Part II
There was a Power in this sweet place,An Eve in this Eden; a ruling GraceWhich to the flowers, did they waken or dream,Was as God is to the starry scheme.
A Lady, the wonder of her kind,Whose form was upborne by a lovely mindWhich, dilating, had moulded her mien and motionLike a sea-flower unfolded beneath the ocean,
Tended the garden from morn to even:And the meteors of that sublunar Heaven,Like the lamps of the air when Night walks forth,Laughed round her footsteps up from the Earth!
She had no companion of mortal race,But her tremulous breath and her flushing faceTold, whilst the morn kissed the sleep from her eyes,That her dreams were less slumber than Paradise:
As if some bright Spirit for her sweet sakeHad deserted Heaven while the stars were awake,As if yet around her he lingering were,Though the veil of daylight concealed him from her.
Her step seemed to pity the grass it pressed;You might hear by the heaving of her breast,That the coming and going of the windBrought pleasure there and left passion behind.
And wherever her aery footstep trod,Her trailing hair from the grassy sodErased its light vestige, with shadowy sweep,Like a sunny storm o'er the dark green deep.
I doubt not the flowers of that garden sweetRejoiced in the sound of her gentle feet;I doubt not they felt the spirit that cameFrom her glowing fingers through all their frame.
She sprinkled bright water from the streamOn those that were faint with the sunny beam;And out of the cups of the heavy flowersShe emptied the rain of the thunder-showers.
She lifted their heads with her tender hands,And sustained them with rods and osier-bands;If the flowers had been her own infants, sheCould never have nursed them more tenderly.
And all killing insects and gnawing worms,And things of obscene and unlovely forms,She bore, in a basket of Indian woof,Into the rough woods far aloof,--
In a basket, of grasses and wild-flowers full,The freshest her gentle hands could pullFor the poor banished insects, whose intent,Although they did ill, was innocent.
But the bee and the beamlike ephemerisWhose path is the lightning's, and soft moths that kissThe sweet lips of the flowers, and harm not, did sheMake her attendant angels be.
And many an antenatal tomb,Where butterflies dream of the life to come,She left clinging round the smooth and darkEdge of the odorous cedar bark.
This fairest creature from earliest SpringThus moved through the garden ministeringMi the sweet season of Summertide,And ere the first leaf looked brown--she died!
Words in this poem
- eden n.
- The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
- waken v. i.
- To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
- starry a.
- Abounding with stars; adorned with stars.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- sublunar a.
- Situated beneath the moon; hence, of or pertaining to this world; terrestrial; earthly. [Pref. sub + lunar, or lunary: cf. F. sublunaire.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- wherever adv.
- At or in whatever place; wheresoever.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- tenderly adv.
- In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
- unlovely a.
- Not lovely; not amiable; possessing qualities that excite dislike; disagreeable; displeasing; unpleasant.
- ephemeris n.
- A diary; a journal. Johnson. [L., a diary, Gr. Ephemera.]
- antenatal a.
- Before birth. Shelley.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part II is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 2, Project Gutenberg ebook #4798; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Percy Bysshe Shelley, Part II, in Ode to the West Wind, and Other Poems (1816–1819), text of Project Gutenberg ebook #4798, Laurel, https://laurelpoetry.com/poem/shelley-later-poems/part-ii.html, id L16386.
Form and metre
Part II is 60 lines in 15 stanzas of 4 lines each. The rhyme scheme is AABB, complete in 14 of its 15 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 72%). 80% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 9 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB placeA · graceA · dreamB · schemeB
- 2 AABB kindA · mindA · motionB · oceanB
- 4 AABB raceA · faceA · eyesB · paradiseB
- 5 AABB sakeA · awakeA · wereB · herB
- 6 AABB pressedA · breastA · windB · behindB
- 7 AABB trodA · sodA · sweepB · deepB
- 8 AABB sweetA · feetA · cameB · frameB
- 9 AABB streamA · beamA · flowersB · showersB
- 10 AABB handsA · bandsA · sheB · tenderlyB
- 11 AABB wormsA · formsA · woofB · aloofB
- 12 AABB fullA · pullA · intentB · innocentB
- 13 AABB ephemerisA · kissA · sheB · beB
- 14 AABB tombA · comeA · darkB · barkB
- 15 AABB springA · ministeringA · summertideB · diedB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| There was a Power in this sweet place, | 9 | ···/˘···· |
| An Eve in this Eden; a ruling Grace | 10 | ····/˘·/˘· |
| Which to the flowers, did they waken or dream, | 10 | ···/··/˘·· |
| Was as God is to the starry scheme. | 9 | ······/˘· |
| A Lady, the wonder of her kind, | 9 | ·/˘·/˘··· |
| Whose form was upborne by a lovely mind | 10 | ·······/˘· |
| Which, dilating, had moulded her mien and motion | 12 | ·˘/˘·/˘···/˘ |
| Like a sea-flower unfolded beneath the ocean, | 11 | ···/˘/˘···/ |
| Tended the garden from morn to even: | 10 | /˘·/˘···/˘ |
| And the meteors of that sublunar Heaven, | 10 | ··/˘·····/ |
| Like the lamps of the air when Night walks forth, | 10 | ·········· |
| Laughed round her footsteps up from the Earth! | 10 | ·˘··/····· |
| She had no companion of mortal race, | 10 | ···˘/˘·/˘· |
| But her tremulous breath and her flushing face | 10 | ··/˘···/˘· |
| Told, whilst the morn kissed the sleep from her eyes, | 10 | ·········· |
| That her dreams were less slumber than Paradise: | 11 | ·····/˘·/˘· |
| As if some bright Spirit for her sweet sake | 10 | ····/˘···· |
| Had deserted Heaven while the stars were awake, | 11 | ·˘/˘/····˘/ |
| As if yet around her he lingering were, | 10 | ·······/˘· |
| Though the veil of daylight concealed him from her. | 11 | ····/·˘/··· |
| Her step seemed to pity the grass it pressed; | 10 | ····/˘···· |
| You might hear by the heaving of her breast, | 10 | ·····/˘··· |
| That the coming and going of the wind | 10 | ··/˘·/˘··· |
| Brought pleasure there and left passion behind. | 10 | ·/˘···/˘·· |
| And wherever her aery footstep trod, | 10 | ·˘/˘·/˘/·· |
| Her trailing hair from the grassy sod | 9 | ·/˘···/˘· |
| Erased its light vestige, with shadowy sweep, | 10 | ˘/··/˘·/˘· |
| Like a sunny storm o'er the dark green deep. | 10 | ··/˘······ |
| I doubt not the flowers of that garden sweet | 10 | ····/··/˘· |
| Rejoiced in the sound of her gentle feet; | 10 | ˘/·····/˘· |
| I doubt not they felt the spirit that came | 10 | ······/˘·· |
| From her glowing fingers through all their frame. | 10 | ··/˘/˘···· |
| She sprinkled bright water from the stream | 10 | ·/˘˘·/˘··· |
| On those that were faint with the sunny beam; | 10 | ·······/˘· |
| And out of the cups of the heavy flowers | 11 | ·······/˘/˘ |
| She emptied the rain of the thunder-showers. | 11 | ·/˘····/˘/˘ |
| She lifted their heads with her tender hands, | 10 | ·/˘····/˘· |
| And sustained them with rods and osier-bands; | 10 | ·˘/····/˘· |
| If the flowers had been her own infants, she | 10 | ··/····/˘· |
| Could never have nursed them more tenderly. | 10 | ·/˘····/˘˘ |
| And all killing insects and gnawing worms, | 10 | ··/˘/··/˘· |
| And things of obscene and unlovely forms, | 10 | ···˘/·˘/˘· |
| She bore, in a basket of Indian woof, | 10 | ····/˘·/˘· |
| Into the rough woods far aloof,-- | 8 | ······˘/ |
| In a basket, of grasses and wild-flowers full, | 11 | ··/˘·/˘··/· |
| The freshest her gentle hands could pull | 9 | ·/˘·/˘··· |
| For the poor banished insects, whose intent, | 10 | ···/˘/··˘/ |
| Although they did ill, was innocent. | 9 | ······/˘˘ |
| But the bee and the beamlike ephemeris | 11 | ·······˘/˘˘ |
| Whose path is the lightning's, and soft moths that kiss | 11 | ····/˘····· |
| The sweet lips of the flowers, and harm not, did she | 11 | ·····/····· |
| Make her attendant angels be. | 8 | ··˘/˘/˘· |
| And many an antenatal tomb, | 9 | ·/˘······ |
| Where butterflies dream of the life to come, | 10 | ·/˘······· |
| She left clinging round the smooth and dark | 9 | ··/˘····· |
| Edge of the odorous cedar bark. | 9 | ···/˘˘/˘· |
| This fairest creature from earliest Spring | 10 | ·/˘/˘·/˘˘· |
| Thus moved through the garden ministering | 10 | ··˘··/˘/˘˘ |
| Mi the sweet season of Summertide, | 9 | ···/˘·/˘˘ |
| And ere the first leaf looked brown--she died! | 10 | ······˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.