The Dean of St. Patrick's to Thomas Sheridan
SIR,I cannot but think that we live in a bad age,O tempora, O mores! as 'tis in the adage.My foot was but just set out from my cathedral,When into my hands comes a letter from the droll.I can't pray in quiet for you and your verses;But now let us hear what the Muse from your car says.Hum--excellent good--your anger was stirr'd;Well, punners and rhymers must have the last word.But let me advise you, when next I hear from you,To leave off this passion which does not become you;For we who debate on a subject important,Must argue with calmness, or else will come short on't.For myself, I protest, I care not a fiddle,For a riddle and sieve, or a sieve and a riddle;And think of the sex as you please, I'd as lieveYou call them a riddle, as call them a sieve.Yet still you are out, (though to vex you I'm loth,)For I'll prove it impossible they can be both;A school-boy knows this, for it plainly appearsThat a sieve dissolves riddles by help of the shears;For you can't but have heard of a trick among wizards,To break open riddles with shears or with scissars.Think again of the sieve, and I'll hold you a wager,You'll dare not to question my minor or major.A sieve keeps half in, and therefore, no doubt,Like a woman, keeps in less than it lets out.Why sure, Mr. Poet, your head got a-jar,By riding this morning too long in your car:And I wish your few friends, when they next see your cargo,For the sake of your senses would lay an embargo.You threaten the stocks; I say you are scurrilousAnd you durst not talk thus, if I saw you at our ale-house.But as for your threats, you may do what you canI despise any poet that truckled to DanBut keep a good tongue, or you'll find to your smartFrom rhyming in cars, you may swing in a cart.You found out my rebus with very much modesty;But thanks to the lady; I'm sure she's too good to ye:Till she lent you her help, you were in a fine twitter;You hit it, you say;--you're a delicate hitter.How could you forget so ungratefully a lass,And if you be my Phoebus, pray who was your Pallas?As for your new rebus, or riddle, or crux,I will either explain, or repay it by trucks;Though your lords, and your dogs, and your catches, methinks,Are harder than ever were put by the Sphinx.And thus I am fully revenged for your late tricks,Which is all at present from the
Words in this poem
- mores n.
- Customs; habits; esp., customs conformity to which is more or less obligatory; customary law.
- adage n.
- An old saying, which has obtained credit by long use; a proverb. [F. adage, fr. L. adagium; ad + the root of L. aio I say.]
- embargo n.
- An edict or order of the government prohibiting the departure of ships of commerce from some or all of the ports within its dominions; a prohibition to sail. [Sp., fr. embargar to arrest, restrain; pref. em- (L. in) + Sp. barra bar, akin to F. barre bar. See Bar.]
- despise v. t.
- To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]
- twitter n.
- One who twits, or reproaches; an upbraider. [From Twit.]
- hitter n.
- One who hits or strikes; as, a hard hitter.
- lass n.
- A youth woman; a girl; a sweetheart. [OE. lasse; prob. of Celtic origin; cf. W. llodes girl, fem. of llawd lad. (Lad a youth.]
- phoebus n.
- Apollo; the sun god.
- pallas n.
- Pallas Athene, the Grecian goddess of wisdom, called also Athene, and identified, at a later period, with the Roman Minerva.
- crux n.
- Anything that is very puzzling or difficult to explain. Dr. [L., cross, torture, trouble.]
- methinks v.
- It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Dean of St. Patrick's to Thomas Sheridan is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, The Dean of St. Patrick's to Thomas Sheridan, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/to-thomas-sheridan-2.html, id L09399.
Form and metre
The Dean of St. Patrick's to Thomas Sheridan is 49 lines in a single stanza. It is in rhyming couplets, 69% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 82%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 11.4 syllables. 14 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -AABBCCDD--EEFFGG--HH-HIIJJKK--LLMMNN----OOPPQQ-- sir · ageA · adageA · cathedralB · drollB · versesC · saysC · stirr'dD · wordD · you · you · importantE · on'tE · fiddleF · riddleF · lieveG · sieveG · loth · both · appearsH · shearsH · wizards · scissarsH · wagerI · majorI · doubtJ · outJ · jarK · carK · cargo · embargo · scurrilousL · houseL · canM · danM · smartN · cartN · modesty · ye · twitter · hitter · lassO · pallasO · cruxP · trucksP · methinksQ · sphinxQ · tricks · the
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| SIR, | 1 | · |
| I cannot but think that we live in a bad age, | 12 | ·/˘········· |
| O tempora, O mores! as 'tis in the adage. | 13 | ·····/·····/˘ |
| My foot was but just set out from my cathedral, | 12 | ·········˘/˘ |
| When into my hands comes a letter from the droll. | 12 | ·······/˘··· |
| I can't pray in quiet for you and your verses; | 11 | ····/····/˘ |
| But now let us hear what the Muse from your car says. | 12 | ············ |
| Hum--excellent good--your anger was stirr'd; | 9 | ·/˘··/˘·· |
| Well, punners and rhymers must have the last word. | 10 | ····/····· |
| But let me advise you, when next I hear from you, | 12 | ···˘/······· |
| To leave off this passion which does not become you; | 12 | ····/˘···˘/· |
| For we who debate on a subject important, | 12 | ···˘/··˘/˘/˘ |
| Must argue with calmness, or else will come short on't. | 12 | ·/˘·/˘······ |
| For myself, I protest, I care not a fiddle, | 12 | ··/·/·····/˘ |
| For a riddle and sieve, or a sieve and a riddle; | 13 | ··/˘·······/˘ |
| And think of the sex as you please, I'd as lieve | 11 | ··········· |
| You call them a riddle, as call them a sieve. | 11 | ····/˘····· |
| Yet still you are out, (though to vex you I'm loth,) | 11 | ··········· |
| For I'll prove it impossible they can be both; | 11 | ····˘/˘···· |
| A school-boy knows this, for it plainly appears | 11 | ·······/˘˘/ |
| That a sieve dissolves riddles by help of the shears; | 12 | ···˘//˘····· |
| For you can't but have heard of a trick among wizards, | 13 | ···········/˘ |
| To break open riddles with shears or with scissars. | 12 | ··/˘/˘······ |
| Think again of the sieve, and I'll hold you a wager, | 13 | ·˘/········/˘ |
| You'll dare not to question my minor or major. | 11 | ····/˘·/·/˘ |
| A sieve keeps half in, and therefore, no doubt, | 10 | ·········· |
| Like a woman, keeps in less than it lets out. | 11 | ··/˘······· |
| Why sure, Mr. Poet, your head got a-jar, | 11 | ··/˘/˘····· |
| By riding this morning too long in your car: | 11 | ·/˘·/˘····· |
| And I wish your few friends, when they next see your cargo, | 13 | ···········/· |
| For the sake of your senses would lay an embargo. | 13 | ·····/˘···˘/˘ |
| You threaten the stocks; I say you are scurrilous | 11 | ·/˘······/˘ |
| And you durst not talk thus, if I saw you at our ale-house. | 14 | ···········/·· |
| But as for your threats, you may do what you can | 11 | ··········· |
| I despise any poet that truckled to Dan | 11 | ·˘//˘/˘···· |
| But keep a good tongue, or you'll find to your smart | 11 | ··········· |
| From rhyming in cars, you may swing in a cart. | 11 | ·/˘········ |
| You found out my rebus with very much modesty; | 12 | ····/˘·/˘·/˘ |
| But thanks to the lady; I'm sure she's too good to ye: | 13 | ····/˘······· |
| Till she lent you her help, you were in a fine twitter; | 13 | ···········/˘ |
| You hit it, you say;--you're a delicate hitter. | 11 | ·······/˘/˘ |
| How could you forget so ungratefully a lass, | 13 | ···˘/········ |
| And if you be my Phoebus, pray who was your Pallas? | 13 | ·····/˘······ |
| As for your new rebus, or riddle, or crux, | 11 | ····/˘·/˘·· |
| I will either explain, or repay it by trucks; | 12 | ··/˘˘/·˘/··· |
| Though your lords, and your dogs, and your catches, methinks, | 12 | ········/˘˘/ |
| Are harder than ever were put by the Sphinx. | 10 | ·/˘·/····· |
| And thus I am fully revenged for your late tricks, | 12 | ····/˘˘/···· |
| Which is all at present from the | 8 | ····/˘·· |
Notes from the edition 1
The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).
- Line 25 Ut tu perperàm argumentaris.--Scott.
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