A Town Eclogue. 1710

Jonathan Swift (1667–1745) · 1727

iambic pentameter · heroic couplets · 60 lines · from On Poetry: A Rhapsody, and Other Poems

Now the keen rigour of the winter's o'er,No hail descends, and frost can pinch no more,While other girls confess the genial spring,And laugh aloud, or amorous ditties sing,Secure from cold, their lovely necks display,And throw each useless chafing-dish away;Why sits my Phillis discontented here,Nor feels the turn of the revolving year?Why on that brow dwell sorrow and dismay,Where Loves were wont to sport, and Smiles to play?

Ah, Corydon! survey the 'Change around,Through all the 'Change no wretch like me is found:Alas! the day, when I, poor heedless maid,Was to your rooms in Lincoln's Inn betray'd;Then how you swore, how many vows you made!Ye listening Zephyrs, that o'erheard his love,Waft the soft accents to the gods above.Alas! the day; for (O, eternal shame!)I sold you handkerchiefs, and lost my fame.

When I forget the favour you bestow'd,Red herrings shall be spawn'd in Tyburn Road:Fleet Street, transform'd, become a flowery green,And mass be sung where operas are seen.The wealthy cit, and the St. James's beau,Shall change their quarters, and their joys forego;Stock-jobbing, this to Jonathan's shall come,At the Groom Porter's, that play off his plum.

But what to me does all that love avail,If, while I doze at home o'er porter's ale,Each night with wine and wenches you regale?My livelong hours in anxious cares are past,And raging hunger lays my beauty waste.On templars spruce in vain I glances throw,And with shrill voice invite them as they go.Exposed in vain my glossy ribbons shine,And unregarded wave upon the twine.The week flies round, and when my profit's known,I hardly clear enough to change a crown.

Hard fate of virtue, thus to be distrest,Thou fairest of thy trade, and far the best;As fruitmen's stalls the summer market grace,And ruddy peaches them; as first in placePlumcake is seen o'er smaller pastry ware,And ice on that: so Phillis does appearIn playhouse and in Park, above the restOf belles mechanic, elegantly drest.

With this large petticoat I strive in vainTo hide my folly past, and coming pain;'Tis now no secret; she, and fifty more,Observe the symptoms I had once before:A second babe at Wapping must be placed,When I scarce bear the charges of the last.

However, you shall home with me to-night,Forget your cares, and revel in delight,I have in store a pint or two of wine,Some cracknels, and the remnant of a chine.

And now on either side, and all around,The weighty shop-boards fall, and bars resound;Each ready sempstress slips her pattens on,And ties her hood, preparing to be gone.

Words in this poem 15
rigour n.
Rigidity; stiffness. [L. See Rigor., below.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
waft v. t.
To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
favour n.
Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
forego v. t.
To quit; to relinquish; to leave. [See Forgo.]
regale n.
A prerogative of royalty. Johnson. [LL. regale, pl. regalia, fr. L. regalis: cf. F. régale. See Regal.]
livelong a.
Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
pastry n.
The place where pastry is made.
playhouse n.
A building used for dramatic exhibitions; a theater. [AS. pleghus.]
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
wapping n.
Yelping. Fuller.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Town Eclogue. 1710 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, A Town Eclogue. 1710, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/a-town-eclogue-1710.html, id L25604.

Form and metre

A Town Eclogue. 1710 is 60 lines in 8 verse paragraphs. It is in rhyming couplets, 73% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCCBB o'er · more · springA · singA · displayB · awayB · hereC · yearC · dismayB · playB
  2. 2 AABBBCCDD aroundA · foundA · maidB · betray'dB · madeB · loveC · aboveC · shameD · fameD
  3. 3 AABBCCDD bestow'dA · roadA · greenB · seenB · beauC · foregoC · comeD · plumD
  4. 4 AA---BBCC-- availA · aleA · regale · past · waste · throwB · goB · shineC · twineC · known · crown
  5. 5 AABBCCAA distrestA · bestA · graceB · placeB · wareC · appearC · restA · drestA
  6. 6 AABB-- vainA · painA · moreB · beforeB · placed · last
  7. 7 AA-- nightA · delightA · wine · chine
  8. 8 AABB aroundA · resoundA · onB · goneB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Now the keen rigour of the winter's o'er,10···/˘··/˘·
No hail descends, and frost can pinch no more,10··˘/······
While other girls confess the genial spring,10·/˘·˘/·/˘·
And laugh aloud, or amorous ditties sing,10··˘/·/˘/˘·
Secure from cold, their lovely necks display,10˘/···/˘·˘/
And throw each useless chafing-dish away;10···/˘/˘·˘/
Why sits my Phillis discontented here,10···/˘·˘/˘·
Nor feels the turn of the revolving year?10······˘/˘·
Why on that brow dwell sorrow and dismay,10·····/˘·˘/
Where Loves were wont to sport, and Smiles to play?10··········
Ah, Corydon! survey the 'Change around,10····˘/····
Through all the 'Change no wretch like me is found:10··········
Alas! the day, when I, poor heedless maid,10˘/·····/˘·
Was to your rooms in Lincoln's Inn betray'd;10·····/˘·˘/
Then how you swore, how many vows you made!10·····/˘···
Ye listening Zephyrs, that o'erheard his love,10·/˘/˘·····
Waft the soft accents to the gods above.10···/˘·····
Alas! the day; for (O, eternal shame!)10˘/····˘/˘·
I sold you handkerchiefs, and lost my fame.10···/˘˘····
When I forget the favour you bestow'd,10··˘/·/˘·˘/
Red herrings shall be spawn'd in Tyburn Road:10·/˘·······
Fleet Street, transform'd, become a flowery green,10··˘/˘/·/˘·
And mass be sung where operas are seen.9·····/˘··
The wealthy cit, and the St. James's beau,10·/˘····/˘·
Shall change their quarters, and their joys forego;10···/˘···˘/
Stock-jobbing, this to Jonathan's shall come,10·/˘··/˘˘··
At the Groom Porter's, that play off his plum.10···/˘·····
But what to me does all that love avail,10········˘/
If, while I doze at home o'er porter's ale,10·······/˘·
Each night with wine and wenches you regale?11·····/˘·˘/˘
My livelong hours in anxious cares are past,10·/˘/·/˘···
And raging hunger lays my beauty waste.10·/˘/˘··/˘·
On templars spruce in vain I glances throw,10·/˘····/˘·
And with shrill voice invite them as they go.10····˘/····
Exposed in vain my glossy ribbons shine,10˘/···/˘/˘·
And unregarded wave upon the twine.10··········
The week flies round, and when my profit's known,10·······/˘·
I hardly clear enough to change a crown.10·/˘·˘/····
Hard fate of virtue, thus to be distrest,10···/˘·····
Thou fairest of thy trade, and far the best;10·/˘·······
As fruitmen's stalls the summer market grace,10·····/˘/˘·
And ruddy peaches them; as first in place10·/˘/˘·····
Plumcake is seen o'er smaller pastry ware,10·····/˘/˘·
And ice on that: so Phillis does appear10·····/˘·˘/
In playhouse and in Park, above the rest10·/········
Of belles mechanic, elegantly drest.10··˘/˘/˘˘˘·
With this large petticoat I strive in vain10···/˘·····
To hide my folly past, and coming pain;10···/˘··/˘·
'Tis now no secret; she, and fifty more,10···/˘··/˘·
Observe the symptoms I had once before:10˘/·/˘·····
A second babe at Wapping must be placed,10·/˘··/˘···
When I scarce bear the charges of the last.10·····/˘···
However, you shall home with me to-night,10·/˘·······
Forget your cares, and revel in delight,10˘/···/˘·˘/
I have in store a pint or two of wine,10··········
Some cracknels, and the remnant of a chine.10·····/˘···
And now on either side, and all around,10···/˘·····
The weighty shop-boards fall, and bars resound;10·/˘······/
Each ready sempstress slips her pattens on,10·/˘/˘··/˘·
And ties her hood, preparing to be gone.10····˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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