To the Five Members of the Honourable House of Commons, the Humble Petition of the Poets

Edmund Waller (1606–1687) · 1645–1668

iambic pentameter · heroic couplets · 56 lines · from Cooper's Hill, and Other Poems

After so many concurring petitionsFrom all ages and sexes, and all conditions,We come in the rear to present our folliesTo Pym, Stroud, Haslerig, Hampden, and Hollis.Though set form of prayer be an abomination,Set forms of petitions find great approbation;Therefore, as others from th'bottom of their souls,So we from the depth and bottom of our bowels,According unto the bless'd form you have taught us,We thank you first for the ills you have brought us:For the good we receive we thank him that gave it,And you for the confidence only to crave it.Next in course, we complain of the great violationOf privilege (like the rest of our nation),But 'tis none of yours of which we have spoken,Which never had being until they were broken;But ours is a privilege ancient and native,Hangs not on an ord'nance, or power legislative.And, first, 'tis to speak whatever we please,Without fear of a prison or pursuivants' fees.Next, that we only may lie by authority;But in that also you have got the priority.Next, an old custom, our fathers did name itPoetical license, and always did claim it.By this we have power to change age into youth,Turn nonsense to sense, and falsehood to truth;In brief, to make good whatsoever is faulty;This art some poet, or the devil, has taught ye:And this our property you have invaded,And a privilege of both Houses have made it.But that trust above all in poets reposed,That kings by them only are made and deposed,This though you cannot do, yet you are willing:But when we undertake deposing or killing,They're tyrants and monsters; and yet then the poetTakes full revenge on the villains that do it:And when we resume a sceptre or crown,We are modest, and seek not to make it our own.But is't not presumption to write verses to you,Who make better poems by far of the two?For all those pretty knacks you compose,Alas! what are they but poems in prose?And between those and ours there's no difference,But that yours want the rhyme, the wit, and the sense:But for lying (the most noble part of a poet)You have it abundantly, and yourselves know it;And though you are modest and seem to abhor it,'T has done you good service, and thank Hell for it:Although the old maxim remains still in force,That a sanctified cause must have a sanctified course,If poverty be a part of our trade,So far the whole kingdom poets you have made,Nay, even so far as undoing will do it,You have made King Charles himself a poet:But provoke not his Muse, for all the world knows,Already you have had too much of his prose.

Words in this poem

stroud n.
A kind of coarse blanket or garment used by the North American Indians.
abomination n.
The feeling of extreme disgust and hatred; abhorrence; detestation; loathing; as, he holds tobacco in abomination. [OE. abominacioun, -cion, F. abominatio. See Abominate.]
approbation n.
Proof; attestation. [L. approbatio: cf. F. approbation. See Approve to prove.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
crave v. t.
To ask with earnestness or importunity; to ask with submission or humility; to beg; to entreat; to beseech; to implore. [AS. crafian; akin to Icel. krefia, Sw. kr, Dan. kr.]
reposed a.
Composed; calm; tranquil; at rest.
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
sceptre n.
A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]
abhor v. i.
To shrink back with horror, disgust, or dislike; to be contrary or averse; -- with from.
sanctified a.
Made holy; also, made to have the air of sanctity; sanctimonious.
undoing n.
The reversal of what has been done.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To the Five Members of the Honourable House of Commons, the Humble Petition of the Poets is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, To the Five Members of the Honourable House of Commons, the Humble Petition of the Poets, in Cooper's Hill, and Other Poems (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/to-the-five-members-of-the-honourable-house-of-commons-the-humble-petition-of-the-poets.html, id L26336.

Form and metre

To the Five Members of the Honourable House of Commons, the Humble Petition of the Poets is 56 lines in a single stanza. It is in rhyming couplets: heroic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabb petitionsA · conditionsA · folliesB · hollisB · abominationC · approbationC · soulsD · bowelsD · usE · usE · itF · itF · violationG · nationG · spokenH · brokenH · nativeI · legislativeI · pleaseJ · feesJ · authorityK · priorityK · itL · itL · youthM · truthM · faultyN · yeN · invadedO · itO · reposedP · deposedP · willingQ · killingQ · poetR · itR · crownS · ownS · youT · twoT · composeU · proseU · differenceV · senseV · poetW · itW · itX · itX · forceY · courseY · tradeZ · madeZ · ita · poeta · knowsb · proseb
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
After so many concurring petitions11···/˘˘/˘˘/˘
From all ages and sexes, and all conditions,12··/˘·/˘··˘/˘
We come in the rear to present our follies12······/˘/˘/˘
To Pym, Stroud, Haslerig, Hampden, and Hollis.11·········/˘
Though set form of prayer be an abomination,12·······˘·˘/˘
Set forms of petitions find great approbation;12···˘/˘···˘/˘
Therefore, as others from th'bottom of their souls,11···/˘······
So we from the depth and bottom of our bowels,13······/˘·/˘/˘
According unto the bless'd form you have taught us,12˘/˘·········
We thank you first for the ills you have brought us:11···········
For the good we receive we thank him that gave it,12····˘/······
And you for the confidence only to crave it.12····/˘˘/˘···
Next in course, we complain of the great violation13····˘/···˘˘/˘
Of privilege (like the rest of our nation),11·/˘····/˘/˘
But 'tis none of yours of which we have spoken,11·········/˘
Which never had being until they were broken;12·/˘·/˘····/˘
But ours is a privilege ancient and native,12·/˘··/˘/˘·/˘
Hangs not on an ord'nance, or power legislative.13····/˘·/˘/˘·˘
And, first, 'tis to speak whatever we please,10······/˘··
Without fear of a prison or pursuivants' fees.12·····/˘·····
Next, that we only may lie by authority;12···/˘···˘/˘˘
But in that also you have got the priority.13···/˘····˘/˘˘
Next, an old custom, our fathers did name it12···/˘/˘/˘···
Poetical license, and always did claim it.11···/˘·/····
By this we have power to change age into youth,12····/˘······
Turn nonsense to sense, and falsehood to truth;10·/˘···/···
In brief, to make good whatsoever is faulty;12······˘/˘·/˘
This art some poet, or the devil, has taught ye:12···/˘··/˘···
And this our property you have invaded,12··/˘/˘˘··˘/˘
And a privilege of both Houses have made it.11··/˘··/˘···
But that trust above all in poets reposed,12·······/˘/·˘
That kings by them only are made and deposed,12····/˘···˘/˘
This though you cannot do, yet you are willing:11···/˘····/˘
But when we undertake deposing or killing,12···/˘·˘/˘·/˘
They're tyrants and monsters; and yet then the poet12·/˘·/˘····/˘
Takes full revenge on the villains that do it:11··˘/··/˘···
And when we resume a sceptre or crown,10···˘/·/˘··
We are modest, and seek not to make it our own.12··/˘······/·
But is't not presumption to write verses to you,12···˘/˘··/˘··
Who make better poems by far of the two?11··/˘/˘·····
For all those pretty knacks you compose,9···/˘··˘/
Alas! what are they but poems in prose?10˘/····/˘··
And between those and ours there's no difference,12·····/˘··/˘˘
But that yours want the rhyme, the wit, and the sense:11···········
But for lying (the most noble part of a poet)13··/˘··/˘···/˘
You have it abundantly, and yourselves know it;12···˘/˘˘·/˘··
And though you are modest and seem to abhor it,12····/˘···˘/·
'T has done you good service, and thank Hell for it:12·····/˘·····
Although the old maxim remains still in force,11····/˘˘/···
That a sanctified cause must have a sanctified course,13··/˘˘····/˘˘·
If poverty be a part of our trade,11·/˘˘····/˘·
So far the whole kingdom poets you have made,11····/˘/˘···
Nay, even so far as undoing will do it,12·/˘···˘/˘···
You have made King Charles himself a poet:10·····˘/·/˘
But provoke not his Muse, for all the world knows,11·˘/········
Already you have had too much of his prose.11˘/˘········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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