The Dance

Friedrich Schiller (1759–1805) · 1805

iambic heptameter · rhyming couplets · 32 lines · from The Poems of Schiller: Third Period

See how, like lightest waves at play, the airy dancers fleet;And scarcely feels the floor the wings of those harmonious feet.Ob, are they flying shadows from their native forms set free?Or phantoms in the fairy ring that summer moonbeams see?As, by the gentle zephyr blown, some light mist flees in air,As skiffs that skim adown the tide, when silver waves are fair,So sports the docile footstep to the heave of that sweet measure,As music wafts the form aloft at its melodious pleasure,Now breaking through the woven chain of the entangled dance,From where the ranks the thickest press, a bolder pair advance,The path they leave behind them lost--wide open the path beyond,The way unfolds or closes up as by a magic wand.See now, they vanish from the gaze in wild confusion blended;All, in sweet chaos whirled again, that gentle world is ended!No!--disentangled glides the knot, the gay disorder ranges--The only system ruling here, a grace that ever changes.For ay destroyed--for ay renewed, whirls on that fair creation;And yet one peaceful law can still pervade in each mutation.And what can to the reeling maze breathe harmony and vigor,And give an order and repose to every gliding figure?That each a ruler to himself doth but himself obey,Yet through the hurrying course still keeps his own appointed way.What, would'st thou know? It is in truth the mighty power of tune,A power that every step obeys, as tides obey the moon;That threadeth with a golden clue the intricate employment,Curbs bounding strength to tranquil grace, and tames the wild enjoyment.And comes the world's wide harmony in vain upon thine ears?The stream of music borne aloft from yonder choral spheres?And feel'st thou not the measure which eternal Nature keeps?The whirling dance forever held in yonder azure deeps?The suns that wheel in varying maze?--That music thou discernest?No! Thou canst honor that in sport which thou forgettest in earnest.

Words in this poem

zephyr n.
The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
adown adv.
From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
docile a.
Teachable; easy to teach; docible. [L. docilis,fr. docere to teach; cf. Gr. discere to learn, Gr. docile. Cf. Doctor, Didactic, Disciple.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
pervade v. t.
To pass or flow through, as an aperture, pore, or interstice; to permeate. [L. pervadere, pervasum; per + vadere to go, to walk. See Per-, and Wade.]
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
clue n.
A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Dance is in the public domain. This text is taken from The Poems of Schiller — Third period, Project Gutenberg ebook #6796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Friedrich Schiller, The Dance, in The Poems of Schiller: Third Period (1805), text of Project Gutenberg ebook #6796, Laurel, https://laurelpoetry.com/poem/schiller-third-period/the-dance.html, id L21879.

Form and metre

The Dance is 32 lines in a single stanza. It is in rhyming couplets, 88% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in rhyming couplets, other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHII--JJKKLLMM--NN fleetA · feetA · freeB · seeB · airC · fairC · measureD · pleasureD · danceE · advanceE · beyondF · wandF · blendedG · endedG · rangesH · changesH · creationI · mutationI · vigor · figure · obeyJ · wayJ · tuneK · moonK · employmentL · enjoymentL · earsM · spheresM · keeps · deeps · discernestN · earnestN
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
See how, like lightest waves at play, the airy dancers fleet;14···/˘····/˘/˘·
And scarcely feels the floor the wings of those harmonious feet.15·/˘·······˘/˘˘·
Ob, are they flying shadows from their native forms set free?14···/˘/···/˘···
Or phantoms in the fairy ring that summer moonbeams see?14·/˘··/˘··/˘/··
As, by the gentle zephyr blown, some light mist flees in air,14···/˘/˘·······
As skiffs that skim adown the tide, when silver waves are fair,14····˘/···/˘···
So sports the docile footstep to the heave of that sweet measure,15···/˘/·······/˘
As music wafts the form aloft at its melodious pleasure,16·/˘···˘/··˘/˘˘/˘
Now breaking through the woven chain of the entangled dance,15·/˘··/˘···˘/˘˘·
From where the ranks the thickest press, a bolder pair advance,14·····/˘··/˘·˘/
The path they leave behind them lost--wide open the path beyond,15·········/˘····
The way unfolds or closes up as by a magic wand.14··˘/·/˘····/˘·
See now, they vanish from the gaze in wild confusion blended;15···/˘·····˘/˘/˘
All, in sweet chaos whirled again, that gentle world is ended!15···/˘·˘/·/˘··/˘
No!--disentangled glides the knot, the gay disorder ranges--15··˘/˘·····˘/˘/˘
The only system ruling here, a grace that ever changes.15·/˘/˘/˘····/˘/˘
For ay destroyed--for ay renewed, whirls on that fair creation;15··˘/··˘/····˘/˘
And yet one peaceful law can still pervade in each mutation.15···/˘···˘/··˘/˘
And what can to the reeling maze breathe harmony and vigor,15·····/˘··/˘˘·/˘
And give an order and repose to every gliding figure?16···/˘·˘/·/˘˘/˘/˘
That each a ruler to himself doth but himself obey,14···/˘·˘/··˘/˘/
Yet through the hurrying course still keeps his own appointed way.15···/˘˘·····˘/˘·
What, would'st thou know? It is in truth the mighty power of tune,15·········/˘/˘··
A power that every step obeys, as tides obey the moon;15·/·/˘˘·˘/··˘/··
That threadeth with a golden clue the intricate employment,15·/˘··/˘··/˘˘˘/˘
Curbs bounding strength to tranquil grace, and tames the wild enjoyment.15·/˘··/˘·····˘/˘
And comes the world's wide harmony in vain upon thine ears?14·····/˘˘······
The stream of music borne aloft from yonder choral spheres?14···/˘·˘/·/˘/˘·
And feel'st thou not the measure which eternal Nature keeps?14·····/˘·˘/˘/˘·
The whirling dance forever held in yonder azure deeps?14·/˘·˘/˘··/˘/˘·
The suns that wheel in varying maze?--That music thou discernest?16·····/˘˘··/˘·˘/˘
No! Thou canst honor that in sport which thou forgettest in earnest.16···/˘·····˘/˘·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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