The Problem

Henry Timrod (1828–1867) · 1860–1867

iambic octameter · rhyming couplets · 60 lines · from Poems

Not to win thy favor, maiden, not to steal away thy heart,Have I ever sought thy presence, ever stooped to any art;Thou wast but a wildering problem, which I aimed to solve, and thenMake it matter for my note-book, or a picture for my pen.So, I daily conned thee over, thinking it no dangerous task,Peeping underneath thy lashes, peering underneath thy mask--For thou wear'st one--no denial! there is much within thine eyes;But those stars have other secrets than are patent in their skies.And I read thee, read thee closely, every grace and every sin,Looked behind the outward seeming to the strange wild world within,Where thy future self is forming, where I saw--no matter what!There was something less than angel, there was many an earthly spot;Yet so beautiful thy errors that I had no heart for blame,And thy virtues made thee dearer than my dearest hopes of fame;All so blended, that in wishing one peculiar trait removed,We indeed might make thee better, but less lovely and less loved.All my mind was in the study--so two thrilling fortnights passed--All my mind was in the study--till my heart was touched at last.Well! and then the book was finished, the absorbing task was done,I awoke as one who had been dreaming in a noon-day sun;With a fever on my forehead, and a throbbing in my brain,In my soul delirious wishes, in my heart a lasting pain;Yet so hopeless, yet so cureless--as in every great despair--I was very calm and silent, and I never stooped to prayer,Like a sick man unattended, reckless of the coming death,Only for he knows it certain, and he feels no sister's breath.All the while as by an Até, with no pity in her face,Yet with eyes of witching beauty, and with form of matchless grace,I was haunted by thy presence, oh! for weary nights and days,I was haunted by thy spirit, I was troubled by thy gaze,And the question which to answer I had taxed a subtle brain,What thou art, and what thou wilt be, came again and yet again;With its opposite deductions, it recurred a thousand times,Like a coward's apprehensions, like a madman's favorite rhymes.But to-night my thoughts flow calmer--in thy room I think I stand,See a fair white page before thee, and a pen within thy hand;And thy fingers sweep the paper, and a light is in thine eyes,Whilst I read thy secret fancies, whilst I hear thy secret sighs.What they are I will not whisper, those are lovely, these are deep,But one name is left unwritten, that is only breathed in sleep.Is it wonder that my passion bursts at once from out its nest?I have bent my knee before thee, and my love is all confessed;Though I knew that name unwritten was another name than mine,Though I felt those sighs half murmured what I could but half divine.Aye! I hear thy haughty answer! Aye! I see thy proud lip curl!"What presumption, and what folly!" why, I only love a girlWith some very winning graces, with some very noble traits,But no better than a thousand who have bent to humbler fates.That I ask not; I have, maiden, just as haught a soul as thine;If thou think'st thy place above me, thou shalt never stoop to mine.Yet as long as blood runs redly, yet as long as mental worthIs a nobler gift than fortune, is a holier thing than birth,I will claim the right to utter, to the high and to the low,That I love them, or I hate them, that I am a friend or foe.Nor shall any slight unman me; I have yet some little strength,Yet my song shall sound as sweetly, yet a power be mine at length!Then, oh, then! but moans are idle--hear me, pitying saints above!With a chaplet on my forehead, I will justify my love.And perhaps when thou art leaning on some less devoted breast,Thou shalt murmur, "He was worthier than my blinded spirit guessed."

Words in this poem 17
wast
The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
wildering n.
A plant growing in a state of nature; especially, one which has run wild, or escaped from cultivation.
trait n.
A stroke; a touch. [F., fr. L. tractus, fr. trahere to draw. See Trace, v., and cf. Tract a region, Trace a strap, Tret.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
witching a.
That witches or enchants; suited to enchantment or witchcraft; bewitching.
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
calmer n.
One who, or that which, makes calm.
unwritten a.
Not written; not reduced to writing; oral; as, unwritten agreements.
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
humbler n.
One who, or that which, humbles some one.
haught a.
High; elevated; hence, haughty; proud. [See Haughty.]
shalt
2d per. sing. of Shall.
redly adv.
In a red manner; with redness.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
unman v. t.
To deprive of the distinctive qualities of a human being, as reason, or the like. South. [1st pref. un- + man.]
pitying a.
Expressing pity; as, a pitying eye, glance, or word.
chaplet n.
A garland or wreath to be worn on the head. [F. chapelet, dim. of OF. chapel hat, garland, dim. fr. LL. cappa. See Cap, and cf. Chapelet, Chapeau.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Problem is in the public domain. This text is taken from Poems of Henry Timrod; with Memoir, Project Gutenberg ebook #845; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Timrod, The Problem, in Poems (1860–1867), text of Project Gutenberg ebook #845, Laurel, https://laurelpoetry.com/poem/timrod-poems/the-problem.html, id L10447.

Form and metre

The Problem is 60 lines in a single stanza. It is in rhyming couplets. The metre is iambic octameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 14.8 syllables. 5% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in iambic octameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccdd heartA · artA · thenB · penB · taskC · maskC · eyesD · skiesD · sinE · withinE · whatF · spotF · blameG · fameG · removedH · lovedH · passedI · lastI · doneJ · sunJ · brainK · painK · despairL · prayerL · deathM · breathM · faceN · graceN · daysO · gazeO · brainP · againP · timesQ · rhymesQ · standR · handR · eyesS · sighsS · deepT · sleepT · nestU · confessedU · mineV · divineV · curlW · girlW · traitsX · fatesX · thineY · mineY · worthZ · birthZ · lowa · foea · strengthb · lengthb · abovec · lovec · breastd · guessedd
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic octameter. How this is done.

LineSyl.Stress
Not to win thy favor, maiden, not to steal away thy heart,15····/˘/˘···˘/··
Have I ever sought thy presence, ever stooped to any art;13··/··/˘/··/˘·
Thou wast but a wildering problem, which I aimed to solve, and then15····/˘/˘·······
Make it matter for my note-book, or a picture for my pen.15··/˘······/˘···
So, I daily conned thee over, thinking it no dangerous task,14··/˘···/˘··/˘·
Peeping underneath thy lashes, peering underneath thy mask--15/˘·˘/·/˘/˘·˘/··
For thou wear'st one--no denial! there is much within thine eyes;15·····˘/˘·······
But those stars have other secrets than are patent in their skies.15····/˘/˘··/˘···
And I read thee, read thee closely, every grace and every sin,15······/˘/˘··/˘·
Looked behind the outward seeming to the strange wild world within,14····//˘·······
Where thy future self is forming, where I saw--no matter what!15··/˘··/˘····/˘·
There was something less than angel, there was many an earthly spot;15··/˘··/˘··/·/˘·
Yet so beautiful thy errors that I had no heart for blame,14··/˘·/˘·······
And thy virtues made thee dearer than my dearest hopes of fame;15··/˘··/˘··/˘···
All so blended, that in wishing one peculiar trait removed,15··/˘··/˘·˘/˘·˘/
We indeed might make thee better, but less lovely and less loved.15·˘/···/˘··/˘···
All my mind was in the study--so two thrilling fortnights passed--15······/˘··/˘/··
All my mind was in the study--till my heart was touched at last.15······/˘·······
Well! and then the book was finished, the absorbing task was done,15······/˘·˘/˘···
I awoke as one who had been dreaming in a noon-day sun;15·˘/·····/˘·····
With a fever on my forehead, and a throbbing in my brain,15··/˘··/˘··/˘···
In my soul delirious wishes, in my heart a lasting pain;15···˘/˘/˘····/˘·
Yet so hopeless, yet so cureless--as in every great despair--15··/˘··/˘··/˘·˘/
I was very calm and silent, and I never stooped to prayer,14··/˘··/˘··/···
Like a sick man unattended, reckless of the coming death,14····˘/˘/˘··/˘·
Only for he knows it certain, and he feels no sister's breath.15/˘····/˘····/˘·
All the while as by an Até, with no pity in her face,14·········/˘···
Yet with eyes of witching beauty, and with form of matchless grace,15····/˘/˘····/˘·
I was haunted by thy presence, oh! for weary nights and days,15··/˘··/˘··/˘···
I was haunted by thy spirit, I was troubled by thy gaze,14··/˘··/··/˘···
And the question which to answer I had taxed a subtle brain,15··/˘··/˘····/˘·
What thou art, and what thou wilt be, came again and yet again;15·········˘/··˘/
With its opposite deductions, it recurred a thousand times,14··/˘˘/˘·˘/·/˘·
Like a coward's apprehensions, like a madman's favorite rhymes.14··/·˘/˘··/·/˘·
But to-night my thoughts flow calmer--in thy room I think I stand,15······/˘·······
See a fair white page before thee, and a pen within thy hand;15···············
And thy fingers sweep the paper, and a light is in thine eyes,15··/˘··/˘·······
Whilst I read thy secret fancies, whilst I hear thy secret sighs.15····/˘/˘····/˘·
What they are I will not whisper, those are lovely, these are deep,15······/˘··/˘···
But one name is left unwritten, that is only breathed in sleep.15·····˘/˘··/˘···
Is it wonder that my passion bursts at once from out its nest?15··/˘··/˘·······
I have bent my knee before thee, and my love is all confessed;15·············˘/
Though I knew that name unwritten was another name than mine,15·····˘/˘·˘/˘···
Though I felt those sighs half murmured what I could but half divine.15······/˘·····˘/
Aye! I hear thy haughty answer! Aye! I see thy proud lip curl!15····/˘/˘·······
"What presumption, and what folly!" why, I only love a girl15·˘/˘··/˘··/˘···
With some very winning graces, with some very noble traits,15··/˘/˘/˘··/˘/˘·
But no better than a thousand who have bent to humbler fates.15··/˘··/˘····/˘·
That I ask not; I have, maiden, just as haught a soul as thine;15······/˘·······
If thou think'st thy place above me, thou shalt never stoop to mine.14··········/···
Yet as long as blood runs redly, yet as long as mental worth15······/˘····/˘·
Is a nobler gift than fortune, is a holier thing than birth,15··/˘··/˘··/˘···
I will claim the right to utter, to the high and to the low,15······/˘·······
That I love them, or I hate them, that I am a friend or foe.15···············
Nor shall any slight unman me; I have yet some little strength,15··/˘·˘/·····/˘·
Yet my song shall sound as sweetly, yet a power be mine at length!15······/˘··/····
Then, oh, then! but moans are idle--hear me, pitying saints above!15······/˘··/˘···
With a chaplet on my forehead, I will justify my love.15··/˘··/˘··/˘···
And perhaps when thou art leaning on some less devoted breast,15·˘/···/˘···˘/˘·
Thou shalt murmur, "He was worthier than my blinded spirit guessed."14··/˘··/˘··/˘/·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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