Alice of Monmouth IV

Edmund Clarence Stedman (1833–1908) · 1860–1897

iambic tetrameter · octosyllabic couplets · 114 lines · from The Poetical Works of Edmund Clarence Stedman

The strawberry-vines lie in the sun,Their myriad tendrils twined in one;Spread like a carpet of richest dyes,The strawberry-field in sunshine lies.Each timorous berry, blushing red,Has folded the leaves above her head,The dark, green curtains gemmed with dew;But each blushful berry, peering through,Shows like a flock of the underthread,—The crimson woof of a downy clothWhere the elves may kneel and plight their troth.

Run through the rustling vines, to showEach picker an even space to go,Leaders of twinkling cord divideThe field in lanes from side to side;And here and there with patient care,Lifting the leafage everywhere,Rural maidens and mothers dotThe velvet of the strawberry-plot:Fair and freckled, old and young,With baskets at their girdles hung,Searching the plants with no rude haste,Lest berries should hang unpicked, and waste:—Of the pulpy, odorous, hidden quest,First gift of the fruity months, and best.

Crates of the laden baskets coolUnder the trees at the meadow’s edge,Covered with grass and dripping sedge,And lily-leaves from the shaded pool;Filled, and ready to be borneTo market before the morrow morn.Beside them, gazing at the skies,Hour after hour a young man lies.From the hillside, under the trees,He looks across the field, and seesThe waves that ever beyond it climb,Whitening the rye-slope’s early prime;At times he listens, listlessly,To the tree-toad singing in the tree,Or sees the catbird peck his fillWith feathers adroop and roguish bill.But often, with a pleased unrest,He lifts his glances to the west,Watching the kirtles, red and blue,Which cross the meadow in his view;And he hears, anon, the busy throngSing the Strawberry-Pickers’ Song:

“Rifle the sweets our meadows bear,Ere the day has reached its nooning;While the skies are fair, and the morning airAwakens the thrush’s tuning.

“Softly the rivulet’s ripples flow;Dark is the grove that lovers know;Here, where the whitest blossoms blow,The reddest and ripest berries grow.

“Bend to the crimson fruit, whose stainIs glowing on lips and fingers;The sun has lain in the leafy plain,And the dust of his pinions lingers.

“Softly the rivulet’s ripples flow;Dark is the grove that lovers know;Here, where the whitest blossoms blow,The reddest and ripest berries grow.

“Gather the cones which lie concealed,With their vines your foreheads wreathing;The strawberry-field its sweets shall yieldWhile the western winds are breathing.

“Softly the rivulet’s ripples flow;Dark is the grove that lovers know;Here, where the whitest blossoms blow,The reddest and ripest berries grow.”

From the far hillside comes againAn echo of the pickers’ strain.Sweetly the group their cadence keep;Swiftly their hands the trailers sweep;The vines are stripped and the song is sung,A joyous labor for old and young;For the blithe children, gleaning behindThe women, marvellous treasures find.

From the workers a maiden parts:The baskets at her waistband shineWith berries that look like bleeding heartsOf a hundred lovers at her shrine;No Eastern girl were girdled so wellWith silken belt and silver bell.Her slender form is tall and strong;Her voice is the sweetest in the song;Her brown hair, fit to wear a crown,Loose from its bonnet ripples down.Toward the crates, that lie in the shadeOf the chestnut copse at the edge of the glade,She moves from her mates, through happy rowsOf the children loving her as she goes.Alice, our Alice! one and all,Striving to stay her footsteps, call(For children with skilful choice dispenseThe largesse of their innocence);But on, with a sister’s smile, she movesInto the darkness of the groves,And deftly, daintily, one by one,Shelters her baskets from the sun,Under the network, fresh and cool,Of lily-leaves from the crystal pool.

Turning her violet eyes, their raysGlistened full in the young man’s gaze;And each at each, for a moment’s space,Looked with a diffident surprise.“Heaven!” thought Hugh, “what artless graceThat laborer’s daughter glorifies!I never saw a fairer face,I never heard a sweeter voice;And oh! were she my father’s choice,My father’s choice and mine were oneIn the strawberry-field and morning sun.”

Words in this poem 29
myriad n.
The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
blushful a.
Full of blushes.
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
plight v. t.
To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
troth n.
Belief; faith; fidelity. [A variant of truth. See Truth.]
picker n.
One who, or that which, picks, in any sense, -- as, one who uses a pick; one who gathers; a thief; a pick; a pickax; as, a cotton picker. [From Pick.]
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
leafage n.
Leaves, collectively; foliage.
freckled a.
Marked with freckles; spotted.
unpicked a.
Picked out; picked open. [Properly p. p. of unpick.]
fruity a.
Having the odor, taste, or appearance of fruit; also, fruitful.
dripping n.
A falling in drops, or the sound so made.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
whitening n.
The act or process of making or becoming white.
unrest n.
Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
nooning n.
A rest at noon; a repast at noon.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
blithe a.
Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
gleaning n.
The act of gathering after reapers; that which is collected by gleaning.
waistband n.
The band which encompasses the waist; esp., one on the upper part of breeches, trousers, pantaloons, skirts, or the like.
copse n.
A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
dispense v. i.
To compensate; to make up; to make amends.
largesse n.
Liberality; generosity; bounty. [F. largesse, fr. large. See Large, a.]
deftly adv.
Aptly; fitly; dexterously; neatly. [Cf. Defly.]
daintily adv.
In a dainty manner; nicely; scrupulously; fastidiously; deliciously; prettily.
diffident a.
Wanting confidence in others; distrustful. [L. diffidens, -entis, p. pr. of diffidere; dif- = dis + fidere to trust; akin to fides faith. See Faith, and cf. Defy.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Alice of Monmouth IV is in the public domain. This text is taken from The poetical works of Edmund Clarence Stedman, Project Gutenberg ebook #70763; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Clarence Stedman, Alice of Monmouth IV, in The Poetical Works of Edmund Clarence Stedman (1860–1897), text of Project Gutenberg ebook #70763, Laurel, https://laurelpoetry.com/poem/stedman-poems/alice-of-monmouth-iv.html, id L10662.

Form and metre

Alice of Monmouth IV is 114 lines in 12 verse paragraphs. It is in rhyming couplets, 70% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%). 84% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 9 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDCEE sunA · oneA · dyesB · liesB · redC · headC · dewD · throughD · underthreadC · clothE · trothE
  2. 2 AABBCCDDEEFFGG showA · goA · divideB · sideB · careC · everywhereC · dotD · plotD · youngE · hungE · hasteF · wasteF · questG · bestG
  3. 3 ABBACCDDEEFF--GGHHIIJJ coolA · edgeB · sedgeB · poolA · borneC · mornC · skiesD · liesD · treesE · seesE · climbF · primeF · listlessly · tree · fillG · billG · unrestH · westH · blueI · viewI · throngJ · songJ
  4. 4 ABAB bearA · nooningB · airA · tuningB
  5. 5 AAAA flowA · knowA · blowA · growA
  6. 6 ABAB stainA · fingersB · plainA · lingersB
  7. 7 AAAA flowA · knowA · blowA · growA
  8. 8 A-A- concealedA · wreathing · yieldA · breathing
  9. 9 AAAA flowA · knowA · blowA · growA
  10. 10 AABBCCDD againA · strainA · keepB · sweepB · sungC · youngC · behindD · findD
  11. 11 ABABCCDDEEFFGGHHII--JJKK partsA · shineB · heartsA · shrineB · wellC · bellC · strongD · songD · crownE · downE · shadeF · gladeF · rowsG · goesG · allH · callH · dispenseI · innocenceI · moves · groves · oneJ · sunJ · coolK · poolK
  12. 12 AABCBCBDDEE raysA · gazeA · spaceB · surpriseC · graceB · glorifiesC · faceB · voiceD · choiceD · oneE · sunE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The strawberry-vines lie in the sun,9·/·˘·····
Their myriad tendrils twined in one;10·/˘˘···˘··
Spread like a carpet of richest dyes,9···/˘·/˘·
The strawberry-field in sunshine lies.9·/·˘··/··
Each timorous berry, blushing red,9·/˘˘/˘/˘·
Has folded the leaves above her head,9·/˘······
The dark, green curtains gemmed with dew;9···/˘·˘··
But each blushful berry, peering through,9··/˘/˘/˘·
Shows like a flock of the underthread,—9·········
The crimson woof of a downy cloth9·/˘···/˘·
Where the elves may kneel and plight their troth.9·········
Run through the rustling vines, to show8···/˘···
Each picker an even space to go,9·/˘·/˘···
Leaders of twinkling cord divide9/˘·/˘˘·˘/
The field in lanes from side to side;8········
And here and there with patient care,8·····/˘·
Lifting the leafage everywhere,8/˘·/˘/˘·
Rural maidens and mothers dot8/˘/˘·/˘·
The velvet of the strawberry-plot:9·/˘··/·˘·
Fair and freckled, old and young,7··/˘···
With baskets at their girdles hung,8·/˘··/˘·
Searching the plants with no rude haste,8/˘······
Lest berries should hang unpicked, and waste:—10·/˘··˘/˘··
Of the pulpy, odorous, hidden quest,10··/˘/˘˘/˘·
First gift of the fruity months, and best.9····/˘···
Crates of the laden baskets cool8···/˘/˘·
Under the trees at the meadow’s edge,9······/··
Covered with grass and dripping sedge,9/˘˘···/˘·
And lily-leaves from the shaded pool;9·/˘···/˘·
Filled, and ready to be borne7··/˘···
To market before the morrow morn.9·/˘···/˘·
Beside them, gazing at the skies,8˘/·/˘···
Hour after hour a young man lies.10/˘··/˘····
From the hillside, under the trees,8··/·····
He looks across the field, and sees8··˘/····
The waves that ever beyond it climb,9···/˘····
Whitening the rye-slope’s early prime;9/˘˘···/˘·
At times he listens, listlessly,8···/˘/˘˘
To the tree-toad singing in the tree,9····/˘···
Or sees the catbird peck his fill8···/····
With feathers adroop and roguish bill.9·/˘···/˘·
But often, with a pleased unrest,9·/˘···˘˘/
He lifts his glances to the west,8···/˘···
Watching the kirtles, red and blue,7/˘·····
Which cross the meadow in his view;8···/····
And he hears, anon, the busy throng9···˘/·/˘·
Sing the Strawberry-Pickers’ Song:8··/·˘/˘·
“Rifle the sweets our meadows bear,9/˘··/˘/··
Ere the day has reached its nooning;9·····˘·/˘
While the skies are fair, and the morning air10·······/˘·
Awakens the thrush’s tuning.8˘/˘·/˘/˘
“Softly the rivulet’s ripples flow;9/˘····/˘·
Dark is the grove that lovers know;8·····/˘·
Here, where the whitest blossoms blow,8···/˘/˘·
The reddest and ripest berries grow.9·/˘···/˘·
“Bend to the crimson fruit, whose stain8···/˘···
Is glowing on lips and fingers;8·/˘···/˘
The sun has lain in the leafy plain,9······/˘·
And the dust of his pinions lingers.9·····/˘/˘
“Softly the rivulet’s ripples flow;9/˘····/˘·
Dark is the grove that lovers know;8·····/˘·
Here, where the whitest blossoms blow,8···/˘/˘·
The reddest and ripest berries grow.9·/˘···/˘·
“Gather the cones which lie concealed,9/˘····˘/˘
With their vines your foreheads wreathing;8····/·/˘
The strawberry-field its sweets shall yield9·/·˘·····
While the western winds are breathing.8··/˘··/˘
“Softly the rivulet’s ripples flow;9/˘····/˘·
Dark is the grove that lovers know;8·····/˘·
Here, where the whitest blossoms blow,8···/˘/˘·
The reddest and ripest berries grow.”9·/˘···/˘·
From the far hillside comes again8···/··˘/
An echo of the pickers’ strain.8·/˘··/˘·
Sweetly the group their cadence keep;8/˘···/˘·
Swiftly their hands the trailers sweep;8/˘···/˘·
The vines are stripped and the song is sung,10····˘·····
A joyous labor for old and young;9·/˘/˘····
For the blithe children, gleaning behind9···/˘/˘··
The women, marvellous treasures find.9·/˘···/˘·
From the workers a maiden parts:8··/˘·/˘·
The baskets at her waistband shine8·/˘··/˘·
With berries that look like bleeding hearts9·/˘···/˘·
Of a hundred lovers at her shrine;10··/˘˘/˘···
No Eastern girl were girdled so well10·/˘··/˘˘··
With silken belt and silver bell.8·/˘··/˘·
Her slender form is tall and strong;8·/˘·····
Her voice is the sweetest in the song;9····/˘···
Her brown hair, fit to wear a crown,8········
Loose from its bonnet ripples down.8···/˘/˘·
Toward the crates, that lie in the shade9·········
Of the chestnut copse at the edge of the glade,11··/········
She moves from her mates, through happy rows9······/˘·
Of the children loving her as she goes.10··/˘/˘····
Alice, our Alice! one and all,9/˘/˘/˘···
Striving to stay her footsteps, call8/˘···/··
(For children with skilful choice dispense9·/˘·/˘·˘/
The largesse of their innocence);8·˘/··/˘˘
But on, with a sister’s smile, she moves9····/˘···
Into the darkness of the groves,8···/˘···
And deftly, daintily, one by one,9·/˘/˘˘···
Shelters her baskets from the sun,8/˘·/˘···
Under the network, fresh and cool,8···/····
Of lily-leaves from the crystal pool.9·/˘···/˘·
Turning her violet eyes, their rays9/˘·/˘˘···
Glistened full in the young man’s gaze;9/˘˘······
And each at each, for a moment’s space,9······/˘·
Looked with a diffident surprise.9·˘··/˘˘˘/
“Heaven!” thought Hugh, “what artless grace8/˘···/˘·
That laborer’s daughter glorifies!9·/˘˘/˘/˘·
I never saw a fairer face,8·/˘··/˘·
I never heard a sweeter voice;8·/˘··/˘·
And oh! were she my father’s choice,8·····/˘·
My father’s choice and mine were one8·/˘·····
In the strawberry-field and morning sun.”10··/·˘··/˘·

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