A House

John Collings Squire (1884–1958) · 1918

iambic hexameter · 44 lines · from Poems: First Series

Now very quietly, and rather mournfully,In clouds of hyacinth the sun retires,And all the stubble-fields that were so warm to himKeep but in memory their borrowed fires.

And I, the traveller, break, still unsatisfied,From that faint exquisite celestial strand,And turn and see again the only dwelling-placeIn this wide wilderness of darkening land.

The house, that house, O now what change has come to it,Its crude red-brick facade, its roof of slate;What imperceptible swift hand has given itA new, a wonderful, a queenly state?

No hand has altered it, that parallelogram,So inharmonious, so ill arranged;That hard blue roof in shape and colour's what it was;No, it is not that any line has changed.

Only that loneliness is now accentuateAnd, as the dusk unveils the heaven's deep cave,This small world's feebleness fills me with awe again,And all man's energies seem very brave.

And this mean edifice, which some dull architectBuilt for an ignorant earth-turning hind,Takes on the quality of that magnificentUnshakable dauntlessness of human kind.

Darkness and stars will come, and long the night will be,Yet imperturbable that house will rest,Avoiding gallantly the stars' chill scrutiny,Ignoring secrets in the midnight's breast.

Thunders may shudder it, and winds demoniacMay howl their menaces, and hail descend;Yet it will bear with them, serenely, steadfastly,Not even scornfully, and wait the end.

And all a universe of nameless messengersFrom unknown distances may whisper fear,And it will imitate immortal permanence,And stare and stare ahead and scarcely hear.

It stood there yesterday; it will to-morrow, too,When there is none to watch, no alien eyesTo watch its ugliness assume a majestyFrom this great solitude of evening skies.

So lone, so very small, with worlds and worlds around,While life remains to it prepared to outfaceWhatever awful unconjectured mysteriesMay hide and wait for it in time and space.

Words in this poem

queenly a.
Like, becoming, or suitable to, a queen. [AS. cwenlic feminine.]
loneliness n.
The condition of being lonely; solitude; seclusion.
accentuate v. t.
To pronounce with an accent or with accents. [LL. accentuatus, p. p. of accentuare, fr. L. accentus: cf. F. accentuer.]
unshakable a.
Not capable of being shaken; firm; fixed. Shak. J. S. Mill.
imperturbable a.
Incapable of being disturbed or disconcerted; as, imperturbable gravity. [L. imperturbabilis; pref. im- not + perturbare to disturb: cf. F. imperturbable. See Perture.]
gallantly adv.
In a polite or courtly manner; like a gallant or wooer.
serenely adv.
In a serene manner; clearly.
steadfastly adv.
In a steadfast manner; firmly.
nameless a.
Without a name; not having been given a name; as, a nameless star.
ahead adv.
In or to the front; in advance; onward. [Pref. a- + head.]
ugliness n.
The quality or state of being ugly.
lone n.
A lane. See Loanin.
outface v. t.
To face or look (one) out of countenance; to resist or bear down by bold looks or effrontery; to brave.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A House is in the public domain. This text is taken from Poems - First Series, Project Gutenberg ebook #37860; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Collings Squire, A House, in Poems: First Series (1918), text of Project Gutenberg ebook #37860, Laurel, https://laurelpoetry.com/poem/squire-poems/a-house.html, id L23186.

Form and metre

A House is 44 lines in 11 stanzas of 4 lines each. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 83%).

See other poems in iambic hexameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A mournfully · retiresA · him · firesA
  2. 2 -A-A unsatisfied · strandA · place · landA
  3. 3 ABAB itA · slateB · itA · stateB
  4. 4 -A-A parallelogram · arrangedA · was · changedA
  5. 5 -A-A accentuate · caveA · again · braveA
  6. 6 -A-A architect · hindA · magnificent · kindA
  7. 7 -A-A be · restA · scrutiny · breastA
  8. 8 -A-A demoniac · descendA · steadfastly · endA
  9. 9 -A-A messengers · fearA · permanence · hearA
  10. 10 -A-A too · eyesA · majesty · skiesA
  11. 11 -A-A around · outfaceA · mysteries · spaceA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.

LineSyl.Stress
Now very quietly, and rather mournfully,12·/˘/˘˘·/˘···
In clouds of hyacinth the sun retires,10···/˘···˘/
And all the stubble-fields that were so warm to him12···/˘·······
Keep but in memory their borrowed fires.11···/˘˘·/·/˘
And I, the traveller, break, still unsatisfied,12···/˘˘··˘/˘·
From that faint exquisite celestial strand,10···/˘˘˘/˘·
And turn and see again the only dwelling-place12····˘/·/˘/˘·
In this wide wilderness of darkening land.11···/˘˘·/˘˘·
The house, that house, O now what change has come to it,12············
Its crude red-brick facade, its roof of slate;10····˘/····
What imperceptible swift hand has given it12··˘/˘˘···/˘·
A new, a wonderful, a queenly state?10···/˘˘·/˘·
No hand has altered it, that parallelogram,12···/˘·······
So inharmonious, so ill arranged;9·······˘/
That hard blue roof in shape and colour's what it was;12·······/˘···
No, it is not that any line has changed.10·····/˘···
Only that loneliness is now accentuate12/˘·/˘˘··˘/˘˘
And, as the dusk unveils the heaven's deep cave,11····˘/·/˘··
This small world's feebleness fills me with awe again,12···/˘˘····˘/
And all man's energies seem very brave.10···/˘˘·/˘·
And this mean edifice, which some dull architect12···/˘˘···/˘·
Built for an ignorant earth-turning hind,10···/˘˘·/˘·
Takes on the quality of that magnificent12···/˘˘··˘/˘˘
Unshakable dauntlessness of human kind.11˘/˘˘····/˘·
Darkness and stars will come, and long the night will be,12/˘··········
Yet imperturbable that house will rest,10··········
Avoiding gallantly the stars' chill scrutiny,12˘/˘/˘˘···/˘˘
Ignoring secrets in the midnight's breast.10˘/˘/˘··/··
Thunders may shudder it, and winds demoniac12/˘·/˘···˘/˘˘
May howl their menaces, and hail descend;10···/˘˘··˘/
Yet it will bear with them, serenely, steadfastly,13······˘/˘˘/·˘
Not even scornfully, and wait the end.10·/˘·······
And all a universe of nameless messengers12···/˘··/˘/˘˘
From unknown distances may whisper fear,10·˘//˘˘·/˘·
And it will imitate immortal permanence,12···/˘·˘/˘/˘˘
And stare and stare ahead and scarcely hear.10····˘/·/˘·
It stood there yesterday; it will to-morrow, too,12···/˘····/˘·
When there is none to watch, no alien eyes11·······/˘˘·
To watch its ugliness assume a majesty12···/˘˘˘/·/˘˘
From this great solitude of evening skies.10···/˘··/˘·
So lone, so very small, with worlds and worlds around,12···/˘·······
While life remains to it prepared to outface11··˘/··˘/·˘/
Whatever awful unconjectured mysteries12·/˘/˘····/˘˘
May hide and wait for it in time and space.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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