Poems of Mdcccxxxiii
Mine be the strength of spirit, full and free,Like some broad river rushing down alone,With the selfsame impulse wherewith he was thrownFrom his loud fount upon the echoing lea:—Which with increasing might doth forward fleeBy town, and tower, and hill, and cape, and isle,And in the middle of the green salt seaKeeps his blue waters fresh for many a mile.Mine be the Power which ever to its swayWill win the wise at once, and by degreesMay into uncongenial spirits flow;Even as the great gulfstream of FloridaFloats far away into the Northern SeasThe lavish growths of Southern Mexico.
My life is full of weary days,But good things have not kept aloof,Nor wander’d into other ways:I have not lack’d thy mild reproof,Nor golden largess of thy praise.
The second began “And now shake hands”. In the fourth stanza for“sudden laughters” of the jay was substituted the felicitous “suddenscritches,” and the sixth and seventh stanzas were suppressed.
All good things have not kept aloofNor wandered into other ways:I have not lacked thy mild reproof,Nor golden largess of thy praise.But life is full of weary days.
Shake hands, my friend, across the brinkOf that deep grave to which I go:Shake hands once more: I cannot sinkSo far—far down, but I shall knowThy voice, and answer from below.
When in the darkness over meThe fourhanded mole shall scrape,Plant thou no dusky cypresstree,Nor wreathe thy cap with doleful crape,But pledge me in the flowing grape.
And when the sappy field and woodGrow green beneath the showery gray,And rugged barks begin to bud,And through damp holts newflushed with May,Ring sudden laughters of the Jay,
Then let wise Nature work her will,And on my clay her darnels grow;Come only, when the days are still,And at my headstone whisper low,And tell me if the woodbines blow.
If thou art blest, my mother’s smileUndimmed, if bees are on the wing:Then cease, my friend, a little while,That I may hear the throstle singHis bridal song, the boast of spring.
Sweet as the noise in parchèd plainsOf bubbling wells that fret the stones,(If any sense in me remains)Thy words will be: thy cheerful tonesAs welcome to my crumbling bones.
Words in this poem
- selfsame a.
- Precisely the same; the very same; identical. [Self, a. + same.]
- wherewith adv.
- With which; -- used relatively.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- reproof n.
- Refutation; confutation; contradiction. [OE. reproef. See Proof, Reprove.]
- largess n.
- Liberality; generosity; bounty. [F. largesse, fr. large. See Large, a.]
- felicitous a.
- Characterized by felicity; happy; prosperous; delightful; skilful; successful; happily applied or expressed; appropriate.
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- fourhanded a.
- Having four hands; quadrumanous. Goldsmith.
- sappy a.
- Musty; tainted. [Cf. L. sapere to taste.]
- showery a.
- Raining in showers; abounding with frequent showers of rain.
- headstone n.
- The principal stone in a foundation; the chief or corner stone.
- throstle n.
- The song thrush. See under Song. [OE. throsel, AS. , ; akin to MHG. trostel, G. drossel, Icel. , Sw. trast, Lith. strazdas, L. turdus. *238. Cf. Thrush the bird.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Poems of Mdcccxxxiii is in the public domain. This text is taken from The Early Poems of Alfred Lord Tennyson, Project Gutenberg ebook #8601; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Tennyson, Poems of Mdcccxxxiii, in The Early Poems (1830–1842), text of Project Gutenberg ebook #8601, Laurel, https://laurelpoetry.com/poem/tennyson-early-poems/poems-of-mdcccxxxiii.html, id L16602.
Form and metre
Poems of Mdcccxxxiii is 57 lines in 10 stanzas. The rhyme scheme is ABABB, complete in 7 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 8.8 syllables. 2 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBAACAC-DE-DE freeA · aloneB · thrownB · leaA · fleeA · isleC · seaA · mileC · sway · degreesD · flowE · florida · seasD · mexicoE
- 2 ABABA daysA · aloofB · waysA · reproofB · praiseA
- 4 ABABB aloofA · waysB · reproofA · praiseB · daysB
- 5 ABABB brinkA · goB · sinkA · knowB · belowB
- 6 ABABB meA · scrapeB · cypresstreeA · crapeB · grapeB
- 7 ABABB woodA · grayB · budA · mayB · jayB
- 8 ABABB willA · growB · stillA · lowB · blowB
- 9 ABABB smileA · wingB · whileA · singB · springB
- 10 ABABB plainsA · stonesB · remainsA · tonesB · bonesB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Mine be the strength of spirit, full and free, | 9 | ·····/··· |
| Like some broad river rushing down alone, | 10 | ···/˘/˘·˘/ |
| With the selfsame impulse wherewith he was thrown | 11 | ··/˘/˘˘/··· |
| From his loud fount upon the echoing lea:— | 10 | ·······/˘· |
| Which with increasing might doth forward flee | 10 | ··˘/˘··/˘· |
| By town, and tower, and hill, and cape, and isle, | 10 | ···/······ |
| And in the middle of the green salt sea | 10 | ···/˘····· |
| Keeps his blue waters fresh for many a mile. | 10 | ···/˘··/·· |
| Mine be the Power which ever to its sway | 9 | ···/·/··· |
| Will win the wise at once, and by degrees | 10 | ········˘/ |
| May into uncongenial spirits flow; | 10 | ·······/˘· |
| Even as the great gulfstream of Florida | 9 | /···/··/˘ |
| Floats far away into the Northern Seas | 10 | ··˘/···/˘· |
| The lavish growths of Southern Mexico. | 10 | ·/˘··/˘/˘· |
| My life is full of weary days, | 8 | ·····/˘· |
| But good things have not kept aloof, | 8 | ······˘/ |
| Nor wander’d into other ways: | 8 | ·/˘··/˘· |
| I have not lack’d thy mild reproof, | 8 | ······˘/ |
| Nor golden largess of thy praise. | 8 | ·/˘/˘··· |
| The second began “And now shake hands”. In the fourth stanza for | 15 | ·/˘˘/·······/˘· |
| “sudden laughters” of the jay was substituted the felicitous “sudden | 18 | /˘/˘····/˘·˘·˘/˘/˘ |
| scritches,” and the sixth and seventh stanzas were suppressed. | 13 | ······/˘/˘·˘/ |
| All good things have not kept aloof | 8 | ······˘/ |
| Nor wandered into other ways: | 8 | ·/˘··/˘· |
| I have not lacked thy mild reproof, | 8 | ······˘/ |
| Nor golden largess of thy praise. | 8 | ·/˘/˘··· |
| But life is full of weary days. | 8 | ·····/˘· |
| Shake hands, my friend, across the brink | 8 | ····˘/·· |
| Of that deep grave to which I go: | 8 | ········ |
| Shake hands once more: I cannot sink | 8 | ·····/˘· |
| So far—far down, but I shall know | 8 | ········ |
| Thy voice, and answer from below. | 8 | ···/˘··· |
| When in the darkness over me | 8 | ···/˘··· |
| The fourhanded mole shall scrape, | 6 | ·/˘··· |
| Plant thou no dusky cypresstree, | 8 | ···/˘··· |
| Nor wreathe thy cap with doleful crape, | 8 | ·····/˘· |
| But pledge me in the flowing grape. | 8 | ·····/˘· |
| And when the sappy field and wood | 8 | ···/˘··· |
| Grow green beneath the showery gray, | 9 | ·····/˘˘· |
| And rugged barks begin to bud, | 8 | ·/˘·˘/·· |
| And through damp holts newflushed with May, | 8 | ········ |
| Ring sudden laughters of the Jay, | 8 | ·/˘/˘··· |
| Then let wise Nature work her will, | 8 | ···/˘··· |
| And on my clay her darnels grow; | 8 | ·····/˘· |
| Come only, when the days are still, | 8 | ·/˘····· |
| And at my headstone whisper low, | 8 | ···/·/˘· |
| And tell me if the woodbines blow. | 8 | ········ |
| If thou art blest, my mother’s smile | 8 | ·····/˘· |
| Undimmed, if bees are on the wing: | 8 | ········ |
| Then cease, my friend, a little while, | 8 | ·····/˘· |
| That I may hear the throstle sing | 8 | ·····/˘· |
| His bridal song, the boast of spring. | 8 | ·/˘····· |
| Sweet as the noise in parchèd plains | 7 | ······· |
| Of bubbling wells that fret the stones, | 8 | ·/˘····· |
| (If any sense in me remains) | 8 | ·/˘···˘/ |
| Thy words will be: thy cheerful tones | 8 | ·····/˘· |
| As welcome to my crumbling bones. | 8 | ·/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.