Gitanjali 18

Rabindranath Tagore (1861–1941) · 1912

8 lines · from Gitanjali (Song Offerings)

Clouds heap upon clouds and it darkens. Ah, love, why dost thou let mewait outside at the door all alone?

In the busy moments of the noontide work I am with the crowd, but onthis dark lonely day it is only for thee that I hope.

If thou showest me not thy face, if thou leavest me wholly aside, Iknow not how I am to pass these long, rainy hours.

I keep gazing on the far-away gloom of the sky, and my heart wanderswailing with the restless wind.

Words in this poem

noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Gitanjali 18 is in the public domain. This text is taken from Gitanjali (Song Offerings), a collection of prose translations made by the author from the original Bengali, with an introduction by W. B. Yeats (India Society, London, 1912), Project Gutenberg ebook #7164; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rabindranath Tagore, Gitanjali 18, in Gitanjali (Song Offerings) (1912), text of Project Gutenberg ebook #7164, Laurel, https://laurelpoetry.com/poem/tagore-gitanjali/poem-18.html, id L27880.

About this section

Gitanjali 18 is prose, printed in 4 paragraphs. It is part of the edition and is kept for reading, but nothing here is measured: the line breaks are the printer's, so no metre, rhyme scheme or scansion is stated.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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