Faults

Sara Teasdale (1884–1933) · 1917

iambic tetrameter · ABBCAC · 6 lines · from Love Songs

They came to tell your faults to me,They named them over one by one;I laughed aloud when they were done,I knew them all so well before,--Oh, they were blind, too blind to seeYour faults had made me love you more.

Words in this poem

aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Faults is in the public domain. This text is taken from Love Songs, Project Gutenberg ebook #442; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sara Teasdale, Faults, in Love Songs (1917), text of Project Gutenberg ebook #442, Laurel, https://laurelpoetry.com/poem/teasdale-love-songs/faults.html, id L08047.

Form and metre

Faults is 6 lines in a single stanza. It rhymes ABBCAC. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%). 100% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBCAC meA · oneB · doneB · beforeC · seeA · moreC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
They came to tell your faults to me,8········
They named them over one by one;8········
I laughed aloud when they were done,8··˘/····
I knew them all so well before,--8········
Oh, they were blind, too blind to see8········
Your faults had made me love you more.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Sara Teasdale