will,Her nights in argumentUntil her voice grew shrill.What voice more sweet than hersWhen young and beautiful,She rode to harriers?This man had kept a schoolAnd rode our winged horse.This other his helper and friendWas coming into his force;He might have won fame in the end,So sensitive his nature seemed,So daring and sweet his thought.This other man I had dreamedA drunken, vain-glorious lout.He had done most bitter wrongTo some who are near my heart,Yet I number him in the song;He, too, has resigned his partIn the casual comedy;He, too, has been changed in his turn,Transformed utterly:A terrible beauty is born.
Hearts with one purpose aloneThrough summer and winter seemEnchanted to a stoneTo trouble the living stream.The horse that comes from the road.The rider, the birds that rangeFrom cloud to tumbling cloud,Minute by minute change;A shadow of cloud on the streamChanges minute by minute;A horse-hoof slides on the brim,And a horse plashes within itWhere long-legged moor-hens dive,And hens to moor-cocks call.Minute by minute they live:The stone’s in the midst of all.
Too long a sacrificeCan make a stone of the heart.O when may it suffice?That is heaven’s part, our partTo murmur name upon name.As a mother names her childWhen sleep at last has comeOn limbs that had run wild.What is it but nightfall?No, no, not night but death;Was it needless death after all?For England may keep faithFor all that is done and said.We know their dream; enoughTo know they dreamed and are dead.And what if excess of loveBewildered them till they died?I write it out in a verse--MacDonagh and MacBrideAnd Connolly and PearseNow and in time to be,Wherever green is worn.Are changed, changed utterly:A terrible beauty is born.
Words in this poem
- polite a.
- Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- rode n.
- Redness; complexion. [See Rud.]
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- suffice v. i.
- To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
- nightfall n.
- The close of the day.
- needless a.
- Having no need.
- wherever adv.
- At or in whatever place; wheresoever.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Easter, 1916 is in the public domain. This text is taken from Michael Robartes and the dancer, Project Gutenberg ebook #72987; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, Easter, 1916, in Michael Robartes and the Dancer (1921), text of Project Gutenberg ebook #72987, Laurel, https://laurelpoetry.com/poem/yeats-michael-robartes/easter-1916.html, id L19945.
Form and metre
Easter, 1916 is 80 lines in 4 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 77%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A-BCBCD-D--E-E dayA · faces · greyA · houses · headB · wordsC · saidB · wordsC · doneD · gibe · companionD · club · i · wornE · utterly · bornE
- 2 ABAB-B-BCDCDE-E-FGFG---- spentA · willB · argumentA · shrillB · hers · beautifulB · harriers · schoolB · horseC · friendD · forceC · endD · seemedE · thought · dreamedE · lout · wrongF · heartG · songF · partG · comedy · turn · utterly · born
- 3 ABAB-C-CBD-DEFEF aloneA · seemB · stoneA · streamB · road · rangeC · cloud · changeC · streamB · minuteD · brim · itD · diveE · callF · liveE · allF
- 4 ABAB-C-CD-D-E-E-FGFG-H-H sacrificeA · heartB · sufficeA · partB · name · childC · come · wildC · nightfallD · death · allD · faith · saidE · enough · deadE · love · diedF · verseG · macbrideF · pearseG · be · wornH · utterly · bornH
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I have met them at close of day | 8 | ········ |
| Coming with vivid faces | 7 | /˘·/˘/˘ |
| From counter or desk among grey | 8 | ·/˘····· |
| Eighteenth-century houses. | 7 | ˘//˘˘/˘ |
| I have passed with a nod of the head | 9 | ········· |
| Or polite meaningless words, | 7 | ·˘//˘˘· |
| Or have lingered awhile and said | 8 | ··/˘˘/·· |
| Polite meaningless words, | 6 | ˘//˘˘· |
| And thought before I had done | 7 | ······· |
| Of a mocking tale or a gibe | 8 | ··/˘···· |
| To please a companion | 6 | ···˘/˘ |
| Around the fire at the club, | 8 | ···/˘··· |
| Being certain that they and I | 8 | /˘/˘···· |
| But lived where motley is worn: | 8 | ··˘·/˘·· |
| All changed, changed utterly: | 8 | ··˘·˘/˘˘ |
| A terrible beauty is born. | 8 | ·/˘˘/˘·· |
| That woman’s days were spent | 6 | ·/˘··· |
| In ignorant good will, | 6 | ·/˘˘·· |
| Her nights in argument | 6 | ···/˘˘ |
| Until her voice grew shrill. | 6 | ······ |
| What voice more sweet than hers | 6 | ······ |
| When young and beautiful, | 6 | ···/˘˘ |
| She rode to harriers? | 6 | ···/˘˘ |
| This man had kept a school | 6 | ······ |
| And rode our winged horse. | 7 | ··/˘·˘· |
| This other his helper and friend | 8 | ·/˘·/˘·· |
| Was coming into his force; | 7 | ·/˘···· |
| He might have won fame in the end, | 8 | ········ |
| So sensitive his nature seemed, | 8 | ·/˘˘·/˘· |
| So daring and sweet his thought. | 7 | ·/˘···· |
| This other man I had dreamed | 8 | ·/˘····˘ |
| A drunken, vain-glorious lout. | 8 | ·/˘·/˘˘· |
| He had done most bitter wrong | 7 | ····/˘· |
| To some who are near my heart, | 7 | ······· |
| Yet I number him in the song; | 8 | ··/˘···· |
| He, too, has resigned his part | 8 | ···˘/˘·· |
| In the casual comedy; | 8 | ··/˘˘/˘˘ |
| He, too, has been changed in his turn, | 8 | ········ |
| Transformed utterly: | 5 | ˘//˘˘ |
| A terrible beauty is born. | 8 | ·/˘˘/˘·· |
| Hearts with one purpose alone | 7 | ···/˘˘/ |
| Through summer and winter seem | 7 | ·/˘·/˘· |
| Enchanted to a stone | 6 | ˘/˘··· |
| To trouble the living stream. | 7 | ·/˘·/˘· |
| The horse that comes from the road. | 7 | ······· |
| The rider, the birds that range | 7 | ·/˘···· |
| From cloud to tumbling cloud, | 7 | ···/˘˘· |
| Minute by minute change; | 6 | ˘/·/˘· |
| A shadow of cloud on the stream | 8 | ·/······ |
| Changes minute by minute; | 7 | /˘/˘·˘/ |
| A horse-hoof slides on the brim, | 7 | ······· |
| And a horse plashes within it | 8 | ········ |
| Where long-legged moor-hens dive, | 8 | ··/˘˘··· |
| And hens to moor-cocks call. | 6 | ······ |
| Minute by minute they live: | 7 | ˘/·/˘·· |
| The stone’s in the midst of all. | 7 | ······· |
| Too long a sacrifice | 6 | ···/˘· |
| Can make a stone of the heart. | 7 | ······· |
| O when may it suffice? | 6 | ····˘/ |
| That is heaven’s part, our part | 8 | ··/˘·/˘· |
| To murmur name upon name. | 7 | ·/˘···· |
| As a mother names her child | 7 | ··/˘··· |
| When sleep at last has come | 6 | ······ |
| On limbs that had run wild. | 6 | ······ |
| What is it but nightfall? | 6 | ····/· |
| No, no, not night but death; | 6 | ······ |
| Was it needless death after all? | 8 | ··/˘···· |
| For England may keep faith | 6 | ·/˘··· |
| For all that is done and said. | 7 | ······· |
| We know their dream; enough | 6 | ····˘/ |
| To know they dreamed and are dead. | 8 | ····˘··· |
| And what if excess of love | 7 | ···/··· |
| Bewildered them till they died? | 8 | ˘/˘˘···· |
| I write it out in a verse-- | 7 | ······· |
| MacDonagh and MacBride | 6 | ····˘/ |
| And Connolly and Pearse | 6 | ·/˘˘·· |
| Now and in time to be, | 6 | ······ |
| Wherever green is worn. | 6 | ˘/˘··· |
| Are changed, changed utterly: | 8 | ··˘·˘/˘˘ |
| A terrible beauty is born. | 8 | ·/˘˘/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.