A New Simile for the Ladies. With Useful Annotations, by Dr. Sheridan. 1733

Jonathan Swift (1667–1745) · 1710–1745

iambic tetrameter · octosyllabic couplets · 84 lines · from Cadenus and Vanessa, and Other Poems

To make a writer miss his end,You've nothing else to do but mend.

I often tried in vain to findA simile for womankind,A simile, I mean, to fit 'em,In every circumstance to hit 'em.Through every beast and bird I went,I ransack'd every element;And, after peeping through all nature,To find so whimsical a creature,A cloud presented to my view,And straight this parallel I drew:Clouds turn with every wind about,They keep us in suspense and doubt,Yet, oft perverse, like womankind,Are seen to scud against the wind:And are not women just the same?For who can tell at what they aim?Clouds keep the stoutest mortals under,When, bellowing, they discharge their thunder:So, when the alarum-bell is rung,Of Xanti's everlasting tongue,The husband dreads its loudness moreThan lightning's flash, or thunder's roar.Clouds weep, as they do, without pain;And what are tears but women's rain?The clouds about the welkin roam:And ladies never stay at home.The clouds build castles in the air,A thing peculiar to the fair:For all the schemes of their forecasting,Are not more solid nor more lasting.A cloud is light by turns, and dark,Such is a lady with her spark;Now with a sudden pouting gloomShe seems to darken all the room;Again she's pleased, his fear's beguiled,And all is clear when she has smiled.In this they're wondrously alike,(I hope the simile will strike,)Though in the darkest dumps you view them,Stay but a moment, you'll see through them.The clouds are apt to make reflection,And frequently produce infection;So Celia, with small provocation,Blasts every neighbour's reputation.The clouds delight in gaudy show,(For they, like ladies, have their bow;)The gravest matron will confess,That she herself is fond of dress.Observe the clouds in pomp array'd,What various colours are display'd;The pink, the rose, the violet's dye,In that great drawing-room the sky;How do these differ from our Graces,In garden-silks, brocades, and laces?Are they not such another sight,When met upon a birth-day night?The clouds delight to change their fashion:(Dear ladies, be not in a passion!)Nor let this whim to you seem strange,Who every hour delight in change.In them and you alike are seenThe sullen symptoms of the spleen;The moment that your vapours rise,We see them dropping from your eyes.In evening fair you may beholdThe clouds are fringed with borrow'd gold;And this is many a lady's case,Who flaunts about in borrow'd lace.Grave matrons are like clouds of snow,Their words fall thick, and soft, and slow;While brisk coquettes, like rattling hail,Our ears on every side assail.Clouds, when they intercept our sight,Deprive us of celestial light:So when my Chloe I pursue,No heaven besides I have in view.Thus, on comparison, you see,In every instance they agree;So like, so very much the same,That one may go by t'other's name.Let me proclaim it then aloud,That every woman is a cloud.

Words in this poem

simile n.
A word or phrase by which anything is likened, in one or more of its aspects, to something else; a similitude; a poetical or imaginative comparison. [L., from similis. See Similar.]
womankind n.
The females of the human race; women, collectively.
went n.
Course; way; path; journey; direction.
scud v. i.
To move swiftly; especially, to move as if driven forward by something. [Dan. skyde to shoot, shove, push, akin to skud shot, gunshot, a shoot, young bough, and to E. shoot. sq. root159. See Shoot.]
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
loudness n.
The quality or state of being loud.
welkin n.
The visible regions of the air; the vault of heaven; the sky. [OE. welken, welkene, welkne, wolcne, weolcne, AS. wolcen, pl. wolcnu, a cloud; akin to D. wolk, OFries. wolken, OS. wolkan, G. wolke, OHG. wolchan, and probably]
pouting n.
Childish sullenness.
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A New Simile for the Ladies. With Useful Annotations, by Dr. Sheridan. 1733 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, A New Simile for the Ladies. With Useful Annotations, by Dr. Sheridan. 1733, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/a-new-simile-for-the-ladies-with-useful-annotations-by-dr-sheridan-1733.html, id L26353.

Form and metre

A New Simile for the Ladies. With Useful Annotations, by Dr. Sheridan. 1733 is 84 lines in 2 verse paragraphs. It is in rhyming couplets, 88% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA endA · mendA
  2. 2 AA--BB--CCDDEEFFGGHHIIJJKKLLMMNNOOPPQQ--RRSS--TTUUVV--WWXXYYXXZZaabbccddeeffgghhii findA · womankindA · em · em · wentB · elementB · nature · creature · viewC · drewC · aboutD · doubtD · womankindE · windE · sameF · aimF · underG · thunderG · rungH · tongueH · moreI · roarI · painJ · rainJ · roamK · homeK · airL · fairL · forecastingM · lastingM · darkN · sparkN · gloomO · roomO · beguiledP · smiledP · alikeQ · strikeQ · them · them · reflectionR · infectionR · provocationS · reputationS · show · bow · confessT · dressT · array'dU · display'dU · dyeV · skyV · graces · laces · sightW · nightW · fashionX · passionX · strangeY · changeY · seenX · spleenX · riseZ · eyesZ · beholda · golda · caseb · laceb · snowc · slowc · haild · assaild · sighte · lighte · pursuef · viewf · seeg · agreeg · sameh · nameh · aloudi · cloudi
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
To make a writer miss his end,8···/˘···
You've nothing else to do but mend.8·/˘·····
I often tried in vain to find8·/˘·····
A simile for womankind,7·/˘·/˘˘
A simile, I mean, to fit 'em,8·/˘·····
In every circumstance to hit 'em.9·/˘/˘····
Through every beast and bird I went,8·/˘·····
I ransack'd every element;9·/·/˘˘/˘˘
And, after peeping through all nature,9···/˘··/˘
To find so whimsical a creature,9···/˘˘·/˘
A cloud presented to my view,8··˘/˘···
And straight this parallel I drew:8···/˘···
Clouds turn with every wind about,8···/˘···
They keep us in suspense and doubt,8····˘/··
Yet, oft perverse, like womankind,8··˘/·/˘˘
Are seen to scud against the wind:8········
And are not women just the same?8···/˘···
For who can tell at what they aim?8········
Clouds keep the stoutest mortals under,9···/˘/˘··
When, bellowing, they discharge their thunder:9·/˘·˘/·/˘
So, when the alarum-bell is rung,9···˘/˘···
Of Xanti's everlasting tongue,8····˘/˘·
The husband dreads its loudness more8·/˘··/˘·
Than lightning's flash, or thunder's roar.8·/˘··/˘·
Clouds weep, as they do, without pain;8········
And what are tears but women's rain?8·····/˘·
The clouds about the welkin roam:8·····/˘·
And ladies never stay at home.8·/˘/˘···
The clouds build castles in the air,8···/˘···
A thing peculiar to the fair:8··˘/˘···
For all the schemes of their forecasting,9······/·˘
Are not more solid nor more lasting.9···/˘··/˘
A cloud is light by turns, and dark,8········
Such is a lady with her spark;8···/˘···
Now with a sudden pouting gloom8···/˘/˘·
She seems to darken all the room;8···/˘···
Again she's pleased, his fear's beguiled,8˘/····˘/
And all is clear when she has smiled.8········
In this they're wondrously alike,8······˘/
(I hope the simile will strike,)7···/˘··
Though in the darkest dumps you view them,9···/˘····
Stay but a moment, you'll see through them.9···/˘····
The clouds are apt to make reflection,9······˘/˘
And frequently produce infection;9·/˘˘˘/˘/˘
So Celia, with small provocation,9·/˘···˘/˘
Blasts every neighbour's reputation.9·/˘/˘·˘/˘
The clouds delight in gaudy show,8··˘/·/˘·
(For they, like ladies, have their bow;)8···/˘···
The gravest matron will confess,8·/˘/˘·˘/
That she herself is fond of dress.8··˘/····
Observe the clouds in pomp array'd,8˘/····˘/
What various colours are display'd;8·/˘/˘·˘/
The pink, the rose, the violet's dye,8·····/˘·
In that great drawing-room the sky;8···/˘···
How do these differ from our Graces,9···/˘·//˘
In garden-silks, brocades, and laces?9·/˘·˘/·/˘
Are they not such another sight,8····˘/˘·
When met upon a birth-day night?8········
The clouds delight to change their fashion:9··˘/···/˘
(Dear ladies, be not in a passion!)9·/˘····/˘
Nor let this whim to you seem strange,8········
Who every hour delight in change.8·/˘/˘/··
In them and you alike are seen8····˘/··
The sullen symptoms of the spleen;8·/˘/˘···
The moment that your vapours rise,8·/˘··/˘·
We see them dropping from your eyes.8···/˘···
In evening fair you may behold8·/˘···˘/
The clouds are fringed with borrow'd gold;8·····/··
And this is many a lady's case,8···/·/˘·
Who flaunts about in borrow'd lace.8·····/··
Grave matrons are like clouds of snow,8·/˘·····
Their words fall thick, and soft, and slow;8········
While brisk coquettes, like rattling hail,8·····/˘·
Our ears on every side assail.8/··/˘·˘/
Clouds, when they intercept our sight,8····˘//·
Deprive us of celestial light:8˘/··˘/˘·
So when my Chloe I pursue,8···/˘·˘/
No heaven besides I have in view.8·/˘/····
Thus, on comparison, you see,8··˘/˘˘··
In every instance they agree;8·/˘/˘·˘/
So like, so very much the same,8···/˘···
That one may go by t'other's name.8········
Let me proclaim it then aloud,8··˘/··˘/
That every woman is a cloud.8·/˘/˘···
Notes from the edition 19

The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).

  1. Stanza 2, line 2 Most ladies, in reading, call this word a smile; but they are to note, it consists of three syllables, si-mi-le. In English, a likeness.
  2. Stanza 2, line 4 Not to hurt them.
  3. Stanza 2, line 9 Not like a gun or pistol.
  4. Stanza 2, line 16 This is not meant as to shooting, but resolving.
  5. Stanza 2, line 18 This word is not here to be understood of a bull, but a cloud, which makes a noise like a bull, when it thunders.
  6. Stanza 2, line 20 Xanti, a nick-name for Xantippe, that scold of glorious memory, who never let poor Socrates have one moment's peace of mind; yet with unexampled patience, he bore her pestilential tongue. I shall beg the ladies' pardon if I insert a few passages concerning her; and at the same time I assure them, it is not to lessen those of the present age, who are possessed of the like laudable talents; for I will confess, that I know three in the city of Dublin, no way inferior to Xantippe, but that they have not as great men to work upon.
  7. Stanza 2, line 25 Ramble.
  8. Stanza 2, line 29 Not vomiting.
  9. Stanza 2, line 33 Thrusting out the lip.
  10. Stanza 2, line 35 This is to be understood not in the sense of wort, when brewers put yeast or harm in it; but its true meaning is, deceived or cheated.
  11. Stanza 2, line 38 Hit your fancy.
  12. Stanza 2, line 39 Sullen fits. We have a merry jig, called Dumpty-Deary, invented to rouse ladies from the dumps.
  13. Stanza 2, line 41 Reflection of the sun.
  14. Stanza 2, line 47 Motherly woman.
  15. Stanza 2, line 53 Not grace before and after meat, nor their graces the duchesses, but the Graces which attended on Venus.
  16. Stanza 2, line 68 Not Flanders-lace, but gold and silver lace. By borrowed, I mean such as run into honest tradesmen's debts, for which they were not able to pay, as many of them did for French silver lace, against the last birth-day.--Vid. the shopkeepers' books.
  17. Stanza 2, line 71 Girls who love to hear themselves prate, and put on a number of monkey-airs to catch men.
  18. Stanza 2, line 77 I hope none will be so uncomplaisant to the ladies as to think these comparisons are odious.
  19. Stanza 2, line 81 Tell the whole world; not to proclaim them as robbers and rapparees.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Jonathan Swift