With weary steps I loiter on

Alfred Tennyson (1809–1892) · 1850

iambic tetrameter · ABBA · 12 lines · from In Memoriam A.H.H.

With weary steps I loiter on,Tho’ always under alter’d skiesThe purple from the distance dies,My prospect and horizon gone.

No joy the blowing season gives,The herald melodies of spring,But in the songs I love to singA doubtful gleam of solace lives.

If any care for what is hereSurvive in spirits render’d free,Then are these songs I sing of theeNot all ungrateful to thine ear.

Words in this poem

solace n.
Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]
ungrateful a.
Not grateful; not thankful for favors; making no returns, or making ill return for kindness, attention, etc.; ingrateful. South.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

With weary steps I loiter on is in the public domain. This text is taken from In memoriam, Project Gutenberg ebook #70950; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Tennyson, With weary steps I loiter on, in In Memoriam A.H.H. (1850), text of Project Gutenberg ebook #70950, Laurel, https://laurelpoetry.com/poem/tennyson-in-memoriam/section-38.html, id L18398.

Form and metre

With weary steps I loiter on is 12 lines in 3 stanzas of 4 lines each. Every stanza rhymes ABBA. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 33% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBA onA · skiesB · diesB · goneA
  2. 2 ABBA givesA · springB · singB · livesA
  3. 3 ABBA hereA · freeB · theeB · earA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
With weary steps I loiter on,8·/˘··/˘·
Tho’ always under alter’d skies8·/···/˘·
The purple from the distance dies,8·/˘··/˘·
My prospect and horizon gone.8·/˘·˘/˘·
No joy the blowing season gives,8···/˘/˘·
The herald melodies of spring,8·/˘/˘˘··
But in the songs I love to sing8········
A doubtful gleam of solace lives.8·/˘··/˘·
If any care for what is here8·/˘·····
Survive in spirits render’d free,8˘/·/˘/˘·
Then are these songs I sing of thee8········
Not all ungrateful to thine ear.8··˘/˘···

On this poem

The sadness of his heart has fully returned, and the journey of life is dull and weary. The skies above and the prospect before him are no longer what they used to be, when Hallam was by. "The blowing season," when plants are blossoming: the "herald melodies of spring," when the birds proclaim that winter is past, give him no joy; but in his own songs he finds a "gleam of solace;" and if after death there be any consciousness retained of what has been left upon earth,

"Then are these songs I sing of thee Not all ungrateful to thine ear."
Notes from the edition 6

Section introductions from Alfred Gatty, <i>A Key to Lord Tennyson's “In Memoriam”</i>, 4th ed. (George Bell &amp; Sons, 1900; Project Gutenberg #36637). Line notes credited “[Tennyson]” are Tennyson's own notes; “[Hallam Tennyson]” marks a note that is wholly his son and editor's own explanatory bracket, not the poet's own words; “[Emily Tennyson]” marks the few notes signed by his wife. All three are from <i>The Works of Tennyson, Annotated by the Author</i>, ed. Hallam, Lord Tennyson, vol. 3 (Macmillan, 1908; Internet Archive worksoftennysona03tennuoft). Line notes credited “[Bradley]” are A. C. Bradley's, from <i>A Commentary on Tennyson's In Memoriam</i> (Macmillan, 1910; Internet Archive commentaryontenn00braduoft). All these number sections by the final, 131-section text, not the site's own 1850 numbering: from final XL to LVIII subtract one section number, from LX on subtract two, to reach the site's; the site prints the 129-section first edition of 1850 (see the work's own blurb), so two of the final text's numbered sections have no home here and are skipped.

  1. Stanza 1, line 2 'alter'd': from what they were before he walked alone. [Bradley]
  2. Stanza 1, line 3 Cf. The Princess, VI.: ' No purple in the distance.' [Bradley]
  3. Stanza 2 the blowing season, the blossoming season. [Tennyson]
  4. Stanza 2, line 1 Contrast the tone of LXXXIII., the poem of the next spring. The 'blowing season' is, of course, the season when flowers blow. [Bradley]
  5. Stanza 3, line 1 This idea appears here for the first time in the sections about his poems. The certainty of XXX. that the dead do not ' lose their mortal sympathy ' or ' change to us ' has passed with the exaltation of the moment, and so the gleam of solace is ' doubtful ' (8). [Bradley]
  6. Stanza 3, line 3 'free5: cf. LXXXV. 86. [Bradley]

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