Proem: The Reed-Flute

Rumi (1207–1273), translated by James W. Redhouse · 1881

iambic tetrameter · octosyllabic couplets · 72 lines · from The Mesnevi, Book the First

From reed-flute hear what tale it tells;What plaint it makes of absence’ ills:

“From jungle-bed since me they tore,Men’s, women’s, eyes have wept right sore.My breast I tear and rend in twain,To give, through sighs, vent to my pain.Who’s from his home snatched far away,Longs to return some future day.I sob and sigh in each retreat,Be’t joy or grief for which men meet.They fancy they can read my heart;Grief’s secrets I to none impart.My throes and moans form but one chain,Men’s eyes and ears catch not their train.Though soul and body be as one,Sight of his soul hath no man won.A flame’s the flute’s wail; not a breath,That flame who feels not, doom him death.The flame of love, ’tis, prompts the flute,Wine’s ferment, love; its tongue not mute.The absent lover’s flute’s no toy;Its trills proclaim his grief, his joy.Or bane, or cure, the flute is still;Content, complaining, as you will.It tells its tale of burning grief;Recounts how love is mad, in brief.The lover lover’s pangs best knows;As ear receives tongue’s plaint of woes.Through grief, his day is but a dawn;Each day of sorrow, torment’s pawn.My days are waste; take thou no heed,Thou still are left; my joy, indeed.Whole seas a fish will never drown;A poor man’s day seems all one frown.What boot from counsel to a fool?Waste not thy words; thy wrath let cool.Cast off lust’s bonds; stand free from all.Slave not for pelf; be not greed’s thrall.Pour rivers into one small gill,It can but hold its little fill.The eye’s a vase that’s ne’er content;The oyster’s filled ere pearl is sent.The heart that’s bleeding from love’s dart,From vice of greed is kept apart.Then hie thee, love, a welcome guest;—Physician thou to soothe my breast.Thou cure of pride and shame in me;Old Galen’s skill was nought to thee!Through love, this earthly frame ascendsTo heaven; a hill, to skip pretends.In trance of love, Mount Sinai shakes,At God’s descent; ‘and Moses quakes.’Found I the friend on whom I dote,I’d emulate flute’s dulcet note.But from my love, while torn away,Unmeaning words alone I say.The spring is o’er; the rose is gone;The song of Philomel is done.His love was all; himself, a note.His love, alive; himself, dead mote.Who feels not love’s all-quick’ning flame,Is like the bird whose wing is lame.Can I be quiet, easy, glad,When my delight’s away? No! Sad.Love bids my plaint all bonds to burst.My heart would break, with silence curst.A mirror best portrays when bright;Begrimed with rust, its gleam grows slight.Then wipe such foul alloy away;Bright shall it, so, reflect each ray.”

Thou’st heard what tale the flute can tell;Such is my case; sung all too well.

Words in this poem

plaint n.
Audible expression of sorrow; lamentation; complaint; hence, a mournful song; a lament. Chaucer."The Psalmist's mournful plaint." [OE. plainte, pleynte, F. plainte, fr. L. plangere, planctum (plancta, fem. p.p.), to beat, beat the breast, lament. Cf. Complain, Plague, Plangent.]
tore n.
The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
bane v. t.
To be the bane of; to ruin. Fuller.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
pelf n.
Money; riches; lucre; gain; -- generally conveying the idea of something ill-gotten or worthless. It has no plural. [OE. pelfir booty, OF. pelfre, akin to pelfrer to plunder, and perh. to E. pillage. Cf. Pilfer.]
greed n.
An eager desire or longing; greediness; as, a greed of gain. [Akin to Goth. grdus hunger, Icel. graedhr. sq. root34. See Greedy.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
dote n.
A marriage portion. See 1st Dot, n. Wyatt. [See Dot dowry.]
dulcet a.
Sweet to the taste; luscious. [OF. doucet, dim. of dous sweet, F. doux, L. dulcis; akin to Gr. Doucet.]
mote n.
A meeting of persons for discussion; as, a wardmote in the city of London. [See Moot, a meeting.]
curst a.
Froward; malignant; mischievous; malicious; snarling. [SeeCurse.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Proem: The Reed-Flute is in the public domain. This text is taken from The Mesnevī (usually known as the Mesnevīyi Sherīf, or Holy Mesnevī) of Mevlānā (Our Lord) Jelālu-’d-Dīn, Muhammed, er-Rūmī. Book the First, Project Gutenberg ebook #61724, the James W. Redhouse translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rumi, Proem: The Reed-Flute, in The Mesnevi, Book the First (1881), text of Project Gutenberg ebook #61724, Laurel, https://laurelpoetry.com/poem/rumi-masnavi-book-one/0.html, id L28594.

Form and metre

Proem: The Reed-Flute is 72 lines in 3 verse paragraphs. It is in rhyming couplets: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccddeeffgghh toreA · soreA · twainB · painB · awayC · dayC · retreatD · meetD · heartE · impartE · chainF · trainF · oneG · wonG · breathH · deathH · fluteI · muteI · toyJ · joyJ · stillK · willK · griefL · briefL · knowsM · woesM · dawnN · pawnN · heedO · indeedO · drownP · frownP · foolQ · coolQ · allR · thrallR · gillS · fillS · contentT · sentT · dartU · apartU · guestV · breastV · meW · theeW · ascendsX · pretendsX · shakesY · quakesY · doteZ · noteZ · awaya · saya · goneb · doneb · notec · motec · flamed · lamed · glade · sade · burstf · curstf · brightg · slightg · awayh · rayh
  2. 3 AA tellA · wellA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
From reed-flute hear what tale it tells;8········
What plaint it makes of absence’ ills:8·····/˘·
“From jungle-bed since me they tore,8·/˘·····
Men’s, women’s, eyes have wept right sore.8·/˘·····
My breast I tear and rend in twain,8········
To give, through sighs, vent to my pain.8········
Who’s from his home snatched far away,8······˘/
Longs to return some future day.8··˘/·/˘·
I sob and sigh in each retreat,8······˘/
Be’t joy or grief for which men meet.8········
They fancy they can read my heart;8·/˘·····
Grief’s secrets I to none impart.8·/˘···˘/
My throes and moans form but one chain,8········
Men’s eyes and ears catch not their train.8········
Though soul and body be as one,8···/˘···
Sight of his soul hath no man won.8········
A flame’s the flute’s wail; not a breath,8········
That flame who feels not, doom him death.8········
The flame of love, ’tis, prompts the flute,8········
Wine’s ferment, love; its tongue not mute.8·˘/·····
The absent lover’s flute’s no toy;8·/˘/˘···
Its trills proclaim his grief, his joy.8··˘/····
Or bane, or cure, the flute is still;8········
Content, complaining, as you will.8˘/˘/˘···
It tells its tale of burning grief;8·····/˘·
Recounts how love is mad, in brief.8·/······
The lover lover’s pangs best knows;8·/˘/˘···
As ear receives tongue’s plaint of woes.8··˘/····
Through grief, his day is but a dawn;8········
Each day of sorrow, torment’s pawn.8···/˘/··
My days are waste; take thou no heed,8········
Thou still are left; my joy, indeed.8······˘/
Whole seas a fish will never drown;8·····/˘·
A poor man’s day seems all one frown.8········
What boot from counsel to a fool?8···/˘···
Waste not thy words; thy wrath let cool.8········
Cast off lust’s bonds; stand free from all.8········
Slave not for pelf; be not greed’s thrall.8········
Pour rivers into one small gill,8·/˘·····
It can but hold its little fill.8·····/˘·
The eye’s a vase that’s ne’er content;8······/˘
The oyster’s filled ere pearl is sent.8·/˘·····
The heart that’s bleeding from love’s dart,8···/˘···
From vice of greed is kept apart.8······˘/
Then hie thee, love, a welcome guest;—8·····/˘·
Physician thou to soothe my breast.8˘/˘·····
Thou cure of pride and shame in me;8········
Old Galen’s skill was nought to thee!8·/˘·····
Through love, this earthly frame ascends8···/˘·˘/
To heaven; a hill, to skip pretends.8·/····˘/
In trance of love, Mount Sinai shakes,8·····/··
At God’s descent; ‘and Moses quakes.’8··˘/·/˘·
Found I the friend on whom I dote,8········
I’d emulate flute’s dulcet note.8·/˘··/˘·
But from my love, while torn away,8······˘/
Unmeaning words alone I say.8˘/˘·˘/··
The spring is o’er; the rose is gone;8········
The song of Philomel is done.8···/˘˘··
His love was all; himself, a note.8····˘/··
His love, alive; himself, dead mote.8··˘/˘/··
Who feels not love’s all-quick’ning flame,8········
Is like the bird whose wing is lame.8········
Can I be quiet, easy, glad,8···/˘/˘·
When my delight’s away? No! Sad.8··˘/˘/··
Love bids my plaint all bonds to burst.8········
My heart would break, with silence curst.8·····/˘·
A mirror best portrays when bright;8·/˘·˘/··
Begrimed with rust, its gleam grows slight.8········
Then wipe such foul alloy away;8····/·˘/
Bright shall it, so, reflect each ray.”8····˘/··
Thou’st heard what tale the flute can tell;8········
Such is my case; sung all too well.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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