Friendship's Garland

John Collings Squire (1884–1958) · 1918

iambic tetrameter · AABB · 81 lines · from Poems: First Series

When I was a boy there was a friend of mine:We thought ourselves warriors and grown folk swine,Stupid old animals who never understoodAnd never had an impulse and said "you must be good."

We slank like stoats and fled like foxes,We put cigarettes in the pillar-boxes,Lighted cigarettes and letters all aflame--O the surprise when the postman came!

We stole eggs and apples and made fine hayIn people's houses when people were away,We broke street lamps and away we ran,Then I was a boy but now I am a man.

Now I am a man and don't have any fun,I hardly ever shout and I never, never run,And I don't care if he's dead that friend of mine,For then I was a boy and now I am a swine.

We met again the other nightWith people; you were quite polite,Shook my hand and spoke a whileOf common things with cautious smile;Paid the usual debt men oweTo fellows whom they used to know.But, when our eyes met full, yours dropped,And sudden, resolute, you stopped,Moving with hurried syllablesTo make remarks to someone else.I caught them not, to me they said:"Let the dead past bury its dead,Things were very different then,Boys are fools and men are men."Several times the other nightYou did your best to be polite;When in the conversation's roundYou heard my tongue's familiar soundYou bent in eager pose my wayTo hear what I had got to say;Trying, you thought with some success,To hide the chasm's nakedness.But on your eyes hard films there lay;No mock-interest, no pretenceCould veil your blank indifference;And if thoughts came recalling thingsFar-off, far-off, from those old springsWhen underneath the moon and sunOur separate pulses beat as one,Vagrant tender thoughts that askedAdmittance found the portal masked;You spurned them; when I'd said my say,With laugh and nod you turned awayTo toss your friends some easy jestThat smote my brow and stabbed my breast.Foolish though it be and vainI am not master of my pain,And when I said good-night to youI hoped we should not meet again,And wondered how the soul I knewCould change so much; have I changed too?

There was a man whom I knew wellWhose choice it was to live in hell;Reason there was why that was soBut what it was I do not know.

He had a room high in a tower,And sat there drinking hour by hour,Drinking, drinking all aloneWith candles and a wall of stone.

Now and then he sobered down,And stayed a night with me in town.If he found me with a crowd,He shrank and did not speak aloud.

He sat in a corner silently,And others of the companyWould note his curious face and eye,His twitching face and timid eye.

When they saw the eye he hadThey thought, perhaps, that he was mad:I knew he was clear and saneBut had a horror in his brain.

He had much money and one friendAnd drank quite grimly to the end.Why he chose to die in hellI did not ask, he did not tell.

Words in this poem 19
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
aflame adv.
Inflames; glowing with light or passion; ablaze. G. Eliot. [Pref. a- + flame.]
postman n.
A post or courier; a letter carrier.
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
shook v. t.
To pack, as staves, in a shook.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
nakedness n.
The condition of being naked.
pretence n.
The act of laying claim; the claim laid; assumption; pretension. [LL. praetensus, for L. praetentus, p. p. of praetendere. See Pretend, and cf. Tension.]
admittance n.
The act of admitting.
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
wondered a.
Having performed wonders; able to perform wonderful things.
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
sane a.
Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
drank n.
Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
grimly a.
Grim; hideous; stern.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Friendship's Garland is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Collings Squire, Friendship's Garland, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/friendship-s-garland.html, id L23151.

Form and metre

Friendship's Garland is 81 lines in 11 stanzas. The rhyme scheme is AABB, complete in 9 of its 11 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB mineA · swineA · understoodB · goodB
  2. 2 AABB foxesA · boxesA · aflameB · cameB
  3. 3 AABB hayA · awayA · ranB · manB
  4. 4 AABB funA · runA · mineB · swineB
  5. 5 AABBCCDD--EEFFGGHHIIJJIKKLLMMNNOOPPQQR-RR nightA · politeA · whileB · smileB · oweC · knowC · droppedD · stoppedD · syllables · else · saidE · deadE · thenF · menF · nightG · politeG · roundH · soundH · wayI · sayI · successJ · nakednessJ · layI · pretenceK · indifferenceK · thingsL · springsL · sunM · oneM · askedN · maskedN · sayO · awayO · jestP · breastP · vainQ · painQ · youR · again · knewR · tooR
  6. 6 AABB wellA · hellA · soB · knowB
  7. 7 AABB towerA · hourA · aloneB · stoneB
  8. 8 AABB downA · townA · crowdB · aloudB
  9. 9 --AA silently · company · eyeA · eyeA
  10. 10 AABB hadA · madA · saneB · brainB
  11. 11 AABB friendA · endA · hellB · tellB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
When I was a boy there was a friend of mine:11···········
We thought ourselves warriors and grown folk swine,10··˘//˘····
Stupid old animals who never understood10/˘·/˘·/·˘/
And never had an impulse and said "you must be good."12·/··˘/······
We slank like stoats and fled like foxes,9·······/˘
We put cigarettes in the pillar-boxes,11···˘/··/˘/˘
Lighted cigarettes and letters all aflame--11/˘·˘/·/˘·˘/
O the surprise when the postman came!9··˘/··/˘·
We stole eggs and apples and made fine hay10····/˘····
In people's houses when people were away,11·/˘/˘·/˘·˘/
We broke street lamps and away we ran,9·····˘/··
Then I was a boy but now I am a man.11···········
Now I am a man and don't have any fun,11········/˘·
I hardly ever shout and I never, never run,10·/˘/···//·
And I don't care if he's dead that friend of mine,11···········
For then I was a boy and now I am a swine.12············
We met again the other night8··˘/·/˘·
With people; you were quite polite,8·/˘···˘/
Shook my hand and spoke a while7·······
Of common things with cautious smile;8·/˘··/˘·
Paid the usual debt men owe8··/˘˘···
To fellows whom they used to know.8·/˘·····
But, when our eyes met full, yours dropped,8··/·····
And sudden, resolute, you stopped,8·/˘/˘···
Moving with hurried syllables8/˘·/˘/˘˘
To make remarks to someone else.8··˘/·/··
I caught them not, to me they said:8········
"Let the dead past bury its dead,8····/˘··
Things were very different then,8··/˘/˘˘·
Boys are fools and men are men."7·······
Several times the other night7/˘··/˘·
You did your best to be polite;8······˘/
When in the conversation's round8····˘/˘·
You heard my tongue's familiar sound8····˘/˘·
You bent in eager pose my way8···/˘···
To hear what I had got to say;8········
Trying, you thought with some success,8/˘····˘/
To hide the chasm's nakedness.8···/˘/˘˘
But on your eyes hard films there lay;8········
No mock-interest, no pretence7··/˘···
Could veil your blank indifference;8····˘/˘˘
And if thoughts came recalling things8····˘/˘·
Far-off, far-off, from those old springs8········
When underneath the moon and sun8··˘/····
Our separate pulses beat as one,9//˘˘/˘···
Vagrant tender thoughts that asked8/˘/˘···˘
Admittance found the portal masked;8˘/˘··/˘·
You spurned them; when I'd said my say,8········
With laugh and nod you turned away8······˘/
To toss your friends some easy jest8·····/˘·
That smote my brow and stabbed my breast.8········
Foolish though it be and vain7/˘·····
I am not master of my pain,8···/˘···
And when I said good-night to you8········
I hoped we should not meet again,8······˘/
And wondered how the soul I knew8·/˘·····
Could change so much; have I changed too?8········
There was a man whom I knew well8········
Whose choice it was to live in hell;8········
Reason there was why that was so8/˘······
But what it was I do not know.8········
He had a room high in a tower,9·······/˘
And sat there drinking hour by hour,9···/˘/·/˘
Drinking, drinking all alone7/˘/˘·˘/
With candles and a wall of stone.8·/˘·····
Now and then he sobered down,8····/˘˘·
And stayed a night with me in town.8········
If he found me with a crowd,7·······
He shrank and did not speak aloud.8······˘/
He sat in a corner silently,9····/˘/˘˘
And others of the company8·/˘··/˘˘
Would note his curious face and eye,8···/˘···
His twitching face and timid eye.8·/˘··/˘·
When they saw the eye he had7·······
They thought, perhaps, that he was mad:8··˘/····
I knew he was clear and sane7·······
But had a horror in his brain.8···/˘···
He had much money and one friend8···/˘···
And drank quite grimly to the end.8···/˘···
Why he chose to die in hell7·······
I did not ask, he did not tell.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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