Scented Herbage of My Breast
Scented herbage of my breast,Leaves from you I glean, I write, to be perused best afterwards,Tomb-leaves, body-leaves growing up above me above death,Perennial roots, tall leaves, O the winter shall not freeze youdelicate leaves,Every year shall you bloom again, out from where you retired youshall emerge again;O I do not know whether many passing by will discover you or inhaleyour faint odor, but I believe a few will;O slender leaves! O blossoms of my blood! I permit you to tell inyour own way of the heart that is under you,O I do not know what you mean there underneath yourselves, you arenot happiness,You are often more bitter than I can bear, you burn and sting me,Yet you are beautiful to me you faint tinged roots, you make methink of death,Death is beautiful from you, (what indeed is finally beautifulexcept death and love?)O I think it is not for life I am chanting here my chant of lovers,I think it must be for death,For how calm, how solemn it grows to ascend to the atmosphere of lovers,Death or life I am then indifferent, my soul declines to prefer,(I am not sure but the high soul of lovers welcomes death most,)Indeed O death, I think now these leaves mean precisely the same asyou mean,Grow up taller sweet leaves that I may see! grow up out of my breast!Spring away from the conceal’d heart there!Do not fold yourself so in your pink-tinged roots timid leaves!Do not remain down there so ashamed, herbage of my breast!Come I am determin’d to unbare this broad breast of mine, I havelong enough stifled and choked;Emblematic and capricious blades I leave you, now you serve me not,I will say what I have to say by itself,I will sound myself and comrades only, I will never again utter acall only their call,I will raise with it immortal reverberations through the States,I will give an example to lovers to take permanent shape and willthrough the States,Through me shall the words be said to make death exhilarating,Give me your tone therefore O death, that I may accord with it,Give me yourself, for I see that you belong to me now above all, andare folded inseparably together, you love and death are,Nor will I allow you to balk me any more with what I was calling life,For now it is convey’d to me that you are the purports essential,That you hide in these shifting forms of life, for reasons, and thatthey are mainly for you,That you beyond them come forth to remain, the real reality,That behind the mask of materials you patiently wait, no matter how long,That you will one day perhaps take control of all,That you will perhaps dissipate this entire show of appearance,That may-be you are what it is all for, but it does not last so very long,But you will last very long.
Words in this poem
- glean n.
- Cleaning; afterbirth. Holland.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- discover v. i.
- To discover or show one's self.
- exhilarating a.
- That exhilarates; cheering; gladdening.
- inseparably adv.
- In an inseparable manner or condition; so as not to be separable.
- patiently adv.
- In a patient manner.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Scented Herbage of My Breast is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walt Whitman, Scented Herbage of My Breast, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/scented-herbage-of-my-breast.html, id L03862.
Form and metre
Scented Herbage of My Breast is 52 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. 80% of its stressed syllables fall where the metre puts the beat. The lines average 13.1 syllables. 9 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ------A--A----------B--B---------------------------- breast · afterwards · death · you · leaves · you · againA · inhale · will · inA · you · are · happiness · me · me · death · beautiful · love · lovers · death · loversB · prefer · most · asB · mean · breast · there · leaves · breast · have · choked · not · itself · a · call · states · will · states · exhilarating · it · and · are · life · essential · that · you · reality · long · all · appearance · long · long
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Scented herbage of my breast, | 7 | /˘/˘··· |
| Leaves from you I glean, I write, to be perused best afterwards, | 15 | ·········˘/·/˘˘ |
| Tomb-leaves, body-leaves growing up above me above death, | 14 | ··/˘·/˘······· |
| Perennial roots, tall leaves, O the winter shall not freeze you | 15 | ˘/˘˘·····/˘···· |
| delicate leaves, | 4 | /˘˘· |
| Every year shall you bloom again, out from where you retired you | 16 | /˘˘····˘/····˘/· |
| shall emerge again; | 5 | ·˘/˘/ |
| O I do not know whether many passing by will discover you or inhale | 20 | ·······/˘/˘··˘/˘··˘/ |
| your faint odor, but I believe a few will; | 11 | ··/˘··˘/··· |
| O slender leaves! O blossoms of my blood! I permit you to tell in | 17 | ·/˘··/˘····˘/···· |
| your own way of the heart that is under you, | 11 | ··········· |
| O I do not know what you mean there underneath yourselves, you are | 16 | ··········˘/˘/·· |
| not happiness, | 4 | ·/˘˘ |
| You are often more bitter than I can bear, you burn and sting me, | 16 | ··/˘·/˘········· |
| Yet you are beautiful to me you faint tinged roots, you make me | 15 | ···/˘˘········· |
| think of death, | 3 | ··· |
| Death is beautiful from you, (what indeed is finally beautiful | 17 | ··/˘˘···˘/·/˘˘/˘˘ |
| except death and love?) | 5 | ····· |
| O I think it is not for life I am chanting here my chant of lovers, | 18 | ··········/˘····/˘ |
| I think it must be for death, | 7 | ······· |
| For how calm, how solemn it grows to ascend to the atmosphere of lovers, | 19 | ····/˘···˘/··/˘··/˘ |
| Death or life I am then indifferent, my soul declines to prefer, | 16 | ······˘/˘··˘/·˘/ |
| (I am not sure but the high soul of lovers welcomes death most,) | 15 | ·········/˘/˘·· |
| Indeed O death, I think now these leaves mean precisely the same as | 16 | ˘/········˘/˘··· |
| you mean, | 2 | ·· |
| Grow up taller sweet leaves that I may see! grow up out of my breast! | 16 | ··/˘············ |
| Spring away from the conceal’d heart there! | 9 | ·˘/··˘/·· |
| Do not fold yourself so in your pink-tinged roots timid leaves! | 14 | ···˘/······/˘· |
| Do not remain down there so ashamed, herbage of my breast! | 14 | ··˘/···˘//˘··· |
| Come I am determin’d to unbare this broad breast of mine, I have | 16 | ···˘/˘·········· |
| long enough stifled and choked; | 7 | ·˘//˘·· |
| Emblematic and capricious blades I leave you, now you serve me not, | 17 | ·˘/˘·˘/˘········· |
| I will say what I have to say by itself, | 11 | ·········˘/ |
| I will sound myself and comrades only, I will never again utter a | 19 | ····/·/·/˘··/˘˘//˘· |
| call only their call, | 5 | ·/˘·· |
| I will raise with it immortal reverberations through the States, | 16 | ·····˘/˘˘·˘/˘··· |
| I will give an example to lovers to take permanent shape and will | 18 | ····˘/˘·/˘··/˘˘··· |
| through the States, | 3 | ··· |
| Through me shall the words be said to make death exhilarating, | 15 | ··········˘/˘·˘ |
| Give me your tone therefore O death, that I may accord with it, | 15 | ···········˘/·· |
| Give me yourself, for I see that you belong to me now above all, and | 18 | ··˘/·····˘/······· |
| are folded inseparably together, you love and death are, | 16 | ·/˘˘/˘˘˘˘/˘····· |
| Nor will I allow you to balk me any more with what I was calling life, | 19 | ···˘/····/˘·····/˘· |
| For now it is convey’d to me that you are the purports essential, | 17 | ····˘/······/·˘/˘ |
| That you hide in these shifting forms of life, for reasons, and that | 15 | ·····/˘····/˘·· |
| they are mainly for you, | 6 | ··/˘·· |
| That you beyond them come forth to remain, the real reality, | 16 | ········˘/··˘/˘˘ |
| That behind the mask of materials you patiently wait, no matter how long, | 20 | ······˘/˘˘·/˘˘··/˘·· |
| That you will one day perhaps take control of all, | 12 | ·····˘/·˘/·· |
| That you will perhaps dissipate this entire show of appearance, | 17 | ···˘//˘··˘/˘··˘/˘ |
| That may-be you are what it is all for, but it does not last so very long, | 19 | ················/˘· |
| But you will last very long. | 7 | ····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.