Adelaide Crapsey

Carl Sandburg (1878–1967) · 1918

iambic tetrameter · 9 lines · from Cornhuskers

Among the bumble-bees in red-top hay, a freckled field of brown-eyed Susans dripping yellow leaves in July,I read your heart in a book.

And your mouth of blue pansy—I know somewhere I have seen it rain-shattered.

And I have seen a woman with her head flung between her naked knees, and her head held there listening to the sea, the great naked sea shouldering a load of salt.

And the blue pansy mouth sang to the sea:Mother of God, I'm so little a thing,Let me sing longer,Only a little longer.

And the sea shouldered its salt in long gray combers hauling new shapes on the beach sand.

Words in this poem

freckled a.
Marked with freckles; spotted.
dripping n.
A falling in drops, or the sound so made.
somewhere adv.
In some place unknown or not specified; in one place or another.
shouldered a.
Having shoulders; -- used in composition; as, a broad- shouldered man.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Adelaide Crapsey is in the public domain. This text is taken from Cornhuskers, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Carl Sandburg, Adelaide Crapsey, in Cornhuskers (1918), text of Wikisource, Laurel, https://laurelpoetry.com/poem/sandburg-cornhuskers/adelaide-crapsey.html, id L29021.

Form and metre

Adelaide Crapsey is 9 lines in 5 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 --AA sea · thing · longerA · longerA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Among the bumble-bees in red-top hay, a freckled field of brown-eyed Susans dripping yellow leaves in July,27···/˘······/˘····/˘/˘/˘···/
I read your heart in a book.7·······
And your mouth of blue pansy—I know somewhere I have seen it rain-shattered.18·····/˘··/······/˘
And I have seen a woman with her head flung between her naked knees, and her head held there listening to the sea, the great naked sea shouldering a load of salt.40·····/˘·······/˘······/˘˘·····/˘·/˘˘····
And the blue pansy mouth sang to the sea:10···/˘·····
Mother of God, I'm so little a thing,10/˘····/˘··
Let me sing longer,5···/˘
Only a little longer.7/˘·/˘/˘
And the sea shouldered its salt in long gray combers hauling new shapes on the beach sand.20···/˘·····/˘/˘······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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