Dedicated to the Mothers Who Have Lost Sons in the Late War
I SLEPT, but my heart was waking,And out in my dreams I sped,Through the streets of an ancient city,Where Jesus, the Lord, lay dead.
He was lying all cold and lowly,And the sepulchre was sealed,And the women that bore the spicesHad come from the holy field.
There is feasting in Pilate's palace,There is revel in Herod's hall,Where the lute and the sounding instrumentTo mirth and merriment call.
"I have washed my hands," said Pilate,"And what is the Jew to me?""I have missed my chance," said Herod,"One of his wonders to see.
"But why should our courtly circleTo the thought give further place?All dreams, save of pleasure and beauty,Bid the dancers' feet efface."
I saw a light from a casement,And entered a lowly door,Where a woman, stricken and mournful,Sat in sackcloth on the floor.
There Mary, the mother of Jesus,And John, the belovéd one,With a few poor friends beside them,Were mourning for Him that was gone.
And before the mother was lyingThat crown of cruel thorn,Wherewith they crowned that gentle browIn mockery that morn.
And her ears yet ring with the anguishOf that last dying cry,--That mighty appeal of agonyThat shook both earth and sky.
O God, what a shaft of anguishWas that dying voice from the tree!--From Him the only spotless,--"Why hast Thou forsaken me?"
And was he of God forsaken?They ask, appalled with dread;Is evil crowned and triumphant,And goodness vanquished and dead?
Is there, then, no God in Jacob?Is the star of Judah dim?For who would our God deliver,If he would not deliver him?
If God could not deliver,--what hope then?If he would not,--who ever shall dareTo be firm in his service hereafter?To trust in his wisdom or care?
So darkly the Tempter was saying,To hearts that with sorrow were dumb;And the poor souls were clinging in darkness to God,With hands that with anguish were numb.
In my dreams came the third day morning,And fairly the day-star shone;But fairer, the solemn angel,As he rolled away the stone.
In the lowly dwelling of Mary,In the dusky twilight chill,There was heard the sound of coming feet,And her very heart grew still.
And in the glimmer of dawning,She saw him enter the door,Her Son, all living and real,Risen, to die no more!
Her Son, all living and real,Risen no more to die,--With the power of an endless life in his face,With the light of heaven in his eye.
O mourning mothers, so many,Weeping o'er sons that are dead,Have ye thought of the sorrows of Mary's heart,Of the tears that Mary shed?
Is the crown of thorns before you?Are there memories of cruel scorn?Of hunger and thirst and bitter coldThat your beloved have borne?
Had ye ever a son like JesusTo give to a death of pain?Did ever a son so cruelly die,But did he die in vain?
Have ye ever thought that all the hopesThat make our earth-life fairWere born in those three bitter daysOf Mary's deep despair?
O mourning mothers, so many,Weeping in woe and pain,Think on the joy of Mary's heartIn a Son that is risen again.
Have faith in a third-day morning,In a resurrection-hour;For what ye sow in weakness,He can raise again in power.
Have faith in the Lord of that thorny crown,In the Lord of the piercéd hand;For he reigneth now o'er earth and heaven,And his power who may withstand?
And the hopes that never on earth shall bloom,The sorrows forever new,Lay silently down at the feet of HimWho died and is risen for you.
Words in this poem
- sepulchre n.
- The place in which the dead body of a human being is interred, or a place set apart for that purpose; a grave; a tomb. [OE. sepulcre, OF. sepulcre, F. sépulcre, fr. L. sepulcrum, sepulchrum, fr. sepelire to bury.]
- courtly a.
- Relating or belonging to a court. [From Court.]
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- sackcloth n.
- Linen or cotton cloth such a sacks are made of; coarse cloth; anciently, a cloth or garment worn in mourning, distress, mortification, or penitence.
- wherewith adv.
- With which; -- used relatively.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- shook v. t.
- To pack, as staves, in a shook.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- hereafter adv.
- In time to come; in some future time or state. [AS. hræfter.]
- tempter n.
- One who tempts or entices; especially, Satan, or the Devil, regarded as the great enticer to evil.
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- resurrection n.
- A rising again; the resumption of vigor. [F. résurrection, L. resurrectio, fr. resurgere, resurrectum, to rise again; pref. re- re- + surgere to rise. See Source.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Dedicated to the Mothers Who Have Lost Sons in the Late War is in the public domain. This text is taken from Religious Poems, Project Gutenberg ebook #44778; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Harriet Beecher Stowe, Dedicated to the Mothers Who Have Lost Sons in the Late War, in Religious Poems (1867), text of Project Gutenberg ebook #44778, Laurel, https://laurelpoetry.com/poem/stowe-religious-poems/dedicated-to-the-mothers-who-have-lost-sons-in-the-late-war.html, id L22725.
Form and metre
Dedicated to the Mothers Who Have Lost Sons in the Late War is 104 lines in 26 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 79%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A waking · spedA · city · deadA
- 2 -A-A lowly · sealedA · spices · fieldA
- 3 -A-A palace · hallA · instrument · callA
- 4 -A-A pilate · meA · herod · seeA
- 5 -A-A circle · placeA · beauty · effaceA
- 6 -A-A casement · doorA · mournful · floorA
- 8 -A-A lying · thornA · brow · mornA
- 9 -A-A anguish · cryA · agony · skyA
- 10 -A-A anguish · treeA · spotless · meA
- 11 -A-A forsaken · dreadA · triumphant · deadA
- 12 -A-A jacob · dimA · deliver · himA
- 13 -A-A then · dareA · hereafter · careA
- 14 -A-A saying · dumbA · god · numbA
- 15 -A-A morning · shoneA · angel · stoneA
- 16 -A-A mary · chillA · feet · stillA
- 17 -A-A dawning · doorA · real · moreA
- 18 -A-A real · dieA · face · eyeA
- 19 -A-A many · deadA · heart · shedA
- 20 -A-A you · scornA · cold · borneA
- 21 -A-A jesus · painA · die · vainA
- 22 -A-A hopes · fairA · days · despairA
- 23 -A-A many · painA · heart · againA
- 24 -A-A morning · hourA · weakness · powerA
- 25 ABAB crownA · handB · heavenA · withstandB
- 26 -A-A bloom · newA · him · youA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I SLEPT, but my heart was waking, | 8 | ······/˘ |
| And out in my dreams I sped, | 7 | ······· |
| Through the streets of an ancient city, | 9 | ·····/˘/˘ |
| Where Jesus, the Lord, lay dead. | 7 | ·/˘···· |
| He was lying all cold and lowly, | 9 | ··/˘···/˘ |
| And the sepulchre was sealed, | 6 | ······ |
| And the women that bore the spices | 9 | ··/˘···/˘ |
| Had come from the holy field. | 7 | ····/˘· |
| There is feasting in Pilate's palace, | 9 | ··/˘···/˘ |
| There is revel in Herod's hall, | 8 | ··/˘·/˘· |
| Where the lute and the sounding instrument | 10 | ·····/˘/˘˘ |
| To mirth and merriment call. | 7 | ···/˘˘· |
| "I have washed my hands," said Pilate, | 9 | ···˘····· |
| "And what is the Jew to me?" | 7 | ······· |
| "I have missed my chance," said Herod, | 9 | ···˘···/˘ |
| "One of his wonders to see. | 7 | ···/˘·· |
| "But why should our courtly circle | 9 | ···/˘/˘/˘ |
| To the thought give further place? | 7 | ····/˘· |
| All dreams, save of pleasure and beauty, | 9 | ····/˘·/˘ |
| Bid the dancers' feet efface." | 7 | ··/˘·˘/ |
| I saw a light from a casement, | 8 | ······/˘ |
| And entered a lowly door, | 7 | ·/˘·/˘· |
| Where a woman, stricken and mournful, | 9 | ··/˘/˘·/˘ |
| Sat in sackcloth on the floor. | 7 | ··/˘··· |
| There Mary, the mother of Jesus, | 9 | ·/˘·/˘·/˘ |
| And John, the belovéd one, | 6 | ······ |
| With a few poor friends beside them, | 8 | ·····˘/· |
| Were mourning for Him that was gone. | 8 | ·/˘····· |
| And before the mother was lying | 9 | ····/˘·/˘ |
| That crown of cruel thorn, | 6 | ···/˘· |
| Wherewith they crowned that gentle brow | 9 | ˘/··˘·/˘· |
| In mockery that morn. | 6 | ·/˘˘·· |
| And her ears yet ring with the anguish | 9 | ·······/˘ |
| Of that last dying cry,-- | 6 | ···/˘· |
| That mighty appeal of agony | 9 | ·/˘˘/·/˘˘ |
| That shook both earth and sky. | 6 | ······ |
| O God, what a shaft of anguish | 8 | ······/˘ |
| Was that dying voice from the tree!-- | 8 | ··/˘···· |
| From Him the only spotless,-- | 7 | ···/˘/˘ |
| "Why hast Thou forsaken me?" | 7 | ···˘/˘· |
| And was he of God forsaken? | 8 | ·····˘/˘ |
| They ask, appalled with dread; | 6 | ··˘/·· |
| Is evil crowned and triumphant, | 9 | ·/˘·˘·˘/˘ |
| And goodness vanquished and dead? | 7 | ·/˘/˘·· |
| Is there, then, no God in Jacob? | 8 | ······/˘ |
| Is the star of Judah dim? | 7 | ····/˘· |
| For who would our God deliver, | 9 | ···/˘·˘/˘ |
| If he would not deliver him? | 8 | ····˘/˘· |
| If God could not deliver,--what hope then? | 10 | ····˘/˘··· |
| If he would not,--who ever shall dare | 9 | ·····/˘·· |
| To be firm in his service hereafter? | 10 | ·····/˘˘/˘ |
| To trust in his wisdom or care? | 8 | ····/˘·· |
| So darkly the Tempter was saying, | 9 | ·/˘·/˘·/˘ |
| To hearts that with sorrow were dumb; | 8 | ····/˘·· |
| And the poor souls were clinging in darkness to God, | 12 | ·····/˘·/˘·· |
| With hands that with anguish were numb. | 8 | ····/˘·· |
| In my dreams came the third day morning, | 9 | ·······/˘ |
| And fairly the day-star shone; | 7 | ·/˘···· |
| But fairer, the solemn angel, | 8 | ·/˘·/˘/˘ |
| As he rolled away the stone. | 7 | ···˘/·· |
| In the lowly dwelling of Mary, | 9 | ··/˘/˘·/˘ |
| In the dusky twilight chill, | 7 | ··/˘/·· |
| There was heard the sound of coming feet, | 9 | ······/˘· |
| And her very heart grew still. | 7 | ··/˘··· |
| And in the glimmer of dawning, | 8 | ···/˘·/˘ |
| She saw him enter the door, | 7 | ···/˘·· |
| Her Son, all living and real, | 7 | ···/˘·· |
| Risen, to die no more! | 6 | /˘···· |
| Her Son, all living and real, | 7 | ···/˘·· |
| Risen no more to die,-- | 6 | /˘···· |
| With the power of an endless life in his face, | 11 | ··/··/˘···· |
| With the light of heaven in his eye. | 9 | ····/˘··· |
| O mourning mothers, so many, | 8 | ·/˘/˘·/˘ |
| Weeping o'er sons that are dead, | 7 | /˘····· |
| Have ye thought of the sorrows of Mary's heart, | 11 | ·····/˘·/˘· |
| Of the tears that Mary shed? | 7 | ····/˘· |
| Is the crown of thorns before you? | 8 | ········ |
| Are there memories of cruel scorn? | 9 | ··/˘˘·/˘· |
| Of hunger and thirst and bitter cold | 9 | ·/˘···/˘· |
| That your beloved have borne? | 6 | ··˘/·· |
| Had ye ever a son like Jesus | 9 | ··/˘···/˘ |
| To give to a death of pain? | 7 | ······· |
| Did ever a son so cruelly die, | 9 | ·/˘···/˘· |
| But did he die in vain? | 6 | ······ |
| Have ye ever thought that all the hopes | 9 | ··/˘····· |
| That make our earth-life fair | 7 | ··/˘··· |
| Were born in those three bitter days | 8 | ·····/˘· |
| Of Mary's deep despair? | 6 | ·/˘·˘/ |
| O mourning mothers, so many, | 8 | ·/˘/˘·/˘ |
| Weeping in woe and pain, | 6 | /˘···· |
| Think on the joy of Mary's heart | 8 | ·····/˘· |
| In a Son that is risen again. | 9 | ·····/˘˘/ |
| Have faith in a third-day morning, | 8 | ······/˘ |
| In a resurrection-hour; | 8 | ···˘/˘/˘ |
| For what ye sow in weakness, | 7 | ·····/˘ |
| He can raise again in power. | 8 | ···˘/·/˘ |
| Have faith in the Lord of that thorny crown, | 10 | ·······/˘· |
| In the Lord of the piercéd hand; | 7 | ······· |
| For he reigneth now o'er earth and heaven, | 10 | ··/˘····/˘ |
| And his power who may withstand? | 8 | ··/˘··˘/ |
| And the hopes that never on earth shall bloom, | 10 | ····/˘···· |
| The sorrows forever new, | 7 | ·/˘˘/˘· |
| Lay silently down at the feet of Him | 10 | ·/˘˘······ |
| Who died and is risen for you. | 8 | ····/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.