Repression of War Experience
Now light the candles; one; two; there's a moth;What silly beggars they are to blunder inAnd scorch their wings with glory, liquid flame--No, no, not that,--it's bad to think of war,When thoughts you've gagged all day come back to scare you;And it's been proved that soldiers don't go madUnless they lose control of ugly thoughtsThat drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand,Draw a deep breath; stop thinking, count fifteen,And you're as right as rain...Why won't it rain? ...I wish there'd be a thunder-storm to-night,With bucketsful of water to sluice the dark,And make the roses hang their dripping heads.
Books; what a jolly company they are,Standing so quiet and patient on their shelves,Dressed in dim brown, and black, and white, and green,And every kind of colour. Which will you read?Come on; O do read something; they're so wise.I tell you all the wisdom of the worldIs waiting for you on those shelves; and yetYou sit and gnaw your nails, and let your pipe out,And listen to the silence: on the ceilingThere's one big, dizzy moth that bumps and flutters;And in the breathless air outside the houseThe garden waits for something that delays.There must be crowds of ghosts among the trees,--Not people killed in battle,--they're in France,--But horrible shapes in shrouds--old men who diedSlow, natural deaths,--old men with ugly souls,Who wore their bodies out with nasty sins.You're quiet and peaceful, summering safe at home;You'd never think there was a bloody war on! ...O yes, you would ... why, you can hear the guns.Hark! Thud, thud, thud,--quite soft ... they never cease--Those whispering guns--O Christ, I want to go outAnd screech at them to stop--I'm going crazy;I'm going stark, staring mad because of the guns.
Words in this poem
- scorch v. t.
- To burn superficially; to parch, or shrivel, the surface of, by heat; to subject to so much heat as changes color and texture without consuming; as, to scorch linen. [OE. scorchen, probably akin to scorcnen; cf. Norw. skrokken shrunk up, skrekka, skrökka, to shrink, to become wrinkled up, dial. Sw. skråkkla to wrinkle (see Sh]
- scare v. t.
- To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
- dripping n.
- A falling in drops, or the sound so made.
- breathless a.
- Spent with labor or violent action; out of breath.
- stark adv.
- Wholly; entirely; absolutely; quite; as, stark mind.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Repression of War Experience is in the public domain. This text is taken from Counter-Attack and Other Poems, Project Gutenberg ebook #8930; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Siegfried Sassoon, Repression of War Experience, in Counter-Attack and Other Poems (1918), text of Project Gutenberg ebook #8930, Laurel, https://laurelpoetry.com/poem/sassoon-counter-attack/repression-of-war-experience.html, id L04717.
Form and metre
Repression of War Experience is 39 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 3 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 --AA--- hand · fifteen · rainA · rainA · night · dark · heads
- 3 -------A-B-BB------C-A-C are · shelves · green · read · wise · world · yet · outA · ceiling · fluttersB · house · delaysB · treesB · france · died · souls · sins · home · on · gunsC · cease · outA · crazy · gunsC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now light the candles; one; two; there's a moth; | 10 | ···/˘····· |
| What silly beggars they are to blunder in | 11 | ·/˘/˘···/˘· |
| And scorch their wings with glory, liquid flame-- | 10 | ·····/˘/˘· |
| No, no, not that,--it's bad to think of war, | 10 | ·········· |
| When thoughts you've gagged all day come back to scare you; | 11 | ··········· |
| And it's been proved that soldiers don't go mad | 10 | ·····/˘··· |
| Unless they lose control of ugly thoughts | 10 | ····˘/·/˘· |
| That drive them out to jabber among the trees. | 11 | ·····/˘···· |
| Now light your pipe; look, what a steady hand, | 10 | ·······/˘· |
| Draw a deep breath; stop thinking, count fifteen, | 10 | ·····/˘·˘/ |
| And you're as right as rain... | 6 | ······ |
| Why won't it rain? ... | 4 | ···· |
| I wish there'd be a thunder-storm to-night, | 10 | ·····/˘··· |
| With bucketsful of water to sluice the dark, | 11 | ·····/˘···· |
| And make the roses hang their dripping heads. | 10 | ···/˘··/˘· |
| Books; what a jolly company they are, | 10 | ···/˘/˘˘·· |
| Standing so quiet and patient on their shelves, | 10 | /˘·/·/˘··· |
| Dressed in dim brown, and black, and white, and green, | 10 | ·········· |
| And every kind of colour. Which will you read? | 11 | ·/˘··/˘···· |
| Come on; O do read something; they're so wise. | 10 | ·····/˘··· |
| I tell you all the wisdom of the world | 10 | ·····/˘··· |
| Is waiting for you on those shelves; and yet | 10 | ·/˘······· |
| You sit and gnaw your nails, and let your pipe out, | 11 | ··········· |
| And listen to the silence: on the ceiling | 11 | ·/˘··/˘··/˘ |
| There's one big, dizzy moth that bumps and flutters; | 11 | ···/˘····/˘ |
| And in the breathless air outside the house | 10 | ···/˘·//·· |
| The garden waits for something that delays. | 10 | ·/˘··/˘·˘/ |
| There must be crowds of ghosts among the trees,-- | 10 | ·········· |
| Not people killed in battle,--they're in France,-- | 10 | ·/˘··/˘··· |
| But horrible shapes in shrouds--old men who died | 10 | ·/˘······· |
| Slow, natural deaths,--old men with ugly souls, | 10 | ·/˘····/˘· |
| Who wore their bodies out with nasty sins. | 10 | ···/˘··/˘· |
| You're quiet and peaceful, summering safe at home; | 10 | ·/·/˘/˘··· |
| You'd never think there was a bloody war on! ... | 10 | ·/····/˘·· |
| O yes, you would ... why, you can hear the guns. | 10 | ·········· |
| Hark! Thud, thud, thud,--quite soft ... they never cease-- | 10 | ·······/˘· |
| Those whispering guns--O Christ, I want to go out | 11 | ·/˘········ |
| And screech at them to stop--I'm going crazy; | 11 | ·······/˘/˘ |
| I'm going stark, staring mad because of the guns. | 11 | ·/·/˘······ |
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