To a Bull-Dog

John Collings Squire (1884–1958) · 1918

iambic tetrameter · 72 lines · from Poems: First Series

We sha'n't see Willy any more, Mamie,He won't be coming any more:He came back once and again and again,But he won't get leave any more.

We looked from the window and there was his cab,And we ran downstairs like a streak,And he said "Hullo, you bad dog," and you crouched to the floor,Paralysed to hear him speak,

And then let fly at his face and his chestTill I had to hold you down,While he took off his cap and his gloves and his coat.And his bag and his thonged Sam Browne.

We went upstairs to the studio,The three of us, just as of old,And you lay down and I sat and talked to himAs round the room he strolled.

Here in the room where, years agoBefore the old life stopped,He worked all day with his slippers and his pipe,He would pick up the threads he'd dropped,

Fondling all the drawings he had left behind,Glad to find them all still the same,And opening the cupboards to look at his belongings... Every time he came.

But now I know what a dog doesn't know,Though you'll thrust your head on my knee,And try to draw me from the absent-mindednessThat you find so dull in me.

And all your life you will never knowWhat I wouldn't tell you even if I could,That the last time we waved him awayWilly went for good.

But sometimes as you lie on the hearthrugSleeping in the warmth of the stove,Even through your muddled old canine brainShapes from the past may rove.

You'll scarcely remember, even in a dream,How we brought home a silly little pup.With a big square head and little crooked legsThat could scarcely bear him up,

But your tail will tap at the memoryOf a man whose friend you were,Who was always kind though he called you a naughty dogWhen he found you on his chair;

Who'd make you face a reproving fingerAnd solemnly lecture youTill your head hung downwards and you looked very sheepish!And you'll dream of your triumphs too.

Of summer evening chases in the gardenWhen you dodged us all about with a bone:We were three boys, and you were the cleverest,But now we're two alone.

When summer comes again,And the long sunsets fade,We shall have to go on playing the feeble game for twoThat since the war we've played.

And though you run expectant as you always doTo the uniforms we meet,You'll never find Willy among all the soldiersIn even the longest street,

Nor in any crowd; yet, strange and bitter thought,Even now were the old words said,If I tried the old trick and said "Where's Willy?"You would quiver and lift your head,

And your brown eyes would look to ask if I were serious,And wait for the word to spring.Sleep undisturbed: I sha'n't say that again,You innocent old thing.

I must sit, not speaking, on the sofa,While you lie asleep on the floor;For he's suffered a thing that dogs couldn't dream of,And he won't be coming here any more.

Words in this poem

willy n.
A large wicker basket. Halliwell. [Cf. Willow.]
downstairs adv.
Down the stairs; to a lower floor.
crouched a.
Marked with the sign of the cross. Crouched friar. See Crutched friar, under Crutched.
went n.
Course; way; path; journey; direction.
upstairs adv.
Up the stairs; in or toward an upper story.
studio n.
The working room of an artist. [It. studio, properly, study. See Study.]
naughty a.
Having little or nothing.
sheepish a.
Of or pertaining to sheep.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To a Bull-Dog is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Collings Squire, To a Bull-Dog, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/to-a-bull-dog.html, id L23190.

Form and metre

To a Bull-Dog is 72 lines in 18 stanzas of 4 lines each. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A mamie · moreA · again · moreA
  2. 2 -A-A cab · streakA · floor · speakA
  3. 3 -A-A chest · downA · coat · browneA
  4. 4 -A-A studio · oldA · him · strolledA
  5. 5 -A-A ago · stoppedA · pipe · droppedA
  6. 6 -A-A behind · sameA · belongings · cameA
  7. 7 -A-A know · kneeA · mindedness · meA
  8. 8 -A-A know · couldA · away · goodA
  9. 9 -A-A hearthrug · stoveA · brain · roveA
  10. 10 -A-A dream · pupA · legs · upA
  11. 12 -A-A finger · youA · sheepish · tooA
  12. 13 AA-A gardenA · boneA · cleverest · aloneA
  13. 14 -A-A again · fadeA · two · playedA
  14. 15 -A-A do · meetA · soldiers · streetA
  15. 16 -A-A thought · saidA · willy · headA
  16. 17 -A-A serious · springA · again · thingA
  17. 18 -A-A sofa · floorA · of · moreA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
We sha'n't see Willy any more, Mamie,10···/˘/˘·/˘
He won't be coming any more:8···/˘/˘·
He came back once and again and again,10·····˘/·˘/
But he won't get leave any more.8·····/˘·
We looked from the window and there was his cab,11····/˘·····
And we ran downstairs like a streak,8···//···
And he said "Hullo, you bad dog," and you crouched to the floor,14···˘/·········
Paralysed to hear him speak,8/˘·˘····
And then let fly at his face and his chest10··········
Till I had to hold you down,7·······
While he took off his cap and his gloves and his coat.12············
And his bag and his thonged Sam Browne.8········
We went upstairs to the studio,9··˘/··/˘·
The three of us, just as of old,8········
And you lay down and I sat and talked to him11···········
As round the room he strolled.7······˘
Here in the room where, years ago8······˘/
Before the old life stopped,7······˘
He worked all day with his slippers and his pipe,11······/˘···
He would pick up the threads he'd dropped,8········
Fondling all the drawings he had left behind,11/˘··/˘·····
Glad to find them all still the same,8········
And opening the cupboards to look at his belongings13·/˘·/˘····˘/˘
... Every time he came.6/˘˘···
But now I know what a dog doesn't know,10·······/˘·
Though you'll thrust your head on my knee,8········
And try to draw me from the absent-mindedness11·······/˘/˘
That you find so dull in me.7·······
And all your life you will never know8······/·
What I wouldn't tell you even if I could,10··/˘··/···
That the last time we waved him away9·······˘/
Willy went for good.5/˘···
But sometimes as you lie on the hearthrug10·˘/·······
Sleeping in the warmth of the stove,8/˘······
Even through your muddled old canine brain9/··/˘·/··
Shapes from the past may rove.6······
You'll scarcely remember, even in a dream,10·/˘˘/˘/···
How we brought home a silly little pup.10·····/˘/˘·
With a big square head and little crooked legs11······/˘/˘·
That could scarcely bear him up,7··/˘···
But your tail will tap at the memory9·······/˘
Of a man whose friend you were,7·······
Who was always kind though he called you a naughty dog13··/·······/˘·
When he found you on his chair;7·······
Who'd make you face a reproving finger10········/˘
And solemnly lecture you7·/˘˘/˘·
Till your head hung downwards and you looked very sheepish!12····/···/˘/˘
And you'll dream of your triumphs too.8·····/˘·
Of summer evening chases in the garden11·/˘/˘/˘··/˘
When you dodged us all about with a bone:10··········
We were three boys, and you were the cleverest,10········/˘
But now we're two alone.6····˘/
When summer comes again,6·/˘·˘/
And the long sunsets fade,6···/··
We shall have to go on playing the feeble game for two14······/˘·/˘···
That since the war we've played.7······˘
And though you run expectant as you always do12····˘/˘··/··
To the uniforms we meet,7··/˘···
You'll never find Willy among all the soldiers11·/·/˘····/˘
In even the longest street,7·/˘·/˘·
Nor in any crowd; yet, strange and bitter thought,11··/˘····/˘·
Even now were the old words said,8/˘······
If I tried the old trick and said "Where's Willy?"11·········/˘
You would quiver and lift your head,8··/˘····
And your brown eyes would look to ask if I were serious,13···········/˘
And wait for the word to spring.7·······
Sleep undisturbed: I sha'n't say that again,10··˘/····˘/
You innocent old thing.6·/˘˘··
I must sit, not speaking, on the sofa,10····/˘··/˘
While you lie asleep on the floor;8···˘/···
For he's suffered a thing that dogs couldn't dream of,12··/˘····/˘··
And he won't be coming here any more.10····/˘·/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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