Before Her Portrait in Youth

Francis Thompson (1859–1907) · 1893

iambic tetrameter · 54 lines · from Poems (1893)

AS lovers, banished from their lady’s faceAnd hopeless of her grace,Fashion a ghostly sweetness in its place,Fondly adoreSome stealth-won cast attire she wore,A kerchief or a glove:And at the lover’s beckInto the glove there fleets the hand,Or at impetuous commandUp from the kerchief floats the virgin neck:So I, in very lowlihead of love,—Too shyly reverencingTo let one thought’s light footfall smoothTread near the living, consecrated thing,—Treasure me thy cast youth.This outworn vesture, tenantless of thee,Hath yet my knee,For that, with show and semblance fairOf the past HerWho once the beautiful, discarded raiment bare,It cheateth me.As gale to gale drifts breathOf blossoms’ death,So dropping down the years from hour to hourThis dead youth’s scent is wafted me to-day:I sit, and from the fragrance dream the flower.So, then, she looked (I say);And so her front sunk downHeavy beneath the poet’s iron crown:On her mouth museful sweet—(Even as the twin lips meet)Did thought and sadness greet:SighsIn those mournful eyesSo put on visibilities;As viewless ether turns, in deep on deep, to dyes.Thus, long ago,She kept her meditative paces slowThrough maiden meads, with wavèd shadow and gleamOf locks half-lifted on the winds of dream,Till love up-caught her to his chariot’s glow.Yet, voluntary, happier Proserpine!This drooping flower of youth thou lettest fallI, faring in the cockshut-light, astray,Find on my ’lated way,And stoop, and gather for memorial,And lay it on my bosom, and make it mine.To this, the all of love the stars allow me,I dedicate and vow me.I reach back through the daysA trothed hand to the dead the last trump shall not raise.The water-wraith that criesFrom those eternal sorrows of thy pictured eyesEntwines and draws me down their soundless intricacies!

Words in this poem

ghostly a.
Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
fondly adv.
Foolishly. Verstegan (1673).
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
shyly adv.
In a shy or timid manner; not familiarly; with reserve.
footfall n.
A setting down of the foot; a footstep; the sound of a footstep.
tenantless a.
Having no tenants; unoccupied; as, a tenantless mansion.
museful a.
Meditative; thoughtfully silent.
sadness n.
Heaviness; firmness.
viewless a.
Not perceivable by the eye; invisible; unseen.
lated a.
Belated; too late.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
pictured a.
Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
soundless a.
Not capable of being sounded or fathomed; unfathomable.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Before Her Portrait in Youth is in the public domain. This text is taken from Poems, Project Gutenberg ebook #1469; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Francis Thompson, Before Her Portrait in Youth, in Poems (1893) (1893), text of Project Gutenberg ebook #1469, Laurel, https://laurelpoetry.com/poem/thompson-poems/before-her-portrait-in-youth.html, id L01697.

Form and metre

Before Her Portrait in Youth is 54 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 6 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAABB-CDDC-E-E-FFG-GFHHIJIJKKLLLMMMMNNOON-PQQP---RRSSR faceA · graceA · placeA · adoreB · woreB · glove · beckC · handD · commandD · neckC · love · reverencingE · smooth · thingE · youth · theeF · kneeF · fairG · her · bareG · meF · breathH · deathH · hourI · dayJ · flowerI · sayJ · downK · crownK · sweetL · meetL · greetL · sighsM · eyesM · visibilitiesM · dyesM · agoN · slowN · gleamO · dreamO · glowN · proserpine · fallP · astrayQ · wayQ · memorialP · mine · me · me · daysR · raiseR · criesS · eyesS · intricaciesR
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
AS lovers, banished from their lady’s face10·/˘/˘··/˘·
And hopeless of her grace,6·/˘···
Fashion a ghostly sweetness in its place,10/˘·/˘/˘···
Fondly adore4/˘˘/
Some stealth-won cast attire she wore,9····˘/˘··
A kerchief or a glove:6·/˘···
And at the lover’s beck6···/˘·
Into the glove there fleets the hand,8········
Or at impetuous command7··˘/˘˘/
Up from the kerchief floats the virgin neck:10···/˘··/˘·
So I, in very lowlihead of love,—10···/˘·····
Too shyly reverencing7·/˘/˘˘˘
To let one thought’s light footfall smooth8·····/··
Tread near the living, consecrated thing,—10···/˘/˘·˘·
Treasure me thy cast youth.6/˘····
This outworn vesture, tenantless of thee,10···/˘/˘˘··
Hath yet my knee,4····
For that, with show and semblance fair8·····/˘·
Of the past Her4····
Who once the beautiful, discarded raiment bare,11···/˘˘/˘/˘·
It cheateth me.4·/˘·
As gale to gale drifts breath6······
Of blossoms’ death,4·/˘·
So dropping down the years from hour to hour11·/˘····/·/˘
This dead youth’s scent is wafted me to-day:10·····/˘···
I sit, and from the fragrance dream the flower.11·····/˘··/˘
So, then, she looked (I say);6······
And so her front sunk down6······
Heavy beneath the poet’s iron crown:10/˘···/˘/˘·
On her mouth museful sweet—6···/˘·
(Even as the twin lips meet)7/˘·····
Did thought and sadness greet:6···/˘·
Sighs1·
In those mournful eyes5··/˘·
So put on visibilities;8····˘/˘˘
As viewless ether turns, in deep on deep, to dyes.12·/˘/˘·······
Thus, long ago,4··˘/
She kept her meditative paces slow10···/˘·˘/˘·
Through maiden meads, with wavèd shadow and gleam10·/˘···/···
Of locks half-lifted on the winds of dream,10···/˘·····
Till love up-caught her to his chariot’s glow.10·······/˘·
Yet, voluntary, happier Proserpine!10·/˘˘˘/˘···
This drooping flower of youth thou lettest fall10·/˘/···/˘·
I, faring in the cockshut-light, astray,10·/˘··/˘·˘/
Find on my ’lated way,6···/˘·
And stoop, and gather for memorial,10···/˘·˘/˘˘
And lay it on my bosom, and make it mine.11·····/˘····
To this, the all of love the stars allow me,11········˘/·
I dedicate and vow me.7·/˘····
I reach back through the days6······
A trothed hand to the dead the last trump shall not raise.12············
The water-wraith that cries6·/˘···
From those eternal sorrows of thy pictured eyes12··˘/˘/˘··/˘·
Entwines and draws me down their soundless intricacies!11˘/·····/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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