Repression of War Experience

Siegfried Sassoon (1886–1967) · 1918

iambic pentameter · 39 lines · from Counter-Attack and Other Poems

Now light the candles; one; two; there's a moth;What silly beggars they are to blunder inAnd scorch their wings with glory, liquid flame--No, no, not that,--it's bad to think of war,When thoughts you've gagged all day come back to scare you;And it's been proved that soldiers don't go madUnless they lose control of ugly thoughtsThat drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand,Draw a deep breath; stop thinking, count fifteen,And you're as right as rain...Why won't it rain? ...I wish there'd be a thunder-storm to-night,With bucketsful of water to sluice the dark,And make the roses hang their dripping heads.

Books; what a jolly company they are,Standing so quiet and patient on their shelves,Dressed in dim brown, and black, and white, and green,And every kind of colour. Which will you read?Come on; O do read something; they're so wise.I tell you all the wisdom of the worldIs waiting for you on those shelves; and yetYou sit and gnaw your nails, and let your pipe out,And listen to the silence: on the ceilingThere's one big, dizzy moth that bumps and flutters;And in the breathless air outside the houseThe garden waits for something that delays.There must be crowds of ghosts among the trees,--Not people killed in battle,--they're in France,--But horrible shapes in shrouds--old men who diedSlow, natural deaths,--old men with ugly souls,Who wore their bodies out with nasty sins.You're quiet and peaceful, summering safe at home;You'd never think there was a bloody war on! ...O yes, you would ... why, you can hear the guns.Hark! Thud, thud, thud,--quite soft ... they never cease--Those whispering guns--O Christ, I want to go outAnd screech at them to stop--I'm going crazy;I'm going stark, staring mad because of the guns.

Words in this poem

scorch v. t.
To burn superficially; to parch, or shrivel, the surface of, by heat; to subject to so much heat as changes color and texture without consuming; as, to scorch linen. [OE. scorchen, probably akin to scorcnen; cf. Norw. skrokken shrunk up, skrekka, skrökka, to shrink, to become wrinkled up, dial. Sw. skråkkla to wrinkle (see Sh]
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
dripping n.
A falling in drops, or the sound so made.
breathless a.
Spent with labor or violent action; out of breath.
stark adv.
Wholly; entirely; absolutely; quite; as, stark mind.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Repression of War Experience is in the public domain. This text is taken from Counter-Attack and Other Poems, Project Gutenberg ebook #8930; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Siegfried Sassoon, Repression of War Experience, in Counter-Attack and Other Poems (1918), text of Project Gutenberg ebook #8930, Laurel, https://laurelpoetry.com/poem/sassoon-counter-attack/repression-of-war-experience.html, id L04717.

Form and metre

Repression of War Experience is 39 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 3 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 --AA--- hand · fifteen · rainA · rainA · night · dark · heads
  2. 3 -------A-B-BB------C-A-C are · shelves · green · read · wise · world · yet · outA · ceiling · fluttersB · house · delaysB · treesB · france · died · souls · sins · home · on · gunsC · cease · outA · crazy · gunsC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Now light the candles; one; two; there's a moth;10···/˘·····
What silly beggars they are to blunder in11·/˘/˘···/˘·
And scorch their wings with glory, liquid flame--10·····/˘/˘·
No, no, not that,--it's bad to think of war,10··········
When thoughts you've gagged all day come back to scare you;11···········
And it's been proved that soldiers don't go mad10·····/˘···
Unless they lose control of ugly thoughts10····˘/·/˘·
That drive them out to jabber among the trees.11·····/˘····
Now light your pipe; look, what a steady hand,10·······/˘·
Draw a deep breath; stop thinking, count fifteen,10·····/˘·˘/
And you're as right as rain...6······
Why won't it rain? ...4····
I wish there'd be a thunder-storm to-night,10·····/˘···
With bucketsful of water to sluice the dark,11·····/˘····
And make the roses hang their dripping heads.10···/˘··/˘·
Books; what a jolly company they are,10···/˘/˘˘··
Standing so quiet and patient on their shelves,10/˘·/·/˘···
Dressed in dim brown, and black, and white, and green,10··········
And every kind of colour. Which will you read?11·/˘··/˘····
Come on; O do read something; they're so wise.10·····/˘···
I tell you all the wisdom of the world10·····/˘···
Is waiting for you on those shelves; and yet10·/˘·······
You sit and gnaw your nails, and let your pipe out,11···········
And listen to the silence: on the ceiling11·/˘··/˘··/˘
There's one big, dizzy moth that bumps and flutters;11···/˘····/˘
And in the breathless air outside the house10···/˘·//··
The garden waits for something that delays.10·/˘··/˘·˘/
There must be crowds of ghosts among the trees,--10··········
Not people killed in battle,--they're in France,--10·/˘··/˘···
But horrible shapes in shrouds--old men who died10·/˘·······
Slow, natural deaths,--old men with ugly souls,10·/˘····/˘·
Who wore their bodies out with nasty sins.10···/˘··/˘·
You're quiet and peaceful, summering safe at home;10·/·/˘/˘···
You'd never think there was a bloody war on! ...10·/····/˘··
O yes, you would ... why, you can hear the guns.10··········
Hark! Thud, thud, thud,--quite soft ... they never cease--10·······/˘·
Those whispering guns--O Christ, I want to go out11·/˘········
And screech at them to stop--I'm going crazy;11·······/˘/˘
I'm going stark, staring mad because of the guns.11·/·/˘······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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