Iris
Light to the eye and Music to the ear,--These are the builders of the bridge that springsFrom earth's dim shore of half-remembered thingsTo reach the heavenly sphereWhere nothing silent is and nothing dark.So when I see the rainbow's arcSpanning the showery sky, far-off I hearMusic, and every colour sings:And while the symphony builds up its roundFull sweep of architectural harmonyAbove the tide of Time, far, far away I seeA bow of colour in the bow of sound.Red as the dawn the trumpet rings;Blue as the sky, the choir of stringsDarkens in double-bass to ocean's hue,Rises in violins to noon-tide's blue,With threads of quivering light shot through and through;Green as the mantle that the summer flingsAround the world, the pastoral reeds in tuneEmbroider melodies of May and June.Purer than gold,Yea, thrice-refined gold,And richer than the treasures of the mine,Floods of the human voice divineAlong the arch in choral song are rolled.So bends the bow complete:And radiant rapture flowsAcross the bridge, so full, so strong, so sweet,That the uplifted spirit hardly knowsWhether the Music-Light that glowsWithin the arch of tones and colours seven,Is sunset-peace of earth or sunrise-joy of Heaven.
Words in this poem
- showery a.
- Raining in showers; abounding with frequent showers of rain.
- symphony n.
- A consonance or harmony of sounds, agreeable to the ear, whether the sounds are vocal or instrumental, or both. [F. symphonie (cf. It. sinfonia), L. symphonia, Gr. Phonetic.]
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Iris is in the public domain. This text is taken from The Poems of Henry Van Dyke, Project Gutenberg ebook #16229; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Van Dyke, Iris, in The Poems of Henry Van Dyke (1925), text of Project Gutenberg ebook #16229, Laurel, https://laurelpoetry.com/poem/van-dyke-poems/iris.html, id L22977.
Form and metre
Iris is 32 lines in a single stanza. It is in rhyming couplets, 50% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBACCA-D--DEEFFFEGGHHIIHJKJKKLL earA · springsB · thingsB · sphereA · darkC · arcC · hearA · sings · roundD · harmony · see · soundD · ringsE · stringsE · hueF · blueF · throughF · flingsE · tuneG · juneG · goldH · goldH · mineI · divineI · rolledH · completeJ · flowsK · sweetJ · knowsK · glowsK · sevenL · heavenL
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Light to the eye and Music to the ear,-- | 10 | ·····/˘··· |
| These are the builders of the bridge that springs | 10 | ···/˘····· |
| From earth's dim shore of half-remembered things | 10 | ······˘/˘· |
| To reach the heavenly sphere | 7 | ···/˘˘· |
| Where nothing silent is and nothing dark. | 10 | ·/˘/˘··/˘· |
| So when I see the rainbow's arc | 8 | ·····/·· |
| Spanning the showery sky, far-off I hear | 11 | /˘·/˘˘····· |
| Music, and every colour sings: | 9 | /˘·/˘˘/˘· |
| And while the symphony builds up its round | 10 | ···/˘˘···· |
| Full sweep of architectural harmony | 11 | ····˘/˘˘/˘˘ |
| Above the tide of Time, far, far away I see | 12 | ········˘/·· |
| A bow of colour in the bow of sound. | 10 | ···/˘····· |
| Red as the dawn the trumpet rings; | 8 | ·····/˘· |
| Blue as the sky, the choir of strings | 9 | ·····/˘·· |
| Darkens in double-bass to ocean's hue, | 10 | /˘·/˘··/˘· |
| Rises in violins to noon-tide's blue, | 10 | /˘·˘˘/···· |
| With threads of quivering light shot through and through; | 10 | ···/˘····· |
| Green as the mantle that the summer flings | 10 | ···/˘··/˘· |
| Around the world, the pastoral reeds in tune | 10 | ·····/˘··· |
| Embroider melodies of May and June. | 10 | ˘/˘/˘˘···· |
| Purer than gold, | 4 | /˘·· |
| Yea, thrice-refined gold, | 5 | ··˘/· |
| And richer than the treasures of the mine, | 10 | ·/˘··/˘··· |
| Floods of the human voice divine | 8 | ···/˘·˘/ |
| Along the arch in choral song are rolled. | 10 | ˘/···/˘··· |
| So bends the bow complete: | 6 | ····˘/ |
| And radiant rapture flows | 7 | ·/˘˘/˘· |
| Across the bridge, so full, so strong, so sweet, | 10 | ˘/········ |
| That the uplifted spirit hardly knows | 10 | ··/˘˘/˘/˘· |
| Whether the Music-Light that glows | 8 | ···/˘··· |
| Within the arch of tones and colours seven, | 11 | ·······/˘/˘ |
| Is sunset-peace of earth or sunrise-joy of Heaven. | 12 | ·/·····/···/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.