The Answer

Jonathan Swift (1667–1745) · 1727

iambic tetrameter · octosyllabic couplets · 54 lines · from On Poetry: A Rhapsody, and Other Poems

The wise pretend to make it clear,'Tis no great loss to lose an ear.Why are we then so fond of two,When by experience one would do?'Tis true, say they, cut off the head,And there's an end; the man is dead;Because, among all human race,None e'er was known to have a brace:But confidently they maintain,That where we find the members twain,The loss of one is no such trouble,Since t'other will in strength be double.The limb surviving, you may swear,Becomes his brother's lawful heir:Thus, for a trial, let me beg ofYour reverence but to cut one leg off,And you shall find, by this device,The other will be stronger twice;For every day you shall be gainingNew vigour to the leg remaining.So, when an eye has lost its brother,You see the better with the other,Cut off your hand, and you may doWith t'other hand the work of two:Because the soul her power contracts,And on the brother limb reacts.But yet the point is not so clear inAnother case, the sense of hearing:For, though the place of either earBe distant, as one head can bear,Yet Galen most acutely shows you,(Consult his book de partium usu)That from each ear, as he observes,There creep two auditory nerves,Not to be seen without a glass,Which near the os petrosum pass;Thence to the neck; and moving thorough there,One goes to this, and one to t'other ear;Which made my grandam always stuff her earsBoth right and left, as fellow-sufferers.You see my learning; but, to shorten it,When my left ear was deaf a fortnight,To t'other ear I felt it coming on:And thus I solve this hard phenomenon.

'Tis true, a glass will bring suppliesTo weak, or old, or clouded eyes:Your arms, though both your eyes were lost,Would guard your nose against a post:Without your legs, two legs of woodAre stronger, and almost as good:And as for hands, there have been thoseWho, wanting both, have used their toes.But no contrivance yet appearsTo furnish artificial ears.

Words in this poem

confidently adv.
With confidence; with strong assurance; positively.
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
surviving a.
Remaining alive; yet living or existing; as, surviving friends; surviving customs.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
vigour v. t.
To invigorate. Feltham.
acutely adv.
In an acute manner; sharply; keenly; with nice discrimination.
consult n.
The act of consulting or deliberating; consultation; also, the result of consulation; determination; decision.
grandam n.
An old woman; specifically, a grandmother. [F. grande, fem. of grand + dame. See Grand, and Dame.]
fortnight n.
The space of fourteen days; two weeks. [Contr. fr. fourteen nights, our ancestors reckoning time by nights and winters; so, also, seven nights, sennight, a week.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Answer is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, The Answer, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/the-answer.html, id L24528.

Form and metre

The Answer is 54 lines in 2 verse paragraphs. It is in rhyming couplets, 78% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGG--HHIIJJKKLL--MM--NNOOPP----QQ clearA · earA · twoB · doB · headC · deadC · raceD · braceD · maintainE · twainE · troubleF · doubleF · swearG · heirG · of · off · deviceH · twiceH · gainingI · remainingI · brotherJ · otherJ · doK · twoK · contractsL · reactsL · in · hearing · earM · bearM · you · usu · observesN · nervesN · glassO · passO · thereP · earP · ears · sufferers · it · fortnight · onQ · phenomenonQ
  2. 2 AA--BBCCDD suppliesA · eyesA · lost · post · woodB · goodB · thoseC · toesC · appearsD · earsD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The wise pretend to make it clear,8··˘/····
'Tis no great loss to lose an ear.8········
Why are we then so fond of two,8········
When by experience one would do?8··˘/˘···
'Tis true, say they, cut off the head,8········
And there's an end; the man is dead;8········
Because, among all human race,8·····/˘·
None e'er was known to have a brace:8········
But confidently they maintain,8·/˘˘˘·˘/
That where we find the members twain,8·····/˘·
The loss of one is no such trouble,9·······/˘
Since t'other will in strength be double.10·˘/˘····/˘
The limb surviving, you may swear,8··˘/˘···
Becomes his brother's lawful heir:8˘/·/˘/˘·
Thus, for a trial, let me beg of9···/˘····
Your reverence but to cut one leg off,9·/˘······
And you shall find, by this device,8······˘/
The other will be stronger twice;8·/˘··/˘·
For every day you shall be gaining9·/˘····/˘
New vigour to the leg remaining.9·/˘···˘/˘
So, when an eye has lost its brother,9·······/˘
You see the better with the other,9···/˘··/˘
Cut off your hand, and you may do8········
With t'other hand the work of two:9·˘/˘·····
Because the soul her power contracts,8·····/˘/
And on the brother limb reacts.8···/˘·˘/
But yet the point is not so clear in9·········
Another case, the sense of hearing:9˘/˘····/˘
For, though the place of either ear8·····/˘·
Be distant, as one head can bear,8·/˘·····
Yet Galen most acutely shows you,9·/˘·˘/˘··
(Consult his book de partium usu)9˘/·······
That from each ear, as he observes,8······˘/
There creep two auditory nerves,8···/˘·˘·
Not to be seen without a glass,8········
Which near the os petrosum pass;8········
Thence to the neck; and moving thorough there,10·····/˘/˘·
One goes to this, and one to t'other ear;11·······˘/˘·
Which made my grandam always stuff her ears10···/˘/····
Both right and left, as fellow-sufferers.9·····/˘/˘
You see my learning; but, to shorten it,10···/˘··/˘·
When my left ear was deaf a fortnight,9·······/·
To t'other ear I felt it coming on:11·˘/˘····/˘·
And thus I solve this hard phenomenon.10······˘/˘·
'Tis true, a glass will bring supplies8······˘/
To weak, or old, or clouded eyes:8·····/˘·
Your arms, though both your eyes were lost,8········
Would guard your nose against a post:8········
Without your legs, two legs of wood8········
Are stronger, and almost as good:8·/˘·/···
And as for hands, there have been those8········
Who, wanting both, have used their toes.8·/˘·····
But no contrivance yet appears8··˘/˘·˘/
To furnish artificial ears.8·/˘·˘/˘·

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