Fragment 88, tr. Michael Field (1889)

Sappho (630 BC–570 BC), translated by Various (ed. H. T. Wharton) · 1908

iambic tetrameter · 3 lines · from Sappho: Selected Renderings

Ah, Procne, wherefore dost thou weary me?Thus flitting out and flitting in ...Tease not the air with this tumultuous wing.

Words in this poem

wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
flitting n.
A flying with lightness and celerity; a fluttering.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fragment 88, tr. Michael Field (1889) is in the public domain. This text is taken from Sappho: Memoir, Text, Selected Renderings, and a Literal Translation (ed. Henry Thornton Wharton, John Lane, 1908, fifth edition), Project Gutenberg ebook #57390, the Various (ed. H. T. Wharton) translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sappho, Fragment 88, tr. Michael Field (1889), in Sappho: Selected Renderings (1908), text of Project Gutenberg ebook #57390, Laurel, https://laurelpoetry.com/poem/sappho-wharton/fr-88.html, id L29194.

Form and metre

Fragment 88, tr. Michael Field (1889) is 3 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Ah, Procne, wherefore dost thou weary me?9··/˘··/˘·
Thus flitting out and flitting in ...8·/˘··/˘·
Tease not the air with this tumultuous wing.10·······/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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