August Moon
In the smooth grey heaven is poised the pale half moonAnd sheds on the wide grey river a broken reflection.Out from the low church-tower the boats are mooredAfter the heat of the day, and await the dark.
And here, where the side of the road shelves into the riverAt the gap where barges load and horses drink,There are no horses. And the river is fullAnd the water stands by the shore and does not lap.
And a barge lies up for the night this side of the island,The bargeman sits in the bows and smokes his pipeAnd his wife by the cabin stirs. Behind me voices pass.
Calm sky, calm river: and a few calm things reflected.And all as yet keep their colours; the island osiers,The ash-white spots of umbelliferous flowers,And the yellow clay of its bank, the barge's brown sailsThat are furled up the mast and then make a lean triangleTo the end of the hoisted boom, and the high dark slipsWhere they used to build vessels, and now build them no more.
All in the river reflected in quiet colours.Beyond the river sweeps round in a bend, and is vast,A wide grey level under the motionless skyAnd the waxing moon, clean cut in the mole-grey sky.Silence. Time is suspended; that the light failsOne would not know were it not for the moon in the sky,And the broken moon in the water, whose fractures tellOf slow broad ripples that otherwise do not show,Maturing imperceptibly from a pale to a deeper gold,A golden half moon in the sky, and broken gold in the water.
In the water, tranquilly severing, joining, gold:Three or four little plates of gold on the river:A little motion of gold between the dark imagesOf two tall posts that stand in the grey water.
There are voices passing, a murmur of quiet voices,A woman's laugh, and children going home.A whispering couple, leaning over the railings,And, somewhere, a little splash as a dog goes in.
I have always known all this, it has always been,There is no change anywhere, nothing will ever change.
I heard a story, a crazy and tiresome myth.
Listen! behind the twilight a deep low soundLike the constant shutting of very distant doors,
Doors that are letting people over thereOut to some other place beyond the end of the sky.
Words in this poem
- await v. t.
- To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
- bargeman n.
- The man who manages a barge, or one of the crew of a barge.
- tranquilly adv.
- In a tranquil manner; calmly.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
August Moon is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Collings Squire, August Moon, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/august-moon.html, id L23194.
Form and metre
August Moon is 43 lines in 11 stanzas. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 70%).
See other poems in iambic hexameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA-- moonA · reflectionA · moored · dark
- 5 --AA-A---- colours · vast · skyA · skyA · fails · skyA · tell · show · gold · water
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In the smooth grey heaven is poised the pale half moon | 11 | ····/······ |
| And sheds on the wide grey river a broken reflection. | 14 | ······/˘·/˘˘/˘ |
| Out from the low church-tower the boats are moored | 10 | ·····/···· |
| After the heat of the day, and await the dark. | 12 | ········˘/·· |
| And here, where the side of the road shelves into the river | 14 | ············/˘ |
| At the gap where barges load and horses drink, | 11 | ····/˘··/˘· |
| There are no horses. And the river is full | 11 | ···/˘··/˘·· |
| And the water stands by the shore and does not lap. | 12 | ··/˘········ |
| And a barge lies up for the night this side of the island, | 14 | ············/˘ |
| The bargeman sits in the bows and smokes his pipe | 11 | ·/˘········ |
| And his wife by the cabin stirs. Behind me voices pass. | 14 | ·····/˘····/˘· |
| Calm sky, calm river: and a few calm things reflected. | 13 | ···/˘·····˘/˘ |
| And all as yet keep their colours; the island osiers, | 13 | ······/˘·/˘·· |
| The ash-white spots of umbelliferous flowers, | 11 | ··········/ |
| And the yellow clay of its bank, the barge's brown sails | 13 | ··/˘·····/˘·· |
| That are furled up the mast and then make a lean triangle | 14 | ···········/·˘ |
| To the end of the hoisted boom, and the high dark slips | 13 | ·····/˘······ |
| Where they used to build vessels, and now build them no more. | 13 | ·····/˘······ |
| All in the river reflected in quiet colours. | 12 | ···/˘˘/˘·//˘ |
| Beyond the river sweeps round in a bend, and is vast, | 13 | ···/˘········ |
| A wide grey level under the motionless sky | 11 | ···/˘···/˘· |
| And the waxing moon, clean cut in the mole-grey sky. | 12 | ··/˘········ |
| Silence. Time is suspended; that the light fails | 11 | /˘··˘/˘···· |
| One would not know were it not for the moon in the sky, | 13 | ············· |
| And the broken moon in the water, whose fractures tell | 13 | ··/˘···/˘·/˘· |
| Of slow broad ripples that otherwise do not show, | 12 | ···/˘·/˘···· |
| Maturing imperceptibly from a pale to a deeper gold, | 15 | ˘/˘·˘/˘·····/˘· |
| A golden half moon in the sky, and broken gold in the water. | 16 | ·/˘······/˘···/˘ |
| In the water, tranquilly severing, joining, gold: | 12 | ··/˘/˘˘/˘/˘· |
| Three or four little plates of gold on the river: | 12 | ···/˘·····/˘ |
| A little motion of gold between the dark images | 13 | ·/˘/˘······/˘ |
| Of two tall posts that stand in the grey water. | 11 | ·········/˘ |
| There are voices passing, a murmur of quiet voices, | 13 | ··/˘/˘·/˘·//˘ |
| A woman's laugh, and children going home. | 9 | ·/˘··/˘/· |
| A whispering couple, leaning over the railings, | 11 | ·/˘/˘/˘··/˘ |
| And, somewhere, a little splash as a dog goes in. | 12 | ·/··/˘······ |
| I have always known all this, it has always been, | 12 | ··/˘·····/·· |
| There is no change anywhere, nothing will ever change. | 12 | ····/˘·/˘·/· |
| I heard a story, a crazy and tiresome myth. | 12 | ···/˘·/˘·/˘· |
| Listen! behind the twilight a deep low sound | 11 | /˘···/····· |
| Like the constant shutting of very distant doors, | 12 | ··/˘/˘·/˘/˘· |
| Doors that are letting people over there | 9 | ···/˘/˘·· |
| Out to some other place beyond the end of the sky. | 13 | ···/˘········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.