A Day in the Pamfili Doria
THOUGH the hills are cold and snowy,And the wind drives chill to-day,My heart goes back to a spring-time,Far, far in the past away.
And I see a quaint old city,Weary and worn and brown,Where the spring and the birds are so early,And the sun in such light goes down.
I remember that old-times villa,Where our afternoons went by,Where the suns of March flushed warmly,And spring was in earth and sky.
Out of the mouldering city,Mouldering, old, and gray,We sped, with a lightsome heart-thrill,For a sunny, gladsome day,--
For a revel of fresh spring verdure,For a race 'mid springing flowers,For a vision of plashing fountains,Of birds and blossoming bowers.
There were violet banks in the shadows,Violets white and blue;And a world of bright anemones,That over the terrace grew,--
Blue and orange and purple,Rosy and yellow and white,Rising in rainbow bubbles,Streaking the lawns with light.
And down from the old stone pine-trees,Those far off islands of air,The birds are flinging the tidingsOf a joyful revel up there.
And now for the grand old fountains,Tossing their silvery spray,Those fountains so quaint and so many,That are leaping and singing all day.
Those fountains of strange weird sculpture,With lichens and moss o'ergrown,Are they marble greening in moss-wreaths?Or moss-wreaths whitening to stone?
Down many a wild, dim pathwayWe ramble from morning till noon;We linger, unheeding the hours,Till evening comes all too soon.
And from out the ilex alleys,Where lengthening shadows play,We look on the dreamy Campagna,All glowing with setting day,--
All melting in bands of purple,In swathings and foldings of gold,In ribands of azure and lilac,Like a princely banner unrolled.
And the smoke of each distant cottage,And the flash of each villa white,Shines out with an opal glimmer,Like gems in a casket of light.
And the dome of old St. Peter'sWith a strange translucence glows,Like a mighty bubble of amethystFloating in waves of rose.
In a trance of dreamy vaguenessWe, gazing and yearning, beholdThat city beheld by the prophet,Whose walls were transparent gold.
And, dropping all solemn and slowly,To hallow the softening spell,There falls on the dying twilightThe Ave Maria bell.
With a mournful motherly softness,With a weird and weary care,That strange and ancient citySeems calling the nations to prayer.
And the words that of old the angelTo the mother of Jesus brought,Rise like a new evangel,To hallow the trance of our thought.
With the smoke of the evening incense,Our thoughts are ascending thenTo Mary, the mother of Jesus,To Jesus, the Master of men.
O city of prophets and martyrs,O shrines of the sainted dead,When, when shall the living day-springOnce more on your towers be spread?
When He who is meek and lowlyShall rule in those lordly halls,And shall stand and feed as a shepherdThe flock which his mercy calls,--
O, then to those noble churches,To picture and statue and gem,To the pageant of solemn worship,Shall the meaning come back again.
And this strange and ancient city,In that reign of His truth and love,Shall be what it seems in the twilight,The type of that City above.
Words in this poem 23
- snowy a.
- White like snow.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- villa n.
- A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
- went n.
- Course; way; path; journey; direction.
- warmly adv.
- In a warm manner; ardently.
- lightsome a.
- Having light; lighted; not dark or gloomy; bright.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- gladsome a.
- Pleased; joyful; cheerful.
- plashing n.
- The cutting or bending and intertwining the branches of small trees, as in hedges.
- greening n.
- A greenish apple, of several varieties, among which the Rhode Island greening is the best known for its fine-grained acid flesh and its excellent keeping quality.
- whitening n.
- The act or process of making or becoming white.
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- campagna n.
- An open level tract of country; especially [It. See Campaing.]
- casket v. t.
- To put into, or preserve in, a casket.
- translucence n.
- The quality or state of being translucent; clearness; partial transparency. Sir T. Browne.
- amethyst
- A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
- vagueness n.
- The quality or state of being vague.
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- evangel n.
- Good news; announcement of glad tidings; especially, the gospel, or a gospel. [F. évangile, L. evangelium, Gr. Eu-, and cf. Evangely.]
- sainted a.
- Consecrated; sacred; holy; pious.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- pageant n.
- A theatrical exhibition; a spectacle. [OE. pagent, pagen, originally, a movable scaffold or stage, hence, what was exhibited on it, fr. LL. pagina, akin to pangere to fasten; cf. L. pagina page, leaf]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Day in the Pamfili Doria is in the public domain. This text is taken from Religious Poems, Project Gutenberg ebook #44778; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Harriet Beecher Stowe, A Day in the Pamfili Doria, in Religious Poems (1867), text of Project Gutenberg ebook #44778, Laurel, https://laurelpoetry.com/poem/stowe-religious-poems/a-day-in-the-pamfili-doria.html, id L22728.
Form and metre
A Day in the Pamfili Doria is 96 lines in 24 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 76%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A snowy · dayA · time · awayA
- 2 -A-A city · brownA · early · downA
- 3 -A-A villa · byA · warmly · skyA
- 4 -A-A city · grayA · thrill · dayA
- 5 -A-A verdure · flowersA · fountains · bowersA
- 6 -A-A shadows · blueA · anemones · grewA
- 7 -A-A purple · whiteA · bubbles · lightA
- 8 -A-A trees · airA · tidings · thereA
- 9 -A-A fountains · sprayA · many · dayA
- 10 -A-A sculpture · o'ergrownA · wreaths · stoneA
- 11 -A-A pathway · noonA · hours · soonA
- 12 -A-A alleys · playA · campagna · dayA
- 13 -A-A purple · goldA · lilac · unrolledA
- 14 -A-A cottage · whiteA · glimmer · lightA
- 15 AA-A peter'sA · glowsA · amethyst · roseA
- 16 -A-A vagueness · beholdA · prophet · goldA
- 17 -A-A slowly · spellA · twilight · bellA
- 18 -A-A softness · careA · city · prayerA
- 19 -A-A angel · broughtA · evangel · thoughtA
- 20 -A-A incense · thenA · jesus · menA
- 21 -A-A martyrs · deadA · spring · spreadA
- 22 -A-A lowly · hallsA · shepherd · callsA
- 24 -A-A city · loveA · twilight · aboveA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| THOUGH the hills are cold and snowy, | 8 | ······/˘ |
| And the wind drives chill to-day, | 7 | ······· |
| My heart goes back to a spring-time, | 8 | ········ |
| Far, far in the past away. | 7 | ·····˘/ |
| And I see a quaint old city, | 8 | ······/˘ |
| Weary and worn and brown, | 6 | /˘···· |
| Where the spring and the birds are so early, | 10 | ········/˘ |
| And the sun in such light goes down. | 8 | ········ |
| I remember that old-times villa, | 9 | ·˘/˘···/˘ |
| Where our afternoons went by, | 8 | ·/˘·˘/·· |
| Where the suns of March flushed warmly, | 8 | ······/˘ |
| And spring was in earth and sky. | 7 | ······· |
| Out of the mouldering city, | 8 | ···/˘˘/˘ |
| Mouldering, old, and gray, | 6 | /˘˘··· |
| We sped, with a lightsome heart-thrill, | 8 | ····/˘·· |
| For a sunny, gladsome day,-- | 7 | ··/˘/˘· |
| For a revel of fresh spring verdure, | 9 | ··/˘···/˘ |
| For a race 'mid springing flowers, | 8 | ····/˘/˘ |
| For a vision of plashing fountains, | 9 | ··/˘·/˘/˘ |
| Of birds and blossoming bowers. | 8 | ···/˘˘/˘ |
| There were violet banks in the shadows, | 9 | ··/˘···/· |
| Violets white and blue; | 6 | /˘˘··· |
| And a world of bright anemones, | 8 | ·····/˘· |
| That over the terrace grew,-- | 7 | ····/˘· |
| Blue and orange and purple, | 7 | ··/˘·/˘ |
| Rosy and yellow and white, | 7 | /˘·/˘·· |
| Rising in rainbow bubbles, | 7 | /˘·/·/˘ |
| Streaking the lawns with light. | 6 | /˘···· |
| And down from the old stone pine-trees, | 8 | ········ |
| Those far off islands of air, | 7 | ···/˘·· |
| The birds are flinging the tidings | 8 | ···/˘·/˘ |
| Of a joyful revel up there. | 8 | ··/˘/˘·· |
| And now for the grand old fountains, | 8 | ······/˘ |
| Tossing their silvery spray, | 7 | /˘·/˘˘· |
| Those fountains so quaint and so many, | 9 | ·/˘····/˘ |
| That are leaping and singing all day. | 9 | ··/˘·/˘·· |
| Those fountains of strange weird sculpture, | 8 | ·/˘···/˘ |
| With lichens and moss o'ergrown, | 7 | ·/˘···· |
| Are they marble greening in moss-wreaths? | 9 | ··/˘/˘··· |
| Or moss-wreaths whitening to stone? | 8 | ···/˘˘·· |
| Down many a wild, dim pathway | 8 | ·/˘···/· |
| We ramble from morning till noon; | 8 | ·/˘·/˘·· |
| We linger, unheeding the hours, | 9 | ·/˘····/˘ |
| Till evening comes all too soon. | 7 | ·/˘···· |
| And from out the ilex alleys, | 8 | ····/˘/˘ |
| Where lengthening shadows play, | 7 | ·/˘˘/·· |
| We look on the dreamy Campagna, | 9 | ····/˘˘/˘ |
| All glowing with setting day,-- | 7 | ·/˘·/˘· |
| All melting in bands of purple, | 8 | ·/˘···/˘ |
| In swathings and foldings of gold, | 8 | ····/˘·· |
| In ribands of azure and lilac, | 9 | ····/˘·/· |
| Like a princely banner unrolled. | 8 | ··/˘/˘·· |
| And the smoke of each distant cottage, | 9 | ·····/˘/˘ |
| And the flash of each villa white, | 8 | ·····/˘· |
| Shines out with an opal glimmer, | 8 | ····/˘/˘ |
| Like gems in a casket of light. | 8 | ····/˘·· |
| And the dome of old St. Peter's | 8 | ······/˘ |
| With a strange translucence glows, | 7 | ······· |
| Like a mighty bubble of amethyst | 9 | ··/˘/˘·/˘ |
| Floating in waves of rose. | 6 | /˘···· |
| In a trance of dreamy vagueness | 8 | ····/˘/˘ |
| We, gazing and yearning, behold | 8 | ·/˘·/˘˘/ |
| That city beheld by the prophet, | 9 | ·/˘˘/··/˘ |
| Whose walls were transparent gold. | 7 | ···˘/˘· |
| And, dropping all solemn and slowly, | 9 | ·/˘·/˘·/˘ |
| To hallow the softening spell, | 8 | ·/˘·/˘˘· |
| There falls on the dying twilight | 8 | ····/˘/· |
| The Ave Maria bell. | 8 | ·/˘˘˘/˘· |
| With a mournful motherly softness, | 9 | ··/˘/˘˘/˘ |
| With a weird and weary care, | 7 | ····/˘· |
| That strange and ancient city | 7 | ···/˘/˘ |
| Seems calling the nations to prayer. | 8 | ·/˘·/˘·· |
| And the words that of old the angel | 9 | ·······/˘ |
| To the mother of Jesus brought, | 8 | ··/˘·/˘· |
| Rise like a new evangel, | 7 | ····˘/˘ |
| To hallow the trance of our thought. | 8 | ·/˘···/· |
| With the smoke of the evening incense, | 9 | ·····/˘/· |
| Our thoughts are ascending then | 8 | /˘··˘/˘· |
| To Mary, the mother of Jesus, | 9 | ·/˘·/˘·/˘ |
| To Jesus, the Master of men. | 8 | ·/˘·/˘·· |
| O city of prophets and martyrs, | 9 | ·/˘·/˘·/˘ |
| O shrines of the sainted dead, | 7 | ····/˘· |
| When, when shall the living day-spring | 8 | ····/˘·· |
| Once more on your towers be spread? | 8 | ····/˘·· |
| When He who is meek and lowly | 8 | ······/˘ |
| Shall rule in those lordly halls, | 7 | ····/˘· |
| And shall stand and feed as a shepherd | 9 | ·······/˘ |
| The flock which his mercy calls,-- | 7 | ····/˘· |
| O, then to those noble churches, | 8 | ····/˘/˘ |
| To picture and statue and gem, | 8 | ·/˘·/··· |
| To the pageant of solemn worship, | 9 | ··/˘·/˘/˘ |
| Shall the meaning come back again. | 8 | ··/˘··˘/ |
| And this strange and ancient city, | 8 | ····/˘/˘ |
| In that reign of His truth and love, | 8 | ········ |
| Shall be what it seems in the twilight, | 9 | ·······/· |
| The type of that City above. | 8 | ····/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.