Thyestes: Act IV

Lucius Annaeus Seneca · 1907

iambic pentameter · 350 lines · from The Tragedies of Seneca

Messenger: Oh, for some raging blast to carry meWith headlong speed through distant realms of air,And wrap me in the darkness of the clouds;That so I might this monstrous horror tearFrom my remembrance. Oh, thou house of shameTo Pelops even and to Tantalus!Chorus: What is the news thou bring'st?

Messenger: What realm is this?Argos and Sparta, once the noble homeOf pious brothers? Corinth, on whose shoresTwo rival oceans beat? Or do I seeThe barbarous Danube on whose frozen streamThe savage Alani make swift retreat?Hyrcania beneath eternal snows?Or those wide plains of wandering Scythians?What place is this that knows such hideous crime?

Chorus: But tell thy tidings, whatsoe'er they be.

Messenger: When I my scattered senses gather up,And horrid fear lets go its numbing holdUpon my limbs. Oh, but I see it still,The ghastly picture of that dreadful deed!Oh, come, ye whirlwinds wild, and bear me far,Far distant, where the vanished day is borne.

Chorus: Thou hold'st our minds in dire uncertainty.Speak out and tell us what this horror is,And who its author. Yet would I inquireNot who, but which he is. Speak quickly, then.

Messenger: There is upon the lofty citadelA part of Pelops' house that fronts the south,Whose farther side lifts up its massive wallsTo mountain heights; for so the reigning kingMay better sway the town, and hold in checkThe common rabble when it scorns the throne.Within this palace is a gleaming hall,So huge, it may a multitude contain;Whose golden architraves are high upborneBy stately columns of a varied hue.Behind this public hall where people throng,The palace stretches off in spacious rooms;And, deep withdrawn, the royal sanctum lies,Far from the vulgar gaze. This sacred spotAn ancient grove within a dale confines,Wherein no tree its cheerful shade affords,Or by the knife is pruned; but cypress treesAnd yews, and woods of gloomy ilex waveTheir melancholy boughs. Above them allA towering oak looks down and spreads abroad,O'ershadowing all the grove. Within this placeThe royal sons of Tantalus are wontTo ask consent of heaven to their rule,And here to seek its aid when fortune frowns.Here hang their consecrated offerings:Sonorous trumpets, broken chariots,Those famous spoils of the Myrtoan sea;Still hang upon the treacherous axle-treesThe conquered chariot-wheels--mementoes grimOf every crime this sinful race has done.Here also is the Phrygian turban hungOf Pelops' self; and here the spoil of foes,A rich embroidered robe, the prize of war.An oozy stream springs there beneath the shade,And sluggish creeps along within the swamp,Just like the ugly waters of the StyxWhich bind the oaths of heaven. 'Tis said that hereAt dead of night the hellish gods make moan,And all the grove resounds with clanking chains,And mournful howl of ghosts. Here may be seenWhatever, but to hear of, causes fear.The spirits of the ancient dead come forthFrom old, decaying tombs, and walk abroad;While monsters, greater than the world has known,Go leaping round, grotesque and terrible.The whole wood gleams with an uncanny light,And without sign of fire the palace glows.Ofttimes the grove re-echoes with the soundOf threefold bayings of the dogs of hell,And oft do mighty shapes affright the house.Nor are these fears allayed by light of day;For night reigns ever here, and e'en at noonThe horror of the underworld abides.From this dread spot are sure responses givenTo those who seek the oracle; the fatesWith mighty sound from out the grot are told,And all the cavern thunders with the god.'Twas to this spot that maddened Atreus came,His brother's children dragging in his train.The sacrificial altars are adorned--Oh, who can worthily describe the deed?Behind their backs the noble captives' handsAre bound, and purple fillets wreathe their brows.All things are ready, incense, sacred wine,The sacrificial meal, and fatal knife.The last detail is properly observed,That this outrageous murder may be doneIn strict observance of the ritual!Chorus: Who lays his hand unto the fatal steel?

Messenger: He is himself the priest; the baleful prayerHe makes, and chants the sacrificial songWith wild and boisterous words; before the shrineHe takes his place; the victims doomed to deathHe sets in order, and prepares the sword.He gives the closest heed to all detailsAnd misses no least portion of the rite.The grove begins to tremble, earth to quake,And all the palace totters with the shock,And seems to hesitate in conscious doubtWhere it shall throw its ponderous masses down.High on the left a star with darkling trainShoots swift athwart the sky; the sacred winePoured at the altar fires, with horrid change,Turns bloody as it flows. The royal crownFell twice and yet again from Atreus' head,And the ivory statues in the temple wept.These monstrous portents moved all others sore;But Atreus, only, held himself unmoved,And even set the threat'ning gods at naught.And now delay is at an end. He standsBefore the shrine with lowering, sidelong gaze.As in the jungle by the Ganges streamA hungry tigress stands between two bulls,Eager for both, but yet in doubtful moodWhich first shall feel her fangs (to this she turnsWith gaping jaws, then back to that again,And holds her raging hunger in suspense):So cruel Atreus eyes the victims doomedTo sate his curséd wrath; and hesitatesWho first shall feel the knife, and who shall dieThe next in order. 'Tis of no concern,But still he hesitates, and gloats awhileIn planning how to do the horrid deed.Chorus: Who then is first to die?

Messenger: First place he gives(Lest you should think him lacking in respect)Unto his grandsire's namesake, Tantalus.

Chorus: What spirit, what demeanor showed the youth?

Messenger: He stood quite unconcerned, nor strove to plead,Knowing such prayer were vain. But in his neckThat savage butcher plunged his gleaming swordClear to the hilt and drew it forth again.Still stood the corpse upright, and, wavering long,As 'twere in doubt or here or there to fall,At last prone on the uncle hurled itself.Then he, his rancor unabated still,Dragged youthful Plisthenes before the shrine,And quickly meted him his brother's fate.With one keen blow he smote him on the neck,Whereat his bleeding body fell to earth;While with a murmur inarticulate,His head with look complaining rolled away.

Chorus: What did he then, this twofold murder done?The last one spare, or heap up crime on crime?

Messenger: As when some manéd lion in the woodsVictorious attacks the Armenian herds--(His jaws are smeared with blood, his hunger gone;And yet he does not lay aside his wrath;Now here, now there he charges on the bulls,And now the calves he worries, though his teethAre weary with their work)--so Atreus raves;He swells with wrath; and, grasping in his handThe sword with double slaughter dripping yet,By fury blinded but with deadly stroke,He drives clean through the body of the boy.And so, from breast to back transfixed, he fallsBy double wound, and with his streaming bloodExtinguishes the baleful altar fires.

Chorus: Oh, horrid deed!

Messenger: What! horrid call ye that?If only there the course of crime had stopped,'Twould pious seem.

Chorus: What more atrocious crime,What greater sin could human heart conceive?

Messenger: And do ye think his crime was ended here?'Twas just begun.

Chorus: What further could there be?Perchance he threw the corpses to be tornBy raving beasts, and kept them from the fire?

Messenger: Would that he had! I do not pray for this,That friendly earth may give them burial,Or funeral fires consume; but only this,That as a ghastly meal they may be thrownTo birds and savage beasts. Such is my prayer,Which otherwise were direful punishment.Oh, that the father might their corpses seeDenied to sepulture! Oh, crime of crimes,Incredible in any age; a crimeWhich coming generations will refuseTo hear! Behold, from breasts yet warm with life,The exta, plucked away, lie quivering,The lungs still breathe, the timid heart still beats.But he the organs with a practiced handTurns deftly over, and inquires the fates,Observing carefully the viscera.With this inspection satisfied at length,With mind at ease, he now is free to planHis brother's awful feast. With his own handThe bodies he dismembers, carving offThe arms and shoulders, laying bare the bones,And all with savage joy. He only savesThe heads and hands, those hands which he himselfHad clasped in friendly faith. Some of the fleshIs placed on spits and by the roasting firesHangs dripping; other parts into a potAre thrown, where on the water's seething streamThey leap about. The fire in horror shrinksFrom the polluting touch of such a feast,Recoils upon the shuddering altar-hearthTwice and again, until at last constrained,Though with repugnance strong, it fiercely burns.The liver sputters strangely on the spits;Nor could I say whether the flesh or flamesGroan more. The fitful flames die out in smokeOf pitchy blackness; and the smoke itself,A heavy mournful cloud, mounts not aloftIn upward-shooting columns, straight and high,But settles down like a disfiguring shroudUpon the very statues of the gods.O all-enduring sun, though thou didst fleeIn horror from the sight, and the radiant noonDidst into darkness plunge; 'twas all too late.The father tears his sons, and impiously feastsOn his own flesh. See, there in state he sits,His hair anointed with the dripping nard,His senses dulled with wine. And oft the food,As if in horror held, sticks in his throat.In this thine evil hour one good remains,One only, O Thyestes: that to knowThy depth of suffering is spared to thee.But even this will perish. Though the sunShould turn his chariot backward on its course,And night, at noon arising from the earth,Should quite obscure this foul and ghastly crimeWith shades unknown, it could not be concealed;For every evil deed shall be revealed.

Chorus: O father of the earth and sky,Before whose rising beams the nightWith all her glories flees away;Oh, whither dost thou turn thy course,And why, midway of heaven, does dayTo darkness turn? O Phoebus, whyDost turn away thy shining face?Not yet has evening's messengerCalled forth the nightly stars; not yetThe rounding of thy western goalBids loose thy horses from their toil;Not yet, as day fades into night,Sounds forth the trumpets' evening call.The plowman stands in dumb amaze,With oxen still unspent with toil,To see the welcome supper hourSo quickly come. But what, O sun,Has driven thee from thy heavenly course?What cause from their accustomed wayHas turned thy steeds? Is war essayedOnce more by giants, bursting forthFrom out the riven gates of Dis?Does Tityos, though wounded sore,Renew his ancient, deadly wrath?Perchance Typhoeus has thrown offHis mountain, and is free once more;Perchance once more a way to heavenThose giants, felled in Phlegra's vale,Are building, and on Pelion's topAre piling Thracian Ossa high.The accustomed changes of the heavensAre gone to come no more. No moreThe rising and the setting sunShall we behold. Aurora bright,The herald of the dewy morn,Whose wont it is to speed the sunUpon his way, now stands amazedTo see her kingdom overturned.She is not skilled to bathe his steeds,A-weary with their rapid course,Nor in the cooling sea to plungeTheir reeking manes. The sun himself,In setting, sees the place of dawn,And bids the darkness fill the skyWithout the aid of night. No starsCome out, nor do the heavens gleamWith any fires; no moon dispelsThe darkness' black and heavy pall.Oh, that the night itself were here,Whatever this portends! Our heartsAre trembling, yea, are trembling sore,And smitten with a boding fearLest all the world in ruins fall,And formless chaos as of yoreO'erwhelm us, gods and men; lest land,And all-encircling sea, and starsThat wander in the spangled heavens,Be buried in the general doom.No more with gleaming, deathless torch,Shall Phoebus, lord of all the stars,Lead the procession of the yearsAnd mark the seasons; nevermoreShall Luna, flashing back his rays,Dispel the fears of night; and passIn shorter course her brother's car.The throng of heavenly beings soonShall in one vast abyss be heaped.That shining path of sacred stars,Which cuts obliquely 'thwart the zones,The standard-bearer of the years,Shall see the stars in ruin fall,Itself in ruin falling. He,The Ram, who, in the early spring,Restores the sails to the warming breeze,Shall headlong plunge into those wavesThrough which the trembling maid of GreeceHe bore of old. And Taurus, whoUpon his horns like a garland wearsThe Hyades, shall drag with himThe sacred Twins, and the stretched-out clawsOf the curving Crab. With heat inflamed,Alcides' Lion once againShall fall from heaven; the Virgin, too,Back to the earth she left shall fall;And the righteous Scales with their mighty weights,Shall drag in their fall the Scorpion.And he, old Chiron, skilled to holdUpon his bow of ThessalyThe feathered dart, shall lose his shaftsAnd break his bow. Cold Capricorn,Who ushers sluggish winter in,Shall fall from heaven, and break thy urn,Whoe'er thou art, O Waterman.And with thee shall the Fish departRemotest of the stars of heaven;And those monsters huge which never yetWere in the ocean plunged, shall soonWithin the all-engulfing seaBe swallowed up. And that huge Snake,Which like a winding river glidesBetween the Bears, shall fall from heaven;United with that serpent huge,The Lesser Bear, congealed with cold,And that slow driver of the WainNo longer stable in its course,Shall all in common ruin fall.Have we, of all the race of men,Been worthy deemed to be o'erwhelmedAnd buried 'neath a riven earth?Is this our age the end of all?Alas, in evil hour of fateWere we begotten, wretched still,Whether the sun is lost to usOr banished by our impious sins!But away with vain complaints and fear:Eager for life is he who would not die,Though all the world in death around him lie.

Words in this poem 65
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
dreadful a.
Full of dread or terror; fearful.
dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
sanctum n.
A sacred place; hence, a place of retreat; a room reserved for personal use; as, an editor's sanctum. Sanctum sanctorum Etym: [L.] , the Holy of Holies; the most holy place, as in the Jewish temple. [L., p.p. of sanctire to consecrate.]
towering a.
Very high; elevated; rising aloft; as, a towering height.
trumpets n.
A plant (Sarracenia flava) with long, hollow leaves.
styx n.
The principal river of the lower world, which had to be crossed in passing to the regions of the dead.
uncanny a.
Not canny; unsafe; strange; weird; ghostly.
ofttimes adv.
Frequently; often. [Oft + time. Cf. -wards.]
underworld n.
The lower of inferior world; the world which is under the heavens; the earth.
oracle v. i.
To utter oracles.
sacrificial a.
Of or pertaining to sacrifice or sacrifices; consisting in sacrifice; performing sacrifice.
worthily adv.
In a worthy manner; excellently; deservedly; according to merit; justly; suitably; becomingly.
backs n.
Among leather dealers, the thickest and stoutest tanned hides.
outrageous a.
Of the nature of an outrage; exceeding the limits of right, reason, or decency; involving or doing an outrage; furious; violent; atrocious. [OF. outrageus, F. outrageux. See Outrage, n.]
boisterous a.
Rough or rude; unbending; unyielding; strong; powerful. [OE. boistous; of uncertain origin; cf. W. bwyst wild, savage, wildness, ferocity, bwystus ferocious.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
darkling a.
Becoming dark or gloomy; frowing.
unmoved a.
Not moved; fixed; firm; unshaken; calm; apathetic.
sidelong adv.
Laterally; obliquely; in the direction of the side. [See Sideling, adv.]
jungle n.
A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
tigress n.
The female of the tiger. Holland. [From Tiger: cf. F. tigresse.]
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
namesake n.
One that has the same name as another; especially, one called after, or named out of regard to, another. [For name's sake; i. e., one named for the sake of another's name.]
demeanor n.
Management; treatment; conduct. [For demeanure, fr. demean. See Demean, v. t.]
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
rancor n.
The deepest malignity or spite; deep-seated enmity or malice; inveterate hatred. [OE. rancour, OF. rancor, rancur, F. rancune, fr. L. rancor rancidity, rankness; tropically, an old grudge, rancor, fr. rancere to be rank or rancid.]
whereat adv.
At which; upon which; whereupon; -- used relatively.
dripping n.
A falling in drops, or the sound so made.
streaming a.
Sending forth streams.
burial n.
A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
direful a.
Dire; dreadful; terrible; calamitous; woeful; as, a direful fiend; a direful day. [Dire + -ful.]
sepulture n.
The act of depositing the dead body of a human being in the grave; burial; interment. [F. sépulture, L. sepultura, fr. sepelire, sepultum, to bury.]
incredible a.
Not credible; surpassing belief; too extraordinary and improbable to admit of belief; unlikely; marvelous; fabulous. [L. incredibilis: cf. OF. incredible. See In- not, and Credible.]
deftly adv.
Aptly; fitly; dexterously; neatly. [Cf. Defly.]
polluting a.
Adapted or tending to pollute; causing defilement or pollution.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
fitful a.
Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
pitchy a.
Partaking of the qualities of pitch; resembling pitch. [From 1st Pitch.]
didst
, the 2d pers. sing. imp. of Do.
nard n.
An East Indian plant (Nardostachys Jatamansi) of the Valerian family, used from remote ages in Oriental perfumery. [AS., fr. L. nardus, Gr. nêrd, Per. nard, Scr. nalada.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
midway n.
The middle of the way or distance; a middle way or course.
phoebus n.
Apollo; the sun god.
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
rounding a.
Round or nearly round; becoming round; roundish.
amaze v. t.
To bewilder; to stupefy; to bring into a maze. [Pref. a- + maze.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
thracian a.
Of or pertaining to Thrace, or its people.
aurora n.
The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
cooling a.
Adapted to cool and refresh; allaying heat.
boding a.
Foreshowing; presaging; ominous.
formless a.
Shapeless; without a determinate form; wanting regularity of shape.
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
nevermore adv.
Never again; at no time hereafter. Testament of Love. Tyndale.
dispel v. t.
To drive away by scattering, or so to cause to vanish; to clear away; to banish; to dissipate; as, to dispel a cloud, vapors, cares, doubts, illusions. [L. dispellere; dis- + pellere to push, drive. See Pulse a beating.]
hyades n.
A cluster of five stars in the face of the constellation Taurus, supposed by the ancients to indicate the coming of rainy weather when they rose with the sun.
capricorn n.
The tenth sign of zodiac, into which the sun enters at the winter solstice, about December 21. See Tropic. [L. capricornus; caper goat + cornu horn: cf. F. capricorne.]
waterman n.
A man who plies for hire on rivers, lakes, or canals, or in harbors, in distinction from a seaman who is engaged on the high seas; a man who manages fresh-water craft; a boatman; a ferryman.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
wain n.
A four-wheeled vehicle for the transportation of goods, produce, etc.; a wagon. [OE. wain, AS. wægn; akin to D. & G. wagen, OHG. wagan, Icel. & Sw. vagn, Dan. vogn, and E. way. Way, Weigh, and cf. Wagon.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Thyestes: Act IV is in the public domain. This text is taken from The Tragedies of Seneca Translated into English Verse, to Which Have Been Appended Comparative Analyses of the Corresponding Greek and Roman Plays, and a Mythological Index, Project Gutenberg ebook #57999; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lucius Annaeus Seneca, Thyestes: Act IV, in The Tragedies of Seneca (1907), text of Project Gutenberg ebook #57999, Laurel, https://laurelpoetry.com/poem/seneca-tragedies/thyestes-act-iv.html, id L21360.

Form and metre

Thyestes: Act IV is 350 lines in 19 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A--- me · airA · clouds · tearA · shame · tantalus · bring'st
  2. 6 ------------------------------------A---A---B---B--C-C-------------DD citadel · south · walls · king · check · throne · hall · contain · upborne · hue · throng · rooms · lies · spot · confines · affords · trees · wave · all · abroad · place · wont · rule · frowns · offerings · chariots · sea · trees · grim · done · hung · foes · war · shade · swamp · styx · hereA · moan · chains · seen · fearA · forth · abroad · known · terribleB · light · glows · sound · hellB · house · day · noonC · abides · givenC · fates · told · god · came · train · adorned · deed · hands · brows · wine · knife · observed · done · ritualD · steelD
  3. 7 ----------A---A-------------------- prayer · song · shrine · death · sword · details · rite · quake · shock · doubt · downA · train · wine · change · crownA · head · wept · sore · unmoved · naught · stands · gaze · stream · bulls · mood · turns · again · suspense · doomed · hesitates · die · concern · awhile · deed · die
  4. 10 -A-------BA-B- plead · neckA · sword · again · long · fall · itself · still · shrine · fateB · neckA · earth · inarticulateB · away
  5. 18 -------------------------------------A--A--------------BB this · burial · this · thrown · prayer · punishment · see · crimes · crime · refuse · life · quivering · beats · hand · fates · viscera · length · plan · hand · off · bones · saves · himself · flesh · fires · pot · stream · shrinks · feast · hearth · constrained · burns · spits · flames · smoke · itself · aloft · highA · shroud · gods · fleeA · noon · late · feasts · sits · nard · food · throat · remains · know · thee · sun · course · earth · crime · concealedB · revealedB
  6. 19 --A-A-----------------B--B----------------------C-DC-D---------------------------E---E----FFF-F-F---F--F-G---G-----HH sky · night · awayA · course · dayA · why · face · messenger · yet · goal · toil · night · call · amaze · toil · hour · sun · course · way · essayed · forth · dis · soreB · wrath · off · moreB · heaven · vale · top · high · heavens · more · sun · bright · morn · sun · amazed · overturned · steeds · course · plunge · himself · dawn · sky · stars · gleam · dispels · pall · hereC · hearts · soreD · fearC · fall · yoreD · land · stars · heavens · doom · torch · stars · years · nevermore · rays · pass · car · soon · heaped · stars · zones · years · fall · he · spring · breeze · waves · greece · who · wears · him · claws · inflamed · againE · too · fall · weights · scorpionE · hold · thessaly · shafts · capricorn · inF · urnF · watermanF · depart · heavenF · yet · soonF · sea · snake · glides · heavenF · huge · cold · wainF · course · fallG · men · o'erwhelmed · earth · allG · fate · still · us · sins · fear · dieH · lieH
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Messenger: Oh, for some raging blast to carry me12/˘···/˘··/˘·
With headlong speed through distant realms of air,10·/···/˘···
And wrap me in the darkness of the clouds;10·····/˘···
That so I might this monstrous horror tear10·····/˘/˘·
From my remembrance. Oh, thou house of shame10··˘/˘·····
To Pelops even and to Tantalus!10···/˘··/˘˘
Chorus: What is the news thou bring'st?8/˘······
Messenger: What realm is this?7/˘˘····
Argos and Sparta, once the noble home10/˘·/˘··/˘·
Of pious brothers? Corinth, on whose shores10·/˘/˘/˘···
Two rival oceans beat? Or do I see10·/˘/˘·····
The barbarous Danube on whose frozen stream10·/˘/˘··/˘·
The savage Alani make swift retreat?10·/˘·····˘/
Hyrcania beneath eternal snows?9·····˘/˘·
Or those wide plains of wandering Scythians?11·····/˘˘/˘˘
What place is this that knows such hideous crime?10·······/˘·
Chorus: But tell thy tidings, whatsoe'er they be.11/˘···/˘····
Messenger: When I my scattered senses gather up,12/˘···/˘/˘/˘·
And horrid fear lets go its numbing hold10·/˘····/˘·
Upon my limbs. Oh, but I see it still,10··········
The ghastly picture of that dreadful deed!10·/˘/˘··/˘·
Oh, come, ye whirlwinds wild, and bear me far,10···/······
Far distant, where the vanished day is borne.10·/˘··/˘···
Chorus: Thou hold'st our minds in dire uncertainty.11/˘··/···˘/˘
Speak out and tell us what this horror is,10·······/˘·
And who its author. Yet would I inquire10···/˘···˘/
Not who, but which he is. Speak quickly, then.10·······/˘·
Messenger: There is upon the lofty citadel12/˘·····/˘/˘·
A part of Pelops' house that fronts the south,10··········
Whose farther side lifts up its massive walls10·/˘····/˘·
To mountain heights; for so the reigning king10·/˘····/˘·
May better sway the town, and hold in check10·/˘·······
The common rabble when it scorns the throne.10·/˘/˘·····
Within this palace is a gleaming hall,10···/˘··/˘·
So huge, it may a multitude contain;10·····/˘·˘/
Whose golden architraves are high upborne10·/˘/˘·····
By stately columns of a varied hue.10·/˘/˘··/˘·
Behind this public hall where people throng,10···/˘··/˘·
The palace stretches off in spacious rooms;10·/˘/˘··/˘·
And, deep withdrawn, the royal sanctum lies,10··˘/·/˘/˘·
Far from the vulgar gaze. This sacred spot10···/˘··/˘·
An ancient grove within a dale confines,10·/˘·····˘/
Wherein no tree its cheerful shade affords,10·····/˘·˘/
Or by the knife is pruned; but cypress trees10·······/˘·
And yews, and woods of gloomy ilex wave10·····/˘/˘·
Their melancholy boughs. Above them all10·/˘·˘·····
A towering oak looks down and spreads abroad,10·/˘·····˘/
O'ershadowing all the grove. Within this place11···········
The royal sons of Tantalus are wont10·/˘··/˘˘··
To ask consent of heaven to their rule,10··˘/·/˘···
And here to seek its aid when fortune frowns.10·······/˘·
Here hang their consecrated offerings:10···/˘·˘/˘˘
Sonorous trumpets, broken chariots,10/˘˘/˘/˘/˘˘
Those famous spoils of the Myrtoan sea;9·/˘······
Still hang upon the treacherous axle-trees10·····/˘/˘·
The conquered chariot-wheels--mementoes grim10·/˘/˘·˘/˘·
Of every crime this sinful race has done.10·/˘··/˘···
Here also is the Phrygian turban hung10·/˘··/˘/˘·
Of Pelops' self; and here the spoil of foes,10··········
A rich embroidered robe, the prize of war.10··˘/˘·····
An oozy stream springs there beneath the shade,10·/˘·······
And sluggish creeps along within the swamp,10·/˘·˘/····
Just like the ugly waters of the Styx10···/˘/˘···
Which bind the oaths of heaven. 'Tis said that here10·····/····
At dead of night the hellish gods make moan,10·····/˘···
And all the grove resounds with clanking chains,10·····/·/˘·
And mournful howl of ghosts. Here may be seen10·/˘·······
Whatever, but to hear of, causes fear.10·/˘····/˘·
The spirits of the ancient dead come forth10·/˘··/˘···
From old, decaying tombs, and walk abroad;10··˘/˘···˘/
While monsters, greater than the world has known,10·/˘/˘·····
Go leaping round, grotesque and terrible.10·/˘·˘/·/˘˘
The whole wood gleams with an uncanny light,10······˘/˘·
And without sign of fire the palace glows.10·····/·/˘·
Ofttimes the grove re-echoes with the sound10/˘···/˘···
Of threefold bayings of the dogs of hell,10·/·/˘·····
And oft do mighty shapes affright the house.10···/˘·˘/··
Nor are these fears allayed by light of day;10····˘/····
For night reigns ever here, and e'en at noon10···/˘·····
The horror of the underworld abides.10·/˘··/˘·˘/
From this dread spot are sure responses given11······˘/˘/˘
To those who seek the oracle; the fates10·····/˘˘··
With mighty sound from out the grot are told,10·/˘·······
And all the cavern thunders with the god.10···/˘/˘···
'Twas to this spot that maddened Atreus came,10·····/˘···
His brother's children dragging in his train.10·/˘/˘/˘···
The sacrificial altars are adorned--10··˘/˘/˘·˘/
Oh, who can worthily describe the deed?10···/˘˘˘/··
Behind their backs the noble captives' hands10·····/˘/˘·
Are bound, and purple fillets wreathe their brows.10···/˘/˘···
All things are ready, incense, sacred wine,10···/˘/·/˘·
The sacrificial meal, and fatal knife.10··˘/˘··/˘·
The last detail is properly observed,10··˘/·/˘˘˘/
That this outrageous murder may be done10··˘/˘/˘···
In strict observance of the ritual!10··˘/˘··/˘˘
Chorus: Who lays his hand unto the fatal steel?12/˘·······/˘·
Messenger: He is himself the priest; the baleful prayer12/˘··˘/···/˘·
He makes, and chants the sacrificial song10······˘/˘·
With wild and boisterous words; before the shrine10···/˘·····
He takes his place; the victims doomed to death10·····/˘···
He sets in order, and prepares the sword.10···/˘·˘/··
He gives the closest heed to all details10···/˘···˘/
And misses no least portion of the rite.10·/˘··/˘···
The grove begins to tremble, earth to quake,10··˘/·/˘···
And all the palace totters with the shock,10···/˘/˘···
And seems to hesitate in conscious doubt10···/˘··/˘·
Where it shall throw its ponderous masses down.10·····/˘/˘·
High on the left a star with darkling train10·······/˘·
Shoots swift athwart the sky; the sacred wine10··˘/···/˘·
Poured at the altar fires, with horrid change,10···/˘/·/˘·
Turns bloody as it flows. The royal crown10·/˘····/˘·
Fell twice and yet again from Atreus' head,10····˘/····
And the ivory statues in the temple wept.11··/˘/···/˘·
These monstrous portents moved all others sore;10·/˘/···/˘·
But Atreus, only, held himself unmoved,10···/˘·˘/˘/
And even set the threat'ning gods at naught.10·/˘·······
And now delay is at an end. He stands10··˘/······
Before the shrine with lowering, sidelong gaze.10·····/˘/˘·
As in the jungle by the Ganges stream10···/˘··/˘·
A hungry tigress stands between two bulls,10·/˘/˘·····
Eager for both, but yet in doubtful mood10/˘·····/˘·
Which first shall feel her fangs (to this she turns10··········
With gaping jaws, then back to that again,10·/˘·····˘/
And holds her raging hunger in suspense):10···/˘/˘·˘/
So cruel Atreus eyes the victims doomed10·/˘····/˘·
To sate his curséd wrath; and hesitates9······/˘·
Who first shall feel the knife, and who shall die10··········
The next in order. 'Tis of no concern,10···/˘···˘/
But still he hesitates, and gloats awhile10···/˘···˘/
In planning how to do the horrid deed.10·/˘····/˘·
Chorus: Who then is first to die?8/˘······
Messenger: First place he gives7/˘˘····
(Lest you should think him lacking in respect)10·····/˘·˘/
Unto his grandsire's namesake, Tantalus.10·····/·/˘˘
Chorus: What spirit, what demeanor showed the youth?11/˘·/·˘/˘···
Messenger: He stood quite unconcerned, nor strove to plead,12/˘····˘/····
Knowing such prayer were vain. But in his neck10/˘········
That savage butcher plunged his gleaming sword10·/˘/˘··/˘·
Clear to the hilt and drew it forth again.10········˘/
Still stood the corpse upright, and, wavering long,10····˘/·/˘·
As 'twere in doubt or here or there to fall,10··········
At last prone on the uncle hurled itself.10·····/˘·˘/
Then he, his rancor unabated still,10···/˘·˘/˘·
Dragged youthful Plisthenes before the shrine,10·˘/˘······
And quickly meted him his brother's fate.10·/˘/˘··/˘·
With one keen blow he smote him on the neck,10··········
Whereat his bleeding body fell to earth;10˘/·/˘/˘···
While with a murmur inarticulate,10···/˘˘˘/˘˘
His head with look complaining rolled away.10····˘/˘·˘/
Chorus: What did he then, this twofold murder done?12/˘·····///˘·
The last one spare, or heap up crime on crime?10··········
Messenger: As when some manéd lion in the woods10/˘····/···
Victorious attacks the Armenian herds--10˘/˘˘/·˘/˘·
(His jaws are smeared with blood, his hunger gone;10·······/˘·
And yet he does not lay aside his wrath;10······˘/··
Now here, now there he charges on the bulls,10·····/˘···
And now the calves he worries, though his teeth10·····/˘···
Are weary with their work)--so Atreus raves;10·/˘·······
He swells with wrath; and, grasping in his hand10·····/˘···
The sword with double slaughter dripping yet,10···/˘/˘/˘·
By fury blinded but with deadly stroke,10·/˘/˘··/˘·
He drives clean through the body of the boy.10·····/˘···
And so, from breast to back transfixed, he falls10······˘/··
By double wound, and with his streaming blood10·/˘····/˘·
Extinguishes the baleful altar fires.11˘/˘˘·/˘/˘/˘
Chorus: Oh, horrid deed!6/˘·/˘·
Messenger: What! horrid call ye that?9/˘˘·/˘···
If only there the course of crime had stopped,10·/˘·······
'Twould pious seem.4·/˘·
Chorus: What more atrocious crime,8/˘··˘/˘·
What greater sin could human heart conceive?10·/˘··/˘·˘/
Messenger: And do ye think his crime was ended here?12/˘·······/˘·
'Twas just begun.4··˘/
Chorus: What further could there be?8/˘·/˘···
Perchance he threw the corpses to be torn10˘/···/˘···
By raving beasts, and kept them from the fire?11·/˘······/˘
Messenger: Would that he had! I do not pray for this,12/˘··········
That friendly earth may give them burial,10·/˘····/˘˘
Or funeral fires consume; but only this,10·/˘/˘/·/˘·
That as a ghastly meal they may be thrown10···/˘·····
To birds and savage beasts. Such is my prayer,10···/˘·····
Which otherwise were direful punishment.10·/˘··/˘/˘˘
Oh, that the father might their corpses see10···/˘··/˘·
Denied to sepulture! Oh, crime of crimes,10˘/·/˘˘····
Incredible in any age; a crime10˘/˘˘·/˘···
Which coming generations will refuse10·/˘·˘/˘·˘/
To hear! Behold, from breasts yet warm with life,10··˘/······
The exta, plucked away, lie quivering,10····˘/·/˘˘
The lungs still breathe, the timid heart still beats.10·····/˘···
But he the organs with a practiced hand10···/˘··/˘·
Turns deftly over, and inquires the fates,10·/˘··˘/˘··
Observing carefully the viscera.10˘/˘/˘˘·/˘˘
With this inspection satisfied at length,10··˘/˘/˘···
With mind at ease, he now is free to plan10··········
His brother's awful feast. With his own hand10·/˘/˘·····
The bodies he dismembers, carving off10·/˘·˘/˘/˘·
The arms and shoulders, laying bare the bones,10···/˘/˘···
And all with savage joy. He only saves10···/˘··/˘·
The heads and hands, those hands which he himself10········˘/
Had clasped in friendly faith. Some of the flesh10···/˘·····
Is placed on spits and by the roasting fires11·······/˘/˘
Hangs dripping; other parts into a pot10·/˘/˘·····
Are thrown, where on the water's seething stream10·····/˘/˘·
They leap about. The fire in horror shrinks10·····/·/˘·
From the polluting touch of such a feast,10··˘/˘·····
Recoils upon the shuddering altar-hearth10˘/···/˘/˘·
Twice and again, until at last constrained,10··˘/····˘/
Though with repugnance strong, it fiercely burns.10·······/˘·
The liver sputters strangely on the spits;10·/˘/˘/˘···
Nor could I say whether the flesh or flames10··········
Groan more. The fitful flames die out in smoke10···/˘·····
Of pitchy blackness; and the smoke itself,10·/˘/˘···˘/
A heavy mournful cloud, mounts not aloft10·/˘/˘···˘/
In upward-shooting columns, straight and high,10·/˘/˘/˘···
But settles down like a disfiguring shroud10·/˘···˘/˘·
Upon the very statues of the gods.10···/˘/····
O all-enduring sun, though thou didst flee10··˘/˘·····
In horror from the sight, and the radiant noon11·/˘·····/˘·
Didst into darkness plunge; 'twas all too late.10···/˘·····
The father tears his sons, and impiously feasts11·/˘········
On his own flesh. See, there in state he sits,10··········
His hair anointed with the dripping nard,10··˘/˘··/˘·
His senses dulled with wine. And oft the food,10·/˘·······
As if in horror held, sticks in his throat.10···/˘·····
In this thine evil hour one good remains,10···//˘··˘/
One only, O Thyestes: that to know8·/˘·····
Thy depth of suffering is spared to thee.10···/˘˘····
But even this will perish. Though the sun10·/˘··/˘···
Should turn his chariot backward on its course,10···/˘/˘···
And night, at noon arising from the earth,10····˘/˘···
Should quite obscure this foul and ghastly crime10··˘/···/˘·
With shades unknown, it could not be concealed;10··˘/····˘/
For every evil deed shall be revealed.10·/˘/˘···˘/
Chorus: O father of the earth and sky,10/˘·/˘·····
Before whose rising beams the night8···/˘···
With all her glories flees away;8···/˘·˘/
Oh, whither dost thou turn thy course,8·/˘·····
And why, midway of heaven, does day9··/··/˘··
To darkness turn? O Phoebus, why8·/˘··/˘·
Dost turn away thy shining face?8··˘/·/˘·
Not yet has evening's messenger8···/˘/˘˘
Called forth the nightly stars; not yet9·˘··/˘···
The rounding of thy western goal8·/˘··/˘·
Bids loose thy horses from their toil;8···/˘···
Not yet, as day fades into night,8········
Sounds forth the trumpets' evening call.8···/˘/˘·
The plowman stands in dumb amaze,8·/˘···˘/
With oxen still unspent with toil,8·/˘·˘/··
To see the welcome supper hour9···/˘/˘/˘
So quickly come. But what, O sun,8·/˘·····
Has driven thee from thy heavenly course?10·/˘···/˘˘·
What cause from their accustomed way9····˘/˘˘·
Has turned thy steeds? Is war essayed10··˘····˘/˘
Once more by giants, bursting forth8···/˘/˘·
From out the riven gates of Dis?8···/˘···
Does Tityos, though wounded sore,7····/˘·
Renew his ancient, deadly wrath?8˘/·/˘/˘·
Perchance Typhoeus has thrown off7˘/·····
His mountain, and is free once more;8·/˘·····
Perchance once more a way to heaven9˘/·····/˘
Those giants, felled in Phlegra's vale,9·/˘·˘····
Are building, and on Pelion's top8·/˘·····
Are piling Thracian Ossa high.8·/˘/˘/˘·
The accustomed changes of the heavens10·˘/˘/˘··/˘
Are gone to come no more. No more8········
The rising and the setting sun8·/˘··/˘·
Shall we behold. Aurora bright,8··˘/····
The herald of the dewy morn,8·/˘··/˘·
Whose wont it is to speed the sun8········
Upon his way, now stands amazed9······˘/˘
To see her kingdom overturned.9···/˘/˘·˘
She is not skilled to bathe his steeds,9····˘····
A-weary with their rapid course,8·/˘··/˘·
Nor in the cooling sea to plunge8···/˘···
Their reeking manes. The sun himself,8·/˘···˘/
In setting, sees the place of dawn,8·/˘·····
And bids the darkness fill the sky8···/˘···
Without the aid of night. No stars8········
Come out, nor do the heavens gleam8·····/˘·
With any fires; no moon dispels9·/˘/˘··˘/
The darkness' black and heavy pall.8·/˘··/˘·
Oh, that the night itself were here,8····˘/··
Whatever this portends! Our hearts9·/˘·˘//˘·
Are trembling, yea, are trembling sore,10·/˘˘··/˘˘·
And smitten with a boding fear8·/˘··/˘·
Lest all the world in ruins fall,8·····/˘·
And formless chaos as of yore8·/˘/˘···
O'erwhelm us, gods and men; lest land,8········
And all-encircling sea, and stars9··˘/˘˘···
That wander in the spangled heavens,10·/˘··/˘˘/˘
Be buried in the general doom.9·/˘··/˘˘·
No more with gleaming, deathless torch,8···/˘/˘·
Shall Phoebus, lord of all the stars,8·/˘·····
Lead the procession of the years8··˘/˘···
And mark the seasons; nevermore8···/˘/˘·
Shall Luna, flashing back his rays,8·/˘/˘···
Dispel the fears of night; and pass8˘/······
In shorter course her brother's car.8·/˘··/˘·
The throng of heavenly beings soon9···/˘˘/˘·
Shall in one vast abyss be heaped.9····˘/··˘
That shining path of sacred stars,9·/˘··/˘˘·
Which cuts obliquely 'thwart the zones,8··˘/˘···
The standard-bearer of the years,8·/˘/˘···
Shall see the stars in ruin fall,8·····/˘·
Itself in ruin falling. He,8˘/·/˘/˘·
The Ram, who, in the early spring,8·····/˘·
Restores the sails to the warming breeze,9˘/····/˘·
Shall headlong plunge into those waves8·/······
Through which the trembling maid of Greece9···/˘˘···
He bore of old. And Taurus, who8·····/˘·
Upon his horns like a garland wears9······/˘·
The Hyades, shall drag with him8·/˘·····
The sacred Twins, and the stretched-out claws10·/˘˘······
Of the curving Crab. With heat inflamed,10··/˘···˘/˘
Alcides' Lion once again7··/˘·˘/
Shall fall from heaven; the Virgin, too,9···/˘·/˘·
Back to the earth she left shall fall;8········
And the righteous Scales with their mighty weights,10··/˘···/˘·
Shall drag in their fall the Scorpion.9······/˘˘
And he, old Chiron, skilled to hold9···/˘·˘··
Upon his bow of Thessaly8········
The feathered dart, shall lose his shafts9·/˘˘·····
And break his bow. Cold Capricorn,8·····/˘˘
Who ushers sluggish winter in,8·/˘/˘/˘·
Shall fall from heaven, and break thy urn,9···/˘····
Whoe'er thou art, O Waterman.7····/˘˘
And with thee shall the Fish depart8······˘/
Remotest of the stars of heaven;9˘/˘····/˘
And those monsters huge which never yet9··/˘··/˘·
Were in the ocean plunged, shall soon9···/˘·˘··
Within the all-engulfing sea8····˘/˘·
Be swallowed up. And that huge Snake,9·/˘˘·····
Which like a winding river glides8···/˘/˘·
Between the Bears, shall fall from heaven;9·······/˘
United with that serpent huge,8˘/˘··/˘·
The Lesser Bear, congealed with cold,9·/˘·˘/˘··
And that slow driver of the Wain8···/˘···
No longer stable in its course,8·/˘/˘···
Shall all in common ruin fall.8···/˘/˘·
Have we, of all the race of men,8········
Been worthy deemed to be o'erwhelmed10·/˘·˘····˘
And buried 'neath a riven earth?8·/˘··/˘·
Is this our age the end of all?9··/˘·····
Alas, in evil hour of fate9˘/·/˘/˘··
Were we begotten, wretched still,8··˘/˘/˘·
Whether the sun is lost to us8········
Or banished by our impious sins!10·/˘·/˘˘/˘·
But away with vain complaints and fear:9·˘/··˘/··
Eager for life is he who would not die,10/˘········
Though all the world in death around him lie.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Lucius Annaeus Seneca