Fragment 40, tr. J. Addington Symonds (1883)

Sappho (630 BC–570 BC), translated by Various (ed. H. T. Wharton) · 1908

iambic tetrameter · 3 lines · from Sappho: Selected Renderings

Lo, Love once more, the limb-dissolving King,The bitter-sweet impracticable thing,Wild-beast-like rends me with fierce quivering.

About this text

Fragment 40, tr. J. Addington Symonds (1883) is in the public domain. This text is taken from Sappho: Memoir, Text, Selected Renderings, and a Literal Translation (ed. Henry Thornton Wharton, John Lane, 1908, fifth edition), Project Gutenberg ebook #57390, the Various (ed. H. T. Wharton) translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sappho, Fragment 40, tr. J. Addington Symonds (1883), in Sappho: Selected Renderings (1908), text of Project Gutenberg ebook #57390, Laurel, https://laurelpoetry.com/poem/sappho-wharton/fr-40.html, id L29181.

Form and metre

Fragment 40, tr. J. Addington Symonds (1883) is 3 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAA kingA · thingA · quiveringA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Lo, Love once more, the limb-dissolving King,10······˘/˘·
The bitter-sweet impracticable thing,8·/˘·˘/˘·
Wild-beast-like rends me with fierce quivering.9·······/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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