The Lady's Dressing-Room. 1730

Jonathan Swift (1667–1745) · 1727

iambic tetrameter · octosyllabic couplets · 145 lines · from On Poetry: A Rhapsody, and Other Poems

Five hours (and who can do it less in?)By haughty Celia spent in dressing;The goddess from her chamber issues,Array'd in lace, brocades, and tissues.Strephon, who found the room was void,And Betty otherwise employ'd,Stole in, and took a strict surveyOf all the litter as it lay:Whereof, to make the matter clear,An inventory follows here.And, first, a dirty smock appear'd,Beneath the arm-pits well besmear'd;Strephon, the rogue, display'd it wide,And turn'd it round on ev'ry side:On such a point, few words are best,And Strephon bids us guess the rest;But swears, how damnably the men lieIn calling Celia sweet and cleanly.Now listen, while he next producesThe various combs for various uses;Fill'd up with dirt so closely fixt,No brush could force a way betwixt;A paste of composition rare,Sweat, dandriff, powder, lead, and hair:A fore-head cloth with oil upon't,To smooth the wrinkles on her front:Here alum-flour, to stop the steamsExhaled from sour unsavoury streams:There night-gloves made of Tripsey's hide,Bequeath'd by Tripsey when she died;With puppy-water, beauty's help,Distil'd from Tripsey's darling whelp.Here gallipots and vials placed,Some fill'd with washes, some with paste;Some with pomatums, paints, and slops,And ointments good for scabby chops.Hard by a filthy bason stands,Foul'd with the scouring of her hands:The bason takes whatever comes,The scrapings from her teeth and gums,A nasty compound of all hues,For here she spits, and here she spues.But, oh! it turn'd poor Strephon's bowelsWhen he beheld and smelt the towels,Begumm'd, bematter'd, and beslim'd,With dirt, and sweat, and ear-wax grim'd;No object Strephon's eye escapes;Here petticoats in frouzy heaps;Nor be the handkerchiefs forgot,All varnish'd o'er with snuff and snot.The stockings why should I expose,Stain'd with the moisture of her toes,Or greasy coifs, and pinners reeking,Which Celia slept at least a week in?A pair of tweezers next he found,To pluck her brows in arches round;Or hairs that sink the forehead low,Or on her chin like bristles grow.The virtues we must not let passOf Celia's magnifying glass;When frighted Strephon cast his eye on't,It shew'd the visage of a giant:A glass that can to sight discloseThe smallest worm in Celia's nose,And faithfully direct her nailTo squeeze it out from head to tail;For, catch it nicely by the head,It must come out, alive or dead.Why, Strephon, will you tell the rest?And must you needs describe the chest?That careless wench! no creature warn herTo move it out from yonder corner!But leave it standing full in sight,For you to exercise your spight?In vain the workman shew'd his wit,With rings and hinges counterfeit,To make it seem in this disguiseA cabinet to vulgar eyes:Which Strephon ventur'd to look in,Resolved to go thro' thick and thin.He lifts the lid: there needs no more,He smelt it all the time before.As, from within Pandora's box,When Epimetheus op'd the locks,A sudden universal crewOf human evils upward flew;He still was comforted to findThat hope at last remain'd behind:So Strephon, lifting up the lid,To view what in the chest was hid,The vapours flew from up the vent;But Strephon, cautious, never meantThe bottom of the pan to grope,And foul his hands in search of hope.O! ne'er may such a vile machineBe once in Celia's chamber seen!O! may she better learn to keepThose "secrets of the hoary deep."As mutton-cutlets, prime of meat,Which, tho' with art you salt and beat,As laws of cookery require,And toast them at the clearest fire;If from upon the hopeful chopsThe fat upon a cinder drops,To stinking smoke it turns the flame,Pois'ning the flesh from whence it came,And up exhales a greasy stench,For which you curse the careless wench:So things which must not be exprest,When drop'd into the reeking chest,Send up an excremental smellTo taint the part from whence they fell:The petticoats and gown perfume,And waft a stink round ev'ry room.Thus finishing his grand survey,Disgusted Strephon slunk away;Repeating in his amorous fits,"Oh! Celia, Celia, Celia sh--!"But Vengeance, goddess never sleeping,Soon punish'd Strephon for his peeping:His foul imagination linksEach dame he sees with all her stinks;And, if unsavoury odours fly,Conceives a lady standing by.All women his description fits,And both ideas jump like wits;By vicious fancy coupled fast,And still appearing in contrast.I pity wretched Strephon, blindTo all the charms of woman kind.Should I the Queen of Love refuse,Because she rose from stinking ooze?To him that looks behind the scene,Statira's but some pocky quean.When Celia in her glory shews,If Strephon would but stop his nose,(Who now so impiously blasphemesHer ointments, daubs, and paints, and creams,Her washes, slops, and every clout,With which he makes so foul a rout;)He soon would learn to think like me,And bless his ravish'd sight to seeSuch order from confusion sprung,Such gaudy tulips raised from dung.

"Before their eyes in sudden view appear

Words in this poem 27
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
betty n.
Etym: [Supposed to be a cant word, from Betty, for Elizabeth, as such an instrument is also called Bess (i. e., Elizabeth) in the Canting Dictionary of 1725, and Jenny (i. e., Jane).]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
whereof adv.
Of which; of whom; formerly, also, with which; -- used relatively.
damnably adv.
In a manner to incur sever
cleanly a.
Habitually clean; pure; innocent. [From Clean.]
betwixt prep.
In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
whelp n.
One of the young of a dog or a beast of prey; a puppy; a cub; as, a lion's whelps. [AS. hwelp; akin to D. welp, G. & OHG. welf, Icel. hvelpr, Dan. hvalp, Sw. valp.]
chops n.
The jaws; also, the fleshy parts about the mouth. [See Chop a jaw.]
frouzy a.
Fetid, musty; rank; disordered and offensive to the smell or sight; slovenly; dingy. See Frowzy. [Prov. E. frouzy froward, peevish, offensive to the eye or smell; cf. froust a musty smell, frouse to rumple, frouze to curl, and E. frounce, frowy.]
snot n.
Mucus secreted in, or discharged from, the nose. [Low] [AS. snot; akin to D. snot, LG. snotte, Dan. snot, and to E. snout. See Snout.]
tweezers n.
Small pinchers used to pluck out hairs, and for other purposes. [See Tweese.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
spight n.
A woodpecker. See Speight.
hoary a.
White or whitish."The hoary willows."
mutton n.
A sheep. Chapman. [OE. motoun, OF. moton, molton, a sheep, wether, F. mouton, LL. multo, by transposition of l fr. L. mutilus mutilated. See Mutilate.]
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
cinder n.
Partly burned or vitrified coal, or other combustible, in which fire is extinct. [AS. sinder slag, dross; akin to Icel. sindr dross, Sw. sinder, G. sinter, D. sintel; perh. influenced by F. cendre ashes, fr. L. cinis. Cf. Sinter.]
stench v. t.
To stanch. Harvey.
excremental a.
Of or pertaining to excrement.
waft v. t.
To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
pocky a.
Full of pocks; affected with smallpox or other eruptive disease. Bp. Hall.
quean n.
A woman; a young or unmarried woman; a girl. [Originally, a woman, AS. cwene; akin to OS. quena, OHG. quena, Icel. kona, Goth qin, and AS. cwén, also to Gr. gna goddess. Cf. Queen.]
clout n.
A cloth; a piece of cloth or leather; a patch; a rag. [AS. clut a little cloth, piece of metal; cf. Sw. klut, Icel. klutr a kerchief, or W. clwt a clout, Gael. clud.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Lady's Dressing-Room. 1730 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, The Lady's Dressing-Room. 1730, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/the-lady-s-dressing-room-1730.html, id L24548.

Form and metre

The Lady's Dressing-Room. 1730 is 145 lines in 2 verse paragraphs. It is in rhyming couplets, 87% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCCDDEEFFGG--HHIIJJKKLLMMNNOO--PPQQRRSSTT----UU--VVWWXXYYZZaabbcc--ddeeffgghhiijjkkllmmnnooppqqrrssttuuvvwwxxyy--zzAABBCCDDEEFFGGF-HHIIJJKK in · dressing · issuesA · tissuesA · voidB · employ'dB · surveyC · layC · clearD · hereD · appear'dE · besmear'dE · wideF · sideF · bestG · restG · lie · cleanly · producesH · usesH · fixtI · betwixtI · rareJ · hairJ · upon'tK · frontK · steamsL · streamsL · hideM · diedM · helpN · whelpN · placedO · pasteO · slops · chops · standsP · handsP · comesQ · gumsQ · huesR · spuesR · bowelsS · towelsS · beslim'dT · grim'dT · escapes · heaps · forgot · snot · exposeU · toesU · reeking · in · foundV · roundV · lowW · growW · passX · glassX · on'tY · giantY · discloseZ · noseZ · naila · taila · headb · deadb · restc · chestc · her · corner · sightd · spightd · wite · counterfeite · disguisef · eyesf · ing · thing · moreh · beforeh · boxi · locksi · crewj · flewj · findk · behindk · lidl · hidl · ventm · meantm · gropen · hopen · machineo · seeno · keepp · deepp · meatq · beatq · requirer · firer · chopss · dropss · flamet · camet · stenchu · wenchu · exprestv · chestv · smellw · fellw · perfumex · roomx · surveyy · awayy · fits · — · sleepingz · peepingz · linksA · stinksA · flyB · byB · fitsC · witsC · fastD · contrastD · blindE · kindE · refuseF · oozeF · sceneG · queanG · shewsF · nose · blasphemesH · creamsH · cloutI · routI · meJ · seeJ · sprungK · dungK
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Five hours (and who can do it less in?)9·/·······
By haughty Celia spent in dressing;9·/˘/˘··/˘
The goddess from her chamber issues,9·/˘··/˘/˘
Array'd in lace, brocades, and tissues.9˘/··˘/·/·
Strephon, who found the room was void,8········
And Betty otherwise employ'd,8·/˘/˘·˘/
Stole in, and took a strict survey8······˘/
Of all the litter as it lay:8···/˘···
Whereof, to make the matter clear,8·····/˘·
An inventory follows here.8··˘/˘/˘·
And, first, a dirty smock appear'd,8···/˘·˘/
Beneath the arm-pits well besmear'd;8········
Strephon, the rogue, display'd it wide,8····˘/··
And turn'd it round on ev'ry side:8········
On such a point, few words are best,8········
And Strephon bids us guess the rest;8········
But swears, how damnably the men lie9···/˘˘···
In calling Celia sweet and cleanly.9·/˘/˘··/˘
Now listen, while he next produces9·/˘···˘/˘
The various combs for various uses;9·/˘··/˘/˘
Fill'd up with dirt so closely fixt,8·····/˘·
No brush could force a way betwixt;8······˘/
A paste of composition rare,8····˘/˘·
Sweat, dandriff, powder, lead, and hair:8·/˘/˘···
A fore-head cloth with oil upon't,8········
To smooth the wrinkles on her front:8···/˘···
Here alum-flour, to stop the steams8·/˘/····
Exhaled from sour unsavoury streams:9˘/·/·····
There night-gloves made of Tripsey's hide,8········
Bequeath'd by Tripsey when she died;8˘/······
With puppy-water, beauty's help,8·/˘/˘/˘·
Distil'd from Tripsey's darling whelp.8·····/˘·
Here gallipots and vials placed,8·····/˘·
Some fill'd with washes, some with paste;8···/˘···
Some with pomatums, paints, and slops,8········
And ointments good for scabby chops.8·/˘··/˘·
Hard by a filthy bason stands,8···/˘/˘·
Foul'd with the scouring of her hands:8···/˘···
The bason takes whatever comes,8·/˘··/˘·
The scrapings from her teeth and gums,8·/˘·····
A nasty compound of all hues,8·/˘/˘···
For here she spits, and here she spues.8········
But, oh! it turn'd poor Strephon's bowels9·······/˘
When he beheld and smelt the towels,9··˘/···/˘
Begumm'd, bematter'd, and beslim'd,8········
With dirt, and sweat, and ear-wax grim'd;8········
No object Strephon's eye escapes;8·/˘···˘/
Here petticoats in frouzy heaps;8·/˘··/˘·
Nor be the handkerchiefs forgot,8···/˘˘˘/
All varnish'd o'er with snuff and snot.8·/˘·····
The stockings why should I expose,8·/˘···˘/
Stain'd with the moisture of her toes,8···/˘···
Or greasy coifs, and pinners reeking,9·/˘··/˘/˘
Which Celia slept at least a week in?9·/˘······
A pair of tweezers next he found,8···/˘···
To pluck her brows in arches round;8·····/˘·
Or hairs that sink the forehead low,8·····/˘·
Or on her chin like bristles grow.8·····/˘·
The virtues we must not let pass8·/˘·····
Of Celia's magnifying glass;8·/˘/˘·˘·
When frighted Strephon cast his eye on't,9·/˘······
It shew'd the visage of a giant:9···/˘··/˘
A glass that can to sight disclose8······˘/
The smallest worm in Celia's nose,8·/˘··/˘·
And faithfully direct her nail8·/˘˘˘/··
To squeeze it out from head to tail;8········
For, catch it nicely by the head,8···/˘···
It must come out, alive or dead.8····˘/··
Why, Strephon, will you tell the rest?8········
And must you needs describe the chest?8····˘/··
That careless wench! no creature warn her9·/˘··/˘··
To move it out from yonder corner!9·····/˘/˘
But leave it standing full in sight,8···/˘···
For you to exercise your spight?8···/˘···
In vain the workman shew'd his wit,8···/˘···
With rings and hinges counterfeit,8···/˘/˘·
To make it seem in this disguise8······˘/
A cabinet to vulgar eyes:8·/˘˘·/˘·
Which Strephon ventur'd to look in,8···/˘···
Resolved to go thro' thick and thin.8˘/······
He lifts the lid: there needs no more,8········
He smelt it all the time before.8········
As, from within Pandora's box,8····˘/˘·
When Epimetheus op'd the locks,8········
A sudden universal crew8·/˘·˘/˘·
Of human evils upward flew;8·/˘/˘/˘·
He still was comforted to find8···/˘˘··
That hope at last remain'd behind:8····˘/··
So Strephon, lifting up the lid,8···/˘···
To view what in the chest was hid,8········
The vapours flew from up the vent;8·/˘·····
But Strephon, cautious, never meant8···/˘/˘·
The bottom of the pan to grope,8·/˘·····
And foul his hands in search of hope.8········
O! ne'er may such a vile machine8······˘/
Be once in Celia's chamber seen!8···/˘/˘·
O! may she better learn to keep8···/˘···
Those "secrets of the hoary deep."8·/˘··/˘·
As mutton-cutlets, prime of meat,8·/˘·····
Which, tho' with art you salt and beat,8········
As laws of cookery require,9···/˘˘˘/˘
And toast them at the clearest fire;9·····/˘/˘
If from upon the hopeful chops8·····/˘·
The fat upon a cinder drops,8·····/˘·
To stinking smoke it turns the flame,8·/˘·····
Pois'ning the flesh from whence it came,8········
And up exhales a greasy stench,8··˘/·/˘·
For which you curse the careless wench:8·····/˘·
So things which must not be exprest,8········
When drop'd into the reeking chest,8·····/˘·
Send up an excremental smell8········
To taint the part from whence they fell:8········
The petticoats and gown perfume,8·/˘···˘/
And waft a stink round ev'ry room.8········
Thus finishing his grand survey,8·/˘˘··˘/
Disgusted Strephon slunk away;8˘/˘···˘/
Repeating in his amorous fits,8˘/˘··/˘·
"Oh! Celia, Celia, Celia sh--!"9·/˘/˘/˘//
But Vengeance, goddess never sleeping,9·/˘/˘/˘/˘
Soon punish'd Strephon for his peeping:9·/˘····/˘
His foul imagination links8··˘·˘/˘·
Each dame he sees with all her stinks;8········
And, if unsavoury odours fly,9······/˘·
Conceives a lady standing by.8˘/·/˘/˘·
All women his description fits,8·/˘·˘/˘·
And both ideas jump like wits;8··˘/˘···
By vicious fancy coupled fast,8·/˘/˘/˘·
And still appearing in contrast.8··˘/˘·˘/
I pity wretched Strephon, blind8·/˘/˘···
To all the charms of woman kind.8·····/˘·
Should I the Queen of Love refuse,8······˘/
Because she rose from stinking ooze?8·····/˘·
To him that looks behind the scene,8········
Statira's but some pocky quean.8·····/˘·
When Celia in her glory shews,8·/˘··/˘·
If Strephon would but stop his nose,8········
(Who now so impiously blasphemes8········
Her ointments, daubs, and paints, and creams,8·/˘·····
Her washes, slops, and every clout,8·/˘··/˘·
With which he makes so foul a rout;)8········
He soon would learn to think like me,8········
And bless his ravish'd sight to see8········
Such order from confusion sprung,8·/˘·˘/˘·
Such gaudy tulips raised from dung.8·/˘/˘···
"Before their eyes in sudden view appear10·····/˘·˘/

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