Disarmament

John Greenleaf Whittier (1807–1892) · 1865

iambic pentameter · 32 lines · from Anti-Slavery Poems and Songs of Labor and Reform

"PUT up the sword!" The voice of Christ once moreSpeaks, in the pauses of the cannon's roar,O'er fields of corn by fiery sickles reapedAnd left dry ashes; over trenches heapedWith nameless dead; o'er cities starving slowUnder a rain of fire; through wards of woeDown which a groaning diapason runsFrom tortured brothers, husbands, lovers, sonsOf desolate women in their far-off homes,Waiting to hear the step that never comes!O men and brothers! let that voice be heard.War fails, try peace; put up the useless sword!

Fear not the end. There is a story toldIn Eastern tents, when autumn nights grow cold,And round the fire the Mongol shepherds sitWith grave responses listening unto itOnce, on the errands of his mercy bent,Buddha, the holy and benevolent,Met a fell monster, huge and fierce of look,Whose awful voice the hills and forests shook."O son of peace!" the giant cried, "thy fateIs sealed at last, and love shall yield to hate."The unarmed Buddha looking, with no traceOf fear or anger, in the monster's face,In pity said: "Poor fiend, even thee I love."Lo! as he spake the sky-tall terror sankTo hand-breadth size; the huge abhorrence shrankInto the form and fashion of a dove;And where the thunder of its rage was heard,Circling above him sweetly sang the bird"Hate hath no harm for love," so ran the song;"And peace unweaponed conquers every wrong!"

Words in this poem

nameless a.
Without a name; not having been given a name; as, a nameless star.
diapason n.
The octave, or interval which includes all the tones of the diatonic scale. [L., fr. Gr. i. e., diapason. Cf. Panacea.]
mongol n.
One of the Mongols.
shook v. t.
To pack, as staves, in a shook.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
unarmed a.
Not armed or armored; having no arms or weapons. [Pref. un- not + armed.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Disarmament is in the public domain. This text is taken from Anti-Slavery Poems and Songs of Labor and Reform, Complete Volume III of The Works of John Greenleaf Whittier, Project Gutenberg ebook #9580; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Greenleaf Whittier, Disarmament, in Anti-Slavery Poems and Songs of Labor and Reform (1865), text of Project Gutenberg ebook #9580, Laurel, https://laurelpoetry.com/poem/whittier-anti-slavery/disarmament.html, id L24969.

Form and metre

Disarmament is 32 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD---- moreA · roarA · reapedB · heapedB · slowC · woeC · runsD · sonsD · homes · comes · heard · sword
  2. 2 AABBCCDDEEFFGHHGIIJJ toldA · coldA · sitB · itB · bentC · benevolentC · lookD · shookD · fateE · hateE · traceF · faceF · loveG · sankH · shrankH · doveG · heardI · birdI · songJ · wrongJ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"PUT up the sword!" The voice of Christ once more10··········
Speaks, in the pauses of the cannon's roar,10···/˘··/˘·
O'er fields of corn by fiery sickles reaped10·····/˘/˘·
And left dry ashes; over trenches heaped10···/˘··/˘·
With nameless dead; o'er cities starving slow10·/˘··/˘/˘·
Under a rain of fire; through wards of woe10·····/····
Down which a groaning diapason runs9···/˘····
From tortured brothers, husbands, lovers, sons10·/˘/˘/˘/˘·
Of desolate women in their far-off homes,10·/˘/˘·····
Waiting to hear the step that never comes!10/˘·····/˘·
O men and brothers! let that voice be heard.10···/˘·····
War fails, try peace; put up the useless sword!10·······/˘·
Fear not the end. There is a story told10·······/˘·
In Eastern tents, when autumn nights grow cold,10·/˘··/˘···
And round the fire the Mongol shepherds sit10···/·/˘/˘·
With grave responses listening unto it10··˘/˘/˘···
Once, on the errands of his mercy bent,10···/˘··/˘·
Buddha, the holy and benevolent,10/˘·/˘·˘/˘˘
Met a fell monster, huge and fierce of look,10···/˘·····
Whose awful voice the hills and forests shook.10·/˘····/˘·
"O son of peace!" the giant cried, "thy fate10·····/˘···
Is sealed at last, and love shall yield to hate."10··········
The unarmed Buddha looking, with no trace10·˘//˘/˘···
Of fear or anger, in the monster's face,10···/˘··/˘·
In pity said: "Poor fiend, even thee I love."10·/˘···/···
Lo! as he spake the sky-tall terror sank10·······/˘·
To hand-breadth size; the huge abhorrence shrank10······˘/˘·
Into the form and fashion of a dove;10·····/˘···
And where the thunder of its rage was heard,10···/˘·····
Circling above him sweetly sang the bird10/˘···/˘···
"Hate hath no harm for love," so ran the song;10··········
"And peace unweaponed conquers every wrong!"10·····/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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