Out of the Cradle Endlessly Rocking
Out of the cradle endlessly rocking,Out of the mocking-bird’s throat, the musical shuttle,Out of the Ninth-month midnight,Over the sterile sands and the fields beyond, where the childleaving his bed wander’d alone, bareheaded, barefoot,Down from the shower’d halo,Up from the mystic play of shadows twining and twisting as if theywere alive,Out from the patches of briers and blackberries,From the memories of the bird that chanted to me,From your memories sad brother, from the fitful risings and fallings I heard,From under that yellow half-moon late-risen and swollen as if with tears,From those beginning notes of yearning and love there in the mist,From the thousand responses of my heart never to cease,From the myriad thence-arous’d words,From the word stronger and more delicious than any,From such as now they start the scene revisiting,As a flock, twittering, rising, or overhead passing,Borne hither, ere all eludes me, hurriedly,A man, yet by these tears a little boy again,Throwing myself on the sand, confronting the waves,I, chanter of pains and joys, uniter of here and hereafter,Taking all hints to use them, but swiftly leaping beyond them,A reminiscence sing.
Once Paumanok,When the lilac-scent was in the air and Fifth-month grass was growing,Up this seashore in some briers,Two feather’d guests from Alabama, two together,And their nest, and four light-green eggs spotted with brown,And every day the he-bird to and fro near at hand,And every day the she-bird crouch’d on her nest, silent, with bright eyes,And every day I, a curious boy, never too close, never disturbingthem,Cautiously peering, absorbing, translating.
Shine! shine! shine!Pour down your warmth, great sun.’While we bask, we two together.
Two together!Winds blow south, or winds blow north,Day come white, or night come black,Home, or rivers and mountains from home,Singing all time, minding no time,While we two keep together.
Till of a sudden,May-be kill’d, unknown to her mate,One forenoon the she-bird crouch’d not on the nest,Nor return’d that afternoon, nor the next,Nor ever appear’d again.
And thenceforward all summer in the sound of the sea,And at night under the full of the moon in calmer weather,Over the hoarse surging of the sea,Or flitting from brier to brier by day,I saw, I heard at intervals the remaining one, the he-bird,The solitary guest from Alabama.
Blow! blow! blow!Blow up sea-winds along Paumanok’s shore;I wait and I wait till you blow my mate to me.
Yes, when the stars glisten’d,All night long on the prong of a moss-scallop’d stake,Down almost amid the slapping waves,Sat the lone singer wonderful causing tears.
He call’d on his mate,He pour’d forth the meanings which I of all men know.
Yes my brother I know,The rest might not, but I have treasur’d every note,For more than once dimly down to the beach gliding,Silent, avoiding the moonbeams, blending myself with the shadows,Recalling now the obscure shapes, the echoes, the sounds and sightsafter their sorts,The white arms out in the breakers tirelessly tossing,I, with bare feet, a child, the wind wafting my hair,Listen’d long and long.
Listen’d to keep, to sing, now translating the notes,Following you my brother.
Soothe! soothe! soothe!Close on its wave soothes the wave behind,And again another behind embracing and lapping, every one close,But my love soothes not me, not me.
Low hangs the moon, it rose late,It is lagging--O I think it is heavy with love, with love.
O madly the sea pushes upon the land,With love, with love.
O night! do I not see my love fluttering out among the breakers?What is that little black thing I see there in the white?
Loud! loud! loud!Loud I call to you, my love!High and clear I shoot my voice over the waves,Surely you must know who is here, is here,You must know who I am, my love.
Low-hanging moon!What is that dusky spot in your brown yellow?O it is the shape, the shape of my mate.’O moon do not keep her from me any longer.
Land! land! O land!Whichever way I turn, O I think you could give me my mate back againif you only would,For I am almost sure I see her dimly whichever way I look.
O rising stars!Perhaps the one I want so much will rise, will rise with some of you.
O throat! O trembling throat!Sound clearer through the atmosphere!Pierce the woods, the earth,Somewhere listening to catch you must be the one I want.
Shake out carols!Solitary here, the night’s carols!Carols of lonesome love! death’s carols!Carols under that lagging, yellow, waning moon!O under that moon where she droops almost down into the sea!O reckless despairing carols.
But soft! sink low!Soft! let me just murmur,And do you wait a moment you husky-nois’d sea,For somewhere I believe I heard my mate responding to me,So faint, I must be still, be still to listen,But not altogether still, for then she might not come immediately to me.
Hither my love!Here I am! here!With this just-sustain’d note I announce myself to you,This gentle call is for you my love, for you.
Do not be decoy’d elsewhere,That is the whistle of the wind, it is not my voice,That is the fluttering, the fluttering of the spray,Those are the shadows of leaves.
O darkness! O in vain!O I am very sick and sorrowful
O brown halo in the sky near the moon, drooping upon the sea!O troubled reflection in the sea!O throat! O throbbing heart!And I singing uselessly, uselessly all the night.
O past! O happy life! O songs of joy!In the air, in the woods, over fields,Loved! loved! loved! loved! loved!But my mate no more, no more with me!We two together no more.
The aria sinking,All else continuing, the stars shining,The winds blowing, the notes of the bird continuous echoing,With angry moans the fierce old mother incessantly moaning,On the sands of Paumanok’s shore gray and rustling,The yellow half-moon enlarged, sagging down, drooping, the face ofthe sea almost touching,The boy ecstatic, with his bare feet the waves, with his hair theatmosphere dallying,The love in the heart long pent, now loose, now at last tumultuouslybursting,The aria’s meaning, the ears, the soul, swiftly depositing,The strange tears down the cheeks coursing,The colloquy there, the trio, each uttering,The undertone, the savage old mother incessantly crying,To the boy’s soul’s questions sullenly timing, some drown’d secret hissing,To the outsetting bard.
Demon or bird! (said the boy’s soul,)Is it indeed toward your mate you sing? or is it really to me?For I, that was a child, my tongue’s use sleeping, now I have heard you,Now in a moment I know what I am for, I awake,And already a thousand singers, a thousand songs, clearer, louderand more sorrowful than yours,A thousand warbling echoes have started to life within me, never to die.
O you singer solitary, singing by yourself, projecting me,O solitary me listening, never more shall I cease perpetuating you,Never more shall I escape, never more the reverberations,Never more the cries of unsatisfied love be absent from me,Never again leave me to be the peaceful child I was before whatthere in the night,By the sea under the yellow and sagging moon,The messenger there arous’d, the fire, the sweet hell within,The unknown want, the destiny of me.
O give me the clue! (it lurks in the night here somewhere,)O if I am to have so much, let me have more!
A word then, (for I will conquer it,)The word final, superior to all,Subtle, sent up--what is it?--I listen;Are you whispering it, and have been all the time, you sea-waves?Is that it from your liquid rims and wet sands?
Whereto answering, the sea,Delaying not, hurrying not,Whisper’d me through the night, and very plainly before daybreak,Lisp’d to me the low and delicious word death,And again death, death, death, deathHissing melodious, neither like the bird nor like my arous’d child’s heart,But edging near as privately for me rustling at my feet,Creeping thence steadily up to my ears and laving me softly all over,Death, death, death, death, death.
Which I do not forget.But fuse the song of my dusky demon and brother,That he sang to me in the moonlight on Paumanok’s gray beach,With the thousand responsive songs at random,My own songs awaked from that hour,And with them the key, the word up from the waves,The word of the sweetest song and all songs,That strong and delicious word which, creeping to my feet,(Or like some old crone rocking the cradle, swathed in sweetgarments, bending aside,)The sea whisper’d me.
Words in this poem 52
- endlessly adv.
- In an endless manner.
- bareheaded a.
- Having the head uncovered; as, a bareheaded girl.
- barefoot a.
- With the feet bare; without shoes or stockings.
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- twittering n.
- The act of one who, or that which, twitters.
- confronting n.
- dealing with (a person or problem) directly; taking the bull by the horns.
- chanter n.
- One who chants; a singer or songster. [Cf. F. chanteur.]
- uniter n.
- One who, or that which, unites.
- hereafter adv.
- In time to come; in some future time or state. [AS. hræfter.]
- reminiscence n.
- The act or power of recalling past experience; the state of being reminiscent; remembrance; memory. [F. réminiscence, L. reminiscentia.]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- bask v. i.
- To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
- minding n.
- Regard; mindfulness.
- forenoon n.
- The early part of the day, from morning to meridian, or noon.
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- thenceforward adv.
- From that time onward; thenceforth.
- calmer n.
- One who, or that which, makes calm.
- flitting n.
- A flying with lightness and celerity; a fluttering.
- brier n.
- A plant with a slender woody stem bearing stout prickles; especially, species of Rosa, Rubus, and Smilax. [OE. brere, brer, AS. brer, brær; cf. Ir. briar prickle, thorn, brier, pin, Gael. preas bush, brier, W. prys, prysg.]
- prong n.
- A sharp-pointed instrument. [Cf. D. prangen to pinch, press, LG. prange a stick, or W. procio to thrust, E. prowl, pang.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- slapping a.
- Very large; monstrous; big.
- lone n.
- A lane. See Loanin.
- dimly adv.
- In a dim or obscure manner; not brightly or clearly; with imperfect sight.
- blending n.
- The act of mingling.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- lagging n.
- The clothing (esp., an outer, wooden covering), as of a steam cylinder, applied to prevent the radiation of heat; a covering of lags; -- called also deading and cleading.
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- whichever pron.
- Whether one or another; whether one or the other; which; that one (of two or more) which; as, whichever road you take, it will lead you to town.
- clearer n.
- One who, or that which, clears.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- lonesome a.
- Secluded from society; not frequented by human beings; solitary.
- waning n.
- The act or process of waning, or decreasing.
- despairing a.
- Feeling or expressing despair; hopeless.
- husky a.
- Abounding with husks; consisting of husks. [From Husk, n.]
- altogether adv.
- All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- incessantly adv.
- Unceasingly; continually.
- sagging n.
- A bending or sinking between the ends of a thing, in consequence of its own, or an imposed, weight; an arching downward in the middle, as of a ship after straining. Cf. Hogging.
- pent p. p.
- Penned or shut up; confined; -- often with up. [From Pen, v. t.]
- coursing n.
- The pursuit or running game with dogs that follow by sight instead of by scent.
- colloquy n.
- Mutual discourse of two or more persons; conference; conversation. [L. colloquium. See Collocution.]
- trio n.
- Three, considered collectively; three in company or acting together; a set of three; three united. [It., fr. L. tres, tria, three: cf. F. trio, from the Italian. See Three.]
- undertone n.
- A low or subdued tone or utterance; a tone less loud than usual.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- clue n.
- A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
- whereto adv.
- To which; -- used relatively.
- daybreak n.
- The time of the first appearance of light in the morning.
- lisp v. i.
- To pronounce the sibilant letter s imperfectly; to give s and z the sound of th; -- a defect common among children. [OE. lispen, lipsen, AS. wlisp stammering, lisping; akin to D. & OHG. lispen to lisp, G. lispeln, Sw. läspa, Dan. lespe.]
- responsive a.
- That responds; ready or inclined to respond. [Cf. F. resposif.]
- crone n.
- An old ewe. Tusser. [OD. kronie, karonie, an old sheep, OF. carogne, F. charogne, carrion (also F. carogne illnatured woman.). See Carrion, and Crony.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Out of the Cradle Endlessly Rocking is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walt Whitman, Out of the Cradle Endlessly Rocking, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/out-of-the-cradle-endlessly-rocking.html, id L03911.
Form and metre
Out of the Cradle Endlessly Rocking is 194 lines in 34 stanzas. 85% of its stressed syllables fall where the metre puts the beat. The lines average 10.7 syllables. 53 lines end on an unstressed syllable, a feminine ending. 7% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 --A---A--- paumanok · growing · briersA · together · brown · hand · eyesA · disturbing · them · translating
- 4 A----A togetherA · north · black · home · time · togetherA
- 5 A---A suddenA · mate · nest · next · againA
- 6 A-A--- seaA · weather · seaA · day · bird · alabama
- 10 ------A-A know · note · gliding · shadows · sights · sorts · tossingA · hair · longA
- 16 -A--A loud · loveA · waves · here · loveA
- 21 AAA--A carolsA · carolsA · carolsA · moon · sea · carolsA
- 22 --AA-A low · murmur · seaA · meA · listen · meA
- 23 --AA love · here · youA · youA
- 26 AA-- seaA · seaA · heart · night
- 30 A--A----A meA · you · reverberations · meA · what · night · moon · within · meA
- 33 ---AA---A sea · not · daybreak · deathA · deathA · heart · feet · over · deathA
- 34 -------AA-- forget · brother · beach · random · hour · waves · songs · feetA · sweetA · aside · me
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Out of the cradle endlessly rocking, | 10 | ···/˘/˘˘/˘ |
| Out of the mocking-bird’s throat, the musical shuttle, | 13 | ···/˘···/˘˘/˘ |
| Out of the Ninth-month midnight, | 7 | ·····/· |
| Over the sterile sands and the fields beyond, where the child | 14 | ···/˘········· |
| leaving his bed wander’d alone, bareheaded, barefoot, | 14 | /˘··/˘˘/····/· |
| Down from the shower’d halo, | 7 | ···/˘/˘ |
| Up from the mystic play of shadows twining and twisting as if they | 17 | ···/˘··/·/˘·/˘··· |
| were alive, | 3 | ·˘/ |
| Out from the patches of briers and blackberries, | 12 | ···/˘·/˘·/·˘ |
| From the memories of the bird that chanted to me, | 13 | ··/˘˘····/˘·· |
| From your memories sad brother, from the fitful risings and fallings I heard, | 19 | ··/˘˘·/˘··/˘/˘·/˘·· |
| From under that yellow half-moon late-risen and swollen as if with tears, | 18 | ····/˘···/˘·/˘···· |
| From those beginning notes of yearning and love there in the mist, | 15 | ··˘/˘··/˘······ |
| From the thousand responses of my heart never to cease, | 14 | ··/˘˘/˘···/˘·· |
| From the myriad thence-arous’d words, | 9 | ··/˘˘·˘/· |
| From the word stronger and more delicious than any, | 13 | ···/˘··˘/˘·/˘ |
| From such as now they start the scene revisiting, | 12 | ········˘/˘˘ |
| As a flock, twittering, rising, or overhead passing, | 14 | ···/˘˘/˘·/˘//˘ |
| Borne hither, ere all eludes me, hurriedly, | 11 | ·/˘··˘/·/˘˘ |
| A man, yet by these tears a little boy again, | 12 | ·······/˘·˘/ |
| Throwing myself on the sand, confronting the waves, | 12 | /˘·/···˘/˘·· |
| I, chanter of pains and joys, uniter of here and hereafter, | 16 | ·/˘····˘/˘···˘/˘ |
| Taking all hints to use them, but swiftly leaping beyond them, | 15 | /˘······/˘/˘··· |
| A reminiscence sing. | 6 | ··˘/˘· |
| Once Paumanok, | 4 | ···· |
| When the lilac-scent was in the air and Fifth-month grass was growing, | 16 | ··/···········/˘ |
| Up this seashore in some briers, | 8 | ··/···/˘ |
| Two feather’d guests from Alabama, two together, | 13 | ·/˘···˘/˘·˘/˘ |
| And their nest, and four light-green eggs spotted with brown, | 12 | ········/˘·· |
| And every day the he-bird to and fro near at hand, | 14 | ·/˘˘·········· |
| And every day the she-bird crouch’d on her nest, silent, with bright eyes, | 17 | ·/˘˘········/˘··· |
| And every day I, a curious boy, never too close, never disturbing | 20 | ·/˘˘···/˘˘·/˘··/˘˘/˘ |
| them, | 1 | · |
| Cautiously peering, absorbing, translating. | 11 | /˘˘/˘˘/˘˘/˘ |
| Shine! shine! shine! | 3 | ··· |
| Pour down your warmth, great sun.’ | 6 | ······ |
| While we bask, we two together. | 8 | ·····˘/˘ |
| Two together! | 4 | ·˘/˘ |
| Winds blow south, or winds blow north, | 7 | ······· |
| Day come white, or night come black, | 7 | ······· |
| Home, or rivers and mountains from home, | 9 | ··/˘·/˘·· |
| Singing all time, minding no time, | 8 | /˘··/˘·· |
| While we two keep together. | 7 | ····˘/˘ |
| Till of a sudden, | 5 | ···/˘ |
| May-be kill’d, unknown to her mate, | 8 | ···˘/··· |
| One forenoon the she-bird crouch’d not on the nest, | 11 | ·/˘········ |
| Nor return’d that afternoon, nor the next, | 10 | ·˘/··˘/··· |
| Nor ever appear’d again. | 7 | ·/˘˘/˘/ |
| And thenceforward all summer in the sound of the sea, | 14 | ······/˘······ |
| And at night under the full of the moon in calmer weather, | 15 | ···········/˘/˘ |
| Over the hoarse surging of the sea, | 9 | ····/˘··· |
| Or flitting from brier to brier by day, | 11 | ·/˘·/˘·/˘·· |
| I saw, I heard at intervals the remaining one, the he-bird, | 16 | ·····/˘˘·˘/˘···· |
| The solitary guest from Alabama. | 11 | ·/˘·˘···˘/˘ |
| Blow! blow! blow! | 3 | ··· |
| Blow up sea-winds along Paumanok’s shore; | 10 | ····˘/···· |
| I wait and I wait till you blow my mate to me. | 12 | ············ |
| Yes, when the stars glisten’d, | 6 | ····/˘ |
| All night long on the prong of a moss-scallop’d stake, | 12 | ·········/˘· |
| Down almost amid the slapping waves, | 9 | ·/·˘/·/˘· |
| Sat the lone singer wonderful causing tears. | 11 | ···/˘/˘˘/˘· |
| He call’d on his mate, | 5 | ····· |
| He pour’d forth the meanings which I of all men know. | 12 | ····/˘······ |
| Yes my brother I know, | 6 | ··/˘·· |
| The rest might not, but I have treasur’d every note, | 13 | ·······/˘/˘˘· |
| For more than once dimly down to the beach gliding, | 12 | ····/˘····/˘ |
| Silent, avoiding the moonbeams, blending myself with the shadows, | 16 | /˘˘/˘·/·/˘·/··/· |
| Recalling now the obscure shapes, the echoes, the sounds and sights | 15 | ˘/˘··˘/··/˘···· |
| after their sorts, | 4 | ···· |
| The white arms out in the breakers tirelessly tossing, | 13 | ······/˘/˘˘/˘ |
| I, with bare feet, a child, the wind wafting my hair, | 12 | ········/˘·· |
| Listen’d long and long. | 5 | /˘··· |
| Listen’d to keep, to sing, now translating the notes, | 12 | /˘·····˘/˘·· |
| Following you my brother. | 7 | /˘˘··/˘ |
| Soothe! soothe! soothe! | 3 | ··· |
| Close on its wave soothes the wave behind, | 9 | ········· |
| And again another behind embracing and lapping, every one close, | 19 | ·˘/˘/˘··˘/˘·/˘/˘˘·· |
| But my love soothes not me, not me. | 8 | ········ |
| Low hangs the moon, it rose late, | 7 | ······· |
| It is lagging--O I think it is heavy with love, with love. | 15 | ··/˘·····/˘···· |
| O madly the sea pushes upon the land, | 11 | ·/˘··/˘···· |
| With love, with love. | 4 | ···· |
| O night! do I not see my love fluttering out among the breakers? | 17 | ········/˘˘····/˘ |
| What is that little black thing I see there in the white? | 13 | ···/˘········ |
| Loud! loud! loud! | 3 | ··· |
| Loud I call to you, my love! | 7 | ······· |
| High and clear I shoot my voice over the waves, | 11 | ··········· |
| Surely you must know who is here, is here, | 10 | /˘········ |
| You must know who I am, my love. | 8 | ········ |
| Low-hanging moon! | 4 | ·/˘· |
| What is that dusky spot in your brown yellow? | 11 | ···/˘····/˘ |
| O it is the shape, the shape of my mate.’ | 10 | ·········· |
| O moon do not keep her from me any longer. | 12 | ········/˘/˘ |
| Land! land! O land! | 4 | ···· |
| Whichever way I turn, O I think you could give me my mate back again | 18 | ˘/˘·············˘/ |
| if you only would, | 5 | ··/˘· |
| For I am almost sure I see her dimly whichever way I look. | 17 | ···/·····/˘˘/˘··· |
| O rising stars! | 4 | ·/˘· |
| Perhaps the one I want so much will rise, will rise with some of you. | 16 | ˘/·············· |
| O throat! O trembling throat! | 7 | ···/˘˘· |
| Sound clearer through the atmosphere! | 8 | ·/˘··/˘· |
| Pierce the woods, the earth, | 5 | ····· |
| Somewhere listening to catch you must be the one I want. | 14 | /·/˘˘········· |
| Shake out carols! | 4 | ··/˘ |
| Solitary here, the night’s carols! | 9 | /˘·˘···/˘ |
| Carols of lonesome love! death’s carols! | 9 | /˘·/˘··/˘ |
| Carols under that lagging, yellow, waning moon! | 12 | /˘···/˘/˘/˘· |
| O under that moon where she droops almost down into the sea! | 15 | ········/······ |
| O reckless despairing carols. | 8 | ·/˘˘/˘/˘ |
| But soft! sink low! | 4 | ···· |
| Soft! let me just murmur, | 6 | ····/˘ |
| And do you wait a moment you husky-nois’d sea, | 12 | ·····/˘·/˘·· |
| For somewhere I believe I heard my mate responding to me, | 15 | ·/··˘/····˘/˘·· |
| So faint, I must be still, be still to listen, | 11 | ·········/˘ |
| But not altogether still, for then she might not come immediately to me. | 20 | ···˘/˘·······˘/˘˘˘·· |
| Hither my love! | 4 | /˘·· |
| Here I am! here! | 4 | ···· |
| With this just-sustain’d note I announce myself to you, | 13 | ···˘/··˘/·/·· |
| This gentle call is for you my love, for you. | 11 | ·/˘········ |
| Do not be decoy’d elsewhere, | 7 | ·····/· |
| That is the whistle of the wind, it is not my voice, | 13 | ···/˘········ |
| That is the fluttering, the fluttering of the spray, | 13 | ···/˘˘·/˘˘··· |
| Those are the shadows of leaves. | 7 | ···/··· |
| O darkness! O in vain! | 6 | ·/˘··· |
| O I am very sick and sorrowful | 10 | ···/˘··/˘˘ |
| O brown halo in the sky near the moon, drooping upon the sea! | 16 | ··/˘······/˘···· |
| O troubled reflection in the sea! | 9 | ·/˘˘/˘··· |
| O throat! O throbbing heart! | 6 | ···/˘· |
| And I singing uselessly, uselessly all the night. | 15 | ··/˘··········· |
| O past! O happy life! O songs of joy! | 10 | ···/˘····· |
| In the air, in the woods, over fields, | 9 | ········· |
| Loved! loved! loved! loved! loved! | 5 | ····· |
| But my mate no more, no more with me! | 9 | ········· |
| We two together no more. | 7 | ··˘/˘·· |
| The aria sinking, | 6 | ·/˘˘/˘ |
| All else continuing, the stars shining, | 10 | ··˘/˘˘··/˘ |
| The winds blowing, the notes of the bird continuous echoing, | 16 | ··/˘·····˘/˘˘/˘˘ |
| With angry moans the fierce old mother incessantly moaning, | 15 | ·/˘····/˘˘/˘˘/˘ |
| On the sands of Paumanok’s shore gray and rustling, | 12 | ··········/˘ |
| The yellow half-moon enlarged, sagging down, drooping, the face of | 15 | ·/˘··˘//˘·/˘··· |
| the sea almost touching, | 6 | ··/·/˘ |
| The boy ecstatic, with his bare feet the waves, with his hair the | 15 | ··˘/˘·········· |
| atmosphere dallying, | 6 | /˘·/˘˘ |
| The love in the heart long pent, now loose, now at last tumultuously | 16 | ················ |
| bursting, | 2 | /˘ |
| The aria’s meaning, the ears, the soul, swiftly depositing, | 16 | ·/˘˘/˘····/˘˘/˘˘ |
| The strange tears down the cheeks coursing, | 8 | ······/˘ |
| The colloquy there, the trio, each uttering, | 12 | ·/˘˘··/··/˘˘ |
| The undertone, the savage old mother incessantly crying, | 16 | ·/˘··/˘·/˘˘/˘˘/˘ |
| To the boy’s soul’s questions sullenly timing, some drown’d secret hissing, | 17 | ····/˘···/˘··/˘/˘ |
| To the outsetting bard. | 6 | ··/·˘· |
| Demon or bird! (said the boy’s soul,) | 8 | /˘······ |
| Is it indeed toward your mate you sing? or is it really to me? | 17 | ··˘/·········/˘·· |
| For I, that was a child, my tongue’s use sleeping, now I have heard you, | 16 | ·········/˘····· |
| Now in a moment I know what I am for, I awake, | 14 | ···/˘·······˘/ |
| And already a thousand singers, a thousand songs, clearer, louder | 17 | ·˘/˘·/˘/˘·/˘·/˘/˘ |
| and more sorrowful than yours, | 7 | ··/˘˘·· |
| A thousand warbling echoes have started to life within me, never to die. | 20 | ·/˘/˘˘/˘·/˘·····/˘·· |
| O you singer solitary, singing by yourself, projecting me, | 17 | ··/˘/˘·˘/˘·˘/˘/˘· |
| O solitary me listening, never more shall I cease perpetuating you, | 21 | ·/˘·˘·/˘˘/˘····˘/˘·˘· |
| Never more shall I escape, never more the reverberations, | 16 | /˘···˘//˘··˘·˘/˘ |
| Never more the cries of unsatisfied love be absent from me, | 16 | /˘····˘/˘···/˘·· |
| Never again leave me to be the peaceful child I was before what | 17 | /˘˘/·····/˘······ |
| there in the night, | 4 | ···· |
| By the sea under the yellow and sagging moon, | 12 | ······/˘·/˘· |
| The messenger there arous’d, the fire, the sweet hell within, | 15 | ·/˘˘·˘/·/˘····· |
| The unknown want, the destiny of me. | 10 | ·˘/··/˘˘·· |
| O give me the clue! (it lurks in the night here somewhere,) | 13 | ···········/· |
| O if I am to have so much, let me have more! | 12 | ············ |
| A word then, (for I will conquer it,) | 9 | ······/˘· |
| The word final, superior to all, | 10 | ··/˘˘/˘˘·· |
| Subtle, sent up--what is it?--I listen; | 10 | /˘······/˘ |
| Are you whispering it, and have been all the time, you sea-waves? | 15 | ··/˘˘·········· |
| Is that it from your liquid rims and wet sands? | 11 | ·····/˘···· |
| Whereto answering, the sea, | 7 | ˘//˘˘·· |
| Delaying not, hurrying not, | 8 | ˘/˘·/˘˘· |
| Whisper’d me through the night, and very plainly before daybreak, | 15 | /˘·····/˘/˘··/· |
| Lisp’d to me the low and delicious word death, | 11 | ······˘/˘·· |
| And again death, death, death, death | 7 | ·˘/···· |
| Hissing melodious, neither like the bird nor like my arous’d child’s heart, | 18 | /˘˘/˘˘/˘······˘/·· |
| But edging near as privately for me rustling at my feet, | 15 | ·/˘··/˘˘··/˘··· |
| Creeping thence steadily up to my ears and laving me softly all over, | 19 | /˘·/˘˘········/˘··· |
| Death, death, death, death, death. | 5 | ····· |
| Which I do not forget. | 6 | ····˘/ |
| But fuse the song of my dusky demon and brother, | 13 | ······/˘/˘·/˘ |
| That he sang to me in the moonlight on Paumanok’s gray beach, | 15 | ·······/······· |
| With the thousand responsive songs at random, | 11 | ··/˘˘/˘··/˘ |
| My own songs awaked from that hour, | 9 | ···˘/··/˘ |
| And with them the key, the word up from the waves, | 11 | ··········· |
| The word of the sweetest song and all songs, | 10 | ····/˘···· |
| That strong and delicious word which, creeping to my feet, | 13 | ···˘/˘··/˘··· |
| (Or like some old crone rocking the cradle, swathed in sweet | 13 | ·····/˘·/˘··· |
| garments, bending aside,) | 6 | /˘/˘˘/ |
| The sea whisper’d me. | 5 | ··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.