Book XXVIII: The Sleepers

Walt Whitman (1819–1892) · 1855–1892

Free verse · unrhymed · 209 lines · from Leaves of Grass

I wander all night in my vision,Stepping with light feet, swiftly and noiselessly stepping and stopping,Bending with open eyes over the shut eyes of sleepers,Wandering and confused, lost to myself, ill-assorted, contradictory,Pausing, gazing, bending, and stopping.

How solemn they look there, stretch’d and still,How quiet they breathe, the little children in their cradles.

The married couple sleep calmly in their bed, he with his palm onthe hip of the wife, and she with her palm on the hip of the husband,The sisters sleep lovingly side by side in their bed,The men sleep lovingly side by side in theirs,And the mother sleeps with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,The prisoner sleeps well in the prison, the runaway son sleeps,The murderer that is to be hung next day, how does he sleep?And the murder’d person, how does he sleep?

The female that loves unrequited sleeps,And the male that loves unrequited sleeps,The head of the money-maker that plotted all day sleeps,And the enraged and treacherous dispositions, all, all sleep.

I stand in the dark with drooping eyes by the worst-suffering andthe most restless,I pass my hands soothingly to and fro a few inches from them,The restless sink in their beds, they fitfully sleep.

Now I pierce the darkness, new beings appear,The earth recedes from me into the night,I saw that it was beautiful, and I see that what is not the earth isbeautiful.

I go from bedside to bedside, I sleep close with the other sleeperseach in turn,I dream in my dream all the dreams of the other dreamers,And I become the other dreamers.I am a dance--play up there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,I see the hiding of douceurs, I see nimble ghosts whichever way look,Cache and cache again deep in the ground and sea, and where it isneither ground nor sea.

Well do they do their jobs those journeymen divine,Only from me can they hide nothing, and would not if they could,I reckon I am their boss and they make me a pet besides,And surround me and lead me and run ahead when I walk,To lift their cunning covers to signify me with stretch’d arms, andresume the way;Onward we move, a gay gang of blackguards! with mirth-shoutingmusic and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician,The emigrant and the exile, the criminal that stood in the box,He who has been famous and he who shall be famous after to-day,The stammerer, the well-form’d person, the wasted or feeble person.

I am she who adorn’d herself and folded her hair expectantly,My truant lover has come, and it is dark.

Double yourself and receive me darkness,Receive me and my lover too, he will not let me go without him.

I roll myself upon you as upon a bed, I resign myself to the dusk.

He whom I call answers me and takes the place of my lover,He rises with me silently from the bed.

Darkness, you are gentler than my lover, his flesh was sweaty and panting,I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,I would sound up the shadowy shore to which you are journeying.

Be careful darkness! already what was it touch’d me?I thought my lover had gone, else darkness and he are one,I hear the heart-beat, I follow, I fade away.

I descend my western course, my sinews are flaccid,Perfume and youth course through me and I am their wake.

It is my face yellow and wrinkled instead of the old woman’s,I sit low in a straw-bottom chair and carefully darn my grandson’sstockings.

It is I too, the sleepless widow looking out on the winter midnight,I see the sparkles of starshine on the icy and pallid earth.

A shroud I see and I am the shroud, I wrap a body and lie in the coffin,It is dark here under ground, it is not evil or pain here, it isblank here, for reasons.

(It seems to me that every thing in the light and air ought to be happy,Whoever is not in his coffin and the dark grave let him know he has enough.)

I see a beautiful gigantic swimmer swimming naked through the eddiesof the sea,His brown hair lies close and even to his head, he strikes out withcourageous arms, he urges himself with his legs,I see his white body, I see his undaunted eyes,I hate the swift-running eddies that would dash him head-foremost onthe rocks.

What are you doing you ruffianly red-trickled waves?Will you kill the courageous giant? will you kill him in the primeof his middle age?

Steady and long he struggles,He is baffled, bang’d, bruis’d, he holds out while his strengthholds out,The slapping eddies are spotted with his blood, they bear him away,they roll him, swing him, turn him,His beautiful body is borne in the circling eddies, it iscontinually bruis’d on rocks,Swiftly and ought of sight is borne the brave corpse.

I turn but do not extricate myself,Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind, the wreck-guns sound,The tempest lulls, the moon comes floundering through the drifts.

I cannot aid with my wringing fingers,I can but rush to the surf and let it drench me and freeze upon me.

I search with the crowd, not one of the company is wash’d to us alive,In the morning I help pick up the dead and lay them in rows in a barn.

Now of the older war-days, the defeat at Brooklyn,Washington stands inside the lines, he stands on the intrench’dhills amid a crowd of officers.His face is cold and damp, he cannot repress the weeping drops,He lifts the glass perpetually to his eyes, the color is blanch’dfrom his cheeks,He sees the slaughter of the southern braves confided to him bytheir parents.

The same at last and at last when peace is declared,He stands in the room of the old tavern, the well-belov’d soldiersall pass through,The officers speechless and slow draw near in their turns,The chief encircles their necks with his arm and kisses them on the cheek,He kisses lightly the wet cheeks one after another, he shakes handsand bids good-by to the army.

Now what my mother told me one day as we sat at dinner together,Of when she was a nearly grown girl living home with her parents onthe old homestead.

A red squaw came one breakfast-time to the old homestead,On her back she carried a bundle of rushes for rush-bottoming chairs,Her hair, straight, shiny, coarse, black, profuse, half-envelop’dher face,Her step was free and elastic, and her voice sounded exquisitely asshe spoke.

My mother look’d in delight and amazement at the stranger,She look’d at the freshness of her tall-borne face and full andpliant limbs,The more she look’d upon her she loved her,Never before had she seen such wonderful beauty and purity,She made her sit on a bench by the jamb of the fireplace, she cook’dfood for her,She had no work to give her, but she gave her remembrance and fondness.

The red squaw staid all the forenoon, and toward the middle of theafternoon she went away,O my mother was loth to have her go away,All the week she thought of her, she watch’d for her many a month,She remember’d her many a winter and many a summer,But the red squaw never came nor was heard of there again.

A show of the summer softness--a contact of something unseen--anamour of the light and air,I am jealous and overwhelm’d with friendliness,And will go gallivant with the light and air myself.

O love and summer, you are in the dreams and in me,Autumn and winter are in the dreams, the farmer goes with his thrift,The droves and crops increase, the barns are well-fill’d.

Elements merge in the night, ships make tacks in the dreams,The sailor sails, the exile returns home,The fugitive returns unharm’d, the immigrant is back beyond monthsand years,The poor Irishman lives in the simple house of his childhood withthe well known neighbors and faces,They warmly welcome him, he is barefoot again, he forgets he is well off,The Dutchman voyages home, and the Scotchman and Welshman voyagehome, and the native of the Mediterranean voyages home,To every port of England, France, Spain, enter well-fill’d ships,The Swiss foots it toward his hills, the Prussian goes his way, theHungarian his way, and the Pole his way,The Swede returns, and the Dane and Norwegian return.

The homeward bound and the outward bound,The beautiful lost swimmer, the ennuye, the onanist, the female thatloves unrequited, the money-maker,The actor and actress, those through with their parts and thosewaiting to commence,The affectionate boy, the husband and wife, the voter, the nomineethat is chosen and the nominee that has fail’d,The great already known and the great any time after to-day,The stammerer, the sick, the perfect-form’d, the homely,The criminal that stood in the box, the judge that sat and sentencedhim, the fluent lawyers, the jury, the audience,The laugher and weeper, the dancer, the midnight widow, the red squaw,The consumptive, the erysipalite, the idiot, he that is wrong’d,The antipodes, and every one between this and them in the dark,I swear they are averaged now--one is no better than the other,The night and sleep have liken’d them and restored them.

I swear they are all beautiful,Every one that sleeps is beautiful, every thing in the dim light isbeautiful,The wildest and bloodiest is over, and all is peace.

Peace is always beautiful,The myth of heaven indicates peace and night.

The myth of heaven indicates the soul,The soul is always beautiful, it appears more or it appears less, itcomes or it lags behind,It comes from its embower’d garden and looks pleasantly on itselfand encloses the world,Perfect and clean the genitals previously jetting,and perfect andclean the womb cohering,The head well-grown proportion’d and plumb, and the bowels andjoints proportion’d and plumb.

The soul is always beautiful,The universe is duly in order, every thing is in its place,What has arrived is in its place and what waits shall be in its place,The twisted skull waits, the watery or rotten blood waits,The child of the glutton or venerealee waits long, and the child ofthe drunkard waits long, and the drunkard himself waits long,The sleepers that lived and died wait, the far advanced are to go onin their turns, and the far behind are to come on in their turns,The diverse shall be no less diverse, but they shall flow and unite--they unite now.

I too pass from the night,I stay a while away O night, but I return to you again and love you.

Why should I be afraid to trust myself to you?I am not afraid, I have been well brought forward by you,I love the rich running day, but I do not desert her in whom I lay so long,I know not how I came of you and I know not where I go with you, butI know I came well and shall go well.

I will stop only a time with the night, and rise betimes,I will duly pass the day O my mother, and duly return to you.

Words in this poem 64
lovingly adv.
With love; affectionately.
runaway n.
One who, or that which, flees from danger, duty, restraint, etc.; a fugitive.
soothingly adv.
In a soothing manner.
bedside n.
The side of a bed.
whichever pron.
Whether one or another; whether one or the other; which; that one (of two or more) which; as, whichever road you take, it will lead you to town.
cache n.
A hole in the ground, or hiding place, for concealing and preserving provisions which it is inconvenient to carry. Kane. [F., a hiding place, fr. cacher to conceal, to hide.]
ahead adv.
In or to the front; in advance; onward. [Pref. a- + head.]
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
actress n.
A female actor or doer. Cockeram. [Cf. F. actrice.]
emigrant a.
Removing from one country to another; emigrating; as, an emigrant company or nation. [L. emigrans, -antis, p. pr. of emigrare to emigrate: cf. F. émigrant. See Emigrate, v. i.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
stammerer n.
One who stammers.
sweaty a.
Moist with sweat; as, a sweaty skin; a sweaty garment.
darn v. t.
To mend as a rent or hole, with interlacing stitches of yarn or thread by means of a needle; to sew together with yarn or thread. [OE. derne, prob. of Celtic origin; cf. W. darnio to piece, break in pieces, W. & Arm. to E. tear. Cf. Tear, v. t.]
sleepless a.
Having no sleep; wakeful.
starshine n.
The light of the stars.
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
undaunted a.
Not daunted; not subdued or depressed by fear.
slapping a.
Very large; monstrous; big.
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
wringing
a. & n. from Wring, v. Wringing machine, a wringer. See Wringer, 2.
defeat v. t.
To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
perpetually adv.
In a perpetual manner; constantly; continually.
speechless a.
Destitute or deprived of the faculty of speech.
shiny a.
Bright; luminous; clear; unclouded.
exquisitely adv.
In an exquisite manner or degree; as, lace exquisitely wrought.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
amazement n.
The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
jamb n.
The vertical side of any opening, as a door or fireplace; hence, less properly, any narrow vertical surface of wall, as the of a chimney-breast or of a pier, as distinguished from its face. Gwilt. [Prov. E. jaumb, jaum, F. jambe a leg, jambe de force a principal rafter. See Gambol.]
fondness n.
The quality or state of being fond; foolishness.
forenoon n.
The early part of the day, from morning to meridian, or noon.
afternoon n.
The part of the day which follows noon, between noon and evening.
went n.
Course; way; path; journey; direction.
unseen a.
Not seen or discovered.
amour n.
Love; affection. [F., fr. L. amor love.]
friendliness n.
The condition or quality of being friendly. Sir P. Sidney.
gallivant v. i.
To play the beau; to wait upon the ladies; also, to roam about for pleasure without any definite plan. Dickens. [From Gallant.]
merge v. t.
To cause to be swallowed up; to immerse; to sink; to absorb. [L. mergere, mersum. Cf. Emerge, Immerse, Marrow.]
immigrant n.
One who immigrates; one who comes to a country for the purpose of permanent residence; -- correlative of emigrant. [L. immigrans, p. pr. of immigrare to go into: cf. F. immigrant. See Immigrate.]
irishman n.
A man born in Ireland or of the Irish race; an Hibernian.
childhood n.
The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
warmly adv.
In a warm manner; ardently.
barefoot a.
With the feet bare; without shoes or stockings.
dutchman n.
A native, or one of the people, of Holland. Dutchman's breeches (Bot.), a perennial American herb (Dicentra cucullaria), with peculiar double-spurred flowers. See Illust. of Dicentra.
scotchman n.
A native or inhabitant of Scotland; a Scot; a Scotsman.
welshman n.
A native or inhabitant of Wales; one of the Welsh.
foots n.
The settlings of oil, molasses, etc., at the bottom of a barrel or hogshead. Simmonds.
swede n.
A native or inhabitant of Sweden. [Cf. G. Schwede.]
dane n.
A native, or a naturalized inhabitant, of Denmark. Great Dane. [LL. Dani: cf. AS. Dene.]
norwegian a.
Of or pertaining to Norway, its inhabitants, or its language. [Cf. Icel. Noregr, Norvegr, Norway. See North, and Way.]
homeward a.
Being in the direction of home; as, the homeward way.
ennuye a.
Affected with ennui; weary in spirits; emotionally exhausted. [F., p. p. of ennuyer. See Ennui.]
nominee n.
A person named, or designated, by another, to any office, duty, or position; one nominated, or proposed, by others for office or for election to office. [See Nominate, and -ee.]
homely a.
Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
laugher n.
One who laughs.
weeper n.
One who weeps; esp., one who sheds tears.
idiot n.
A man in private station, as distinguished from one holding a public office. [F. idiot, L. idiota an uneducated, ignorant, ill- informed person, Gr. Idiom.]
antipodes n.
Those who live on the side of the globe diametrically opposite.
pleasantly adv.
In a pleasant manner.
genitals n.
The organs of generation; the sexual organs; the private parts. [From Genital, a.: cf. L. genitalia.]
womb n.
The belly; the abdomen. [OE. wombe, wambe, AS. wamb, womb; akin to D. wam belly, OS. & OHG. wamba, G. wamme, wampe, Icel. vömb, Sw. v&mb, Dan. vom, Goth. wamba.]
betimes adv.
In good season or time; before it is late; seasonably; early. [Pref. be- (for by) + time; that is, by the proper time. The -s is an adverbial ending.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book XXVIII: The Sleepers is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Walt Whitman, Book XXVIII: The Sleepers, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/book-xxviii-the-sleepers.html, id L04019.

Form and metre

Book XXVIII: The Sleepers is 209 lines in 47 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 80% of its stressed syllables fall where the metre puts the beat. The lines average 12.8 syllables. 53 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A--A vision · stoppingA · sleepers · contradictory · stoppingA
  2. 4 A-AA sleepA · sleeps · sleepA · sleepA
  3. 5 AAA- sleepsA · sleepsA · sleepsA · sleep
  4. 8 --AA- sleepers · turn · dreamersA · dreamersA · fast
  5. 20 AA- woman'sA · grandson'sA · stockings
  6. 24 A---A-- eddiesA · sea · with · legs · eyesA · on · rocks
  7. 35 ---A--A- stranger · and · limbs · herA · purity · cook'd · herA · fondness
  8. 36 -AA--- the · awayA · awayA · month · summer · again
  9. 39 -A------A---- dreams · homeA · months · years · with · faces · off · voyage · homeA · ships · the · way · return
  10. 41 A-A- beautifulA · is · beautifulA · peace
  11. 43 --A--A-A- soul · it · behindA · itself · world · andA · cohering · andA · plumb
  12. 44 -AA------- beautiful · placeA · placeA · waits · of · long · on · turns · unite · now
  13. 46 AA--- youA · youA · long · but · well
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
I wander all night in my vision,9·/˘····/˘
Stepping with light feet, swiftly and noiselessly stepping and stopping,17/˘···/˘·····/˘·/˘
Bending with open eyes over the shut eyes of sleepers,14/˘·/˘·······/˘
Wandering and confused, lost to myself, ill-assorted, contradictory,19/˘˘·˘/···/·˘/˘·˘/˘˘
Pausing, gazing, bending, and stopping.9/˘/˘/˘·/˘
How solemn they look there, stretch’d and still,9·/˘······
How quiet they breathe, the little children in their cradles.14·/˘···/˘/˘··/˘
The married couple sleep calmly in their bed, he with his palm on16·/˘/˘·/˘········
the hip of the wife, and she with her palm on the hip of the husband,17···············/˘
The sisters sleep lovingly side by side in their bed,13·/˘·/˘˘······
The men sleep lovingly side by side in theirs,11···/˘˘·····
And the mother sleeps with her little child carefully wrapt.14··/˘···/˘·/˘˘·
The blind sleep, and the deaf and dumb sleep,9·········
The prisoner sleeps well in the prison, the runaway son sleeps,16·/˘˘····/˘·/˘···
The murderer that is to be hung next day, how does he sleep?15·/˘˘···········
And the murder’d person, how does he sleep?10··/˘/˘····
The female that loves unrequited sleeps,10·/····˘/˘·
And the male that loves unrequited sleeps,10······˘/˘·
The head of the money-maker that plotted all day sleeps,14····/˘/˘·/˘···
And the enraged and treacherous dispositions, all, all sleep.15··˘/·/˘˘·˘/˘···
I stand in the dark with drooping eyes by the worst-suffering and16······/˘····/˘˘·
the most restless,4··/˘
I pass my hands soothingly to and fro a few inches from them,16····/˘˘·····/˘··
The restless sink in their beds, they fitfully sleep.12·/˘·····/˘˘·
Now I pierce the darkness, new beings appear,11····/˘·/˘˘/
The earth recedes from me into the night,10··˘/······
I saw that it was beautiful, and I see that what is not the earth is18·····/˘˘··········
beautiful.3/˘˘
I go from bedside to bedside, I sleep close with the other sleepers17···/··/······/˘/˘
each in turn,3···
I dream in my dream all the dreams of the other dreamers,14··········/˘/˘
And I become the other dreamers.9··˘/·/˘/˘
I am a dance--play up there! the fit is whirling me fast!14··········/˘··
I am the ever-laughing--it is new moon and twilight,14···/˘/˘·····/·
I see the hiding of douceurs, I see nimble ghosts whichever way look,18···/˘·····/˘·˘/˘··
Cache and cache again deep in the ground and sea, and where it is15···˘/··········
neither ground nor sea.5/˘···
Well do they do their jobs those journeymen divine,12··········˘/
Only from me can they hide nothing, and would not if they could,15/˘·····/˘······
I reckon I am their boss and they make me a pet besides,15·/˘··········˘/
And surround me and lead me and run ahead when I walk,14·˘/······˘/···
To lift their cunning covers to signify me with stretch’d arms, and16···/˘/˘·/˘······
resume the way;4˘/··
Onward we move, a gay gang of blackguards! with mirth-shouting14/˘··········/˘
music and wild-flapping pennants of joy!10/˘··/˘/˘··
I am the actor, the actress, the voter, the politician,16···/˘·/˘·/˘··˘/˘
The emigrant and the exile, the criminal that stood in the box,17·/˘˘··/··/˘˘·····
He who has been famous and he who shall be famous after to-day,17····/˘·····/˘····
The stammerer, the well-form’d person, the wasted or feeble person.17·/˘˘···/˘·/˘·/˘/˘
I am she who adorn’d herself and folded her hair expectantly,17····˘/˘/·/˘······
My truant lover has come, and it is dark.11·/˘/˘······
Double yourself and receive me darkness,10/˘˘/·˘/·/˘
Receive me and my lover too, he will not let me go without him.17˘/···/˘··········
I roll myself upon you as upon a bed, I resign myself to the dusk.20···/·········˘/·/···
He whom I call answers me and takes the place of my lover,15····/˘·······/˘
He rises with me silently from the bed.11·/˘··/˘˘···
Darkness, you are gentler than my lover, his flesh was sweaty and panting,18/˘··/˘··/˘···/˘·/˘
I feel the hot moisture yet that he left me.11····/˘·····
My hands are spread forth, I pass them in all directions,13··········˘/˘
I would sound up the shadowy shore to which you are journeying.16·····/˘˘·····/˘˘
Be careful darkness! already what was it touch’d me?13·/˘/˘˘/˘·····
I thought my lover had gone, else darkness and he are one,14···/˘···/˘····
I hear the heart-beat, I follow, I fade away.12······/˘··˘/
I descend my western course, my sinews are flaccid,13·˘/·/˘·····/˘
Perfume and youth course through me and I am their wake.12˘/··········
It is my face yellow and wrinkled instead of the old woman’s,16····/˘·/˘˘/···/˘
I sit low in a straw-bottom chair and carefully darn my grandson’s17······/˘··/˘˘··/·
stockings.2/˘
It is I too, the sleepless widow looking out on the winter midnight,18·····/˘/˘/˘···/˘/·
I see the sparkles of starshine on the icy and pallid earth.16···/˘·/˘··/˘·/˘·
A shroud I see and I am the shroud, I wrap a body and lie in the coffin,20············/˘····/˘
It is dark here under ground, it is not evil or pain here, it is17··········/˘·····
blank here, for reasons.5···/˘
(It seems to me that every thing in the light and air ought to be happy,19·····/˘˘·········/˘
Whoever is not in his coffin and the dark grave let him know he has enough.)20˘/˘····/˘·········˘/
I see a beautiful gigantic swimmer swimming naked through the eddies19···/˘˘˘/˘/˘/˘/˘··/˘
of the sea,3···
His brown hair lies close and even to his head, he strikes out with15······/˘·······
courageous arms, he urges himself with his legs,12˘/˘··/˘˘/···
I see his white body, I see his undaunted eyes,13····/˘···˘/˘·
I hate the swift-running eddies that would dash him head-foremost on16····/˘/˘·····/··
the rocks.2··
What are you doing you ruffianly red-trickled waves?13···/˘·/˘˘·/˘·
Will you kill the courageous giant? will you kill him in the prime16····˘/˘/˘·······
of his middle age?5··/˘·
Steady and long he struggles,7/˘···/˘
He is baffled, bang’d, bruis’d, he holds out while his strength12··/˘········
holds out,2··
The slapping eddies are spotted with his blood, they bear him away,16·/˘/˘·/˘······˘/
they roll him, swing him, turn him,7·······
His beautiful body is borne in the circling eddies, it is17·/˘˘/˘····/˘˘/˘··
continually bruis’d on rocks,8˘/˘˘˘···
Swiftly and ought of sight is borne the brave corpse.11/˘·········
I turn but do not extricate myself,10·····/˘··/
Confused, a past-reading, another, but with darkness yet.14˘/··/˘˘/˘··/˘·
The beach is cut by the razory ice-wind, the wreck-guns sound,15···············
The tempest lulls, the moon comes floundering through the drifts.13·/˘····/˘˘···
I cannot aid with my wringing fingers,10·/˘···/˘/˘
I can but rush to the surf and let it drench me and freeze upon me.17·················
I search with the crowd, not one of the company is wash’d to us alive,18·········/˘˘····˘/
In the morning I help pick up the dead and lay them in rows in a barn.18··/˘··············
Now of the older war-days, the defeat at Brooklyn,13···/˘···˘/·/˘
Washington stands inside the lines, he stands on the intrench’d14/˘˘·˘/········
hills amid a crowd of officers.9·˘/···/˘˘
His face is cold and damp, he cannot repress the weeping drops,15·······/˘˘/·/˘·
He lifts the glass perpetually to his eyes, the color is blanch’d17····˘/˘˘˘····/˘··
from his cheeks,3···
He sees the slaughter of the southern braves confided to him by16···/˘··/˘·˘/˘···
their parents.3·/˘
The same at last and at last when peace is declared,12··········˘/
He stands in the room of the old tavern, the well-belov’d soldiers16········/˘··˘//˘
all pass through,3···
The officers speechless and slow draw near in their turns,13·/˘˘/˘·······
The chief encircles their necks with his arm and kisses them on the cheek,17··˘/˘······/˘····
He kisses lightly the wet cheeks one after another, he shakes hands17·/˘/˘······˘/˘···
and bids good-by to the army.8······/˘
Now what my mother told me one day as we sat at dinner together,18···/˘········/˘˘/˘
Of when she was a nearly grown girl living home with her parents on17·····/˘··/˘···/˘·
the old homestead.4··/·
A red squaw came one breakfast-time to the old homestead,13·····/˘····/·
On her back she carried a bundle of rushes for rush-bottoming chairs,18····/˘·/˘·/˘··/˘˘·
Her hair, straight, shiny, coarse, black, profuse, half-envelop’d13···/˘··˘/·˘/˘
her face,2··
Her step was free and elastic, and her voice sounded exquisitely as18·····˘/˘···/˘·/˘˘·
she spoke.2··
My mother look’d in delight and amazement at the stranger,15·/˘··˘/·˘/˘··/˘
She look’d at the freshness of her tall-borne face and full and14····/˘········
pliant limbs,3/˘·
The more she look’d upon her she loved her,10··········
Never before had she seen such wonderful beauty and purity,17/˘······/˘˘/˘·/˘˘
She made her sit on a bench by the jamb of the fireplace, she cook’d17············/˘···
food for her,3···
She had no work to give her, but she gave her remembrance and fondness.17···········˘/˘·/˘
The red squaw staid all the forenoon, and toward the middle of the16······/˘····/˘··
afternoon she went away,7·˘/··˘/
O my mother was loth to have her go away,12··/˘······˘/
All the week she thought of her, she watch’d for her many a month,15···········/˘··
She remember’d her many a winter and many a summer,16·˘/˘·/˘·/˘·/˘·/˘
But the red squaw never came nor was heard of there again.14····/˘······˘/
A show of the summer softness--a contact of something unseen--an17····/˘/˘·/··/˘˘/·
amour of the light and air,7/˘·····
I am jealous and overwhelm’d with friendliness,12··/˘··˘/·/˘˘
And will go gallivant with the light and air myself.13···/˘˘······/
O love and summer, you are in the dreams and in me,13···/˘········
Autumn and winter are in the dreams, the farmer goes with his thrift,16/˘·/˘·····/˘····
The droves and crops increase, the barns are well-fill’d.11····˘/·····
Elements merge in the night, ships make tacks in the dreams,13/˘˘··········
The sailor sails, the exile returns home,10·/˘··/·˘/·
The fugitive returns unharm’d, the immigrant is back beyond months17·/˘˘˘/˘/·/˘˘·····
and years,2··
The poor Irishman lives in the simple house of his childhood with16··/˘˘···/˘···/··
the well known neighbors and faces,8···/˘·/˘
They warmly welcome him, he is barefoot again, he forgets he is well off,19·/˘/˘···/·˘/·˘/····
The Dutchman voyages home, and the Scotchman and Welshman voyage16·/˘/˘˘···/˘·/˘/˘
home, and the native of the Mediterranean voyages home,17···/˘···˘˘/˘˘/˘˘·
To every port of England, France, Spain, enter well-fill’d ships,15·/˘˘··/˘··/˘···
The Swiss foots it toward his hills, the Prussian goes his way, the15·········/˘····
Hungarian his way, and the Pole his way,11˘/˘˘·······
The Swede returns, and the Dane and Norwegian return.13··˘/·····/˘˘/
The homeward bound and the outward bound,9·/˘···/˘·
The beautiful lost swimmer, the ennuye, the onanist, the female that18·/˘˘·/˘········/··
loves unrequited, the money-maker,10··˘/˘·/˘/˘
The actor and actress, those through with their parts and those13·/˘·/˘·······
waiting to commence,5/˘·˘/
The affectionate boy, the husband and wife, the voter, the nominee18·˘/˘˘··/˘···/˘··˘/
that is chosen and the nominee that has fail’d,12··/˘···˘/···
The great already known and the great any time after to-day,16··˘/˘····/˘·····
The stammerer, the sick, the perfect-form’d, the homely,13·/˘˘···˘/··/˘
The criminal that stood in the box, the judge that sat and sentenced16·/˘˘··········/˘
him, the fluent lawyers, the jury, the audience,13··/˘/˘·/˘·/˘˘
The laugher and weeper, the dancer, the midnight widow, the red squaw,17·/˘·/˘·/˘·/·/˘···
The consumptive, the erysipalite, the idiot, he that is wrong’d,18·˘/˘·······/˘˘····
The antipodes, and every one between this and them in the dark,18·˘/˘˘·/˘˘·········
I swear they are averaged now--one is no better than the other,16····/˘····/˘··/˘
The night and sleep have liken’d them and restored them.12·····/˘··˘/·
I swear they are all beautiful,8·····/˘˘
Every one that sleeps is beautiful, every thing in the dim light is19/˘˘····/˘˘/˘˘······
beautiful,3/˘˘
The wildest and bloodiest is over, and all is peace.14·/˘·/˘˘·······
Peace is always beautiful,7··/·/˘˘
The myth of heaven indicates peace and night.11···/˘/˘····
The myth of heaven indicates the soul,10···/˘/˘···
The soul is always beautiful, it appears more or it appears less, it18···/·/˘˘·˘/···˘/··
comes or it lags behind,6······
It comes from its embower’d garden and looks pleasantly on itself17·······/˘··/˘˘·˘/
and encloses the world,6·˘/˘··
Perfect and clean the genitals previously jetting,and perfect and18˘/···/˘˘/˘˘˘/˘·˘/·
clean the womb cohering,6···˘/˘
The head well-grown proportion’d and plumb, and the bowels and14····˘/˘····/˘·
joints proportion’d and plumb.6·˘/˘··
The soul is always beautiful,8···/·/˘˘
The universe is duly in order, every thing is in its place,18·/˘··/˘·/˘/˘˘·····
What has arrived is in its place and what waits shall be in its place,16··˘/············
The twisted skull waits, the watery or rotten blood waits,14·/˘···/˘˘·/˘··
The child of the glutton or venerealee waits long, and the child of17····/˘···········
the drunkard waits long, and the drunkard himself waits long,13·/˘····/˘˘/··
The sleepers that lived and died wait, the far advanced are to go on16·/˘·······˘/····
in their turns, and the far behind are to come on in their turns,15···············
The diverse shall be no less diverse, but they shall flow and unite--16·˘/····˘/·····/·
they unite now.4·/··
I too pass from the night,6······
I stay a while away O night, but I return to you again and love you.19····˘/····˘/··˘/···
Why should I be afraid to trust myself to you?12····˘/···/··
I am not afraid, I have been well brought forward by you,14···˘/·····/˘··
I love the rich running day, but I do not desert her in whom I lay so long,20····/˘·····/˘·······
I know not how I came of you and I know not where I go with you, but18··················
I know I came well and shall go well.9·········
I will stop only a time with the night, and rise betimes,14···/˘·········
I will duly pass the day O my mother, and duly return to you.18··/˘·····/˘·/˘˘/··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Walt Whitman