Wine, Women, and Song V

John Addington Symonds (1840–1893) · 1884

iambic tetrameter · octosyllabic couplets · 65 lines · from Wine, Women and Song

The oddly archaic phraseology of this love-song rendered it unfit fortranslation; but I have tried my hand at a kind of hymn in praise ofRome, which is written in the same peculiar rhythm:--

"O Rome illustrious, of the world emperess!Over all cities thou queen in thy goodliness!Red with the roseate blood of the martyrs, andWhite with the lilies of virgins at God's right hand!Welcome we sing to thee; ever we bring to theeBlessings, and pay to thee praise for eternity.

"Peter, thou praepotent warder of Paradise,Hear thou with mildness the prayer of thy votaries;When thou art seated to judge the twelve tribes, O thenShow thyself merciful; be thou benign to men;And when we call to thee now in the world's distress,Take thou our suffrages, master, with gentleness.

"Paul, to our litanies lend an indulgent ear,Who the philosophers vanquished with zeal severe:Thou that art steward now in the Lord's heavenly house,Give us to taste of the meat of grace bounteous;So that the wisdom which filled thee and nourished theeMay be our sustenance through the truths taught by thee."

"Come therefore now, my gentle fere,Whom as my heart I hold full dear;Enter my little room, which isAdorned with quaintest rarities:There are the seats with cushions spread,The roof with curtains overhead;The house with flowers of sweetest scentAnd scattered herbs is redolent:A table there is deftly dightWith meats and drinks of rare delight;There too the wine flows, sparkling, free;And all, my love, to pleasure thee.There sound enchanting symphonies;The clear high notes of flutes arise;A singing girl and artful boyAre chanting for thee strains of joy;He touches with his quill the wire,She tunes her note unto the lyre:The servants carry to and froDishes and cups of ruddy glow;But these delights, I will confess,Than pleasant converse charm me less;Nor is the feast so sweet to meAs dear familiarity.

"Then come now, sister of my heart,That dearer than all others art,Unto mine eyes thou shining sun,Soul of my soul, thou only one!I dwelt alone in the wild woods,And loved all secret solitudes;Oft would I fly from tumults far,And shunned where crowds of people are.O dearest, do not longer stay!Seek we to live and love to-day!I cannot live without thee, sweet!Time bids us now our love complete.Why should we then defer, my own,What must be done or late or soon?Do quickly what thou canst not shun!I have no hesitation."

"Implet silvas atque cuncta modulis arbustula,Gloriosa valde facta veris prae laetitia;Volitando scandit alta arborum cacumina,Ac festiva satis gliscit sibilare carmina."

Words in this poem

oddly adv.
In an odd manner; unevently.
phraseology n.
Manner of expression; peculiarity of diction; style. [Gr. -logy: cf. F. phraséologie.]
goodliness n.
Beauty of form; grace; elegance; comeliness. [From Goodly.]
roseate a.
Full of roses; rosy; as, roseate bowers. [Cf. L. roseus, rosatus, prepared from roses. See Roseal, Rose.]
warder n.
One who wards or keeps; a keeper; a guard.
bounteous a.
Liberal in charity; disposed to give freely; generously liberal; munificent; beneficent; free in bestowing gifts; as, bounteous production. [OE. bountevous, fr. bounte bounty.]
fere n.
A mate or companion; -- often used of a wife. [OE. fere companion, AS. gefera, from feran to go, travel, faran to travel. sq. root78. See Fare.]
redolent a.
Diffusing odor or fragrance; spreading sweet scent; scented; odorous; smelling; -- usually followed by of. [L. redolens, -entis, p. pr. of redolere to emit a scent, diffuse an odor; pref. red-, re-, re- + olere to emit a smell. See Odor.]
deftly adv.
Aptly; fitly; dexterously; neatly. [Cf. Defly.]
dight v. t.
To prepare; to put in order; hence, to dress, or put on; to array; to adorn. [OF. dihten, AS. dihtan to dictate, command, dispose, arrange, fr. L. dictare to say often, dictate, order; cf. G. dichten to write poetry, fr. L. dictare. See D]
artful a.
Performed with, or characterized by, art or skill. [From Art.]
silvas n.
Vast woodland plains of South America. [L. silva a forest, Sp. selva.]
gloriosa n.
A genus of climbing plants with very showy lilylike blossoms, natives of India. [Nl., fr. L. gloriosus. See Glorious.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Wine, Women, and Song V is in the public domain. This text is taken from Wine, Women, and Song Mediaeval Latin Students' songs; Now first translated into English verse, Project Gutenberg ebook #18044; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Addington Symonds, Wine, Women, and Song V, in Wine, Women and Song (1884), text of Project Gutenberg ebook #18044, Laurel, https://laurelpoetry.com/poem/symonds-wine-women/wine-women-and-song-v.html, id L11803.

Form and metre

Wine, Women, and Song V is 65 lines in 7 verse paragraphs. It is in rhyming couplets, 71% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 82%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 9.7 syllables. 12 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AABB-- emperessA · goodlinessA · andB · handB · thee · eternity
  2. 3 --AABB paradise · votaries · thenA · menA · distressB · gentlenessB
  3. 4 AA--BB earA · severeA · house · bounteous · theeB · theeB
  4. 5 AABBCCDDEEFFGGHHIIJJKKF- fereA · dearA · isB · raritiesB · spreadC · overheadC · scentD · redolentD · dightE · delightE · freeF · theeF · symphoniesG · ariseG · boyH · joyH · wireI · lyreI · froJ · glowJ · confessK · lessK · meF · familiarity
  5. 6 AABB--CCDDEEFFBF heartA · artA · sunB · oneB · woods · solitudes · farC · areC · stayD · dayD · sweetE · completeE · ownF · soonF · shunB · hesitationF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The oddly archaic phraseology of this love-song rendered it unfit for20·/˘˘/˘·˘/˘····/˘·˘/·
translation; but I have tried my hand at a kind of hymn in praise of17˘/˘··············
Rome, which is written in the same peculiar rhythm:--13···/˘···˘/˘/˘
"O Rome illustrious, of the world emperess!11··˘/˘···/˘˘
Over all cities thou queen in thy goodliness!11··/˘····/˘˘
Red with the roseate blood of the martyrs, and11···/˘···/˘·
White with the lilies of virgins at God's right hand!12···/˘·/˘····
Welcome we sing to thee; ever we bring to thee11/˘····/····
Blessings, and pay to thee praise for eternity.11/˘······˘/˘
"Peter, thou praepotent warder of Paradise,12/˘····/˘·/˘·
Hear thou with mildness the prayer of thy votaries;11···/˘······
When thou art seated to judge the twelve tribes, O then12···/˘·······
Show thyself merciful; be thou benign to men;11·˘//˘··˘/··
And when we call to thee now in the world's distress,12··········˘/
Take thou our suffrages, master, with gentleness.10··//˘/˘·/˘
"Paul, to our litanies lend an indulgent ear,11··//˘··˘/˘·
Who the philosophers vanquished with zeal severe:11··˘/˘/˘··˘/
Thou that art steward now in the Lord's heavenly house,12···/˘····/˘·
Give us to taste of the meat of grace bounteous;12·········/˘˘
So that the wisdom which filled thee and nourished thee12···/˘····/˘·
May be our sustenance through the truths taught by thee."11··//˘······
"Come therefore now, my gentle fere,8·····/˘·
Whom as my heart I hold full dear;8········
Enter my little room, which is8/˘·/˘···
Adorned with quaintest rarities:8˘/·/˘/˘˘
There are the seats with cushions spread,8·····/˘·
The roof with curtains overhead;8···/˘/˘/
The house with flowers of sweetest scent8···/·/˘·
And scattered herbs is redolent:8·/˘··/˘˘
A table there is deftly dight8·/˘··/˘·
With meats and drinks of rare delight;8······˘/
There too the wine flows, sparkling, free;8·····/˘·
And all, my love, to pleasure thee.8·····/˘·
There sound enchanting symphonies;8··˘/˘/˘˘
The clear high notes of flutes arise;8······˘/
A singing girl and artful boy8·/˘··/˘·
Are chanting for thee strains of joy;8·/˘·····
He touches with his quill the wire,9·/˘····/˘
She tunes her note unto the lyre:8········
The servants carry to and fro8·/˘/˘···
Dishes and cups of ruddy glow;8/˘···/˘·
But these delights, I will confess,8··˘/··˘/
Than pleasant converse charm me less;8·/˘/˘···
Nor is the feast so sweet to me8········
As dear familiarity.7··˘·/˘˘
"Then come now, sister of my heart,8···/˘···
That dearer than all others art,8·/˘··/˘·
Unto mine eyes thou shining sun,8·····/˘·
Soul of my soul, thou only one!8·····/˘·
I dwelt alone in the wild woods,8··˘/····
And loved all secret solitudes;8···/˘/˘·
Oft would I fly from tumults far,8·····/˘·
And shunned where crowds of people are.8·····/˘·
O dearest, do not longer stay!8·/˘··/˘·
Seek we to live and love to-day!8········
I cannot live without thee, sweet!8·/˘·····
Time bids us now our love complete.8····/·˘/
Why should we then defer, my own,8····˘/··
What must be done or late or soon?8········
Do quickly what thou canst not shun!8·/˘·····
I have no hesitation."7····˘/˘
"Implet silvas atque cuncta modulis arbustula,14··/˘··········
Gloriosa valde facta veris prae laetitia;12············
Volitando scandit alta arborum cacumina,15······/˘·······
Ac festiva satis gliscit sibilare carmina."15//˘/˘··········
Notes from the edition 1

John Addington Symonds's notes to Wine, Women and Song (1884; Project Gutenberg #18044).

  1. Stanza 1, line 3 Du Méril, op. cit., p. 239.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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