Part Second
The moving accident is not my trade;To freeze the blood I have no ready arts:'Tis my delight, alone in summer shade,To pipe a simple song for thinking hearts.
As I from Hawes to Richmond did repair,It chanced that I saw standing in a dellThree aspens at three corners of a square;And one, not four yards distant, near a well.
What this imported I could ill divine:And, pulling now the rein my horse to stop,I saw three pillars standing in a line,--The last stone-pillar on a dark hill-top.
The trees were grey, with neither arms nor head:Half wasted the square mound of tawny green;So that you just might say, as then I said,"Here in old time the hand of man hath been."
I looked upon the hill both far and near,More doleful place did never eye survey;It seemed as if the spring-time came not here,And Nature here were willing to decay.
I stood in various thoughts and fancies lost,When one, who was in shepherd's garb attired,Came up the hollow:--him did I accost,And what this place might be I then inquired.
The Shepherd stopped, and that same story toldWhich in my former rhyme I have rehearsed."A jolly place," said he, "in times of old!But something ails it now: the spot is curst.
"You see these lifeless stumps of aspen wood--125Some say that they are beeches, others elms--These were the bower; and here a mansion stood,The finest palace of a hundred realms!
"The arbour does its own condition tell;You see the stones, the fountain, and the stream;But as to the great Lodge! you might as wellHunt half a day for a forgotten dream.
"There's neither dog nor heifer, horse nor sheep,Will wet his lips within that cup of stone;And oftentimes, when all are fast asleep,This water doth send forth a dolorous groan.
"Some say that here a murder has been done,And blood cries out for blood: but, for my part,I've guessed, when I've been sitting in the sun,That it was all for that unhappy Hart.
"What thoughts must through the creature's brain have past!Even from the topmost stone, upon the steep,Are but three bounds--and look, Sir, at this last--O Master! it has been a cruel leap.
"For thirteen hours he ran a desperate race;And in my simple mind we cannot tellWhat cause the Hart might have to love this place,And come and make his death-bed near the well.
"Here on the grass perhaps asleep he sank,Lulled by the fountain in the summer tide;This water was perhaps the first he drankWhen he had wandered from his mother's side.
"In April here beneath the flowering thornHe heard the birds their morning carols sing;And he, perhaps, for aught we know, was bornNot half a furlong from that self-same spring.
"Now, here is neither grass nor pleasant shade;The sun on drearier hollow never shone;So will it be, as I have often said,Till trees, and stones, and fountain, all are gone."
"Grey-headed Shepherd, thou hast spoken well;Small difference lies between thy creed and mine:This Beast not unobserved by Nature fell;His death was mourned by sympathy divine.
"The Being, that is in the clouds and air,That is in the green leaves among the groves,Maintains a deep and reverential careFor the unoffending creatures whom he loves.
"The pleasure-house is dust:--behind, before,This is no common waste, no common gloom;But Nature, in due course of time, once moreShall here put on her beauty and her bloom.
"She leaves these objects to a slow decay,That what we are, and have been, may be known;But at the coming of the milder day,These monuments shall all be overgrown.
"One lesson, Shepherd, let us two divide,Taught both by what she shows, and what conceals;Never to blend our pleasure or our prideWith sorrow of the meanest thing that feels."
More doleful place did never eye survey;It seemed as if the spring time came not here,And Nature here were willing to decay.Now, here is neither grass nor pleasant shade.
"'Hart-Leap Well' is the tale for me; in matter as good as this('Peter Bell'); in manner infinitely before it, in my poor judgment."
Charles Lamb to Wordsworth, May 1819. (See 'The Letters of Charles
Words in this poem
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- garb n.
- External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
- attired p. p.
- Provided with antlers, as a stag.
- curst a.
- Froward; malignant; mischievous; malicious; snarling. [SeeCurse.]
- mansion n.
- A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
- arbour n.
- A kind of latticework formed of, or covered with, vines, branches of trees, or other plants, for shade; a bower. Sir P. [OE. herber, herbere, properly a garden of herbs, F. herbier, fr. L. herbarium. See Herb, and cf. Herbarium.]
- oftentimes adv.
- Frequently; often; many times. [Often + time. Cf. -wards.]
- dolorous a.
- Full of grief; sad; sorrowful; doleful; dismal; as, a dolorous object; dolorous discourses. [L. dolorosus, from dolor: cf. F. douloureux. See Dolor.]
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- furlong n.
- A measure of length; the eighth part of a mile; forty rods; two hundred and twenty yards. [OE. furlong, furlang, AS. furlang, furlung, prop., the length of a furrow; furh furrow + lang long. See Furrow, and Long, a.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part Second is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 2 (of 8), Project Gutenberg ebook #12145; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Wordsworth, Part Second, in The Brothers, and Other Poems (1798–1807), text of Project Gutenberg ebook #12145, Laurel, https://laurelpoetry.com/poem/wordsworth-vol2/part-second-2.html, id L17313.
Form and metre
Part Second is 91 lines in 24 stanzas. The rhyme scheme is ABAB, complete in 16 of its 24 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 12% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB tradeA · artsB · shadeA · heartsB
- 2 ABAB repairA · dellB · squareA · wellB
- 3 ABAB divineA · stopB · lineA · topB
- 4 A-A- headA · green · saidA · been
- 5 ABAB nearA · surveyB · hereA · decayB
- 6 A-A- lostA · attired · accostA · inquired
- 7 ABAB toldA · rehearsedB · oldA · curstB
- 8 -A-A — · elmsA · stood · realmsA
- 9 ABAB tellA · streamB · wellA · dreamB
- 10 ABAB sheepA · stoneB · asleepA · groanB
- 11 ABAB doneA · partB · sunA · hartB
- 12 ABAB pastA · steepB · lastA · leapB
- 13 ABAB raceA · tellB · placeA · wellB
- 14 ABAB sankA · tideB · drankA · sideB
- 15 ABAB thornA · singB · bornA · springB
- 17 ABAB wellA · mineB · fellA · divineB
- 18 A-A- airA · groves · careA · loves
- 19 ABAB beforeA · gloomB · moreA · bloomB
- 20 ABAB decayA · knownB · dayA · overgrownB
- 21 ABAB divideA · concealsB · prideA · feelsB
- 22 A-A- surveyA · here · decayA · shade
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The moving accident is not my trade; | 10 | ·/˘/˘˘···· |
| To freeze the blood I have no ready arts: | 10 | ·······/˘· |
| 'Tis my delight, alone in summer shade, | 10 | ··˘/˘/·/˘· |
| To pipe a simple song for thinking hearts. | 10 | ···/˘··/˘· |
| As I from Hawes to Richmond did repair, | 10 | ·····/˘·˘/ |
| It chanced that I saw standing in a dell | 10 | ·····/˘··· |
| Three aspens at three corners of a square; | 10 | ·/˘··/˘··· |
| And one, not four yards distant, near a well. | 10 | ·····/˘··· |
| What this imported I could ill divine: | 10 | ··˘/˘···˘/ |
| And, pulling now the rein my horse to stop, | 10 | ·/˘······· |
| I saw three pillars standing in a line,-- | 10 | ···/˘/˘··· |
| The last stone-pillar on a dark hill-top. | 10 | ···/˘····· |
| The trees were grey, with neither arms nor head: | 10 | ·····/˘··· |
| Half wasted the square mound of tawny green; | 10 | ·/˘····/˘· |
| So that you just might say, as then I said, | 10 | ·········· |
| "Here in old time the hand of man hath been." | 10 | ·········· |
| I looked upon the hill both far and near, | 10 | ·········· |
| More doleful place did never eye survey; | 10 | ·/˘··/˘·˘/ |
| It seemed as if the spring-time came not here, | 10 | ·········· |
| And Nature here were willing to decay. | 10 | ·/˘··/˘·˘/ |
| I stood in various thoughts and fancies lost, | 10 | ···/˘··/˘· |
| When one, who was in shepherd's garb attired, | 10 | ·····/˘·˘/ |
| Came up the hollow:--him did I accost, | 10 | ···/˘···˘/ |
| And what this place might be I then inquired. | 11 | ········˘/˘ |
| The Shepherd stopped, and that same story told | 10 | ·/˘····/˘· |
| Which in my former rhyme I have rehearsed. | 10 | ···/˘···˘/ |
| "A jolly place," said he, "in times of old! | 10 | ·/˘······· |
| But something ails it now: the spot is curst. | 10 | ·/˘······· |
| "You see these lifeless stumps of aspen wood--125 | 10 | ···/˘··/˘· |
| Some say that they are beeches, others elms-- | 10 | ·····/˘/˘· |
| These were the bower; and here a mansion stood, | 10 | ···/···/˘· |
| The finest palace of a hundred realms! | 10 | ·/˘/˘··/˘· |
| "The arbour does its own condition tell; | 10 | ·/˘···˘/˘· |
| You see the stones, the fountain, and the stream; | 10 | ·····/˘··· |
| But as to the great Lodge! you might as well | 10 | ·········· |
| Hunt half a day for a forgotten dream. | 10 | ······˘/˘· |
| "There's neither dog nor heifer, horse nor sheep, | 10 | ·/˘··/˘··· |
| Will wet his lips within that cup of stone; | 10 | ·········· |
| And oftentimes, when all are fast asleep, | 10 | ·/˘·····˘/ |
| This water doth send forth a dolorous groan. | 11 | ·/˘····/˘˘· |
| "Some say that here a murder has been done, | 10 | ·····/˘··· |
| And blood cries out for blood: but, for my part, | 10 | ·········· |
| I've guessed, when I've been sitting in the sun, | 10 | ·····/˘··· |
| That it was all for that unhappy Hart. | 10 | ······˘/˘· |
| "What thoughts must through the creature's brain have past! | 10 | ·····/˘··· |
| Even from the topmost stone, upon the steep, | 10 | /··/˘····· |
| Are but three bounds--and look, Sir, at this last-- | 10 | ·········· |
| O Master! it has been a cruel leap. | 10 | ·/˘····/˘· |
| "For thirteen hours he ran a desperate race; | 10 | ·///···/˘· |
| And in my simple mind we cannot tell | 10 | ···/˘··/˘· |
| What cause the Hart might have to love this place, | 10 | ·········· |
| And come and make his death-bed near the well. | 10 | ·········· |
| "Here on the grass perhaps asleep he sank, | 10 | ····˘/˘/·· |
| Lulled by the fountain in the summer tide; | 10 | ···/˘··/˘· |
| This water was perhaps the first he drank | 10 | ·/˘·˘/···· |
| When he had wandered from his mother's side. | 10 | ···/˘··/˘· |
| "In April here beneath the flowering thorn | 10 | ·/˘····/˘· |
| He heard the birds their morning carols sing; | 10 | ·····/˘/˘· |
| And he, perhaps, for aught we know, was born | 10 | ··˘/······ |
| Not half a furlong from that self-same spring. | 10 | ···/······ |
| "Now, here is neither grass nor pleasant shade; | 10 | ···/˘··/˘· |
| The sun on drearier hollow never shone; | 10 | ·····/˘/˘· |
| So will it be, as I have often said, | 10 | ·······/˘· |
| Till trees, and stones, and fountain, all are gone." | 10 | ·····/˘··· |
| "Grey-headed Shepherd, thou hast spoken well; | 10 | ·/˘/˘··/˘· |
| Small difference lies between thy creed and mine: | 10 | ·/˘······· |
| This Beast not unobserved by Nature fell; | 10 | ·······/˘· |
| His death was mourned by sympathy divine. | 10 | ·····/˘˘˘/ |
| "The Being, that is in the clouds and air, | 10 | ·/˘······· |
| That is in the green leaves among the groves, | 10 | ·········· |
| Maintains a deep and reverential care | 10 | ˘/····˘/˘· |
| For the unoffending creatures whom he loves. | 11 | ······/˘··· |
| "The pleasure-house is dust:--behind, before, | 10 | ·/˘······· |
| This is no common waste, no common gloom; | 10 | ···/˘··/˘· |
| But Nature, in due course of time, once more | 10 | ·/˘······· |
| Shall here put on her beauty and her bloom. | 10 | ·····/˘··· |
| "She leaves these objects to a slow decay, | 10 | ···/˘···˘/ |
| That what we are, and have been, may be known; | 10 | ·········· |
| But at the coming of the milder day, | 10 | ···/˘··/˘· |
| These monuments shall all be overgrown. | 10 | ·/˘˘····˘/ |
| "One lesson, Shepherd, let us two divide, | 10 | ·/˘/˘···˘/ |
| Taught both by what she shows, and what conceals; | 10 | ········˘/ |
| Never to blend our pleasure or our pride | 10 | /··//˘·/˘· |
| With sorrow of the meanest thing that feels." | 10 | ·/˘··/˘··· |
| More doleful place did never eye survey; | 10 | ·/˘··/˘·˘/ |
| It seemed as if the spring time came not here, | 10 | ·········· |
| And Nature here were willing to decay. | 10 | ·/˘··/˘·˘/ |
| Now, here is neither grass nor pleasant shade. | 10 | ···/˘··/˘· |
| "'Hart-Leap Well' is the tale for me; in matter as good as this | 15 | ·········/˘···· |
| ('Peter Bell'); in manner infinitely before it, in my poor judgment." | 16 | /˘··/˘/˘······/˘ |
| Charles Lamb to Wordsworth, May 1819. (See 'The Letters of Charles | 12 | ···/˘···/˘·· |
Notes from the edition 11
William Knight's notes to The Poetical Works of William Wordsworth, Volume 2 (1896; Project Gutenberg #12145): Wordsworth's own Isabella Fenwick notes and Knight's headnotes on composition and publication, plus his lettered footnotes (restarting at A for every poem).
- Stanza 1, line 1 Compare 'Othello', act I. scene iii. l. 135: 'Of moving accidents by flood and field.' Ed.
- Stanza 1, line 4 1815. ... to ... 1800.
- Stanza 4, line 4 1815. ... has ... 1800.
- Stanza 5, line 1 1815. ... hills ... 1800.
- Stanza 6, line 1 Compare the sonnet (vol. iv.) beginning: "Beloved Vale!" I said. "when I shall con ... Ed.
- Stanza 12, line 2 1815. From the stone on the summit of the steep 1800. ... upon ... 1802.
- Stanza 14, line 2 1832. ... this ... 1800.
- Stanza 15, line 1 1836. ... scented ... 1800.
- Stanza 16, line 1 1827. But now here's ... 1800.
- Stanza 18, line 4 1815. For them the quiet creatures ... 1800.
- Stanza 21, line 2 Compare Tennyson, 'In Memoriam', v. II. 3, 4. 'For words, like Nature, half reveal And half conceal the Soul within.' Ed.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.