Suite
the domes of the Church ofthe Paulist Fathers in Weehawkenagainst a smoky dawn--the heart stirred--are beautiful as Saint Petersapproached after years of anticipation.
Though the operation was postponedI saw the tall probationersin their tan uniformshurrying to breakfast!
--and from basement entrysneatly coiffed, middle aged gentlemenwith orderly moustaches andwell brushed coats
--and the sun, dipping into the avenuesstreaking the tops ofthe irregular red houselets,andthe gay shadows dropping and dropping.
--and the rickety ferry-boat “Arden”!What an object to be called “Arden”among the great piers,--on theever new river!“Put me a Touchstoneat the wheel, white gulls, and we’llfollow the ghost of the Half Moonto the North West Passage--and through!(at Albany!) for all that!”
Exquisite brown waves--longcirclets of silver moving over you!enough with crumbling ice-crusts among you!The sky has come down to you,lighter than tiny bubbles, face toface with you!His spirit isa white gull with delicate pink feetand a snowy breast for you tohold to your lips delicately!
The young doctor is dancing with happinessin the sparkling wind, aloneat the prow of the ferry! He noticesthe curdy barnacles and broken ice crustsleft at the slip’s base by the low tideand thinks of summer and greenshell crusted ledges amongthe emerald eel-grass!
Who knows the Palisades as I doknows the river breaks east from themabove the city--but they continue south--under the sky--to bear a crest oflittle peering houses that brightenwith dawn behind the moodywater-loving giants of Manhattan.
Long yellow rushes bendingabove the white snow patches;purple and gold ribbonof the distant wood:what an angleyou make with each other asyou lie there in contemplation.
Work hard all your young daysand they’ll find you too, some morningstaring up underyour chiffonier at its warpedbass-wood bottom and your soul--out!--among the little sparrowsbehind the shutter.
All this--was for you, old woman.I wanted to write a poemthat you would understand.For what good is it to meif you can’t understand it?But you got to try hard--But--Well, you know howthe young girls run gigglingon Park Avenue after darkwhen they ought to be home in bed?Well,that’s the way it is with me somehow.
Words in this poem
- paulist n.
- A member of The Institute of the Missionary Priests of St. Paul the Apostle, founded in 1858 by the Rev. I. T. Hecker of New York.
- rickety a.
- Affected with rickets.
- touchstone n.
- Lydian stone; basanite; -- so called because used to test the purity of gold and silver by the streak which is left upon the stone when it is rubbed by the metal. See Basanite.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- snowy a.
- White like snow.
- curdy a.
- Like curd; full of curd; coagulated.
- crusted a.
- Incrusted; covered with, or containing, crust; as, old, crusted port wine.
- brighten v. t.
- To make bright or brighter; to make to shine; to increase the luster of; to give a brighter hue to.
- chiffonier n.
- One who gathers rags and odds and ends; a ragpicker. [F. chiffonnier, fem. chiffonnière, fr. chiffon rag, fr. chiffe a rag, fimsy cloth.]
- avenue n.
- A way or opening for entrance into a place; a passage by which a place may by reached; a way of approach or of exit. [F. avenue, fr. avenir to come to, L. advenire. See Advene.]
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Suite is in the public domain. This text is taken from A Book of Poems, Al Que Quiere!, Project Gutenberg ebook #51997; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Carlos Williams, Suite, in Al Que Quiere! (1917), text of Project Gutenberg ebook #51997, Laurel, https://laurelpoetry.com/poem/williams-al-que-quiere/suite.html, id L01133.
Form and metre
Suite is 81 lines in 11 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 76%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 28 lines end on an unstressed syllable, a feminine ending. 60% of the lines run on without a stop at the line end.
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 5 AA--A---- ardenA · ardenA · the · river · touchstoneA · we'll · moon · through · that
- 6 -AAAAA--A- long · youA · youA · youA · toA · youA · is · feet · toA · delicately
- 9 -A---A- bending · patchesA · ribbon · wood · angle · asA · contemplation
- 11 --------A----A this · woman · poem · understand · me · it · hard · but · howA · giggling · dark · bed · well · somehowA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| the domes of the Church of | 6 | ······ |
| the Paulist Fathers in Weehawken | 9 | ·/˘/˘··/˘ |
| against a smoky dawn--the heart stirred-- | 9 | ···/˘···· |
| are beautiful as Saint Peters | 8 | ·/˘˘··/˘ |
| approached after years of anticipation. | 11 | ˘/····˘·˘/˘ |
| Though the operation was postponed | 9 | ···˘/˘·˘/ |
| I saw the tall probationers | 8 | ····˘/˘˘ |
| in their tan uniforms | 6 | ···/˘· |
| hurrying to breakfast! | 6 | /˘˘·/˘ |
| --and from basement entrys | 6 | ··/˘/˘ |
| neatly coiffed, middle aged gentlemen | 9 | /˘·/˘·/˘˘ |
| with orderly moustaches and | 8 | ·/˘˘/·˘· |
| well brushed coats | 3 | ··· |
| --and the sun, dipping into the avenues | 11 | ···/˘···/˘· |
| streaking the tops of | 5 | /˘··· |
| the irregular red houselets, | 9 | ·˘/˘˘···· |
| and | 1 | · |
| the gay shadows dropping and dropping. | 9 | ··/·/˘·/˘ |
| --and the rickety ferry-boat “Arden”! | 10 | ··/˘˘/˘·/˘ |
| What an object to be called “Arden” | 9 | ··/˘···/˘ |
| among the great piers,--on the | 7 | ······· |
| ever new river! | 5 | /˘·/˘ |
| “Put me a Touchstone | 5 | ···/· |
| at the wheel, white gulls, and we’ll | 7 | ······· |
| follow the ghost of the Half Moon | 8 | /˘······ |
| to the North West Passage--and through! | 8 | ····/˘·· |
| (at Albany!) for all that!” | 7 | ·/˘˘··· |
| Exquisite brown waves--long | 6 | /˘˘··· |
| circlets of silver moving over you! | 10 | ···/˘/˘··· |
| enough with crumbling ice-crusts among you! | 11 | ˘/·/˘˘····· |
| The sky has come down to you, | 7 | ······· |
| lighter than tiny bubbles, face to | 9 | /˘·/˘/˘·· |
| face with you! | 3 | ··· |
| His spirit is | 4 | ·/˘· |
| a white gull with delicate pink feet | 9 | ····/˘˘·· |
| and a snowy breast for you to | 8 | ··/˘···· |
| hold to your lips delicately! | 8 | ····/˘˘˘ |
| The young doctor is dancing with happiness | 11 | ··/˘·/˘·/˘˘ |
| in the sparkling wind, alone | 7 | ··/˘·˘/ |
| at the prow of the ferry! He notices | 11 | ·····/˘·/˘˘ |
| the curdy barnacles and broken ice crusts | 11 | ·/˘/˘˘·/˘·· |
| left at the slip’s base by the low tide | 9 | ········· |
| and thinks of summer and green | 7 | ···/˘·· |
| shell crusted ledges among | 7 | ·/˘/˘·· |
| the emerald eel-grass! | 5 | ·/˘·· |
| Who knows the Palisades as I do | 9 | ····˘/··· |
| knows the river breaks east from them | 8 | ··/˘···· |
| above the city--but they continue south | 11 | ···/˘··˘/˘· |
| --under the sky--to bear a crest of | 9 | ········· |
| little peering houses that brighten | 9 | /˘/˘/˘·/˘ |
| with dawn behind the moody | 7 | ·····/˘ |
| water-loving giants of Manhattan. | 10 | /˘/˘/˘·˘/˘ |
| Long yellow rushes bending | 7 | ·/˘/˘/˘ |
| above the white snow patches; | 7 | ·····/˘ |
| purple and gold ribbon | 6 | /˘··/˘ |
| of the distant wood: | 5 | ··/˘· |
| what an angle | 4 | ··/˘ |
| you make with each other as | 7 | ····/˘· |
| you lie there in contemplation. | 8 | ·····˘/˘ |
| Work hard all your young days | 6 | ······ |
| and they’ll find you too, some morning | 8 | ······/˘ |
| staring up under | 5 | /˘··· |
| your chiffonier at its warped | 7 | ······· |
| bass-wood bottom and your soul-- | 7 | ··/˘··· |
| out! | 1 | · |
| --among the little sparrows | 7 | ···/˘/˘ |
| behind the shutter. | 5 | ···/˘ |
| All this-- | 2 | ·· |
| was for you, old woman. | 6 | ····/˘ |
| I wanted to write a poem | 8 | ·/˘···/˘ |
| that you would understand. | 6 | ····˘/ |
| For what good is it to me | 7 | ······· |
| if you can’t understand it? | 7 | ····˘/· |
| But you got to try hard-- | 6 | ······ |
| But-- | 1 | · |
| Well, you know how | 4 | ···· |
| the young girls run giggling | 7 | ····/˘˘ |
| on Park Avenue after dark | 8 | ··/˘···· |
| when they ought to be home in bed? | 8 | ········ |
| Well, | 1 | · |
| that’s the way it is with me somehow. | 9 | ·······/· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.