An, Epistle, To, Dr. Moore, Author of

Helen Maria Williams (1762–1827) · 1786

iambic tetrameter · octosyllabic couplets · 245 lines · from Poems (1786)

IN

I mean no giddy heights to climb,And vainly toil to be sublime;While every line with labour wrought,Is swell'd with tropes for want of thought:Nor shall I call the Muse to shedCastalian drops upon my head;Or send me from Parnassian bowersA chaplet wove of fancy's flowers.At present all such aid I slight--My heart instructs me how to write.

That softer glide my hours along,That still my griefs are sooth'd by song,That still my careless numbers flowTo your successful skill I owe;You, who when sickness o'er me hung,And languor had my lyre unstrung,With treasures of the healing art,With friendship's ardor at your heart,From sickness snatch'd her early preyAnd bade fair health--the goddess gay,With sprightly air, and winning grace,With laughing eye, and rosy face,Accustom'd when you call to hear,On her light pinion hasten near,And swift restore with influence kind,My weaken'd frame, my drooping mind.

With like benignity, and zeal,The mental malady to heal,To stop the fruitless, hopeless tear,The life you lengthen'd, render dear,To charm by fancy's powerful vein,"The written troubles of the brain,"From gayer scenes, compassion ledYour frequent footsteps to my shed:And knowing that the Muses' artHas power to ease an aching heart,You sooth'd that heart with partial praise,And I before too fond of lays,While others pant for solid gain,Grasp at a laurel sprig--in vain--You could not chill with frown severeThe madness to my soul so dear;For when Apollo came to storeYour mind with salutary lore,The god I ween, was pleas'd to dartA ray from Pindus on your heart;Your willing bosom caught the fire,And still is partial to the lyre.

But now from you at distance plac'dWhere Epping spreads a woody waste;Tho' unrestrain'd my fancy flies,And views in air her fabrics rise,And paints with brighter bloom the flowers,Bids Dryads people all the bowers,And Echoes speak from every hill,And Naiads pour each little rill,And bands of Sylphs with pride unfoldTheir azure plumage mix'd with gold,My heart remembers with a sighThat you are now no longer nigh.The magic scenes no more engage,I quit them for your various page;Where, with delight I traverse o'erThe foreign paths you trod before:Ah not in vain those paths you trac'd,With heart to feel, with powers to taste!

Amid the ever-jocund trainWho sport upon the banks of Seine,In your light Frenchman pleas'd I seeHis nation's gay epitome;Whose careless hours glide smooth along,Who charms MISFORTUNE with a song.She comes not as on Albion's plain,With death, and madness in her train;For here, her keenest sharpest dartMay raze, but cannot pierce the heart.Yet he whose spirit light as airCalls life a jest, and laughs at care,Feels the strong force of pity's voice,And bids afflicted love rejoice;Love, such as fills the poet's pageLove, such as form'd the golden age--FANCHON, thy grateful look I see--I share thy joys--I weep with thee--What eye has read without a tearA tale to nature's heart so dear!

There, dress'd in each sublimer graceGeneva's happy scene I trace;Her lake, from whose broad bosom thrownRushes the loud impetuous Rhone,And bears his waves with mazy sweepIn rapid torrents to the deep--Oh for a Muse less weak of wing,High on yon Alpine steeps to spring,And tell in verse what they discloseAs well as you have told in prose;How wrapt in snows and icy showers,Eternal winter, horrid lowersUpon the mountain's awful brow,While purple summer blooms below;How icy structures rear their formsPale products of ten thousand storms;Where the full sun-beam powerless fallsOn crystal arches, columns, walls,Yet paints the proud fantastic heightWith all the various hues of light.Why is no poet call'd to birthIn such a favour'd spot of earth?How high his vent'rous Muse might rise,And proudly scorn to ask suppliesFrom the Parnassian hill, the fireOf verse, Mont Blanc might well inspire.O SWITZERLAND! how oft these eyesDesire to view thy mountains rise;How fancy loves thy steeps to climb,So wild, so solemn, so sublime;And o'er thy happy vales to roam,Where freedom rears her humble home.Ah, how unlike each social graceWhich binds in love thy manly race,The HOLLANDERS phlegmatic easeToo cold to love, too dull to please;Who feel no sympathetic woe,Nor sympathetic joy bestow,But fancy words are only madeTo serve the purposes of trade,And when they neither buy, nor sell,Think silence answers quite as well.

Now in his happiest light is seenVOLTAIRE, when evening chas'd his spleen,And plac'd at supper with his friends,The playful flash of wit descends--Of names renown'd you clearly shewThe finer traits we wish to know--To Prussia's martial clime I strayAnd see how FREDERIC spends the day;Behold him rise at dawning lightTo form his troops for future fight;Thro' the firm ranks his glances pierce,Where discipline, with aspect fierce,And unrelenting breast, is seenDegrading man to a machine;My female heart delights to turnWhere GREATNESS seems not quite so stern:Mild on th' IMPERIAL BROW she glows,And lives to soften human woes.

But lo! on ocean's stormy breastI see majestic VENICE rest;While round her spires the billows rave,Inverted splendours gild the wave.Fair liberty has rear'd with toil,Her fabric on this marshy soil.She fled those banks with scornful pride,Where classic Po devolves her tide:Yet here her unrelenting lawsAre deaf to nature's, freedom's cause.Unjust! they seal'd FOSCARI'S doom,An exile in his early bloom.And he, who bore the rack unmov'd,Divided far from those he lov'd,From all the social hour can give,From all that make it bliss to live,These worst of ills refus'd to bear,And died, the victim of despair.

An eye of wonder let me raise,While on imperial ROME I gaze.But oh! no more in glory brightShe fills with awe th' astonish'd sight:Her mould'ring fanes in ruin trac'd,Lie scatter'd on Campania's waste.Nor only these--alas! we findThe wreck involves the human mind:The lords of earth now drag a chainBeneath a pontiff's feeble reign;The soil that gave a Cato birthNo longer yields heroic worth,Whose image lives but on the bust,Or consecrates the medal's rust:Yet if no heart of modern frameGlows with the antient hero's flame,The dire Arena's horrid stageIs banish'd from this milder age;Those savage virtues too are fledAt which the human feelings bled.

While now at Virgil's tomb you bend,O let me on your steps attend!Kneel on the turf that blossoms round,And kiss, with lips devout, the ground.I feel how oft his magic powersShed pleasure on my lonely hours.Tho' hid from me the classic tongue,In which his heav'nly strain was sung,In Dryden's tuneful lines, I pierceThe shaded beauties of his verse.

Bright be the rip'ning beam, that shinesFair FLORENCE, on thy purple vines!And ever pure the fanning galeThat pants in Arno's myrtle vale!Here, when the barb'rous northern race,Dire foes to every muse, and grace,Had doom'd the banish'd arts to roamThe lovely wand'rers found a home;And shed round Leo's triple crownUnfading rays of bright renown.Who e'er has felt his bosom glowWith knowledge, or the wish to know;Has e'er from books with transport caughtThe rich accession of a thought;Perceiv'd with conscious pride, he feelsThe sentiment which taste reveals;Let all who joys like these possess,Thy vale, enchanting FLORENCE bless--O had the arts benignant lightNo more reviv'd from Gothic night,Earth had been one vast scene of strife,Or one drear void had sadden'd life;Lost had been all the sage has taught,The painter's sketch, the poet's thought,The force of sense, the charm of wit,Nor ever had your page been writ;That soothing page, which care beguiles,And dresses truth in fancy's smiles:For not with hostile step you prestEach foreign soil, a thankless guest!While travellers who want the skillTo mark the shapes of good and ill,With vacant stare thro' Europe range,And deem all bad, because 'tis strange;Thro' varying modes of life, you traceThe finer trait, the latent grace,And where thro' every vain disguiseYou view the human follies rise,The stroke of irony you dartWith force to mend, not wound the heart.While intellectual objects shareYour mind's extensive view, you bear,Quite free from spleen's incumb'ring load,The little evils on the road--So, while the path of life I tread,A path to me with briers spread;Let me its tangled mazes spyLike you, with gay, good-humour'd eye;Nor at those thorny tracts repine,The treasure of your friendship, mine.

Words in this poem 36
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
castalian a.
Of or pertaining to Castalia, a mythical fountain of inspiration on Mt. Parnassus sacred to the Muses. [L. Castalius]
parnassian a.
Of or pertaining to Parnassus. [L. Parnassius.]
chaplet n.
A garland or wreath to be worn on the head. [F. chapelet, dim. of OF. chapel hat, garland, dim. fr. LL. cappa. See Cap, and cf. Chapelet, Chapeau.]
wove
p. pr. & rare vb. n. of Weave.
bade
A form of the pat tense of Bid.
pinion n.
A moth of the genus Lithophane, as L. antennata, whose larva bores large holes in young peaches and apples.
benignity n.
The quality of being benign; goodness; kindness; graciousness. [OE. benignite, F. bénignité, OF. bénigneté, fr. L. benignitas. See Benign.]
malady n.
Any disease of the human body; a distemper, disorder, or indisposition, proceeding from impaired, defective, or morbid organic functions; especially, a lingering or deep-seated disorder. [F. maladie, fr. malade ill, sick, OF. also, malabde, fr. L. male habitus, i. e., ill-kept, not in good condition. See Malice, and Habit.]
fruitless a.
Lacking, or not bearing, fruit; barren; destitute of offspring; as, a fruitless tree or shrub; a fruitless marriage.
aching a.
That aches; continuously painful. See Ache.
pant v. i.
To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
ween v. i.
To think; to imagine; to fancy. [OE. wenen, AS. w, fr. w hope, expectation, opinion; akin to D. waan, OFries. w, OS. & OHG. wan, G. wahn delusion, Icel. van hope, expectation, Goth. w, and D. w]
rill n.
A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
frenchman n.
A native or one of the people of France.
raze n.
A Shakespearean word (used once) supposed to mean the same as race, a root. [See Rack.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
blanc n.
A white cosmetic.
shew n.
Show. [Obs. except in shewbread.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
unrelenting a.
Not relenting; unyielding; rigid; hard; stern; cruel.
classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
benignant a.
Kind; gracious; favorable. [LL. benignans, p. pr. of benignare, from L. benignus. See Benign.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
drear n.
Sadness; dismalness.
prest a.
Ready; prompt; prepared. [OF. prest, F. prêt, fr. L. praestus ready. Cf. Presto.]
thankless a.
Not acknowledging favors; not expressing thankfulness; unthankful; ungrateful.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
trait n.
A stroke; a touch. [F., fr. L. tractus, fr. trahere to draw. See Trace, v., and cf. Tract a region, Trace a strap, Tret.]
repine v. i.
To fail; to wane. [Pref. re- + pine to languish.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

An, Epistle, To, Dr. Moore, Author of is in the public domain. This text is taken from Poems (1786), Volume I., Project Gutenberg ebook #11054; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Helen Maria Williams, An, Epistle, To, Dr. Moore, Author of, in Poems (1786) (1786), text of Project Gutenberg ebook #11054, Laurel, https://laurelpoetry.com/poem/williams-helen-poems/an-epistle-to-dr-moore-author-of.html, id L10030.

Form and metre

An, Epistle, To, Dr. Moore, Author of is 245 lines in 12 verse paragraphs. It is in rhyming couplets, 91% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 95%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 12 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AABBCCDDEE climbA · sublimeA · wroughtB · thoughtB · shedC · headC · bowersD · flowersD · slightE · writeE
  2. 3 AABB-ACCDDEEFFGG alongA · songA · flowB · oweB · hung · unstrungA · artC · heartC · preyD · gayD · graceE · faceE · hearF · nearF · kindG · mindG
  3. 4 AABBCCDDEEFFCCBBGGEEHH zealA · healA · tearB · dearB · veinC · brainC · ledD · shedD · artE · heartE · praiseF · laysF · gainC · vainC · severeB · dearB · storeG · loreG · dartE · heartE · fireH · lyreH
  4. 5 AABBCCDDEEFFGG--AA plac'dA · wasteA · fliesB · riseB · flowersC · bowersC · hillD · rillD · unfoldE · goldE · sighF · nighF · engageG · pageG · o'er · before · trac'dA · tasteA
  5. 6 A-B-CCAADDEEFFGGBBEE trainA · seine · seeB · epitome · alongC · songC · plainA · trainA · dartD · heartD · airE · careE · voiceF · rejoiceF · pageG · ageG · seeB · theeB · tearE · dearE
  6. 7 AABBCCDDEEEE--FFGGHHIIJJ--JJKKLLMMNNOOPPQQ graceA · traceA · thrownB · rhoneB · sweepC · deepC · wingD · springD · discloseE · proseE · showersE · lowersE · brow · below · formsF · stormsF · fallsG · wallsG · heightH · lightH · birthI · earthI · riseJ · suppliesJ · fire · inspire · eyesJ · riseJ · climbK · sublimeK · roamL · homeL · graceM · raceM · easeN · pleaseN · woeO · bestowO · madeP · tradeP · sellQ · wellQ
  7. 8 AABB--CCDDEEAAFFGG seenA · spleenA · friendsB · descendsB · shew · know · strayC · dayC · lightD · fightD · pierceE · fierceE · seenA · machineA · turnF · sternF · glowsG · woesG
  8. 9 AABBCCDDEEFF--GGHH breastA · restA · raveB · waveB · toilC · soilC · prideD · tideD · lawsE · causeE · doomF · bloomF · unmov'd · lov'd · giveG · liveG · bearH · despairH
  9. 10 AABBCCDDEEFFGGHHIIJJ raiseA · gazeA · brightB · sightB · trac'dC · wasteC · findD · mindD · chainE · reignE · birthF · worthF · bustG · rustG · frameH · flameH · stageI · ageI · fledJ · bledJ
  10. 11 AABBCCDD-- bendA · attendA · roundB · groundB · powersC · hoursC · tongueD · sungD · pierce · verse
  11. 12 AABBCCDDEEFF--GGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWW-- shinesA · vinesA · galeB · valeB · raceC · graceC · roamD · homeD · crownE · renownE · glowF · knowF · caught · thought · feelsG · revealsG · possessH · blessH · lightI · nightI · strifeJ · lifeJ · taughtK · thoughtK · witL · writL · beguilesM · smilesM · prestN · guestN · skillO · illO · rangeP · strangeP · traceQ · graceQ · disguiseR · riseR · dartS · heartS · shareT · bearT · loadU · roadU · treadV · spreadV · spyW · eyeW · repine · mine
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
IN1·
I mean no giddy heights to climb,8···/˘···
And vainly toil to be sublime;8·/˘···˘/
While every line with labour wrought,9·/˘˘··/˘·
Is swell'd with tropes for want of thought:8········
Nor shall I call the Muse to shed8········
Castalian drops upon my head;9˘/˘˘·····
Or send me from Parnassian bowers9····˘/˘/˘
A chaplet wove of fancy's flowers.9·/˘··/˘/˘
At present all such aid I slight--8·/˘·····
My heart instructs me how to write.8··˘/····
That softer glide my hours along,9·/˘··/˘˘/
That still my griefs are sooth'd by song,8········
That still my careless numbers flow8···/˘/˘·
To your successful skill I owe;8··˘/˘···
You, who when sickness o'er me hung,8···/˘···
And languor had my lyre unstrung,8·/˘·····
With treasures of the healing art,8·/˘··/˘·
With friendship's ardor at your heart,8·/˘/˘···
From sickness snatch'd her early prey8·/˘··/˘·
And bade fair health--the goddess gay,8·····/˘·
With sprightly air, and winning grace,8·/˘··/˘·
With laughing eye, and rosy face,8·/˘··/˘·
Accustom'd when you call to hear,8˘/˘·····
On her light pinion hasten near,8···/˘/˘·
And swift restore with influence kind,9··˘/·/˘˘·
My weaken'd frame, my drooping mind.8·/˘··/˘·
With like benignity, and zeal,8··˘/˘˘··
The mental malady to heal,8·/˘/˘˘··
To stop the fruitless, hopeless tear,8···/˘/˘·
The life you lengthen'd, render dear,8···/˘/˘·
To charm by fancy's powerful vein,9···/˘/˘˘·
"The written troubles of the brain,"8·/˘/˘···
From gayer scenes, compassion led8·/˘·˘/˘·
Your frequent footsteps to my shed:8·/˘/····
And knowing that the Muses' art8·/˘··/˘·
Has power to ease an aching heart,9·/˘···/˘·
You sooth'd that heart with partial praise,8·····/˘·
And I before too fond of lays,8········
While others pant for solid gain,8·/˘··/˘·
Grasp at a laurel sprig--in vain--8···/˘···
You could not chill with frown severe8······˘/
The madness to my soul so dear;8·/˘·····
For when Apollo came to store8··˘/˘···
Your mind with salutary lore,8···/˘·˘·
The god I ween, was pleas'd to dart8········
A ray from Pindus on your heart;8········
Your willing bosom caught the fire,9·/˘/˘··/˘
And still is partial to the lyre.8···/˘···
But now from you at distance plac'd8·····/˘·
Where Epping spreads a woody waste;8·/˘··/˘·
Tho' unrestrain'd my fancy flies,8··˘/·/˘·
And views in air her fabrics rise,8·····/˘·
And paints with brighter bloom the flowers,9···/˘··/˘
Bids Dryads people all the bowers,8··/˘··/˘
And Echoes speak from every hill,9·/˘··/˘˘·
And Naiads pour each little rill,7····/˘·
And bands of Sylphs with pride unfold8······˘/
Their azure plumage mix'd with gold,8·/˘/˘···
My heart remembers with a sigh8··˘/˘···
That you are now no longer nigh.8·····/˘·
The magic scenes no more engage,8·/˘···˘/
I quit them for your various page;9·····/˘˘·
Where, with delight I traverse o'er8··˘/·/˘·
The foreign paths you trod before:8·/˘·····
Ah not in vain those paths you trac'd,8········
With heart to feel, with powers to taste!9·····/˘··
Amid the ever-jocund train8˘/·/˘/˘·
Who sport upon the banks of Seine,9·······/˘
In your light Frenchman pleas'd I see8···/˘···
His nation's gay epitome;8·/˘·˘/˘˘
Whose careless hours glide smooth along,9·/˘/˘··˘/
Who charms MISFORTUNE with a song.8··˘/˘···
She comes not as on Albion's plain,9·····/˘˘·
With death, and madness in her train;8···/˘···
For here, her keenest sharpest dart8···/˘/˘·
May raze, but cannot pierce the heart.8···/˘···
Yet he whose spirit light as air8···/˘···
Calls life a jest, and laughs at care,8········
Feels the strong force of pity's voice,8·····/˘·
And bids afflicted love rejoice;8··˘/˘·˘/
Love, such as fills the poet's page8·····/˘·
Love, such as form'd the golden age--8·····/˘·
FANCHON, thy grateful look I see--8/˘·/˘···
I share thy joys--I weep with thee--8········
What eye has read without a tear8········
A tale to nature's heart so dear!8···/˘···
There, dress'd in each sublimer grace8········
Geneva's happy scene I trace;8˘/˘/˘···
Her lake, from whose broad bosom thrown8·····/˘·
Rushes the loud impetuous Rhone,8/˘··˘/˘·
And bears his waves with mazy sweep8·····/˘·
In rapid torrents to the deep--8·/˘/˘···
Oh for a Muse less weak of wing,8········
High on yon Alpine steeps to spring,8···/····
And tell in verse what they disclose8······˘/
As well as you have told in prose;8········
How wrapt in snows and icy showers,9·····/˘/˘
Eternal winter, horrid lowers9˘/˘/˘/˘/˘
Upon the mountain's awful brow,8···/˘/˘·
While purple summer blooms below;8·/˘/˘···
How icy structures rear their forms8·/˘/˘···
Pale products of ten thousand storms;8·/˘··/˘·
Where the full sun-beam powerless falls9·····/˘˘·
On crystal arches, columns, walls,8·/˘/˘/˘·
Yet paints the proud fantastic height8····˘/˘·
With all the various hues of light.9···/˘˘···
Why is no poet call'd to birth8···/˘···
In such a favour'd spot of earth?8········
How high his vent'rous Muse might rise,8········
And proudly scorn to ask supplies8·/˘···˘/
From the Parnassian hill, the fire9··˘/˘··/˘
Of verse, Mont Blanc might well inspire.8······˘/
O SWITZERLAND! how oft these eyes8·/˘˘····
Desire to view thy mountains rise;9˘/˘···/˘·
How fancy loves thy steeps to climb,8·/˘·····
So wild, so solemn, so sublime;8···/˘·˘/
And o'er thy happy vales to roam,8···/˘···
Where freedom rears her humble home.8·/˘··/˘·
Ah, how unlike each social grace8··˘/·/˘·
Which binds in love thy manly race,8·····/˘·
The HOLLANDERS phlegmatic ease8·/˘˘˘/˘·
Too cold to love, too dull to please;8········
Who feel no sympathetic woe,8····˘/˘·
Nor sympathetic joy bestow,8··˘/˘·˘/
But fancy words are only made8·/˘··/˘·
To serve the purposes of trade,8···/˘˘··
And when they neither buy, nor sell,8···/˘···
Think silence answers quite as well.8·/˘/˘···
Now in his happiest light is seen9···/˘˘···
VOLTAIRE, when evening chas'd his spleen,8˘/·/˘···
And plac'd at supper with his friends,8···/˘···
The playful flash of wit descends--8·/˘···˘/
Of names renown'd you clearly shew8··˘/·/˘·
The finer traits we wish to know--8·/˘·····
To Prussia's martial clime I stray8·/˘/˘···
And see how FREDERIC spends the day;8···/˘···
Behold him rise at dawning light8˘/···/˘·
To form his troops for future fight;8·····/˘·
Thro' the firm ranks his glances pierce,8·····/˘·
Where discipline, with aspect fierce,8·/˘˘·/··
And unrelenting breast, is seen8··˘/˘···
Degrading man to a machine;8˘/˘···˘/
My female heart delights to turn8·/··˘/··
Where GREATNESS seems not quite so stern:8·/˘·····
Mild on th' IMPERIAL BROW she glows,9··˘/˘˘···
And lives to soften human woes.8···/˘/˘·
But lo! on ocean's stormy breast8···/˘/˘·
I see majestic VENICE rest;8··˘/˘/˘·
While round her spires the billows rave,8·····/˘·
Inverted splendours gild the wave.8˘/˘/˘···
Fair liberty has rear'd with toil,8·/˘˘····
Her fabric on this marshy soil.8·/˘··/˘·
She fled those banks with scornful pride,8·····/˘·
Where classic Po devolves her tide:8·/˘·˘/··
Yet here her unrelenting laws8····˘/˘·
Are deaf to nature's, freedom's cause.8···/˘/˘·
Unjust! they seal'd FOSCARI'S doom,8˘/······
An exile in his early bloom.8·/···/˘·
And he, who bore the rack unmov'd,8······˘/
Divided far from those he lov'd,8˘/˘·····
From all the social hour can give,9···/˘/˘··
From all that make it bliss to live,8········
These worst of ills refus'd to bear,8····˘/··
And died, the victim of despair.8···/˘·˘/
An eye of wonder let me raise,8···/˘···
While on imperial ROME I gaze.9··˘/˘˘···
But oh! no more in glory bright8·····/˘·
She fills with awe th' astonish'd sight:8····˘/˘·
Her mould'ring fanes in ruin trac'd,8·····/˘·
Lie scatter'd on Campania's waste.8·/˘·····
Nor only these--alas! we find8·/˘·˘/··
The wreck involves the human mind:8··˘/·/˘·
The lords of earth now drag a chain8········
Beneath a pontiff's feeble reign;8···/˘/˘·
The soil that gave a Cato birth8·····/˘·
No longer yields heroic worth,8·/˘·˘/˘·
Whose image lives but on the bust,8·/˘·····
Or consecrates the medal's rust:8·/˘··/˘·
Yet if no heart of modern frame8·····/˘·
Glows with the antient hero's flame,8·····/˘·
The dire Arena's horrid stage8··˘/˘/˘·
Is banish'd from this milder age;8·/˘··/˘·
Those savage virtues too are fled8·/˘/˘···
At which the human feelings bled.8···/˘/˘·
While now at Virgil's tomb you bend,8···/˘···
O let me on your steps attend!8······˘/
Kneel on the turf that blossoms round,8·····/˘·
And kiss, with lips devout, the ground.8····˘/··
I feel how oft his magic powers9·····/˘/˘
Shed pleasure on my lonely hours.9·/˘··/˘/˘
Tho' hid from me the classic tongue,8·····/˘·
In which his heav'nly strain was sung,8········
In Dryden's tuneful lines, I pierce8·/˘/˘···
The shaded beauties of his verse.8·/˘/˘···
Bright be the rip'ning beam, that shines8········
Fair FLORENCE, on thy purple vines!8·/˘··/˘·
And ever pure the fanning gale8·/˘··/˘·
That pants in Arno's myrtle vale!8···/˘/˘·
Here, when the barb'rous northern race,8·····/˘·
Dire foes to every muse, and grace,9···/˘˘···
Had doom'd the banish'd arts to roam8···/˘···
The lovely wand'rers found a home;8·/˘·····
And shed round Leo's triple crown8···/˘/˘·
Unfading rays of bright renown.8······˘/
Who e'er has felt his bosom glow8·····/˘·
With knowledge, or the wish to know;8·/˘·····
Has e'er from books with transport caught8·····˘/·
The rich accession of a thought;8··˘/˘···
Perceiv'd with conscious pride, he feels8˘/·/˘···
The sentiment which taste reveals;8·/˘˘··˘/
Let all who joys like these possess,8······˘/
Thy vale, enchanting FLORENCE bless--8··˘/˘/˘·
O had the arts benignant light8····˘/˘·
No more reviv'd from Gothic night,8··˘/·/˘·
Earth had been one vast scene of strife,8········
Or one drear void had sadden'd life;8·····/˘·
Lost had been all the sage has taught,8········
The painter's sketch, the poet's thought,8·/˘··/˘·
The force of sense, the charm of wit,8········
Nor ever had your page been writ;8·/˘·····
That soothing page, which care beguiles,8·/˘···˘/
And dresses truth in fancy's smiles:8·/˘··/˘·
For not with hostile step you prest8···/˘···
Each foreign soil, a thankless guest!8·/˘··/˘·
While travellers who want the skill8·/˘˘····
To mark the shapes of good and ill,8········
With vacant stare thro' Europe range,8·/˘··/˘·
And deem all bad, because 'tis strange;8········
Thro' varying modes of life, you trace9·/˘˘·····
The finer trait, the latent grace,8·/˘··/˘·
And where thro' every vain disguise9···/˘˘·˘/
You view the human follies rise,8···/˘/˘·
The stroke of irony you dart8···/˘˘··
With force to mend, not wound the heart.8········
While intellectual objects share9··˘/˘˘˘/·
Your mind's extensive view, you bear,8··˘/˘···
Quite free from spleen's incumb'ring load,8········
The little evils on the road--8·/˘/˘···
So, while the path of life I tread,8········
A path to me with briers spread;8·····/˘·
Let me its tangled mazes spy9···/˘˘/˘·
Like you, with gay, good-humour'd eye;8········
Nor at those thorny tracts repine,8···/˘·˘/
The treasure of your friendship, mine.8·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Helen Maria Williams