Whoever You Are Holding Me Now in Hand

Walt Whitman (1819–1892) · 1855–1892

Free verse · unrhymed · 47 lines · from Leaves of Grass

Whoever you are holding me now in hand,Without one thing all will be useless,I give you fair warning before you attempt me further,I am not what you supposed, but far different.

Who is he that would become my follower?Who would sign himself a candidate for my affections?

The way is suspicious, the result uncertain, perhaps destructive,You would have to give up all else, I alone would expect to be yoursole and exclusive standard,Your novitiate would even then be long and exhausting,The whole past theory of your life and all conformity to the livesaround you would have to be abandon’d,Therefore release me now before troubling yourself any further, letgo your hand from my shoulders,Put me down and depart on your way.

Or else by stealth in some wood for trial,Or back of a rock in the open air,(For in any roof’d room of a house I emerge not, nor in company,And in libraries I lie as one dumb, a gawk, or unborn, or dead,)But just possibly with you on a high hill, first watching lest anyperson for miles around approach unawares,Or possibly with you sailing at sea, or on the beach of the sea orsome quiet island,Here to put your lips upon mine I permit you,With the comrade’s long-dwelling kiss or the new husband’s kiss,For I am the new husband and I am the comrade.

Or if you will, thrusting me beneath your clothing,Where I may feel the throbs of your heart or rest upon your hip,Carry me when you go forth over land or sea;For thus merely touching you is enough, is best,And thus touching you would I silently sleep and be carried eternally.

But these leaves conning you con at peril,For these leaves and me you will not understand,They will elude you at first and still more afterward, I willcertainly elude you.Even while you should think you had unquestionably caught me, behold!Already you see I have escaped from you.

For it is not for what I have put into it that I have written this book,Nor is it by reading it you will acquire it,Nor do those know me best who admire me and vauntingly praise me,Nor will the candidates for my love (unless at most a very few)prove victorious,Nor will my poems do good only, they will do just as much evil,perhaps more,For all is useless without that which you may guess at many timesand not hit, that which I hinted at;Therefore release me and depart on your way.

Words in this poem

whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
novitiate n.
The state of being a novice; time of initiation or instruction in rudiments. [LL. novitiatus: cf. F. noviciat.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
gawk n.
A cuckoo. Johnson. [OE. gok, gowk, cuckoo, fool, Icel. gaukr cuckoo; akin to OHG. gouh, G. gauch cuckoo, fool, AS. géac cuckoo, Sw. gök, Dan. giög]
unborn a.
Not born; no yet brought into life; being still to appear; future.
eternally adv.
In an eternal manner.
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
vauntingly adv.
In a vaunting manner.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Whoever You Are Holding Me Now in Hand is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Walt Whitman, Whoever You Are Holding Me Now in Hand, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/whoever-you-are-holding-me-now-in-hand.html, id L03863.

Form and metre

Whoever You Are Holding Me Now in Hand is 47 lines in 7 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 82% of its stressed syllables fall where the metre puts the beat. The lines average 12.7 syllables. 19 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 6 A-AB-B perilA · understand · willA · youB · behold · youB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Whoever you are holding me now in hand,11˘/˘··/˘····
Without one thing all will be useless,9·······/˘
I give you fair warning before you attempt me further,14····/˘···˘/·/˘
I am not what you supposed, but far different.12·····˘/··/˘˘
Who is he that would become my follower?11·····˘/·/˘˘
Who would sign himself a candidate for my affections?14···˘/·/˘˘··˘/˘
The way is suspicious, the result uncertain, perhaps destructive,17···˘/˘·˘/˘/˘˘/˘/˘
You would have to give up all else, I alone would expect to be your17·········˘/·˘/···
sole and exclusive standard,7··˘/˘/˘
Your novitiate would even then be long and exhausting,15·˘/˘˘·/˘····˘/˘
The whole past theory of your life and all conformity to the lives17···/˘·····˘/˘˘···
around you would have to be abandon’d,10·······˘/˘
Therefore release me now before troubling yourself any further, let18··˘/····/˘˘˘//˘/˘·
go your hand from my shoulders,7·····/˘
Put me down and depart on your way.9····˘/···
Or else by stealth in some wood for trial,10········/˘
Or back of a rock in the open air,10·······/˘·
(For in any roof’d room of a house I emerge not, nor in company,18··/˘······˘/···/˘˘
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)17··/·˘········//··
But just possibly with you on a high hill, first watching lest any17··/˘˘·······/˘·/˘
person for miles around approach unawares,11/˘····˘/·˘/
Or possibly with you sailing at sea, or on the beach of the sea or18·/˘˘··/˘··········
some quiet island,5·/˘/˘
Here to put your lips upon mine I permit you,12·········˘/·
With the comrade’s long-dwelling kiss or the new husband’s kiss,14··/··/˘····/˘·
For I am the new husband and I am the comrade.13·····/˘····/·
Or if you will, thrusting me beneath your clothing,12····/˘····/˘
Where I may feel the throbs of your heart or rest upon your hip,15···············
Carry me when you go forth over land or sea;12/˘··········
For thus merely touching you is enough, is best,12··/˘/˘··˘/··
And thus touching you would I silently sleep and be carried eternally.19··/˘···/˘˘···/˘˘/˘˘
But these leaves conning you con at peril,10···/˘···/˘
For these leaves and me you will not understand,11·········˘/
They will elude you at first and still more afterward, I will15··˘/······/˘˘··
certainly elude you.6/˘˘˘/·
Even while you should think you had unquestionably caught me, behold!17/˘······˘/˘˘˘··˘/
Already you see I have escaped from you.11˘/˘····˘/··
For it is not for what I have put into it that I have written this book,19···············/˘··
Nor is it by reading it you will acquire it,13····/˘···˘/˘·
Nor do those know me best who admire me and vauntingly praise me,16·······˘/··/˘˘··
Nor will the candidates for my love (unless at most a very few)17···/˘˘········/˘·
prove victorious,5·˘/˘˘
Nor will my poems do good only, they will do just as much evil,17···/˘··/˘······/˘
perhaps more,3˘/·
For all is useless without that which you may guess at many times16···/˘········/˘·
and not hit, that which I hinted at;9······/˘·
Therefore release me and depart on your way.11··˘/··˘/···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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