The Old Psalm Tune
YOU asked, dear friend, the other day,Why still my charméd earRejoiceth in uncultured toneThat old psalm tune to hear?
I've heard full oft, in foreign lands,The grand orchestral strain,Where music's ancient masters live,Revealed on earth again,--
Where breathing, solemn instruments,In swaying clouds of sound,Bore up the yearning, trancéd soul,Like silver wings around;--
I've heard in old St. Peter's dome,Where clouds of incense rise,Most ravishing the choral swellMount upwards to the skies.
And well I feel the magic power,When skilled and cultured artIts cunning webs of sweetness weavesAround the captured heart.
But yet, dear friend, though rudely sung,That old psalm tune hath stillA pulse of power beyond them allMy inmost soul to thrill.
Those halting tones that sound to you,Are not the tones I hear;But voices of the loved and lostThere meet my longing ear.
I hear my angel mother's voice,--Those were the words she sung;I hear my brother's ringing tones,As once on earth they rung;
And friends that walk in white aboveCome round me like a cloud,And far above those earthly notesTheir singing sounds aloud.
There may be discord, as you say;Those voices poorly ring;But there's no discord in the strainThose upper spirits sing.
For they who sing are of the blest,The calm and glorified,Whose hours are one eternal restOn heaven's sweet floating tide.
Their life is music and accord;Their souls and hearts keep timeIn one sweet concert with the Lord,--One concert vast, sublime.
And through the hymns they sang on earthSometimes a sweetness fallsOn those they loved and left below,And softly homeward calls,--
Bells from our own dear fatherland,Borne trembling o'er the sea,--The narrow sea that they have crossed,The shores where we shall be.
O sing, sing on, beloved souls!Sing cares and griefs to rest;Sing, till entrancéd we ariseTo join you 'mong the blest.
Words in this poem
- ravishing a.
- Rapturous; transporting.
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
- cultured a.
- Under culture; cultivated.
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- rung n.
- A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- homeward a.
- Being in the direction of home; as, the homeward way.
- fatherland n.
- One's native land; the native land of one's fathers or ancestors. [Imitated fr. D. vaderland. See Father, and Land.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Old Psalm Tune is in the public domain. This text is taken from Religious Poems, Project Gutenberg ebook #44778; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Harriet Beecher Stowe, The Old Psalm Tune, in Religious Poems (1867), text of Project Gutenberg ebook #44778, Laurel, https://laurelpoetry.com/poem/stowe-religious-poems/the-old-psalm-tune.html, id L22707.
Form and metre
The Old Psalm Tune is 60 lines in 15 stanzas of 4 lines each. The metre is common measure, measured from the stress the words themselves fix (confidence 93%).
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A day · earA · tone · hearA
- 2 -A-A lands · strainA · live · againA
- 3 -A-A instruments · soundA · soul · aroundA
- 4 -A-A dome · riseA · swell · skiesA
- 5 -A-A power · artA · weaves · heartA
- 6 -A-A sung · stillA · all · thrillA
- 7 -A-A you · hearA · lost · earA
- 8 -A-A voice · sungA · tones · rungA
- 9 -A-A above · cloudA · notes · aloudA
- 10 -A-A say · ringA · strain · singA
- 11 ABAB blestA · glorifiedB · restA · tideB
- 12 ABAB accordA · timeB · lordA · sublimeB
- 13 -A-A earth · fallsA · below · callsA
- 14 -A-A fatherland · seaA · crossed · beA
- 15 -A-A souls · restA · arise · blestA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| YOU asked, dear friend, the other day, | 8 | ·····/˘· |
| Why still my charméd ear | 5 | ····· |
| Rejoiceth in uncultured tone | 8 | ˘/˘····· |
| That old psalm tune to hear? | 6 | ······ |
| I've heard full oft, in foreign lands, | 8 | ·····/˘· |
| The grand orchestral strain, | 6 | ··˘/˘· |
| Where music's ancient masters live, | 8 | ·/˘/˘/˘· |
| Revealed on earth again,-- | 6 | ˘/··˘/ |
| Where breathing, solemn instruments, | 8 | ·/˘/˘/˘˘ |
| In swaying clouds of sound, | 6 | ·/˘··· |
| Bore up the yearning, trancéd soul, | 7 | ···/˘·· |
| Like silver wings around;-- | 6 | ·/˘··· |
| I've heard in old St. Peter's dome, | 8 | ·····/˘· |
| Where clouds of incense rise, | 6 | ···˘/· |
| Most ravishing the choral swell | 8 | ·/˘˘·/˘· |
| Mount upwards to the skies. | 6 | ·/˘··· |
| And well I feel the magic power, | 9 | ·····/˘/˘ |
| When skilled and cultured art | 6 | ···/˘· |
| Its cunning webs of sweetness weaves | 8 | ·/˘··/˘· |
| Around the captured heart. | 6 | ···/˘· |
| But yet, dear friend, though rudely sung, | 8 | ·····/˘· |
| That old psalm tune hath still | 6 | ······ |
| A pulse of power beyond them all | 9 | ···/˘···· |
| My inmost soul to thrill. | 6 | ·/˘··· |
| Those halting tones that sound to you, | 8 | ·/˘····· |
| Are not the tones I hear; | 6 | ······ |
| But voices of the loved and lost | 8 | ·/˘····· |
| There meet my longing ear. | 6 | ···/˘· |
| I hear my angel mother's voice,-- | 8 | ···/˘/˘· |
| Those were the words she sung; | 6 | ······ |
| I hear my brother's ringing tones, | 8 | ···/˘/˘· |
| As once on earth they rung; | 6 | ······ |
| And friends that walk in white above | 8 | ········ |
| Come round me like a cloud, | 6 | ······ |
| And far above those earthly notes | 8 | ·····/˘· |
| Their singing sounds aloud. | 6 | ·/˘·˘/ |
| There may be discord, as you say; | 8 | ···/˘··· |
| Those voices poorly ring; | 6 | ·/˘/˘· |
| But there's no discord in the strain | 8 | ···/˘··· |
| Those upper spirits sing. | 6 | ·/˘/˘· |
| For they who sing are of the blest, | 8 | ········ |
| The calm and glorified, | 6 | ···/˘· |
| Whose hours are one eternal rest | 9 | ·/˘··˘/˘· |
| On heaven's sweet floating tide. | 7 | ·/˘·/˘· |
| Their life is music and accord; | 8 | ···/˘·˘/ |
| Their souls and hearts keep time | 6 | ······ |
| In one sweet concert with the Lord,-- | 8 | ···/˘··· |
| One concert vast, sublime. | 6 | ·/˘·˘/ |
| And through the hymns they sang on earth | 8 | ········ |
| Sometimes a sweetness falls | 6 | ˘/·/˘· |
| On those they loved and left below, | 8 | ········ |
| And softly homeward calls,-- | 6 | ·/˘/˘· |
| Bells from our own dear fatherland, | 9 | ··/˘··/˘· |
| Borne trembling o'er the sea,-- | 7 | ·/˘˘··· |
| The narrow sea that they have crossed, | 8 | ·/˘····· |
| The shores where we shall be. | 6 | ······ |
| O sing, sing on, beloved souls! | 7 | ····˘/· |
| Sing cares and griefs to rest; | 6 | ······ |
| Sing, till entrancéd we arise | 7 | ·····˘/ |
| To join you 'mong the blest. | 6 | ······ |
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