To Vandyck

Edmund Waller (1606–1687) · 1645–1668

iambic tetrameter · octosyllabic couplets · 53 lines · from Poetical Works

Rare Artisan, whose pencil movesNot our delights alone, but loves!From thy shop of beauty weSlaves return, that enter'd free.The heedless lover does not knowWhose eyes they are that wound him so;But, confounded with thy art,Inquires her name that has his heart.Another, who did long refrain,Feels his old wound bleed fresh againWith dear remembrance of that face,Where now he reads new hope of grace:Nor scorn nor cruelty does find,But gladly suffers a false windTo blow the ashes of despairFrom the reviving brand of care.Fool! that forgets her stubborn lookThis softness from thy finger took.Strange! that thy hand should not inspireThe beauty only, but the fire;Not the form alone, and grace,But act and power of a face.Mayst thou yet thyself as well,As all the world besides, excel!So you th'unfeigned truth rehearse(That I may make it live in verse),Why thou couldst not at one assay,The face to aftertimes convey,Which this admires. Was it thy witTo make her oft before thee sit?Confess, and we'll forgive thee this;For who would not repeat that bliss,And frequent sight of such a dameBuy with the hazard of his fame?Yet who can tax thy blameless skill,Though thy good hand had failed still,When Nature's self so often errs?She for this many thousand yearsSeems to have practised with much care,To frame the race of women fair;Yet never could a perfect birthProduce before to grace the earth,Which waxèd old ere it could seeHer that amazed thy art and thee.But now 'tis done, oh, let me knowWhere those immortal colours grow,That could this deathless piece compose!In lilies? or the fading rose?No; for this theft thou hast climb'd higherThan did Prometheus for his fire.

'Vandyck': some think this refers to a picture of Saccharissa, byVandyck, in Hall-Barn.'Assay': attempt.

Words in this poem

gladly adv.
Preferably; by choice. [From Glad, a.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
fading n.
An Irish dance; also, the burden of a song.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Vandyck is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, To Vandyck, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/to-vandyck.html, id L09078.

Form and metre

To Vandyck is 53 lines in 2 verse paragraphs. It is in rhyming couplets, 75% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 4 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCC--DDEEFFGG--HHIIJJ--KKLLMMNN--OOPPQQRRSSTT moves · loves · weA · freeA · knowB · soB · artC · heartC · refrain · again · faceD · graceD · findE · windE · despairF · careF · lookG · tookG · inspire · fire · graceH · faceH · wellI · excelI · rehearseJ · verseJ · assay · convey · witK · sitK · thisL · blissL · dameM · fameM · skillN · stillN · errs · years · careO · fairO · birthP · earthP · seeQ · theeQ · knowR · growR · composeS · roseS · higherT · fireT
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Rare Artisan, whose pencil moves8·/˘˘·/˘·
Not our delights alone, but loves!9·/˘˘/˘/··
From thy shop of beauty we7····/˘·
Slaves return, that enter'd free.7·˘/·/˘·
The heedless lover does not know8·/˘/˘···
Whose eyes they are that wound him so;8········
But, confounded with thy art,7·˘/˘···
Inquires her name that has his heart.9˘/˘······
Another, who did long refrain,8˘/˘···˘/
Feels his old wound bleed fresh again8······˘/
With dear remembrance of that face,8··˘/˘···
Where now he reads new hope of grace:8········
Nor scorn nor cruelty does find,7···/˘··
But gladly suffers a false wind8·/˘/˘···
To blow the ashes of despair8···/˘·˘/
From the reviving brand of care.8··˘/˘···
Fool! that forgets her stubborn look8··˘/·/˘·
This softness from thy finger took.8·/˘··/˘·
Strange! that thy hand should not inspire8······˘/
The beauty only, but the fire;9·/˘/˘··/˘
Not the form alone, and grace,7···˘/··
But act and power of a face.8···/˘···
Mayst thou yet thyself as well,7···˘/··
As all the world besides, excel!8····˘/˘/
So you th'unfeigned truth rehearse7·····˘/
(That I may make it live in verse),8········
Why thou couldst not at one assay,8······/˘
The face to aftertimes convey,8······˘/
Which this admires. Was it thy wit8··˘/····
To make her oft before thee sit?8········
Confess, and we'll forgive thee this;8˘/··˘/··
For who would not repeat that bliss,8····˘/··
And frequent sight of such a dame8·/˘·····
Buy with the hazard of his fame?8···/˘···
Yet who can tax thy blameless skill,8·····/˘·
Though thy good hand had failed still,7·······
When Nature's self so often errs?8·/˘··/˘·
She for this many thousand years8···/˘/˘·
Seems to have practised with much care,9·····˘···
To frame the race of women fair;8·····/˘·
Yet never could a perfect birth8·/˘··/··
Produce before to grace the earth,8˘/······
Which waxèd old ere it could see7·······
Her that amazed thy art and thee.9··˘/˘····
But now 'tis done, oh, let me know8········
Where those immortal colours grow,8··˘/˘/˘·
That could this deathless piece compose!8···/˘·˘/
In lilies? or the fading rose?8·/˘··/˘·
No; for this theft thou hast climb'd higher9·······/˘
Than did Prometheus for his fire.10··˘/˘˘··/˘
'Vandyck': some think this refers to a picture of Saccharissa, by17˘/···˘/··/˘······
Vandyck, in Hall-Barn.5˘/···
'Assay': attempt.4/˘˘/
Notes from the edition 1

George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).

  1. Stanza 1, line 27 'Assay': attempt.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edmund Waller