Oct. 10, 1718 Nine in the Morning

Jonathan Swift (1667–1745) · 1727

iambic tetrameter · octosyllabic couplets · 112 lines · from On Poetry: A Rhapsody, and Other Poems

To you whose virtues, I must ownWith shame, I have too lately known;To you, by art and nature taughtTo be the man I long have sought,Had not ill Fate, perverse and blind,Placed you in life too far behind:Or, what I should repine at more,Placed me in life too far before:To you the Muse this verse bestows,Which might as well have been in prose;No thought, no fancy, no sublime,But simple topics told in rhyme.Three gifts for conversation fitAre humour, raillery, and wit:The last, as boundless as the wind,Is well conceived, though not defined;For, sure by wit is only meantApplying what we first invent.What humour is, not all the tribeOf logic-mongers can describe;Here only nature acts her part,Unhelp'd by practice, books, or art:For wit and humour differ quite;That gives surprise, and this delight,Humour is odd, grotesque, and wild,Only by affectation spoil'd;'Tis never by invention got,Men have it when they know it not.Our conversation to refine,True humour must with wit combine:From both we learn to rally well,Wherein French writers most excel;Voiture, in various lights, displaysThat irony which turns to praise:His genius first found out the ruleFor an obliging ridicule:He flatters with peculiar airThe brave, the witty, and the fair:And fools would fancy he intendsA satire where he most commends.But as a poor pretending beau,Because he fain would make a show,Nor can afford to buy gold lace,Takes up with copper in the place:So the pert dunces of mankind,Whene'er they would be thought refined,Because the diff'rence lies abstruse'Twixt raillery and gross abuse,To show their parts will scold and rail,Like porters o'er a pot of ale.Such is that clan of boisterous bears,Always together by the ears;Shrewd fellows and arch wags, a tribeThat meet for nothing but to gibe;Who first run one another down,And then fall foul on all the town;Skill'd in the horse-laugh and dry rub,And call'd by excellence The Club.I mean your butler, Dawson, Car,All special friends, and always jar.The mettled and the vicious steedDo not more differ in their breed,Nay, Voiture is as like Tom Leigh,As rudeness is to repartee.If what you said I wish unspoke,'Twill not suffice it was a joke:Reproach not, though in jest, a friendFor those defects he cannot mend;His lineage, calling, shape, or sense,If named with scorn, gives just offence.What use in life to make men fret,Part in worse humour than they met?Thus all society is lost,Men laugh at one another's cost:And half the company is teazedThat came together to be pleased:For all buffoons have most in viewTo please themselves by vexing you.When jests are carried on too far,And the loud laugh begins the war,You keep your countenance for shame,Yet still you think your friend to blame;For though men cry they love a jest,'Tis but when others stand the test;And (would you have their meaning known)They love a jest when 'tis their own.You wonder now to see me writeSo gravely where the subject's light;Some part of what I here designRegards a friend of yours and mine;Who full of humour, fire, and wit,Not always judges what is fit,But loves to take prodigious rounds,And sometimes walks beyond his bounds,You must, although the point be nice,Venture to give him some advice;Few hints from you will set him right,And teach him how to be polite.Bid him like you, observe with care,Whom to be hard on, whom to spare;Nor indiscreetly to supposeAll subjects like Dan Jackson's nose.To study the obliging jest,By reading those who teach it best;For prose I recommend Voiture's,For verse (I speak my judgment) yours.He'll find the secret out from thence,To rhyme all day without offence;And I no more shall then accuseThe flirts of his ill-manner'd Muse.If he be guilty, you must mend him;If he be innocent, defend him.

Words in this poem 20
repine v. i.
To fail; to wane. [Pref. re- + pine to languish.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
invent v. t.
To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
rally v. t.
To collect, and reduce to order, as troops dispersed or thrown into confusion; to gather again; to reunite. [OF. ralier, F. rallier, fr. L. pref. re- + ad + ligare to bind. See Ra-, and 1st Ally.]
voiture n.
A carriage. Arbuthnot. [F., fr. L. vectura a carrying, conveying. Cf. Vettura.]
witty a.
Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
fain v. t.
To be glad ; to wish or desire.
abstruse a.
Concealed or hidden out of the way. [L. abstrusus, p. p. of abstrudere to thrust away, conceal; ab, abs + trudere to thrust; cf. F. abstrus. See Threat.]
boisterous a.
Rough or rude; unbending; unyielding; strong; powerful. [OE. boistous; of uncertain origin; cf. W. bwyst wild, savage, wildness, ferocity, bwystus ferocious.]
shrewd a.
Inclining to shrew; disposing to curse or scold; hence, vicious; malicious; evil; wicked; mischievous; vexatious; rough; unfair; shrewish. [Originally the p. p. of shrew, v.t.]
mettled a.
Having mettle; high-spirited; ardent; full of fire.
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
repartee n.
A smart, ready, and witty reply. [F. repartie, fr. repartir to reply, depart again; pref. re- re- partir to part, depart. See Part.]
suffice v. i.
To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
gravely adv.
In a grave manner.
prodigious a.
Of the nature of a prodigy; marvelous; wonderful; portentous. [L. prodigiosus, fr. prodigium a prodigy; cf. F. prodigieux. See Prodigy.]
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Oct. 10, 1718 Nine in the Morning is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, Oct. 10, 1718 Nine in the Morning, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/oct-10-1718-nine-in-the-morning.html, id L24503.

Form and metre

Oct. 10, 1718 Nine in the Morning is 112 lines in a single stanza. It is in rhyming couplets, 88% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLL--MMNNOOPPQQRRSSTTUUVVWWXX--YYZZaabbccddeeffgghh----ii--jjkkllmmnnooppqqrrssttuu--vvww-- ownA · knownA · taughtB · soughtB · blindC · behindC · moreD · beforeD · bestowsE · proseE · sublimeF · rhymeF · fitG · witG · windH · definedH · meantI · inventI · tribeJ · describeJ · partK · artK · quiteL · delightL · wild · spoil'd · gotM · notM · refineN · combineN · wellO · excelO · displaysP · praiseP · ruleQ · ridiculeQ · airR · fairR · intendsS · commendsS · beauT · showT · laceU · placeU · mankindV · refinedV · abstruseW · abuseW · railX · aleX · bears · ears · tribeY · gibeY · downZ · townZ · ruba · cluba · carb · jarb · steedc · breedc · leighd · reparteed · unspokee · jokee · friendf · mendf · senseg · offenceg · freth · meth · lost · cost · teazed · pleased · viewi · youi · far · war · shamej · blamej · jestk · testk · knownl · ownl · writem · lightm · designn · minen · wito · fito · roundsp · boundsp · niceq · adviceq · rightr · politer · cares · spares · supposet · noset · jestu · bestu · voiture's · yours · thencev · offencev · accusew · musew · him · him
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
To you whose virtues, I must own8···/˘···
With shame, I have too lately known;8·····/˘·
To you, by art and nature taught8·····/˘·
To be the man I long have sought,8········
Had not ill Fate, perverse and blind,8····˘/··
Placed you in life too far behind:8········
Or, what I should repine at more,8····˘/··
Placed me in life too far before:8········
To you the Muse this verse bestows,8······˘/
Which might as well have been in prose;8········
No thought, no fancy, no sublime,8···/˘·˘/
But simple topics told in rhyme.8·/˘/˘···
Three gifts for conversation fit8····˘/˘·
Are humour, raillery, and wit:8·/˘/˘˘··
The last, as boundless as the wind,8···/˘···
Is well conceived, though not defined;8··˘/··˘/
For, sure by wit is only meant8·····/˘·
Applying what we first invent.8˘/˘···˘/
What humour is, not all the tribe8·/˘·····
Of logic-mongers can describe;8·/˘/˘·˘/
Here only nature acts her part,8·/˘/˘···
Unhelp'd by practice, books, or art:8···/˘···
For wit and humour differ quite;8···/˘/˘·
That gives surprise, and this delight,8··˘/··˘/
Humour is odd, grotesque, and wild,8/˘··˘/··
Only by affectation spoil'd;8/˘··˘/˘·
'Tis never by invention got,8·/˘·˘/˘·
Men have it when they know it not.8········
Our conversation to refine,8/·˘/˘·˘/
True humour must with wit combine:8·/˘···˘/
From both we learn to rally well,8·····/˘·
Wherein French writers most excel;8···/˘·˘/
Voiture, in various lights, displays8/˘·/˘·˘/
That irony which turns to praise:8·/˘˘····
His genius first found out the rule8·/˘·····
For an obliging ridicule:8··˘/˘/˘·
He flatters with peculiar air8·/˘·˘/˘·
The brave, the witty, and the fair:8···/˘···
And fools would fancy he intends8···/˘·˘/
A satire where he most commends.8·/˘···˘/
But as a poor pretending beau,8····˘/˘·
Because he fain would make a show,8········
Nor can afford to buy gold lace,8··˘/····
Takes up with copper in the place:8···/˘···
So the pert dunces of mankind,7·····//
Whene'er they would be thought refined,9·······˘/
Because the diff'rence lies abstruse8······˘/
'Twixt raillery and gross abuse,8·/˘˘··˘/
To show their parts will scold and rail,8········
Like porters o'er a pot of ale.8·/˘·····
Such is that clan of boisterous bears,8·····/˘·
Always together by the ears;8/·˘/˘···
Shrewd fellows and arch wags, a tribe8·/˘·····
That meet for nothing but to gibe;8···/˘···
Who first run one another down,8····˘/˘·
And then fall foul on all the town;8········
Skill'd in the horse-laugh and dry rub,8········
And call'd by excellence The Club.8···/˘˘··
I mean your butler, Dawson, Car,8···/˘/˘·
All special friends, and always jar.8·/˘··/··
The mettled and the vicious steed8·/˘··/˘·
Do not more differ in their breed,8···/˘···
Nay, Voiture is as like Tom Leigh,8·/˘·····
As rudeness is to repartee.8·/˘···˘/
If what you said I wish unspoke,8········
'Twill not suffice it was a joke:8··˘/····
Reproach not, though in jest, a friend8˘/······
For those defects he cannot mend;8··˘/·/˘·
His lineage, calling, shape, or sense,8·/˘/˘···
If named with scorn, gives just offence.8······˘/
What use in life to make men fret,8········
Part in worse humour than they met?8···/˘···
Thus all society is lost,8··˘/˘˘··
Men laugh at one another's cost:8····˘/˘·
And half the company is teazed8···/˘˘··
That came together to be pleased:8··˘/˘···
For all buffoons have most in view8··˘/····
To please themselves by vexing you.8··˘/·/˘·
When jests are carried on too far,8···/˘···
And the loud laugh begins the war,8····˘/··
You keep your countenance for shame,8···/˘˘··
Yet still you think your friend to blame;8········
For though men cry they love a jest,8········
'Tis but when others stand the test;8···/˘···
And (would you have their meaning known)8·····/˘·
They love a jest when 'tis their own.8········
You wonder now to see me write8·/˘·····
So gravely where the subject's light;8·/˘··/˘·
Some part of what I here design8······˘/
Regards a friend of yours and mine;8˘/······
Who full of humour, fire, and wit,8···/˘/··
Not always judges what is fit,8·/·/˘···
But loves to take prodigious rounds,8····˘/˘·
And sometimes walks beyond his bounds,8·˘/·····
You must, although the point be nice,8········
Venture to give him some advice;8/˘····˘/
Few hints from you will set him right,8········
And teach him how to be polite.8······˘/
Bid him like you, observe with care,8····˘/··
Whom to be hard on, whom to spare;8········
Nor indiscreetly to suppose8······˘/
All subjects like Dan Jackson's nose.8·/˘··/˘·
To study the obliging jest,8·/˘·˘/˘·
By reading those who teach it best;8·/˘·····
For prose I recommend Voiture's,8····˘/··
For verse (I speak my judgment) yours.8·····/˘·
He'll find the secret out from thence,8···/˘···
To rhyme all day without offence;8······˘/
And I no more shall then accuse8······˘/
The flirts of his ill-manner'd Muse.8·····/˘·
If he be guilty, you must mend him;9···/˘····
If he be innocent, defend him.8···/˘˘/·

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