The Lady of Shalott

Alfred Tennyson (1809–1892) · 1830–1842

iambic tetrameter · AAAABCCCB · 171 lines · from The Early Poems

On either side the river lieLong fields of barley and of rye,That clothe the wold and meet the sky;And thro’ the field the road runs byTo many-tower’d Camelot;And up and down the people go,Gazing where the lilies blowRound an island there below,The island of Shalott.

Willows whiten, aspens quiver,Little breezes dusk and shiverThro’ the wave that runs for everBy the island in the riverFlowing down to Camelot.Four gray walls, and four gray towers,Overlook a space of flowers,And the silent isle imbowersThe Lady of Shalott.

By the margin, willow-veil’dSlide the heavy barges trail’dBy slow horses; and unhail’dThe shallop flitteth silken-sail’dSkimming down to Camelot:But who hath seen her wave her hand?Or at the casement seen her stand?Or is she known in all the land,The Lady of Shalott?

Only reapers, reaping earlyIn among the bearded barley,Hear a song that echoes cheerlyFrom the river winding clearly,Down to tower’d Camelot:And by the moon the reaper weary,Piling sheaves in uplands airy,Listening, whispers “’Tis the fairyLady of Shalott”.

There she weaves by night and dayA magic web with colours gay.She has heard a whisper say,A curse is on her if she stayTo look down to Camelot.She knows not what the curse may be,And so she weaveth steadily,And little other care hath she,The Lady of Shalott.

And moving thro’ a mirror clearThat hangs before her all the year,Shadows of the world appear.There she sees the highway nearWinding down to Camelot:There the river eddy whirls,And there the surly village-churls,And the red cloaks of market girls,Pass onward from Shalott.

Sometimes a troop of damsels glad,An abbot on an ambling pad,Sometimes a curly shepherd-lad,Or long-hair’d page in crimson clad,Goes by to tower’d Camelot;And sometimes thro’ the mirror blueThe knights come riding two and two:She hath no loyal knight and true,The Lady of Shalott.

But in her web she still delightsTo weave the mirror’s magic sights,For often thro’ the silent nightsA funeral, with plumes and lights,And music, went to Camelot:Or when the moon was overhead,Came two young lovers lately wed;“I am half-sick of shadows,” saidThe Lady of Shalott.

A bow-shot from her bower-eaves,He rode between the barley sheaves,The sun came dazzling thro’ the leaves,And flamed upon the brazen greavesOf bold Sir Lancelot.A redcross knight for ever kneel’dTo a lady in his shield,That sparkled on the yellow field,Beside remote Shalott.

The gemmy bridle glitter’d free,Like to some branch of stars we seeHung in the golden Galaxy.The bridle bells rang merrilyAs he rode down to Camelot:And from his blazon’d baldric slungA mighty silver bugle hung,And as he rode his armour rung,Beside remote Shalott.

All in the blue unclouded weatherThick-jewell’d shone the saddle-leather,The helmet and the helmet-featherBurn’d like one burning flame together,As he rode down to Camelot.As often thro’ the purple night,Below the starry clusters bright,Some bearded meteor, trailing light,Moves over still Shalott.

His broad clear brow in sunlight glow’d;On burnish’d hooves his war-horse trode;From underneath his helmet flow’dHis coal-black curls as on he rode,As he rode down to Camelot.From the bank and from the riverHe flashed into the crystal mirror,“Tirra lirra,” by the riverSang Sir Lancelot.

She left the web, she left the loom;She made three paces thro’ the room,She saw the water-lily bloom,She saw the helmet and the plume,She look’d down to Camelot.Out flew the web and floated wide;The mirror crack’d from side to side;“The curse is come upon me,” criedThe Lady of Shalott.

In the stormy east-wind straining,The pale yellow woods were waning,The broad stream in his banks complaining,Heavily the low sky rainingOver tower’d Camelot;Down she came and found a boatBeneath a willow left afloat,And round about the prow she wroteThe Lady of Shalott.

And down the river’s dim expanse—Like some bold seër in a trance,Seeing all his own mischance—With a glassy countenanceDid she look to Camelot.And at the closing of the dayShe loosed the chain, and down she lay;The broad stream bore her far away,The Lady of Shalott.

Lying, robed in snowy whiteThat loosely flew to left and right—The leaves upon her falling light—Thro’ the noises of the nightShe floated down to Camelot;And as the boat-head wound alongThe willowy hills and fields among,They heard her singing her last song,The Lady of Shalott.

Heard a carol, mournful, holy,Chanted loudly, chanted lowly,Till her blood was frozen slowly,And her eyes were darken’d wholly,Turn’d to tower’d Camelot;For ere she reach’d upon the tideThe first house by the water-side,Singing in her song she died,The Lady of Shalott.

Under tower and balcony,By garden-wall and gallery,A gleaming shape she floated by,Dead-pale between the houses high,Silent into Camelot.Out upon the wharfs they came,Knight and burgher, lord and dame,And round the prow they read her name,The Lady of Shalott

Who is this? and what is here?And in the lighted palace nearDied the sound of royal cheer;And they cross’d themselves for fear,All the knights at Camelot:But Lancelot mused a little space;He said, “She has a lovely face;God in his mercy lend her grace,The Lady of Shalott”.

Words in this poem 24
wold n.
A wood; a forest. [OE. wold, wald, AS. weald, wald, a wood, forest; akin to OFries. & OS. wald, D. woud, G. wald, Icel. völlr, a field, and probably to Gr. va a garden, inclosure.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
skimming n.
The act of one who skims.
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
surly a.
Arrogant; haughty. Cotgrave. [Probably from sir, and originally meaning, sirlike, i.e., proud. See Sir, and Like, a.]
clad v.
To clothe. Holland.
went n.
Course; way; path; journey; direction.
rode n.
Redness; complexion. [See Rud.]
greaves n.
The sediment of melted tallow. It is made into cakes for dogs' food. In Scotland it is called cracklings. [Cf. dial. Sw. grevar greaves, LG. greven, G. griebe, also AS. greofa pot. Cf. Gravy.]
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
gemmy a.
Full of gems; bright; glittering like a gem. [From Gem, n.]
baldric n.
A broad belt, sometimes richly ornamented, worn over one shoulder, across the breast, and under the opposite arm; less properly, any belt. [Also spelt bawdrick.] [OE. baudric, bawdrik, through OF. (cf. F. baudrier and LL. baldringus, baldrellus), from OHG. balderich, cf. balz, palz, akin to E. belt. See Belt, n.]
armour n.
Defensive arms for the body; any clothing or covering worn to protect one's person in battle. [OE. armure, fr. F. armure, OF. armeure, fr. L. armatura. See Armature.]
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
starry a.
Abounding with stars; adorned with stars.
trode n.
Tread; footing. [AS. trod, fr. tredan to tread. See Tread.]
waning n.
The act or process of waning, or decreasing.
afloat adv.
Borne on the water; floating; on board ship. [Pref. a- + float.]
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
snowy a.
White like snow.
willowy a.
Abounding with willows.
carol v. t.
To praise or celebrate in song.
burgher n.
A freeman of a burgh or borough, entitled to enjoy the privileges of the place; any inhabitant of a borough. [From burgh; akin to D. burger, G. bürger, Dan. borger, Sw. borgare. See Burgh.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Lady of Shalott is in the public domain. This text is taken from The Early Poems of Alfred Lord Tennyson, Project Gutenberg ebook #8601; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Tennyson, The Lady of Shalott, in The Early Poems (1830–1842), text of Project Gutenberg ebook #8601, Laurel, https://laurelpoetry.com/poem/tennyson-early-poems/the-lady-of-shalott.html, id L20733.

Form and metre

The Lady of Shalott is 171 lines in 19 stanzas of 9 lines each. The rhyme scheme is AAAABCCCB, complete in 17 of its 19 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAAABCCCB lieA · ryeA · skyA · byA · camelotB · goC · blowC · belowC · shalottB
  2. 2 AAAABCCCB quiverA · shiverA · everA · riverA · camelotB · towersC · flowersC · imbowersC · shalottB
  3. 3 AAAABCCCB veil'dA · trail'dA · unhail'dA · sail'dA · camelotB · handC · standC · landC · shalottB
  4. 4 ----A-BBA early · barley · cheerly · clearly · camelotA · weary · airyB · fairyB · shalottA
  5. 5 AAAABCCCB dayA · gayA · sayA · stayA · camelotB · beC · steadilyC · sheC · shalottB
  6. 6 AAAABCCCB clearA · yearA · appearA · nearA · camelotB · whirlsC · churlsC · girlsC · shalottB
  7. 7 AAAABCCCB gladA · padA · ladA · cladA · camelotB · blueC · twoC · trueC · shalottB
  8. 8 AAAABCCCB delightsA · sightsA · nightsA · lightsA · camelotB · overheadC · wedC · saidC · shalottB
  9. 9 AAAABCCCB eavesA · sheavesA · leavesA · greavesA · lancelotB · kneel'dC · shieldC · fieldC · shalottB
  10. 10 AAAABCCCB freeA · seeA · galaxyA · merrilyA · camelotB · slungC · hungC · rungC · shalottB
  11. 11 AAAABCCCB weatherA · leatherA · featherA · togetherA · camelotB · nightC · brightC · lightC · shalottB
  12. 12 AAAABCCCB glow'dA · trodeA · flow'dA · rodeA · camelotB · riverC · mirrorC · riverC · lancelotB
  13. 13 AAAABCCCB loomA · roomA · bloomA · plumeA · camelotB · wideC · sideC · criedC · shalottB
  14. 14 AAAABCCCB strainingA · waningA · complainingA · rainingA · camelotB · boatC · afloatC · wroteC · shalottB
  15. 15 AAAABCCCB expanseA · tranceA · mischanceA · countenanceA · camelotB · dayC · layC · awayC · shalottB
  16. 16 AAAABCCCB whiteA · rightA · lightA · nightA · camelotB · alongC · amongC · songC · shalottB
  17. 17 AAAABCCCB holyA · lowlyA · slowlyA · whollyA · camelotB · tideC · sideC · diedC · shalottB
  18. 18 --AABCCCB balcony · gallery · byA · highA · camelotB · cameC · dameC · nameC · shalottB
  19. 19 AAAABCCCB hereA · nearA · cheerA · fearA · camelotB · spaceC · faceC · graceC · shalottB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
On either side the river lie8·/˘··/˘·
Long fields of barley and of rye,8···/˘···
That clothe the wold and meet the sky;8········
And thro’ the field the road runs by8········
To many-tower’d Camelot;8·/˘/˘/˘·
And up and down the people go,8·····/˘·
Gazing where the lilies blow7/˘··/˘·
Round an island there below,7··/˘···
The island of Shalott.6·/˘···
Willows whiten, aspens quiver,8/·/˘/˘/˘
Little breezes dusk and shiver8/˘/˘··/˘
Thro’ the wave that runs for ever8······/˘
By the island in the river8··/˘··/˘
Flowing down to Camelot.7/˘··/˘·
Four gray walls, and four gray towers,8······/˘
Overlook a space of flowers,8/˘····/˘
And the silent isle imbowers8··/˘····
The Lady of Shalott.6·/˘···
By the margin, willow-veil’d7··/˘/··
Slide the heavy barges trail’d7··/˘/˘·
By slow horses; and unhail’d7··/˘···
The shallop flitteth silken-sail’d8·/˘/˘/˘·
Skimming down to Camelot:7/˘··/˘·
But who hath seen her wave her hand?8········
Or at the casement seen her stand?8···/˘···
Or is she known in all the land,8········
The Lady of Shalott?6·/˘···
Only reapers, reaping early8/˘/˘/˘/˘
In among the bearded barley,8····/˘/˘
Hear a song that echoes cheerly8····/˘/˘
From the river winding clearly,8··/˘/˘/˘
Down to tower’d Camelot:7··/˘/˘·
And by the moon the reaper weary,9·····/˘/˘
Piling sheaves in uplands airy,8/˘··/˘/˘
Listening, whispers “’Tis the fairy9/˘˘/˘··/˘
Lady of Shalott”.5/˘···
There she weaves by night and day7·······
A magic web with colours gay.8·/˘··/˘·
She has heard a whisper say,7····/˘·
A curse is on her if she stay8········
To look down to Camelot.7····/˘·
She knows not what the curse may be,8········
And so she weaveth steadily,8···/˘/˘˘
And little other care hath she,8·/˘/˘···
The Lady of Shalott.6·/˘···
And moving thro’ a mirror clear8·/˘··/˘·
That hangs before her all the year,8········
Shadows of the world appear.7/····˘/
There she sees the highway near7····/··
Winding down to Camelot:7/˘··/˘·
There the river eddy whirls,7··/˘/˘·
And there the surly village-churls,8···/˘/˘·
And the red cloaks of market girls,8·····/˘·
Pass onward from Shalott.6·/˘···
Sometimes a troop of damsels glad,8˘/···/˘·
An abbot on an ambling pad,8·/˘··/˘·
Sometimes a curly shepherd-lad,8˘/·/˘/˘·
Or long-hair’d page in crimson clad,8·····/˘·
Goes by to tower’d Camelot;8···/˘/˘·
And sometimes thro’ the mirror blue8·/···/˘·
The knights come riding two and two:8···/˘···
She hath no loyal knight and true,8···/˘···
The Lady of Shalott.6·/˘···
But in her web she still delights8······˘/
To weave the mirror’s magic sights,8···/˘/˘·
For often thro’ the silent nights8·/˘··/˘·
A funeral, with plumes and lights,8·/˘˘····
And music, went to Camelot:8·/˘··/˘·
Or when the moon was overhead,8·····/˘/
Came two young lovers lately wed;8···/˘/˘·
“I am half-sick of shadows,” said8·····/··
The Lady of Shalott.6·/˘···
A bow-shot from her bower-eaves,8·····/˘·
He rode between the barley sheaves,8·····/˘·
The sun came dazzling thro’ the leaves,8···/˘···
And flamed upon the brazen greaves8·····/˘·
Of bold Sir Lancelot.6···/˘·
A redcross knight for ever kneel’d8·····/˘·
To a lady in his shield,7··/˘···
That sparkled on the yellow field,8·/˘··/˘·
Beside remote Shalott.6˘/˘/··
The gemmy bridle glitter’d free,8·/˘/˘/˘·
Like to some branch of stars we see8········
Hung in the golden Galaxy.8···/˘/˘˘
The bridle bells rang merrily8·/˘··/˘˘
As he rode down to Camelot:8·····/˘·
And from his blazon’d baldric slung8·····/˘·
A mighty silver bugle hung,8·/˘/˘/˘·
And as he rode his armour rung,8·····/˘·
Beside remote Shalott.6˘/˘/··
All in the blue unclouded weather9·······/˘
Thick-jewell’d shone the saddle-leather,9·····/˘/˘
The helmet and the helmet-feather9·/˘··/˘/˘
Burn’d like one burning flame together,9···/˘·˘/˘
As he rode down to Camelot.8·····/˘·
As often thro’ the purple night,8·/˘··/˘·
Below the starry clusters bright,8···/˘/˘·
Some bearded meteor, trailing light,8·/˘/˘/˘·
Moves over still Shalott.6······
His broad clear brow in sunlight glow’d;8·····/··
On burnish’d hooves his war-horse trode;8·/˘·····
From underneath his helmet flow’d8··˘/·/˘·
His coal-black curls as on he rode,8········
As he rode down to Camelot.8·····/˘·
From the bank and from the river8······/˘
He flashed into the crystal mirror,9·····/˘/˘
“Tirra lirra,” by the river8······/˘
Sang Sir Lancelot.5··/˘·
She left the web, she left the loom;8········
She made three paces thro’ the room,8···/˘···
She saw the water-lily bloom,8···/˘/˘·
She saw the helmet and the plume,8···/˘···
She look’d down to Camelot.7····/˘·
Out flew the web and floated wide;8·····/˘·
The mirror crack’d from side to side;8·/˘·····
“The curse is come upon me,” cried8········
The Lady of Shalott.6·/˘···
In the stormy east-wind straining,8··/˘··/˘
The pale yellow woods were waning,8··/˘··/˘
The broad stream in his banks complaining,9······˘/˘
Heavily the low sky raining8/˘˘···/˘
Over tower’d Camelot;7··/˘/˘·
Down she came and found a boat7·······
Beneath a willow left afloat,8···/··˘/
And round about the prow she wrote8········
The Lady of Shalott.6·/˘···
And down the river’s dim expanse—8···/˘·˘/
Like some bold seër in a trance,7·······
Seeing all his own mischance—7/˘···˘/
With a glassy countenance7··/˘/˘˘
Did she look to Camelot.7····/˘·
And at the closing of the day8···/˘···
She loosed the chain, and down she lay;8········
The broad stream bore her far away,8······˘/
The Lady of Shalott.6·/˘···
Lying, robed in snowy white8/˘·˘·/˘·
That loosely flew to left and right—8·/˘·····
The leaves upon her falling light—8·····/˘·
Thro’ the noises of the night7··/˘···
She floated down to Camelot;8·/˘··/˘·
And as the boat-head wound along8······˘/
The willowy hills and fields among,8·/˘·····
They heard her singing her last song,8···/˘···
The Lady of Shalott.6·/˘···
Heard a carol, mournful, holy,8··/˘/˘/˘
Chanted loudly, chanted lowly,8/˘/˘/˘/˘
Till her blood was frozen slowly,8····/˘/˘
And her eyes were darken’d wholly,8····/˘/˘
Turn’d to tower’d Camelot;7··/˘/˘·
For ere she reach’d upon the tide8········
The first house by the water-side,8·····/˘·
Singing in her song she died,7/˘·····
The Lady of Shalott.6·/˘···
Under tower and balcony,8··/˘·/˘˘
By garden-wall and gallery,8·/˘··/˘˘
A gleaming shape she floated by,8·/˘··/˘·
Dead-pale between the houses high,8·····/˘·
Silent into Camelot.7/˘··/˘·
Out upon the wharfs they came,7·······
Knight and burgher, lord and dame,7··/˘···
And round the prow they read her name,8········
The Lady of Shalott6·/˘···
Who is this? and what is here?7·······
And in the lighted palace near8···/˘/˘·
Died the sound of royal cheer;7····/˘·
And they cross’d themselves for fear,7···˘/··
All the knights at Camelot:7····/˘·
But Lancelot mused a little space;9·/˘···/˘·
He said, “She has a lovely face;8·····/˘·
God in his mercy lend her grace,8···/˘···
The Lady of Shalott”.6·/˘···

On this poem

First published in 1833.

This poem was composed in its first form as early as May, 1832 or 1833, as we learn from Fitzgerald’s note—of the exact year he was not certain (Life of Tennyson, i., 147). The evolution of the poem is an interesting study. How greatly it was altered in the second edition of 1842 will be evident from the collation which follows. The text of 1842 became the permanent text, and in this no subsequent material alterations were made. The poem is more purely fanciful than Tennyson perhaps was willing to own; certainly his explanation of the allegory, as he gave it to Canon Ainger, is not very intelligible: “The new-born love for something, for some one in the wide world from which she has been so long excluded, takes her out of the region of shadows into that of realities”. Poe’s commentary is most to the point: “Why do some persons fatigue themselves in endeavours to unravel such phantasy pieces as the Lady of Shallot? As well unweave the ventum textilem”.—Democratic Review, Dec., 1844, quoted by Mr. Herne Shepherd. Mr. Palgrave says (selection from the Lyric Poems of Tennyson, p. 257) the poem was suggested by an Italian romance upon the Donna di Scalotta. On what authority this is said I do not know, nor can I identify the novel. In Novella, lxxxi., a collection of novels printed at Milan in 1804, there is one which tells but very briefly the story of Elaine’s love and death, “Qui conta come la Damigella di scalot mori per amore di Lancealotto di Lac,” and as in this novel Camelot is placed near the sea, this may be the novel referred to. In any case the poem is a fanciful and possibly an allegorical variant of the story of Elaine, Shalott being a form, through the French, of Astolat.
Notes from the edition 23

John Churton Collins's introductions and notes to The Early Poems of Alfred, Lord Tennyson (1900; Project Gutenberg #8601). Note numbers restart with every poem; many of the notes quote variant readings from earlier printings rather than glossing a word.

  1. Stanza 1, line 9 1833. To many towered Camelot The yellow leaved water lily, The green sheathed daffodilly, Tremble in the water chilly, Round about Shalott.
  2. Stanza 2, line 1 1833. ... shiver, The sunbeam-showers break and quiver In the stream that runneth ever By the island, etc.
  3. Stanza 3, line 9 1833. Underneath the bearded barley, The reaper, reaping late and early, Hears her ever chanting cheerly, Like an angel, singing clearly, O’er the stream of Camelot. Piling the sheaves in furrows airy, Beneath the moon, the reaper weary Listening whispers, “’tis the fairy Lady of Shalott”.
  4. Stanza 4, line 9 1833. The little isle is all inrailed With a rose-fence, and overtrailed With roses: by the marge unhailed The shallop flitteth silkensailed, Skimming down to Camelot. A pearl garland winds her head: She leaneth on a velvet bed, Full royally apparelled, The Lady of Shalott.
  5. Stanza 5, line 4 1833. No time hath she to sport and play: A charmed web she weaves alway. A curse is on her, if she stay Her weaving, either night or day
  6. Stanza 5, line 7 1833. Therefore ... Therefore ... The Lady of Shalott.
  7. Stanza 6, line 7 1833. She lives with little joy or fear Over the water running near, The sheep bell tinkles in her ear, Before her hangs a mirror clear, Reflecting towered Camelot. And, as the mazy web she whirls, She sees the surly village-churls.
  8. Stanza 8, line 5 1833. Came from Camelot.
  9. Stanza 8, line 9 In these lines are to be found, says the present Lord Tennyson, the key to the mystic symbolism of the poem. But it is not easy to see how death could be an advantageous exchange for fancy-haunted solitude. The allegory is clearer in lines 114-115, for love will so break up mere phantasy.
  10. Stanza 10, line 3 1833. Hung in the golden galaxy.
  11. Stanza 10, line 5 1833. From.
  12. Stanza 11, line 5 1833. From Camelot.
  13. Stanza 11, line 9 1833. Green Shalott.
  14. Stanza 12, line 5 1833. From Camelot.
  15. Stanza 12, line 8 1833. “Tirra lirra, tirra lirra.”
  16. Stanza 13, line 3 1833. Water flower.
  17. Stanza 14, line 9 1833. Outside the isle a shallow boat Beneath a willow lay afloat, Below the carven stern she wrote,
  18. Stanza 16, line 9 1833. A cloud-white crown of pearl she dight, All raimented in snowy white That loosely flew (her zone in sight, Clasped with one blinding diamond bright), Her wide eyes fixed on Camelot, Though the squally eastwind keenly Blew, with folded arms serenely By the water stood the queenly Lady of Shalott. With a steady, stony glance— Like some bold seer in a trance, Beholding all his own mischance, Mute, with a glassy countenance— She looked down to Camelot. It was the closing of the day, She loosed the chain, and down she lay, The broad stream bore her far away, The Lady of Shalott. As when to sailors while they roam, By creeks and outfalls far from home, Rising and dropping with the foam, From dying swans wild warblings come, Blown shoreward; so to Camelot Still as the boat-head wound along The willowy hills and fields among, They heard her chanting her death song, The Lady of Shalott.
  19. Stanza 17, line 4 1833. A long drawn carol, mournful, holy, She chanted loudly, chanted lowly, Till her eyes were darkened wholly, And her smooth face sharpened slowly.
  20. Stanza 18, line 4 “A corse” (1853) is a variant for the “Dead-pale” of 1857.
  21. Stanza 18, line 9 1833. A pale, pale corpse she floated by, Dead cold, between the houses high, Dead into towered Camelot. Knight and burgher, lord and dame, To the plankèd wharfage came: Below the stern they read her name, “The Lady of Shalott”.
  22. Stanza 19, line 6 1833. Spells it “Launcelot” all through.
  23. Stanza 19, line 9 1833. They crossed themselves, their stars they blest, Knight, minstrel, abbot, squire and guest, There lay a parchment on her breast, That puzzled more than all the rest, The well-fed wits at Camelot. “The web was woven curiously, The charm is broken utterly, Draw near and fear not—this is I, The Lady of Shalott.”

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