Antinomies on a Railway Station

John Collings Squire (1884–1958) · 1918

iambic tetrameter · 116 lines · from Poems: First Series

As I stand waiting in the rainFor the foggy hoot of the London train,Gazing at silent wall and lampAnd post and rail and platform damp,What is this power that comes to my sightThat I see a night without the night,That I see them clear, yet look them through,The silvery things and the darkly blue,That the solid wall seems soft as death,A wavering and unanchored wraith,And rails that shine and stones that streamUnsubstantial as a dream?What sudden door has opened so,What hand has passed, that I should knowThis moving vision not a tranceThat melts the globe of circumstance,This sight that marks not least or mostAnd makes a stone a passing ghost?Is it that a year agoI stood upon this self-same spot;Is it that since a year agoThe place and I have altered not;Is it that I half forgot,A year ago, and all despisedFor a space the things that I had prized:The race of life, the glittering show?Is it that now a year has passedIn vain pursuit of glittering things,In fruitless searching, shouting, running,And greedy lies and candour cunning,Here as I stand the year aboveSudden the heats and the strivings failAnd fall away, a fluctuant veil,And the fixed familiar stones restoreThe old appearance-buried core,The unmoving and essential me,The eternal personalityAlone enduring first and last?

No, this I have known in other ways,In other places, other days.Not only here, on this one peak,Do fixity and beauty speakOf the delusiveness of change,Of the transparency of form,The bootless stress of minds that range,The awful calm behind the storm.In many places, many days,The invaded soul receives the raysOf countries she was nurtured in,Speaks in her silent language strangeTo that beyond which is her kin.Even in peopled streets at timesA metaphysic arm is thrustThrough the partitioning fabric thin,And tears away the darkening pallCast by the bright phenomenal,And clears the obscured spirit's mirrorFrom shadows of deceptive error,And shows the bells and all their ringing,And all the crowds and all their singing,Carillons that are nothing's chimesAnd dust that is not even dust....

But rarely hold I converse thusWhere shapes are bright and clamorous,More often comes the word divineIn places motionless and far;Beneath the white peculiar shineOf sunless summer afternoons;At eventide on pale lagoonsWhere hangs reflected one pale star;Or deep in the green solitudesOf still erect entranced woods.

O, in the woods alone lying,Scarce a bough in the wind sighing,Gaze I long with fervid powerAt leaf and branch and grass and flower,Breathe I breaths of trembling sightShed from great urns of green delight,Take I draughts and drink them upPoured from many a stalk and cup.Now do I burn for nothing moreThan thus to gaze, thus to adoreThis exquisiteness of nature everIn silence....But with instant lightRends the film; with joy I quiverTo see with new celestial sightFlower and leaf and grass and tree,Doomed barks on an eternal sea,Flit phantom-like as transient smoke.Beauty herself her spell has broke,Beauty, the herald and the lure,Her message told, may not endure;Her portal opened, she has died,Supreme immortal suicide.Yes, sleepless nature soundless flingsInvisible grapples round the soul,Drawing her through the web of thingsTo the primal end of her journeyings,Her ultimate and constant pole.

For Beauty with her hands that beckonIs but the Prophet of a Higher,A flaming and ephemeral beacon,A Phoenix perishing by fire.Herself from us herself estranges,Herself her mighty tale doth kill,That all things change yet nothing changes.That all things move yet all are still.

I cannot sink, I cannot climb,Now that I see my ancient dwelling,The central orb untouched of time,And taste a peace all bliss excelling.Now I have broken Beauty's wall,Now that my kindred world I hold,I care not though the cities fallAnd the green earth go cold.

Words in this poem 22
hoot v. i.
To cry out or shout in contempt. [OE. hoten, houten, huten; cf. OSw. huta, Sw. huta ut to take one up sharply, fr. Sw. hut interj., begone! cf. also W. hwt off! off with it! away! hoot!]
wraith n.
An apparition of a person in his exact likeness, seen before death, or a little after; hence, an apparition; a specter; a vision; an unreal image. [Scot. wraith, warth; probably originally, a guardian angel, from Icel. vörthr a warden, guardian, akin to E. ward. See Ward a guard.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
fruitless a.
Lacking, or not bearing, fruit; barren; destitute of offspring; as, a fruitless tree or shrub; a fruitless marriage.
candour n.
Whiteness; brightness; (as applied to moral conditions) usullied purity; innocence. [L. candor, fr. candëre; cf. F. candeur. See candid.]
fluctuant a.
Moving like a wave; wavering; (Med.) [L. fluctuans, p.pr. of fluctuare. See Fluctuate.]
fixity n.
Fixedness; as, fixity of tenure; also, that which is fixed. [Cf. F. fixité.]
bootless a.
Unavailing; unprofitable; useless; without advantage or success. [From Boot profit.]
peopled a.
Stocked with, or as with, people; inhabited.
phenomenal a.
Relating to, or of the nature of, a phenomenon; hence, extraordinary; wonderful; as, a phenomenal memory. [Cf. F. phénoménal.]
sunless a.
Destitute or deprived of the sun or its rays; shaded; shadowed.
eventide n.
The time of evening; evening. [AS. æfentid. See Tide.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
fervid a.
Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
exquisiteness n.
Quality of being exquisite.
flit a.
Nimble; quick; swift. See Fleet.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
sleepless a.
Having no sleep; wakeful.
soundless a.
Not capable of being sounded or fathomed; unfathomable.
primal a.
First; primary; original; chief. [LL. primalis, fr. L. primus the first. See Prime, a.]
beckon v. t.
To make a significant sign to; hence, to summon, as by a motion of the hand.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Antinomies on a Railway Station is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Collings Squire, Antinomies on a Railway Station, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/antinomies-on-a-railway-station.html, id L23157.

Form and metre

Antinomies on a Railway Station is 116 lines in 6 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHII-J-JJKK---LL-MMNN--- rainA · trainA · lampB · dampB · sightC · nightC · throughD · blueD · deathE · wraithE · streamF · dreamF · soG · knowG · tranceH · circumstanceH · mostI · ghostI · ago · spotJ · ago · notJ · forgotJ · despisedK · prizedK · show · passed · things · runningL · cunningL · above · failM · veilM · restoreN · coreN · me · personality · last
  2. 2 AABBCDCDAAECEFGEHH--IIFG waysA · daysA · peakB · speakB · changeC · formD · rangeC · stormD · daysA · raysA · inE · strangeC · kinE · timesF · thrustG · thinE · pallH · phenomenalH · mirror · error · ringingI · singingI · chimesF · dustG
  3. 3 --ABACCB-- thus · clamorous · divineA · farB · shineA · afternoonsC · lagoonsC · starB · solitudes · woods
  4. 4 AABBCCDDEE--C-CFFGGHHIIJKJJK lyingA · sighingA · powerB · flowerB · sightC · delightC · upD · cupD · moreE · adoreE · ever · silence · lightC · quiver · sightC · treeF · seaF · smokeG · brokeG · lureH · endureH · diedI · suicideI · flingsJ · soulK · thingsJ · journeyingsJ · poleK
  5. 5 -A-ABCBC beckon · higherA · beacon · fireA · estrangesB · killC · changesB · stillC
  6. 6 ABABCDCD climbA · dwellingB · timeA · excellingB · wallC · holdD · fallC · coldD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
As I stand waiting in the rain8···/˘···
For the foggy hoot of the London train,10··/˘···/˘·
Gazing at silent wall and lamp8/˘·/˘···
And post and rail and platform damp,8·····/··
What is this power that comes to my sight9···/·····
That I see a night without the night,9·········
That I see them clear, yet look them through,9·········
The silvery things and the darkly blue,9·/˘···/˘·
That the solid wall seems soft as death,9··/˘·····
A wavering and unanchored wraith,8·/˘·····
And rails that shine and stones that stream8········
Unsubstantial as a dream?7·······
What sudden door has opened so,8·/˘··/˘·
What hand has passed, that I should know8········
This moving vision not a trance8·/˘/˘···
That melts the globe of circumstance,8·····/˘·
This sight that marks not least or most8········
And makes a stone a passing ghost?8·····/˘·
Is it that a year ago7·····˘/
I stood upon this self-same spot;8········
Is it that since a year ago8······˘/
The place and I have altered not;8·····/˘·
Is it that I half forgot,7·····˘/
A year ago, and all despised8··˘/··˘/
For a space the things that I had prized:9·········
The race of life, the glittering show?8·····/˘·
Is it that now a year has passed8········
In vain pursuit of glittering things,8··˘/·/˘·
In fruitless searching, shouting, running,9·/˘/˘/˘/˘
And greedy lies and candour cunning,9·/˘··/˘/˘
Here as I stand the year above8········
Sudden the heats and the strivings fail9/˘····/˘·
And fall away, a fluctuant veil,9··˘/·/˘˘·
And the fixed familiar stones restore9···˘/˘·˘/
The old appearance-buried core,8··˘/˘/˘·
The unmoving and essential me,9·····˘/˘·
The eternal personality9·˘/˘·˘/˘˘
Alone enduring first and last?8˘/˘/˘···
No, this I have known in other ways,9······/˘·
In other places, other days.8·/˘/˘/˘·
Not only here, on this one peak,8·/˘·····
Do fixity and beauty speak8·/˘˘·/˘·
Of the delusiveness of change,9·········
Of the transparency of form,8··˘/˘˘··
The bootless stress of minds that range,8·/˘·····
The awful calm behind the storm.8·/˘·····
In many places, many days,8·/˘/˘/˘·
The invaded soul receives the rays9·˘/˘·˘/··
Of countries she was nurtured in,8·/˘··/˘·
Speaks in her silent language strange8···/˘/˘·
To that beyond which is her kin.8········
Even in peopled streets at times8/˘·/˘···
A metaphysic arm is thrust8········
Through the partitioning fabric thin,8··˘/˘/˘·
And tears away the darkening pall8··˘/·/˘·
Cast by the bright phenomenal,8····˘/˘˘
And clears the obscured spirit's mirror9···˘//˘/˘
From shadows of deceptive error,9·/··˘/˘/˘
And shows the bells and all their ringing,9·······/˘
And all the crowds and all their singing,9·······/˘
Carillons that are nothing's chimes8/˘···/˘·
And dust that is not even dust....8·····/˘·
But rarely hold I converse thus8·/˘··/˘·
Where shapes are bright and clamorous,8·····/˘˘
More often comes the word divine8·/˘···˘/
In places motionless and far;8·/˘/˘˘··
Beneath the white peculiar shine8····˘/˘·
Of sunless summer afternoons;8·/˘/˘·˘/
At eventide on pale lagoons8·/˘˘··˘/
Where hangs reflected one pale star;8··˘/˘···
Or deep in the green solitudes8·····/˘·
Of still erect entranced woods.8··˘/˘/˘·
O, in the woods alone lying,8····˘//˘
Scarce a bough in the wind sighing,8······/˘
Gaze I long with fervid power8····/˘/˘
At leaf and branch and grass and flower,9·······/˘
Breathe I breaths of trembling sight8····/˘˘·
Shed from great urns of green delight,8······˘/
Take I draughts and drink them up7·······
Poured from many a stalk and cup.8··/˘····
Now do I burn for nothing more8·····/˘·
Than thus to gaze, thus to adore8······˘/
This exquisiteness of nature ever9·/˘˘˘·/˘/
In silence....3·/˘
But with instant light5··/˘·
Rends the film; with joy I quiver8······/˘
To see with new celestial sight8····˘/˘·
Flower and leaf and grass and tree,8/˘······
Doomed barks on an eternal sea,8····˘/˘·
Flit phantom-like as transient smoke.8·/˘··/˘·
Beauty herself her spell has broke,8/˘˘/····
Beauty, the herald and the lure,8/˘·/˘···
Her message told, may not endure;8·/˘···˘/
Her portal opened, she has died,8·/˘/˘···
Supreme immortal suicide.8˘/˘/˘/˘·
Yes, sleepless nature soundless flings8·/˘/˘/˘·
Invisible grapples round the soul,8˘/˘/˘···
Drawing her through the web of things8/˘······
To the primal end of her journeyings,9··/˘···/˘
Her ultimate and constant pole.8·/˘˘·/˘·
For Beauty with her hands that beckon9·/˘····/˘
Is but the Prophet of a Higher,9···/˘··/˘
A flaming and ephemeral beacon,9·/˘·˘/˘/˘
A Phoenix perishing by fire.9·/˘/˘˘·/˘
Herself from us herself estranges,9˘/··˘/˘/˘
Herself her mighty tale doth kill,8˘/·/˘···
That all things change yet nothing changes.9·····/˘/˘
That all things move yet all are still.8········
I cannot sink, I cannot climb,8·/˘··/˘·
Now that I see my ancient dwelling,9·····/˘/˘
The central orb untouched of time,8·/˘·˘/··
And taste a peace all bliss excelling.9······˘/˘
Now I have broken Beauty's wall,8···/˘/˘·
Now that my kindred world I hold,8···/˘···
I care not though the cities fall8·····/˘·
And the green earth go cold.6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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