Bettesworth's Exultation
Well! now, since the heat of my passion's abated,That the Dean hath lampoon'd me, my mind is elated:--Lampoon'd did I call it?--No--what was it then?What was it?--'Twas fame to be lash'd by his pen:For had he not pointed me out, I had slept tillE'en doomsday, a poor insignificant reptile;Half lawyer, half actor, pert, dull, and inglorious,Obscure, and unheard of--but now I'm notorious:Fame has but two gates, a white and a black one;The worst they can say is, I got in at the back one:If the end be obtain'd 'tis equal what portalI enter, since I'm to be render'd immortal:So clysters applied to the anus, 'tis said,By skilful physicians, give ease to the head--Though my title be spurious, why should I be dastard,A man is a man, though he should be a bastard.Why sure 'tis some comfort that heroes should slay us,If I fall, I would fall by the hand of Æneas;And who by the Drapier would not rather damn'd be,Than demigoddized by madrigal Namby?A man is no more who has once lost his breath;But poets convince us there’s life after death.They call from their graves the king, or the peasant;Re-act our old deeds, and make what's past present:And when they would study to set forth alike,So the lines be well drawn, and the colours but strike,Whatever the subject be, coward or hero,A tyrant or patriot, a Titus or Nero;To a judge 'tis all one which he fixes his eye on,And a well-painted monkey's as good as a lion.
Words in this poem
- doomsday n.
- A day of sentence or condemnation; day of death. [AS. d. See Doom, and Day.]
- inglorious a.
- Not glorious; not bringing honor or glory; not accompanied with fame, honor, or celebrity; obscure; humble; as, an inglorious life of ease. [L. inglorious; pref. in- not + gloria glory, fame: cf. F. inglorieux. See Glory.]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- dastard n.
- One who meanly shrinks from danger; an arrant coward; a poltroon. [Prob. from Icel. dæstr exhausted. breathless, p. p. of dæsa to groan, lose one's breath; cf. dasask to become exhausted, and E. daze.]
- madrigal n.
- A little amorous poem, sometimes called a pastoral poem, containing some tender and delicate, though simple, thought. [It. madrigale, OIt. madriale, mandriale (cf. LL. matriale); of uncertain origin, possibly fr. It mandra flock, L. mandra stall, herd of cattle, Gr. madrigal, or]
- convince v. t.
- To overpower; to overcome; to subdue or master. [L. convincere, -victum, to refute, prove; con- + vincere to conquer. See Victor, and cf. Convict.]
- nero n.
- A Roman emperor notorius for debauchery and barbarous cruelty; hence, any profligate and cruel ruler or merciless tyrant.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Bettesworth's Exultation is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, Bettesworth's Exultation, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/bettesworth-s-exultation.html, id L09349.
Form and metre
Bettesworth's Exultation is 30 lines in a single stanza. It is in rhyming couplets. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 79%). 85% of its stressed syllables fall where the metre puts the beat. The lines average 11.6 syllables. 12 lines end on an unstressed syllable, a feminine ending. 7% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOO abatedA · elatedA · thenB · penB · tillC · reptileC · ingloriousD · notoriousD · oneE · oneE · portalF · immortalF · saidG · headG · dastardH · bastardH · usI · æneasI · beJ · nambyJ · breathK · deathK · peasantL · presentL · alikeM · strikeM · heroN · neroN · onO · lionO
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Well! now, since the heat of my passion's abated, | 12 | ·······/˘˘/˘ |
| That the Dean hath lampoon'd me, my mind is elated:-- | 13 | ····˘/····˘/˘ |
| Lampoon'd did I call it?--No--what was it then? | 11 | ˘/········· |
| What was it?--'Twas fame to be lash'd by his pen: | 11 | ··········· |
| For had he not pointed me out, I had slept till | 12 | ····/˘······ |
| E'en doomsday, a poor insignificant reptile; | 11 | ·/····˘/˘/˘ |
| Half lawyer, half actor, pert, dull, and inglorious, | 12 | ·/˘·/˘···˘/˘ |
| Obscure, and unheard of--but now I'm notorious: | 12 | ˘/·˘/····˘/˘ |
| Fame has but two gates, a white and a black one; | 11 | ··········· |
| The worst they can say is, I got in at the back one: | 13 | ············· |
| If the end be obtain'd 'tis equal what portal | 12 | ····˘/·/˘·/˘ |
| I enter, since I'm to be render'd immortal: | 12 | ·/˘····/˘˘/˘ |
| So clysters applied to the anus, 'tis said, | 11 | ···˘/··/˘·· |
| By skilful physicians, give ease to the head-- | 11 | ·/˘˘/˘····· |
| Though my title be spurious, why should I be dastard, | 13 | ··/˘·/˘····/˘ |
| A man is a man, though he should be a bastard. | 12 | ··········/˘ |
| Why sure 'tis some comfort that heroes should slay us, | 12 | ····/˘·/˘··· |
| If I fall, I would fall by the hand of Æneas; | 11 | ··········· |
| And who by the Drapier would not rather damn'd be, | 12 | ········/˘·· |
| Than demigoddized by madrigal Namby? | 10 | ······/˘·· |
| A man is no more who has once lost his breath; | 11 | ··········· |
| But poets convince us there’s life after death. | 11 | ·/˘˘/······ |
| They call from their graves the king, or the peasant; | 11 | ·········/˘ |
| Re-act our old deeds, and make what's past present: | 11 | ··/······˘/ |
| And when they would study to set forth alike, | 11 | ····/˘···˘/ |
| So the lines be well drawn, and the colours but strike, | 12 | ········/˘·· |
| Whatever the subject be, coward or hero, | 11 | ·/˘·˘/·/·/˘ |
| A tyrant or patriot, a Titus or Nero; | 12 | ·/˘·/˘·/˘·/˘ |
| To a judge 'tis all one which he fixes his eye on, | 13 | ········/˘··· |
| And a well-painted monkey's as good as a lion. | 12 | ···/˘/˘····/ |
Notes from the edition 1
The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).
- Line 20 Ambrose Philips. See ante, vol. i, p. 288.--W. E. B.
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