A New Song to an Old Tune

Edmund Clarence Stedman (1833–1908) · 1860–1897

iambic tetrameter · 160 lines · from The Poetical Works of Edmund Clarence Stedman

In January, when down the dairyThe cream and clabber freeze,When snow-drifts cover the fences over,We farmers take our ease.At night we rig the team,And bring the cutter out;Then fill it, fill it, fill it, fill it,And heap the furs about.

Here friends and cousins dash up by dozens,And sleighs at least a score;There John and Molly, behind, are jolly,—Nell rides with me, before.All down the village streetWe range us in a row:Now jingle, jingle, jingle, jingle,And over the crispy snow!

The windows glisten, the old folks listenTo hear the sleigh-bells pass;The fields grow whiter, the stars are brighter,The road is smooth as glass.Our muffled faces burn,The clear north-wind blows cold,The girls all nestle, nestle, nestle,Each in her lover’s hold.

Through bridge and gateway we’re shooting straightway,Their tollman was too slow!He’ll listen after our song and laughterAs over the hill we go.The girls cry, “Fie! for shame!”Their cheeks and lips are red,And so, with kisses, kisses, kisses,They take the toll instead.

Still follow, follow! across the hollowThe tavern fronts the road.Whoa, now! all steady! the host is ready,—He knows the country mode!The irons are in the fire,The hissing flip is got;So pour and sip it, sip it, sip it,And sip it while ’tis hot.

Push back the tables, and from the stablesBring Tom, the fiddler, in;All take your places, and make your graces,And let the dance begin.The girls are beating timeTo hear the music sound;Now foot it, foot it, foot it, foot it,And swing your partners round.

Last couple toward the left! all forward!Cotillons through, let’s wheel:First tune the fiddle, then down the middleIn old Virginia Reel.Play Money Musk to close,Then take the “long chassé,”While in to supper, supper, supper,The landlord leads the way.

The bells are ringing, the ostlers bringingThe cutters up anew;The beasts are neighing; too long we’re staying,The night is half-way through.Wrap close the buffalo-robes,We’re all aboard once more;Now jingle, jingle, jingle, jingle,Away from the tavern-door

So follow, follow, by hill and hollow,And swiftly homeward glide.What midnight splendor! how warm and tenderThe maiden by your side!The sleighs drop far apart,Her words are soft and low;Now, if you love her, love her, love her,’Tis safe to tell her so.

Just where the Treasury’s marble frontLooks over Wall Street’s mingled nations;Where Jews and Gentiles most are wontTo throng for trade and last quotations;Where, hour by hour, the rates of goldOutrival, in the ears of people,The quarter-chimes, serenely tolledFrom Trinity’s undaunted steeple,—

Even there I heard a strange, wild strainSound high above the modern clamor,Above the cries of greed and gain,The curbstone war, the auction’s hammer;And swift, on Music’s misty ways,It led, from all this strife for millions,To ancient, sweet-do-nothing daysAmong the kirtle-robed Sicilians.

And as it stilled the multitude,And yet more joyous rose, and shriller,I saw the minstrel, where he stoodAt ease against a Doric pillar:One hand a droning organ played,The other held a Pan’s-pipe (fashionedLike those of old) to lips that madeThe reeds give out that strain impassioned.

’Twas Pan himself had wandered hereA-strolling through this sordid city,And piping to the civic earThe prelude of some pastoral ditty!The demigod had crossed the seas,—From haunts of shepherd, nymph, and satyr,And Syracusan times,—to theseFar shores and twenty centuries later.

A ragged cap was on his head;But—hidden thus—there was no doubtingThat, all with crispy locks o’erspread,His gnarléd horns were somewhere sprouting;His club-feet, cased in rusty shoes,Were crossed, as on some frieze you see them,And trousers, patched of divers hues,Concealed his crooked shanks beneath them.

He filled the quivering reeds with sound,And o’er his mouth their changes shifted,And with his goat’s-eyes looked aroundWhere’er the passing current drifted;And soon, as on Trinacrian hillsThe nymphs and herdsmen ran to hear him,Even now the tradesmen from their tills,With clerks and porters, crowded near him.

The bulls and bears together drewFrom Jauncey Court and New Street Alley,As erst, if pastorals be true,Came beasts from every wooded valley;The random passers stayed to list,—A boxer Ægon, rough and merry,A Broadway Daphnis, on his trystWith Nais at the Brooklyn Ferry.

A one-eyed Cyclops halted longIn tattered cloak of army pattern,And Galatea joined the throng,—A blowsy, apple-vending slattern;While old Silenus staggered outFrom some new-fangled lunch-house handy,And bade the piper, with a shout,To strike up Yankee Doodle Dandy!

A newsboy and a peanut-girlLike little Fauns began to caper:His hair was all in tangled curl,Her tawny legs were bare and taper;And still the gathering larger grew,And gave its pence and crowded nigher,While aye the shepherd-minstrel blewHis pipe, and struck the gamut higher.

O heart of Nature, beating stillWith throbs her vernal passion taught her,—Even here, as on the vine-clad hill,Or by the Arethusan water!New forms may fold the speech, new landsArise within these ocean-portals,But Music waves eternal wands,—Enchantress of the souls of mortals!

So thought I,—but among us trodA man in blue, with legal baton,And scoffed the vagrant demigod,And pushed him from the step I sat on.Doubting I mused upon the cry,“Great Pan is dead!”—and all the peopleWent on their ways:—and clear and highThe quarter sounded from the steeple.

Words in this poem 39
january n.
The first month of the year, containing thirty-one days. [L. Januarius, fr. Janus an old Latin deity, the god of the sun and the year, to whom the month of January was sacred; cf. janua a door, Skr. ya to go.]
clabber n.
Milk curdled so as to become thick. [See Bonnyclabber]
molly n.
A pet or colloquial name for Mary. Molly cottontail. (Zoöl.) See Cottontail.
jingle v. i.
To sound with a fine, sharp, rattling, clinking, or tinkling sound; as, sleigh bells jingle. [OE. gingelen, ginglen; prob. akin to E. chink; cf. also E. jangle.]
crispy a.
Formed into short, close ringlets; frizzed; crisp; as, crispy locks.
folks n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
nestle v. i.
To make and occupy a nest; to nest. [AS. nestlian.]
straightway adv.
Immediately; without loss of time; without delay.
tollman n.
One who receives or collects toll; a toll gatherer.
whoa interj.
Stop; stand; hold. See Ho, 2.
flip n.
A mixture of beer, spirit, etc., stirred and heated by a hot iron. Flip dog, an iron used, when heated, to warm flip. [Cf. Prov. E. flip nimble, flippant, also, a slight blow. Cf. Flippant.]
fiddler n.
One who plays on a fiddle or violin. [AS. fi.]
aboard adv.
On board; into or within a ship or boat; hence, into or within a railway car. [Pref. a- on, in + board.]
homeward a.
Being in the direction of home; as, the homeward way.
outrival v. t.
To surpass in a rivalry.
serenely adv.
In a serene manner; clearly.
undaunted a.
Not daunted; not subdued or depressed by fear.
greed n.
An eager desire or longing; greediness; as, a greed of gain. [Akin to Goth. grdus hunger, Icel. graedhr. sq. root34. See Greedy.]
curbstone n.
A stone Curbstone broker.See under Broker.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
impassioned p. p.
Actuated or characterized by passion or zeal; showing warmth of feeling; ardent; animated; excited; as, an impassioned orator or discourse.
sordid a.
Filthy; foul; dirty. [L. sordidus, fr. sordere to be filthy or dirty; probably akin to E. swart: cf. F. sordide. See Swart, a.]
piping a.
Playing on a musical pipe. [From Pipe, v.]
civic a.
Relating to, or derived from, a city or citizen; relating to man as a member of society, or to civil affairs. Civic crown (Rom. [L.civicus, fr. civis citizen. See City.]
ditty n.
A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]
satyr n.
A sylvan deity or demigod, represented as part man and part goat, and characterized by riotous merriment and lasciviousness. [L. satyrus, Gr. satyre.]
somewhere adv.
In some place unknown or not specified; in one place or another.
divers a.
Different in kind or species; diverse. [F. divers, L. diversus turned in different directions, different, p. p. of divertere. See Divert, and cf. Diverse.]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
boxer n.
One who packs boxes.
tryst v. i.
To mutually agree to meet at a certain place.
galatea n.
A kind of striped cotton fabric, usually of superior quality and striped with blue or red on white.
handy a.
Performed by the hand. [OE. hendi, AS. hendig (in comp.), fr. hand hand; akin to D. handig, Goth. handugs clever, wise.]
bade
A form of the pat tense of Bid.
doodle n.
A trifler; a simple fellow. [Cf. Dawdle.]
newsboy n.
A boy who distributes or sells newspaper.
clad v.
To clothe. Holland.
enchantress n.
A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
went n.
Course; way; path; journey; direction.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A New Song to an Old Tune is in the public domain. This text is taken from The poetical works of Edmund Clarence Stedman, Project Gutenberg ebook #70763; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Clarence Stedman, A New Song to an Old Tune, in The Poetical Works of Edmund Clarence Stedman (1860–1897), text of Project Gutenberg ebook #70763, Laurel, https://laurelpoetry.com/poem/stedman-poems/a-new-song-to-an-old-tune.html, id L10700.

Form and metre

A New Song to an Old Tune is 160 lines in 20 stanzas of 8 lines each. The commonest rhyme scheme is ABABCDCD, in 6 of the 20 stanzas; the rest vary or could not be confirmed. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 88% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 61 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A-B-B dairy · freezeA · over · easeA · team · outB · it · aboutB
  2. 2 -A-A-B-B dozens · scoreA · jolly · beforeA · street · rowB · jingle · snowB
  3. 3 AB-BAC-C listenA · passB · brighter · glassB · burnA · coldC · nestle · holdC
  4. 4 -A-A-B-B straightway · slowA · laughter · goA · shame · redB · kisses · insteadB
  5. 5 -A-A-B-B hollow · roadA · ready · modeA · fire · gotB · it · hotB
  6. 6 -A-A-B-B stables · inA · graces · beginA · time · soundB · it · roundB
  7. 7 -AAA---- forward · wheelA · middleA · reelA · close · chassé · supper · way
  8. 8 -A-A-B-B bringing · anewA · staying · throughA · robes · moreB · jingle · doorB
  9. 9 -A-A-B-B hollow · glideA · tender · sideA · apart · lowB · her · soB
  10. 10 -A-ABCBC front · nationsA · wont · quotationsA · goldB · peopleC · tolledB · steepleC
  11. 11 ABABC-C- strainA · clamorB · gainA · hammerB · waysC · millions · daysC · sicilians
  12. 12 -A-ABCBC multitude · shrillerA · stood · pillarA · playedB · fashionedC · madeB · impassionedC
  13. 13 ABABC-C- hereA · cityB · earA · dittyB · seasC · satyr · theseC · later
  14. 14 ABABCDCD headA · doubtingB · o'erspreadA · sproutingB · shoesC · themD · huesC · themD
  15. 15 ABABCDCD soundA · shiftedB · aroundA · driftedB · hillsC · himD · tillsC · himD
  16. 16 ABABCDCD drewA · alleyB · trueA · valleyB · listC · merryD · trystC · ferryD
  17. 17 ABABCDCD longA · patternB · throngA · slatternB · outC · handyD · shoutC · dandyD
  18. 18 ABABCDCD girlA · caperB · curlA · taperB · grewC · nigherD · blewC · higherD
  19. 19 A-A--B-B stillA · her · hillA · water · lands · portalsB · wands · mortalsB
  20. 20 ABABCDCD trodA · batonB · demigodA · onB · cryC · peopleD · highC · steepleD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
In January, when down the dairy10·/˘·˘···/˘
The cream and clabber freeze,6···/˘·
When snow-drifts cover the fences over,10···/˘·/˘··
We farmers take our ease.7·/˘·/˘·
At night we rig the team,6······
And bring the cutter out;6···/˘·
Then fill it, fill it, fill it, fill it,9·········
And heap the furs about.6······
Here friends and cousins dash up by dozens,10···/˘···/˘
And sleighs at least a score;6······
There John and Molly, behind, are jolly,—10···/˘···/˘
Nell rides with me, before.6······
All down the village street6···/˘·
We range us in a row:6······
Now jingle, jingle, jingle, jingle,9·/˘/˘/˘/˘
And over the crispy snow!7····/˘·
The windows glisten, the old folks listen10·/˘/˘···/˘
To hear the sleigh-bells pass;6······
The fields grow whiter, the stars are brighter,10···/˘···/˘
The road is smooth as glass.6······
Our muffled faces burn,7/˘/˘/˘·
The clear north-wind blows cold,6······
The girls all nestle, nestle, nestle,9···/˘/˘/˘
Each in her lover’s hold.6···/˘·
Through bridge and gateway we’re shooting straightway,10···/··/˘/˘
Their tollman was too slow!6·/˘···
He’ll listen after our song and laughter11·/˘··/˘··/˘
As over the hill we go.7·······
The girls cry, “Fie! for shame!”6······
Their cheeks and lips are red,6······
And so, with kisses, kisses, kisses,9···/˘/˘/˘
They take the toll instead.6····˘/
Still follow, follow! across the hollow10·/˘/˘˘/·/˘
The tavern fronts the road.6·/˘···
Whoa, now! all steady! the host is ready,—10···/˘···/˘
He knows the country mode!6···/˘·
The irons are in the fire,8·/˘···/˘
The hissing flip is got;6·/˘···
So pour and sip it, sip it, sip it,9·········
And sip it while ’tis hot.6······
Push back the tables, and from the stables10···/˘···/˘
Bring Tom, the fiddler, in;7···/˘˘·
All take your places, and make your graces,10···/˘···/˘
And let the dance begin.6····˘/
The girls are beating time6···/˘·
To hear the music sound;6···/˘·
Now foot it, foot it, foot it, foot it,9·········
And swing your partners round.6···/˘·
Last couple toward the left! all forward!10·/˘·····/˘
Cotillons through, let’s wheel:6······
First tune the fiddle, then down the middle10···/˘···/˘
In old Virginia Reel.6··˘/˘·
Play Money Musk to close,6·/˘···
Then take the “long chassé,”5·····
While in to supper, supper, supper,9···/˘/˘/˘
The landlord leads the way.6·/····
The bells are ringing, the ostlers bringing10···/˘···/˘
The cutters up anew;6·/˘·˘/
The beasts are neighing; too long we’re staying,10········/˘
The night is half-way through.6······
Wrap close the buffalo-robes,7···/˘··
We’re all aboard once more;6··˘/··
Now jingle, jingle, jingle, jingle,9·/˘/˘/˘/˘
Away from the tavern-door7˘/··/˘·
So follow, follow, by hill and hollow,10·/˘/˘···/˘
And swiftly homeward glide.6·/˘/˘·
What midnight splendor! how warm and tender10·/·/˘···/˘
The maiden by your side!6·/˘···
The sleighs drop far apart,6····˘/
Her words are soft and low;6······
Now, if you love her, love her, love her,9·········
’Tis safe to tell her so.6······
Just where the Treasury’s marble front9···/˘˘/˘·
Looks over Wall Street’s mingled nations;10·····/˘˘/˘
Where Jews and Gentiles most are wont8···/····
To throng for trade and last quotations;9······˘/˘
Where, hour by hour, the rates of gold10·/˘·/˘····
Outrival, in the ears of people,9˘/˘····/˘
The quarter-chimes, serenely tolled10·/˘·˘/˘˘·˘
From Trinity’s undaunted steeple,—9·/˘˘˘/˘/˘
Even there I heard a strange, wild strain9/˘·······
Sound high above the modern clamor,9·····/˘/˘
Above the cries of greed and gain,8········
The curbstone war, the auction’s hammer;9·/···/˘/˘
And swift, on Music’s misty ways,8···/˘/˘·
It led, from all this strife for millions,9·······/˘
To ancient, sweet-do-nothing days8·/˘··/˘·
Among the kirtle-robed Sicilians.10···/˘·˘/˘˘
And as it stilled the multitude,9····˘·/˘·
And yet more joyous rose, and shriller,9···/˘····
I saw the minstrel, where he stood8···/˘···
At ease against a Doric pillar:9·····/˘/˘
One hand a droning organ played,9···/˘/˘·˘
The other held a Pan’s-pipe (fashioned10·/˘····/˘˘
Like those of old) to lips that made8········
The reeds give out that strain impassioned.10······˘/˘˘
’Twas Pan himself had wandered here9··˘/·/˘˘·
A-strolling through this sordid city,9·/˘··/˘/˘
And piping to the civic ear8·/˘··/˘·
The prelude of some pastoral ditty!10·/···/˘˘/˘
The demigod had crossed the seas,—9·/˘˘··˘··
From haunts of shepherd, nymph, and satyr,9···/˘··/˘
And Syracusan times,—to these8········
Far shores and twenty centuries later.10···/˘/˘˘/˘
A ragged cap was on his head;9·/˘˘·····
But—hidden thus—there was no doubting9·/˘····/˘
That, all with crispy locks o’erspread,8···/˘···
His gnarléd horns were somewhere sprouting;8····/·/˘
His club-feet, cased in rusty shoes,9····˘·/˘·
Were crossed, as on some frieze you see them,10··˘·······
And trousers, patched of divers hues,9·/˘·˘·/˘·
Concealed his crooked shanks beneath them.10˘/˘·/˘····
He filled the quivering reeds with sound,10··˘·/˘˘···
And o’er his mouth their changes shifted,9·····/˘/˘
And with his goat’s-eyes looked around9······˘··
Where’er the passing current drifted;10˘˘/·/˘/˘/˘
And soon, as on Trinacrian hills8········
The nymphs and herdsmen ran to hear him,9···/˘····
Even now the tradesmen from their tills,9/˘··/˘···
With clerks and porters, crowded near him.9···/˘/˘··
The bulls and bears together drew8····˘/˘·
From Jauncey Court and New Street Alley,9·······/˘
As erst, if pastorals be true,8···/˘˘··
Came beasts from every wooded valley;10···/˘˘/˘/˘
The random passers stayed to list,—9·/˘/˘·˘··
A boxer Ægon, rough and merry,8·/˘···/˘
A Broadway Daphnis, on his tryst8·/·/˘···
With Nais at the Brooklyn Ferry.9·/˘··/˘/˘
A one-eyed Cyclops halted long8···/·/˘·
In tattered cloak of army pattern,10·/˘˘··/˘/˘
And Galatea joined the throng,—9··˘/˘·˘··
A blowsy, apple-vending slattern;9···/˘/˘/˘
While old Silenus staggered out9··˘/˘/˘˘·
From some new-fangled lunch-house handy,10···/˘˘··/˘
And bade the piper, with a shout,8···/˘···
To strike up Yankee Doodle Dandy!9···/˘/˘/˘
A newsboy and a peanut-girl8·····/˘·
Like little Fauns began to caper:9·/˘·˘/·/˘
His hair was all in tangled curl,9·····/˘˘·
Her tawny legs were bare and taper;9·/˘····/˘
And still the gathering larger grew,9···/˘˘/˘·
And gave its pence and crowded nigher,9·····/˘··
While aye the shepherd-minstrel blew8···/˘/˘·
His pipe, and struck the gamut higher.9·····/˘/˘
O heart of Nature, beating still8···/˘/˘·
With throbs her vernal passion taught her,—9···/˘/˘··
Even here, as on the vine-clad hill,9/˘·······
Or by the Arethusan water!9·······/˘
New forms may fold the speech, new lands8········
Arise within these ocean-portals,9˘/···/˘/˘
But Music waves eternal wands,—8·/˘·˘/˘·
Enchantress of the souls of mortals!9˘/˘····/˘
So thought I,—but among us trod8········
A man in blue, with legal baton,9·····/˘/·
And scoffed the vagrant demigod,9··˘·/˘/˘˘
And pushed him from the step I sat on.10··˘·······
Doubting I mused upon the cry,9/˘··˘····
“Great Pan is dead!”—and all the people9·······/˘
Went on their ways:—and clear and high8········
The quarter sounded from the steeple.9·/˘/˘··/˘

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