When First

Edward Thomas (1878–1917) · 1917

iambic tetrameter · ABAB · 24 lines · from Poems

WHEN first I came here I had hope,Hope for I knew not what. Fast beatMy heart at sight of the tall slopeOr grass and yews, as if my feet

Only by scaling its steps of chalkWould see something no other hillEver disclosed. And now I walkDown it the last time. Never will

My heart beat so again at sightOf any hill although as fairAnd loftier. For infiniteThe change, late unperceived, this year,

The twelfth, suddenly, shows me plain.Hope now,--not health, nor cheerfulness,Since they can come and go again,As often one brief hour witnesses,--

Just hope has gone for ever. PerhapsI may love other hills yet moreThan this: the future and the mapsHide something I was waiting for.

One thing I know, that love with chanceAnd use and time and necessityWill grow, and louder the heart's danceAt parting than at meeting be.

Words in this poem

scaling a.
Adapted for removing scales, as from a fish; as, a scaling knife; adapted for removing scale, as from the interior of a steam boiler; as, a scaling hammer, bar, etc.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

When First is in the public domain. This text is taken from Poems, Project Gutenberg ebook #22423; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edward Thomas, When First, in Poems (1917), text of Project Gutenberg ebook #22423, Laurel, https://laurelpoetry.com/poem/thomas-edward-poems/when-first.html, id L08151.

Form and metre

When First is 24 lines in 6 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 4 of its 6 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 81%). 86% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 4 lines end on an unstressed syllable, a feminine ending. 67% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB hopeA · beatB · slopeA · feetB
  2. 2 ABAB chalkA · hillB · walkA · willB
  3. 3 ABAB sightA · fairB · infiniteA · yearB
  4. 4 A-A- plainA · cheerfulness · againA · witnesses
  5. 5 ABAB perhapsA · moreB · mapsA · forB
  6. 6 A-A- chanceA · necessity · danceA · be
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
WHEN first I came here I had hope,8········
Hope for I knew not what. Fast beat8········
My heart at sight of the tall slope8········
Or grass and yews, as if my feet8········
Only by scaling its steps of chalk9/˘·/˘····
Would see something no other hill8··/˘·/˘·
Ever disclosed. And now I walk9/˘˘/˘····
Down it the last time. Never will8·····/˘·
My heart beat so again at sight8····˘/··
Of any hill although as fair8·/˘·····
And loftier. For infinite8·/˘˘·/˘˘
The change, late unperceived, this year,9······˘··
The twelfth, suddenly, shows me plain.8··/˘˘···
Hope now,--not health, nor cheerfulness,8·····/˘˘
Since they can come and go again,8······˘/
As often one brief hour witnesses,--10·/˘··/˘/˘˘
Just hope has gone for ever. Perhaps9·····/˘˘/
I may love other hills yet more8···/˘···
Than this: the future and the maps8···/˘···
Hide something I was waiting for.8·/˘··/˘·
One thing I know, that love with chance8········
And use and time and necessity9·····˘/˘˘
Will grow, and louder the heart's dance8···/˘···
At parting than at meeting be.8·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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