A Conference: Between Sir Harry Pierce's Chariot, and Mrs. D. Stopford's Chair
My pretty dear Cuz, tho' I've roved the town o'er,To dispatch in an hour some visits a score;Though, since first on the wheels, I've been every dayAt the 'Change, at a raffling, at church, or a play;And the fops of the town are pleased with the notionOf calling your slave the perpetual motion;--Though oft at your door I have whined out my loveAs my Knight does grin his at your Lady above;Yet, ne'er before this, though I used all my care,I e'er was so happy to meet my dear Chair;And since we're so near, like birds of a feather,Let's e'en, as they say, set our horses together.
By your awkward address, you're that thing which should carry,With one footman behind, our lover Sir Harry.By your language, I judge, you think me a wench;He that makes love to me, must make it in French.Thou that's drawn by two beasts, and carry'st a brute,Canst thou vainly e'er hope, I'll answer thy suit?Though sometimes you pretend to appear with your six,No regard to their colour, their sexes you mix:Then on the grand-paw you'd look very great,With your new-fashion'd glasses, and nasty old seat.Thus a beau I have seen strut with a cock'd hat,And newly rigg'd out, with a dirty cravat.You may think that you make a figure most shining,But it's plain that you have an old cloak for a lining.Are those double-gilt nails? Where's the lustre of Kerry,To set off the Knight, and to finish the Jerry?If you hope I'll be kind, you must tell me what's dueIn George's-lane for you, ere I'll buckle to.
Why, how now, Doll Diamond, you're very alert;Is it your French breeding has made you so pert?Because I was civil, here's a stir with a pox:Who is it that values your ---- or your fox?Sure 'tis to her honour, he ever should bedHis bloody red hand to her bloody red head.You're proud of your gilding; but I tell you each nailIs only just tinged with a rub at her tail;And although it may pass for gold on a ninny,Sure we know a Bath shilling soon from a guinea.Nay, her foretop's a cheat; each morn she does black it,Yet, ere it be night, it's the same with her placket.I'll ne'er be run down any more with your cant;Your velvet was wore before in a mant,On the back of her mother; but now 'tis much duller,--The fire she carries hath changed its colour.Those creatures that draw me you never would mind,If you'd but look on your own Pharaoh's lean kine;They're taken for spectres, they're so meagre and spare,Drawn damnably low by your sorrel mare.We know how your lady was on you befriended;You're not to be paid for 'till the lawsuit is ended:But her bond it is good, he need not to doubt;She is two or three years above being out.Could my Knight be advised, he should ne'er spend his vigourOn one he can't hope of e'er making bigger.
Words in this poem
- grin n.
- A snare; a gin. [AS. grin.]
- harry v. i.
- To make a predatory incursion; to plunder or lay waste.
- cravat n.
- A neckcloth; a piece of silk, fine muslin, or other cloth, worn by men about the neck. [F. cravate, fr. Cravate a Croat, an inhabitant of Croatia, one of a body of Austrian troops, from whom, in 1636, this article of dress was adopted in France.]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- ninny n.
- A fool; a simpleton. [Cf. It. ninno, ninna, a baby, Sp. niño, niña, child, infant, It. ninna, ninna nanna, lullably, prob. fr. ni, na, as used in singing a child to sleep.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- placket n.
- A petticoat, esp. an under petticoat; hence, a cant term for a woman. Beau. & Fl. [F. plaquer to lay or clap on. See Placard.]
- duller n.
- One who, or that which, dulls.
- meagre a.
- Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
- damnably adv.
- In a manner to incur sever
- lawsuit n.
- An action at law; a suit in equity or admiralty; any legal proceeding before a court for the enforcement of a claim.
- vigour v. t.
- To invigorate. Feltham.
- bigger a.
- , compar. of Big.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Conference: Between Sir Harry Pierce's Chariot, and Mrs. D. Stopford's Chair is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, A Conference: Between Sir Harry Pierce's Chariot, and Mrs. D. Stopford's Chair, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/a-conference-between-sir-harry-pierce-s-chariot-and-mrs-d-stopford-s-chair.html, id L25605.
Form and metre
A Conference: Between Sir Harry Pierce's Chariot, and Mrs. D. Stopford's Chair is 56 lines in 3 verse paragraphs. It is in rhyming couplets, 82% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 81%).
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --AABBCCDDEE o'er · score · dayA · playA · notionB · motionB · loveC · aboveC · careD · chairD · featherE · togetherE
- 2 AABBCCDD----EEAAFF carryA · harryA · wenchB · frenchB · bruteC · suitC · sixD · mixD · great · seat · hat · cravat · shiningE · liningE · kerryA · jerryA · dueF · toF
- 3 AABBCCDDEE--FFGG--HHIIJJKK alertA · pertA · poxB · foxB · bedC · headC · nailD · tailD · ninnyE · guineaE · it · placket · cantF · mantF · dullerG · colourG · mind · kine · spareH · mareH · befriendedI · endedI · doubtJ · outJ · vigourK · biggerK
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| My pretty dear Cuz, tho' I've roved the town o'er, | 11 | ·/˘········ |
| To dispatch in an hour some visits a score; | 11 | ·˘/··/·/˘·· |
| Though, since first on the wheels, I've been every day | 11 | ········/˘· |
| At the 'Change, at a raffling, at church, or a play; | 12 | ·····/˘····· |
| And the fops of the town are pleased with the notion | 12 | ··········/˘ |
| Of calling your slave the perpetual motion;-- | 12 | ·/˘···˘/˘˘/˘ |
| Though oft at your door I have whined out my love | 11 | ··········· |
| As my Knight does grin his at your Lady above; | 12 | ········/˘·· |
| Yet, ne'er before this, though I used all my care, | 11 | ··········· |
| I e'er was so happy to meet my dear Chair; | 11 | ····/˘····· |
| And since we're so near, like birds of a feather, | 11 | ·········/˘ |
| Let's e'en, as they say, set our horses together. | 12 | ······//˘˘/˘ |
| By your awkward address, you're that thing which should carry, | 13 | ··/˘˘/·····/˘ |
| With one footman behind, our lover Sir Harry. | 12 | ··/˘··//˘·/˘ |
| By your language, I judge, you think me a wench; | 11 | ··/˘······· |
| He that makes love to me, must make it in French. | 11 | ··········· |
| Thou that's drawn by two beasts, and carry'st a brute, | 11 | ··········· |
| Canst thou vainly e'er hope, I'll answer thy suit? | 11 | ··/˘···/˘·· |
| Though sometimes you pretend to appear with your six, | 12 | ·˘/·˘/·˘/··· |
| No regard to their colour, their sexes you mix: | 12 | ·˘/··/˘·/˘·· |
| Then on the grand-paw you'd look very great, | 10 | ·······/˘· |
| With your new-fashion'd glasses, and nasty old seat. | 12 | ···/˘/˘·/˘·· |
| Thus a beau I have seen strut with a cock'd hat, | 11 | ··········· |
| And newly rigg'd out, with a dirty cravat. | 11 | ·/˘····/˘˘/ |
| You may think that you make a figure most shining, | 12 | ·······/˘·/˘ |
| But it's plain that you have an old cloak for a lining. | 13 | ···········/˘ |
| Are those double-gilt nails? Where's the lustre of Kerry, | 13 | ··/˘····/˘·/˘ |
| To set off the Knight, and to finish the Jerry? | 12 | ·······/˘·/˘ |
| If you hope I'll be kind, you must tell me what's due | 12 | ············ |
| In George's-lane for you, ere I'll buckle to. | 11 | ·/˘·····/˘· |
| Why, how now, Doll Diamond, you're very alert; | 11 | ····/˘·/˘˘/ |
| Is it your French breeding has made you so pert? | 11 | ····/˘····· |
| Because I was civil, here's a stir with a pox: | 12 | ····/˘······ |
| Who is it that values your ---- or your fox? | 10 | ····/˘···· |
| Sure 'tis to her honour, he ever should bed | 11 | ····/˘·/˘·· |
| His bloody red hand to her bloody red head. | 11 | ·/˘····/˘·· |
| You're proud of your gilding; but I tell you each nail | 12 | ····/˘······ |
| Is only just tinged with a rub at her tail; | 11 | ·/˘········ |
| And although it may pass for gold on a ninny, | 12 | ··········/˘ |
| Sure we know a Bath shilling soon from a guinea. | 12 | ·····/˘···/˘ |
| Nay, her foretop's a cheat; each morn she does black it, | 13 | ············· |
| Yet, ere it be night, it's the same with her placket. | 12 | ··········/˘ |
| I'll ne'er be run down any more with your cant; | 11 | ·····/˘···· |
| Your velvet was wore before in a mant, | 10 | ·/˘······· |
| On the back of her mother; but now 'tis much duller,-- | 13 | ·····/˘····/˘ |
| The fire she carries hath changed its colour. | 11 | ·/˘·/˘···/˘ |
| Those creatures that draw me you never would mind, | 11 | ·/˘····/˘·· |
| If you'd but look on your own Pharaoh's lean kine; | 11 | ·······/˘·· |
| They're taken for spectres, they're so meagre and spare, | 12 | ·/˘·/˘··/˘·· |
| Drawn damnably low by your sorrel mare. | 10 | ·/˘˘···/˘· |
| We know how your lady was on you befriended; | 12 | ····/˘···˘/˘ |
| You're not to be paid for 'till the lawsuit is ended: | 13 | ········/··/˘ |
| But her bond it is good, he need not to doubt; | 11 | ··········· |
| She is two or three years above being out. | 11 | ········/˘· |
| Could my Knight be advised, he should ne'er spend his vigour | 13 | ····˘/·····/˘ |
| On one he can't hope of e'er making bigger. | 11 | ·······/˘/˘ |
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