Memoir of a Proud Boy
He lived on the wings of storm.The ashes are in Chihuahua.
Out of Ludlow and coal towns in ColoradoSprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks.Killings ran under the spoken commands of this boyWith eighty men and rifles on a hogback mountain.
They killed swearing to rememberThe shot and charred wives and childrenIn the burnt camp of Ludlow,And Louis Tikas, the laughing Greek,Plugged with a bullet, clubbed with a gun butt.
As a home warIt held the nation a weekAnd one or two million men stood togetherAnd swore by the retribution of steel.
It was all accidental.He lived flecking lint off coat lapelsOf men he talked with.He kissed the miners' babiesAnd wrote a Denver paperOf picket silhouettes on a mountain line.
He had no mother but Mother JonesCrying from a jail window of Trinidad:"All I want is room enough to standAnd shake my fist at the enemies of the human race."
Named by a grand jury as a murdererHe went to Chihuahua, forgot his old Scotch name,Smoked cheroots with Pancho VillaAnd wrote letters of Villa as a rock of the people.
How can I tell how Don Magregor went?
Three riders emptied lead into him.He lay on the main street of an inland town.A boy sat near all day throwing stonesTo keep pigs away.
The Villa men buried him in a pitWith twenty Carranzistas.
There is drama in that point......the boy and the pigs.Griffith would make a movie of it to fetch sobs.Victor Herbert would have the drums whirrIn a weave with a high fiddle-string's single clamor.
"And the muchacho sat there all day throwing stonesTo keep the pigs away," wrote Gibbons to the Tribune.
Somewhere in Chihuahua or ColoradoIs a leather bag of poems and short stories.
Words in this poem
- hogback n.
- An upward curve or very obtuse angle in the upper surface of any member, as of a timber laid horizontally; -- the opposite of camber.
- clubbed a.
- Shaped like a club; grasped like, or used as, a club. Skelton.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- picket n.
- A stake sharpened or pointed, especially one used in fortification and encampments, to mark bounds and angles; or one used for tethering horses. [F. piquet, properly dim. of pique spear, pike. See Pike, and cf. Piquet.]
- went n.
- Course; way; path; journey; direction.
- villa n.
- A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
- movie n.
- A moving picture or a moving picture show; -- commonly used in pl.
- whirr v. i.
- To whirl round, or revolve, with a whizzing noise; to fly or more quickly with a buzzing or whizzing sound; to whiz.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Memoir of a Proud Boy is in the public domain. This text is taken from Cornhuskers, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Carl Sandburg, Memoir of a Proud Boy, in Cornhuskers (1918), text of Wikisource, Laurel, https://laurelpoetry.com/poem/sandburg-cornhuskers/memoir-of-a-proud-boy.html, id L29023.
Form and metre
Memoir of a Proud Boy is 45 lines in 13 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| He lived on the wings of storm. | 7 | ······· |
| The ashes are in Chihuahua. | 8 | ·/˘··˘/· |
| Out of Ludlow and coal towns in Colorado | 12 | ··/······˘/˘ |
| Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks. | 16 | ··/˘··/˘˘/˘····· |
| Killings ran under the spoken commands of this boy | 13 | /˘····/˘˘/··· |
| With eighty men and rifles on a hogback mountain. | 13 | ·/˘··/˘··/˘/˘ |
| They killed swearing to remember | 8 | ··/˘·˘/˘ |
| The shot and charred wives and children | 8 | ······/˘ |
| In the burnt camp of Ludlow, | 7 | ·····/· |
| And Louis Tikas, the laughing Greek, | 9 | ·/˘···/˘· |
| Plugged with a bullet, clubbed with a gun butt. | 10 | ···/˘····· |
| As a home war | 4 | ···· |
| It held the nation a week | 7 | ···/˘·· |
| And one or two million men stood together | 11 | ····/˘··˘/˘ |
| And swore by the retribution of steel. | 10 | ·····˘/˘·· |
| It was all accidental. | 7 | ····˘/˘ |
| He lived flecking lint off coat lapels | 9 | ··/˘···˘/ |
| Of men he talked with. | 5 | ····· |
| He kissed the miners' babies | 7 | ···/˘/˘ |
| And wrote a Denver paper | 7 | ···/˘/˘ |
| Of picket silhouettes on a mountain line. | 11 | ·/˘·˘/··/˘· |
| He had no mother but Mother Jones | 9 | ···/˘·/˘· |
| Crying from a jail window of Trinidad: | 11 | /˘···/˘·/˘· |
| "All I want is room enough to stand | 9 | ·····˘/·· |
| And shake my fist at the enemies of the human race." | 14 | ······/˘˘··/˘· |
| Named by a grand jury as a murderer | 11 | ····/˘··/˘˘ |
| He went to Chihuahua, forgot his old Scotch name, | 12 | ···˘/·˘/···· |
| Smoked cheroots with Pancho Villa | 8 | ····/˘/˘ |
| And wrote letters of Villa as a rock of the people. | 14 | ··/˘·/˘·····/˘ |
| How can I tell how Don Magregor went? | 10 | ·········· |
| Three riders emptied lead into him. | 9 | ·/˘/˘···· |
| He lay on the main street of an inland town. | 11 | ········/·· |
| A boy sat near all day throwing stones | 9 | ······/˘· |
| To keep pigs away. | 5 | ···˘/ |
| The Villa men buried him in a pit | 10 | ·/˘·/˘···· |
| With twenty Carranzistas. | 7 | ·/˘···· |
| There is drama in that point... | 7 | ··/˘··· |
| ...the boy and the pigs. | 5 | ····· |
| Griffith would make a movie of it to fetch sobs. | 12 | /˘···/˘····· |
| Victor Herbert would have the drums whirr | 9 | /˘/˘····· |
| In a weave with a high fiddle-string's single clamor. | 13 | ······/˘·/˘/˘ |
| "And the muchacho sat there all day throwing stones | 12 | ·········/˘· |
| To keep the pigs away," wrote Gibbons to the Tribune. | 13 | ····˘/·/˘··/˘ |
| Somewhere in Chihuahua or Colorado | 11 | /··˘/···˘/˘ |
| Is a leather bag of poems and short stories. | 12 | ··/˘··/˘··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.