Prairie

Carl Sandburg (1878–1967) · 1918

iambic tetrameter · 143 lines · from Cornhuskers

I was born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart.

After the sunburn of the dayhandling a pitchfork at a hayrack,after the eggs and biscuit and coffee,the pearl-gray haystacksin the gloamingare cool prayersto the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels.

I am here when the cities are gone.I am here before the cities come.I nourished the lonely men on horses.I will keep the laughing men who ride iron.I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.You came in wagons, making streets and schools,Kin of the ax and rifle, kin of the plow and horse,Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,You in the coonskin cap at a log house door hearing a lone wolf howl,You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,I am dust of your dust, as I am brother and motherTo the copper faces, the worker in flint and clay,The singing women and their sons a thousand years agoMarching single file the timber and the plain.

I hold the dust of these amid changing stars.I last while old wars are fought, while peace broods mother-like,While new wars arise and the fresh killings of young men.I fed the boys who went to France in great dark days.Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,I who have seen the red births and the red deathsOf sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?

Rivers cut a path on flat lands.The mountains stand up.The salt oceans press inAnd push on the coast lines.The sun, the wind, bring rainAnd I know what the rainbow writes across the east or west in a half-circle:A love-letter pledge to come again.

Towns on the Soo Line,Towns on the Big Muddy,Laugh at each other for cubsAnd tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up.

Out of prairie-brown grass crossed with a streamer of wigwam smoke—out of a smoke pillar, a blue promise—out of wild ducks woven in greens and purples—Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.Out of log houses and stumps—canoes stripped from tree-sides—flatboats coaxed with an ax from the timber claims—in the years when the red and the white men met—the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.I say to him: Brother, make the story short, for the stretch of a thousand years is short.

What brothers these in the dark?What eaves of skyscrapers against a smoke moon?These chimneys shaking on the lumber shantiesWhen the coal boats plow by on the river—The hunched shoulders of the grain elevators—The flame sprockets of the sheet steel millsAnd the men in the rolling mills with their shirts offPlaying their flesh arms against the twisting wrists of steel:what brothers thesein the darkof a thousand years?

A headlight searches a snowstorm.A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,The sun puts out the stars of the skyAnd the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.Snow hats are on the rolling prairie hills.The Mississippi bluffs wear snow hats.

Keep your hogs on changing corn and mashes of grain,O farmerman.Cram their insides till they waddle on short legsUnder the drums of bellies, hams of fat.Kill your hogs with a knife slit under the ear.Hack them with cleavers.Hang them with hooks in the hind legs.

A wagonload of radishes on a summer morning.Sprinkles of dew on the crimson-purple balls.The farmer on the seat dangles the reins on the rumps of dapple-gray horses.The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair.

On the left- and right-hand side of the road,Marching corn—I saw it knee high weeks ago—now it is head high—tassels of red silk creep at the ends of the ears.

I am the prairie, mother of men, waiting.They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.They are mine, the old zigzag rail fences, the new barb wire.

The cornhuskers wear leather on their hands.There is no let-up to the wind.Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches—among gravestone writings rubbed out by the rain—they keep old things that never grow old.

The frost loosens corn husks.The sun, the rain, the windloosen corn husks.The men and women are helpers.They are all cornhuskers together.I see them late in the western eveningin a smoke-red dust.

The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a coon in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights."The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa.

Look at six eggsIn a mockingbird's nest.

Listen to six mockingbirdsFlinging follies of O-be-joyfulOver the marshes and uplands.

Look at songsHidden in eggs.

When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way.

Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting—your lover comes—your child comes—the years creep with toes of April rain on new-turned sod.O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back—There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley.

O prairie mother, I am one of your boys.I have loved the prairie as a man with a heart shot full of pain over love.Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

I speak of new cities and new people.I tell you the past is a bucket of ashes.I tell you yesterday is a wind gone down,a sun dropped in the west.I tell you there is nothing in the worldonly an ocean of to-morrows,a sky of to-morrows.

I am a brother of the cornhuskers who sayat sundown:To-morrow is a day.

Words in this poem 41
slogan n.
The war cry, or gathering word, of a Highland clan in Scotland; hence, any rallying cry. [Gael. sluagh-ghairm, i.e., an army cry; sluagh army + gairm a call, calling.]
went n.
Course; way; path; journey; direction.
hanker v. i.
To long (for) with a keen appetite and uneasiness; to have a vehement desire; -- usually with for or after; as, to hanker after fruit; to hanker after the diversions of the town. [Prob. fr. hang; cf. D. hunkeren, hengelen.]
forenoon n.
The early part of the day, from morning to meridian, or noon.
sunburn v. t.
To burn or discolor by the sun; to tan.
pitchfork n.
A fork, or farming utensil, used in pitching hay, sheaves of grain, or the like.
hayrack n.
A frame mounted on the running gear of a wagon, and used in hauling hay, straw, sheaves, etc.; -- called also hay rigging.
gloaming n.
Twilight; dusk; the fall of the evening. [Scot. & North of Eng., and in poetry.] Hogg. [See Gloom.]
overland a.
Being, or accomplished, over the land, instead of by sea; as, an overland journey.
muffle n.
The bare end of the nose between the nostrils; -- used esp. of ruminants.
cottontail n.
The American wood rabbit (Lepus sylvaticus); -- also called Molly cottontail.
doodle n.
A trifler; a simple fellow. [Cf. Dawdle.]
lone n.
A lane. See Loanin.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
drip v. i.
To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
kansas n.
A tribe of Indians allied to the Winnebagoes and Osages. They formerly inhabited the region which is now the State of Kansas, but were removed to the Indian Territory.
wigwam n.
An Indian cabin or hut, usually of a conical form, and made of a framework of poles covered with hides, bark, or mats; -- called also tepee. [Sometimes written also weekwam.] [From the Algonquin or Massachusetts Indian word wek, "his house," or "dwelling place;" with possessive and locative affixes, we-kou-om-ut, "in his (or their) ho]
stub n.
The stump of a tree; that part of a tree or plant which remains fixed in the earth when the stem is cut down; -- applied especially to the stump of a small tree, or shrub.
patrol v. i.
To go the rounds along a chain of sentinels; to traverse a police district or beat. [F. patrouiller, O. & Prov. F. patrouiller to paddle, paw about, patrol, fr. patte a paw; cf. D. poot paw, G. pfote, and E. pat, v.]
headlight n.
A light, with a powerful reflector, placed at the head of a locomotive, or in front of it, to throw light on the track at night, or in going through a dark tunnel.
snowstorm n.
A storm with falling snow.
pioneer n.
A soldier detailed or employed to form roads, dig trenches, and make bridges, as an army advances. [F. pionier, orig., a foot soldier, OF. peonier, fr. OF. peon a foot soldier, F. pion. See Pawn in chess.]
fireman n.
A man whose business is to extinguish fires in towns; a member of a fire company.
bobsled n.
A short sled, mostly used as one of a pair connected by a reach or coupling; also, the compound sled so formed. [U. S.]
lunch n.
A luncheon; specifically, a light repast between breakfast and dinner. [Of uncertain etymol. Cf. Prov. Eng. nunc a lump.]
cleavers n.
A species of Galium (G. Aparine), having a fruit set with hooked bristles, which adhere to whatever they come in contact with; -- called also, goose grass, catchweed, etc. [From Cleave to stick.]
county n.
An earldom; the domain of a count or earl. [F. comt, fr. LL. comitatus. See Count.]
beefsteak n.
A steak of beef; a slice of beef broiled or suitable for broiling.
smolder v. t.
To smother; to suffocate; to choke. Holinshed.
gravestone n.
A stone laid over, or erected near, a grave, usually with an inscription, to preserve the memory of the dead; a tombstone.
rooster n.
The male of the domestic fowl; a cock. [U.S.]
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
nosing n.
That part of the treadboard of a stair which projects over the riser; hence, any like projection, as the projecting edge of a molding.
underbrush n.
Shrubs, small trees, and the like, in a wood or forest, growing beneath large trees; undergrowth.
coon n.
A raccoon. See Raccoon.
corncrib n.
A crib for storing corn.
farmhouse n.
A dwelling house on a farm; a farmer's residence.
alfalfa n.
The lucern (Medicago sativa); -- so called in California, Texas, etc. [Sp.]
sleet n.
The part of a mortar extending from the chamber to the trunnions.
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
sundown n.
The setting of the sun; sunset.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Prairie is in the public domain. This text is taken from Cornhuskers, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Carl Sandburg, Prairie, in Cornhuskers (1918), text of Wikisource, Laurel, https://laurelpoetry.com/poem/sandburg-cornhuskers/prairie.html, id L28996.

Form and metre

Prairie is 143 lines in 38 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 A-A- loamA · ranches · homeA · water
  2. 6 A--AA goneA · come · horses · ironA · menA
  3. 8 --A-A-- stars · like · menA · days · verdunA · deaths · wait
  4. 10 --A-A-A lands · up · inA · lines · rainA · circle · againA
  5. 11 A--A lineA · muddy · cubs · childrenA
  6. 12 AA upA · upA
  7. 17 A---B---BA- darkA · moon · shanties · river · elevatorsB · mills · off · steel · theseB · darkA · years
  8. 22 --A---A grain · farmerman · legsA · fat · ear · cleavers · legsA
  9. 27 AA grizzledA · oldA
  10. 28 A-A---- husksA · wind · husksA · helpers · together · evening · dust
  11. 37 -----AA people · ashes · down · west · world · morrowsA · morrowsA
  12. 38 A-A sayA · sundown · dayA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I was born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.33·····/˘··········/˘····/˘······/˘
Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.32··/˘···/˘··/˘····/˘········/˘/˘·
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.51·······/˘/˘···˘/˘···/˘·/˘·/˘····/˘···/˘····/˘··/˘/˘
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.26······/˘··········/˘······
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.35·····/˘··/˘·····/······/˘/˘··/˘··/˘
The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart.30·/˘·····/˘········/˘··/˘···/˘·
After the sunburn of the day8···/····
handling a pitchfork at a hayrack,9/˘·/···/˘
after the eggs and biscuit and coffee,10·····/˘·/˘
the pearl-gray haystacks5···/·
in the gloaming4··/˘
are cool prayers3···
to the harvest hands.5··/˘·
In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.27··/˘·····/˘·/˘˘·····/˘·····
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels.31··/˘·/˘···/˘··········/˘·/˘····
I am here when the cities are gone.9·····/˘··
I am here before the cities come.9······/˘·
I nourished the lonely men on horses.10·/˘·/˘··/˘
I will keep the laughing men who ride iron.11····/˘···/˘
I am dust of men.5·····
The running water babbled to the deer, the cottontail, the gopher.17·/˘/˘/˘····/˘˘·/˘
You came in wagons, making streets and schools,10···/˘/˘···
Kin of the ax and rifle, kin of the plow and horse,13·····/˘······
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,15/˘/˘/˘··/˘/˘···
You in the coonskin cap at a log house door hearing a lone wolf howl,17···········/˘····
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,21······/˘·/˘·˘/···/˘˘·
I am dust of your dust, as I am brother and mother14·········/˘·/˘
To the copper faces, the worker in flint and clay,13··/˘/˘·/˘····
The singing women and their sons a thousand years ago14·/˘/˘····/˘·˘/
Marching single file the timber and the plain.11/˘/˘··/˘···
I hold the dust of these amid changing stars.11······˘//˘·
I last while old wars are fought, while peace broods mother-like,13··········/˘·
While new wars arise and the fresh killings of young men.13···˘/···/˘···
I fed the boys who went to France in great dark days.12············
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,24······/˘˘······/˘·····/˘
I who have seen the red births and the red deaths11···········
Of sons and daughters, I take peace or war, I say nothing and wait.16···/˘·······/˘··
Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?30·····/·······//·············/˘
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?48····/˘·/˘··········/˘···········/˘·/˘·/˘··/˘·˘/˘
Rivers cut a path on flat lands.8/˘······
The mountains stand up.5·/˘··
The salt oceans press in6··/˘··
And push on the coast lines.6······
The sun, the wind, bring rain6······
And I know what the rainbow writes across the east or west in a half-circle:19·····/··˘/·······/˘
A love-letter pledge to come again.9··/˘···˘/
Towns on the Soo Line,5·····
Towns on the Big Muddy,6····/˘
Laugh at each other for cubs7···/˘··
And tease as children.5···/˘
Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.30/˘··/˘/˘·˘/˘˘···/˘···˘/˘/˘·/˘·
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up.28···/·˘/˘··/˘·˘/˘˘/˘·/˘/˘·/˘·
Out of prairie-brown grass crossed with a streamer of wigwam smoke—out of a smoke pillar, a blue promise—out of wild ducks woven in greens and purples—36··/˘·····/˘·/˘·····/˘··/˘····/˘···/˘
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.25····/˘·····/˘··/˘········
Out of log houses and stumps—canoes stripped from tree-sides—flatboats coaxed with an ax from the timber claims—in the years when the red and the white men met—the houses and streets rose.41···/˘··˘/····/·······/˘·············/˘···
A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.54·/˘·····˘/··/˘···/˘·/˘······/·˘····/˘/˘······/···/····
In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.38··/˘·······/˘···/˘·····/˘·˘/˘/··/˘··/·
To a man across a thousand years I offer a handshake.15···˘/·/˘··/˘·/·
I say to him: Brother, make the story short, for the stretch of a thousand years is short.21····/˘··/˘······/˘···
What brothers these in the dark?7·/˘····
What eaves of skyscrapers against a smoke moon?11···/·˘·····
These chimneys shaking on the lumber shanties11·/˘/˘··/˘/˘
When the coal boats plow by on the river—10········/˘
The hunched shoulders of the grain elevators—11··/˘···/˘·˘
The flame sprockets of the sheet steel mills9··/˘·····
And the men in the rolling mills with their shirts off12·····/˘·····
Playing their flesh arms against the twisting wrists of steel:13/˘······/˘···
what brothers these4·/˘·
in the dark3···
of a thousand years?5··/˘·
A headlight searches a snowstorm.8·/·/˘·/·
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.26·/˘········/˘···˘//˘˘/˘˘/˘
In the morning hours, in the dawn,9··/˘/˘···
The sun puts out the stars of the sky9·········
And the headlight of the Limited train.10··/···/˘˘·
The fireman waves his hand to a country school teacher on a bobsled.17·/˘·····/˘·/˘··/·
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.31··/˘····/˘··/········/˘····/·˘·
The horses fathom a snow to their knees.10·/˘/˘·····
Snow hats are on the rolling prairie hills.10·····/˘/˘·
The Mississippi bluffs wear snow hats.9··˘/˘····
Keep your hogs on changing corn and mashes of grain,12····/˘··/˘··
O farmerman.4····
Cram their insides till they waddle on short legs11··˘/··/˘···
Under the drums of bellies, hams of fat.10·····/˘···
Kill your hogs with a knife slit under the ear.11···········
Hack them with cleavers.5···/˘
Hang them with hooks in the hind legs.8········
A wagonload of radishes on a summer morning.14·/˘˘·/˘˘··/˘/˘
Sprinkles of dew on the crimson-purple balls.11/˘····/˘/˘·
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.19·/˘···/˘······/˘·/˘
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair.23·/˘/˘··/˘···········/˘·
On the left- and right-hand side of the road,10··········
Marching corn—3/˘·
I saw it knee high weeks ago—now it is head high—tassels of red silk creep at the ends of the ears.25······˘/·····/˘··········
I am the prairie, mother of men, waiting.11···/˘/˘··/˘
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.24····/˘·/˘/··/·/˘···/·/˘·
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.67······/˘·····//˘/·/˘˘··/˘···˘/˘··˘/˘/˘····/˘/˘······/˘···/˘····/˘/˘
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.41····/˘/˘·········˘/˘/˘·/˘··/˘/˘/˘·/˘˘˘·/˘
They are mine, the old zigzag rail fences, the new barb wire.15·····/˘·/˘···/˘
The cornhuskers wear leather on their hands.10·····/˘···
There is no let-up to the wind.8········
Blue bandannas are knotted at the ruddy chins.12·····/˘··/˘·
Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.40···/˘/˘···/˘···˘/˘/˘/····/·˘/˘········/˘
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches—among gravestone writings rubbed out by the rain—they keep old things that never grow old.50····/˘·/˘˘/˘···/················/·/˘··········/˘··
The frost loosens corn husks.6··/˘··
The sun, the rain, the wind6······
loosen corn husks.4/˘··
The men and women are helpers.8···/˘·/˘
They are all cornhuskers together.9······˘/˘
I see them late in the western evening10······/˘/˘
in a smoke-red dust.5·····
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,33·/˘··/˘/˘/˘·/˘·······/˘·˘/˘····/·
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a coon in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,43·/˘···/˘·/˘··/˘··/·/˘·····/··/·/˘··/˘····/·
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,45·/˘···/·/˘······˘/·/˘/˘······/˘·/˘···/˘······
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.26·/˘······/˘·/˘······/··/˘·
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa.32·····················/˘·······/˘
Look at six eggs4····
In a mockingbird's nest.6··/˘··
Listen to six mockingbirds7/˘··/˘·
Flinging follies of O-be-joyful9/˘/˘···/˘
Over the marshes and uplands.8···/˘·/˘
Look at songs3···
Hidden in eggs.4/˘··
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.26··/˘····/˘·/˘···/˘······/˘
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.37······˘/·······/˘····/˘······/··/˘···
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way.39··/˘·····/˘···········//···············
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"21·······/˘/·/˘····/˘··
O prairie girl, be lonely, singing, dreaming, waiting—your lover comes—your child comes—the years creep with toes of April rain on new-turned sod.33·/˘··/˘/˘/˘/˘·/˘··········/˘·····
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back—34·/˘·˘/˘··/˘/˘/˘···˘/˘·········/˘··
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley.44··············/˘··········/˘··············/˘
O prairie mother, I am one of your boys.11·/˘/˘······
I have loved the prairie as a man with a heart shot full of pain over love.19····/˘·············
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.35·····/˘··/˘·····/······/˘/˘··/˘··/˘
I speak of new cities and new people.10····/˘··/˘
I tell you the past is a bucket of ashes.12·······/˘·/˘
I tell you yesterday is a wind gone down,11···/˘······
a sun dropped in the west.6······
I tell you there is nothing in the world10·····/˘···
only an ocean of to-morrows,9/˘·/˘··/˘
a sky of to-morrows.6····/˘
I am a brother of the cornhuskers who say12···/˘·······
at sundown:3·/·
To-morrow is a day.6·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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